Table of Contents

FROM THE PAGES OF HEART OF DARKNESS AND SELECTED SHORT FICTION

Title Page

Copyright Page

JOSEPH CONRAD

THE WORLD OF JOSEPH CONRAD

Introduction

A NOTE ON THE TEXTS

AUTHOR’S NOTE

YOUTH

HEART OF DARKNESS

- I -

-II-

- III -

AMY FOSTER

THE SECRET SHARER

—I—

—II—

ENDNOTES

INSPIRED BY HEART OF DARKNESS

COMMENTS & QUESTIONS

FOR FURTHER READING

FROM THE PAGES OF HEART OF DARKNESS AND SELECTED SHORT FICTION

This could have occurred nowhere but in England, where men and sea interpenetrate, so to speak—the sea entering into the life of most men, and the men knowing something or everything about the sea, in the way of amusement, of travel, or of bread-winning. (from “Youth,” page 7)

Only a moment; a moment of strength, of romance, of glamour—of youth! (from “Youth,” page 36)

What greatness had not floated on the ebb of that river into the mystery of an unknown earth! ... The dreams of men, the seed of commonwealths, the germs of empires. (from Heart of Darkness, page 39)

The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.

(from Heart of Darkness, page 51 )

In and out of rivers, streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair. Nowhere did we stop long enough to get a particularized impression, but the general sense of vague and oppressive wonder grew upon me. It was like a weary pilgrimage amongst hints for nightmares.

(from Heart of Darkness, page 50)

They were dying slowly—it was very clear. They were not enemies, they were not criminals, they were nothing earthly now,—nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom. (from Heart of Darkness, page 53)

It is impossible to convey the life-sensation of any given epoch of one’s existence—that which makes its truth, its meaning—its subtle and penetrating essence. It is impossible. We live, as we dream—alone.

(from Heart of Darkness, page 65)

I don’t like work—no man does—but I like what is in the work,—the chance to find yourself. Your own reality—for yourself, not for others—what no other man can ever know. They can only see the mere show, and never can tell what it really means.

(from Heart of Darkness, page 66)

The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness.

(from Heart of Darkness, page 75)

Published by Barnes & Noble Books

122 Fifth Avenue

New York, NY 10011

www.barnesandnoble.com/classics

Heart of Darkness and “Youth” were originally published in Blackwood’s Edinburgh

Magazine (in 1899 and 1898, respectively), and together collected in volume form

in 1902. “Amy Foster” was first published in 1901 in the Illustrated London News,

and “The Secret Sharer” first appeared in Harper’s Magazine in 1910.

The present texts derive from Doubleday’s collected editions of

Conrad’s works, published in 1920-1921.

Originally published in mass market format in 2003 by Barnes & Noble Classics

with new Introduction, Note on the Texts, Map, Notes, Biography, Chronology,

Inspired By, Comments & Questions, and For Further Reading.

This trade paperback edition published in 2008.

Introduction, A Note on the Texts, Footnotes,

Endnotes, and For Further Reading

Copyright @ 2003 by A. Michael Matin.

Note on Joseph Conrad, Map of Congo Free State, The World of Joseph Conrad,

Inspired by Heart of Darkness, and Comments & Questions

Copyright @ 2003 by Barnes & Noble, Inc.

All rights reserved. No part of this publication may be reproduced or

transmitted in any form or by any means, electronic or mechanical,

including photocopy, recording, or any information storage and retrieval

system, without the prior written permission of the publisher.

Barnes & Noble Classics and the Barnes & Noble Classics

colophon are trademarks of Barnes & Noble, Inc.

Heart of Darkness and Selected Short Fiction

ISBN-13: 978-1-59308-123-2 ISBN-10: 1-59308-123-5

eISBN : 978-1-411-43230-7

LC Control Number 2007941531

Produced and published in conjunction with:

Fine Creative Media, Inc.

322 Eighth Avenue

New York, NY 10001

Michael J. Fine, President and Publisher

Printed in the United States of America

QM

3 5 7 9 10 8 6 4 2

JOSEPH CONRAD

Józef Teodor Konrad Korzeniowski was born on December 3, 1857, in a Polish province in the Ukraine to parents ardently opposed to the Russian occupation of eastern Poland. From his father, Apollo, Conrad developed a great love of literature, and he read the works of James Fen imore Cooper, Charles Dickens, William Makepeace Thackeray, and Sir Walter Scott in Polish and French translations. After he lost his parents to tuberculosis in 1865 and 1869, Conrad was cared for by his uncle Tadeusz Bobrowski until 1874, when he left for Marseilles to launch a career at sea that would span some twenty years. He joined the British merchant marine in 1878, climbing the ranks and passing his captain’s exam in 1886—the same year he became a British subject. Conrad’s many ocean voyages took him all over the world and provided inspiration for his subsequent writing career, but it was his trip up the Congo River on a steamship that left him disenchanted with humanity and that led him to write his seminal work Heart of Darkness (1899). Conrad had begun a decade earlier, at age thirty-one, to compose fiction in English, a language he had not learned until he was a young adult. He published his first novel, Almayer’s Folly, in 1895 under the pen name Joseph Conrad and, encouraged by the literary critic Edward Garnett, then devoted himself to writing. Although he suffered from physical ailments, such as malaria, as well as psychological problems, Conrad nonetheless produced a substantial body of work, including the great novels Lord Jim (1900), Nostromo (1904), The Secret Agent (1907), and Under Western Eyes (1911). He is regarded as one of the premier prose stylists and writers of psychological fiction in the English language. He died of a heart attack on August 3, 1924.

THE WORLD OF JOSEPH CONRAD

1482

The Portuguese navigator Diogo Cão discovers the mouth of a river nearly 3,000 miles long. Europeans initially call it the Zaire, but it later becomes known as the Congo.

1491

Christian missionaries first travel to the Congo.

1853

Scottish missionary-doctor David Livingstone embarks on his Zambezi expedition, one of the most significant explorations of the Congo.

1857

Józef Teodor Konrad Korzeniowski is born in a province in the Russian-occupied Ukraine to Polish parents Ewa (née Bobrowska) and patriot, poet, and translator Apollo Korzeniowski.

1861

Apollo is arrested by the Russian authorities for his nationalist activities.

1862

Apollo is released, and the family is exiled to Vologda, Russia.

1865

Conrad’s mother dies of tuberculosis. Conrad first experiences English literature through his father’s translations of Shakespeare. (His first two languages are Polish and French.)

1869

Conrad’s father dies, also of tuberculosis; Conrad is adopted by his maternal uncle, Tadeusz Bobrowski, who lives in Poland. The completion of the Suez Canal effectively links the Mediterranean and Red Seas.

1874

Conrad sets off for Marseilles to become a seaman in the French merchant marine; his first voyage is to Martinique on the Mont Blanc.

1878

An indebted Conrad attempts suicide by shooting himself in the chest. He subsequently signs on with the British merchant navy. Following Henry Morton Stanley’s exploration of the region, King Leopold II of Belgium claims ownership of the Congo, founding the Comité d‘Etudes du Haut-Congo (later the Associa tion Internationale du Congo); Leopold takes this action pri vately, not on behalf of Belgium.

1881

Conrad sails to the Far East on the Palestine, a bark of 425 tons. On this two-year voyage, the Palestine’s  cargo of coal catches fire and must be abandoned. Conrad is forced to navigate an open

boat for more than thirteen hours, until finally landing on an island near Sumatra. Conrad will draw on this experience when he writes the story “Youth” (for more, see the Introduction).

1883

Conrad ships as second mate on the Riversdale, then boards the Narcissus at Bombay; he will later translate this experience into the novel The Nigger of the “Narcissus.”

1884

Conrad becomes a first mate.

1885

The Association Internationale du Congo obtains 450 treaties with African tribal chiefs, as well as the recognition of statehood by America, Belgium, France, Germany, Great Britain, Portugal, and Russia. The Congo Free State is formed, with Leopold II as its sovereign.

1886

Conrad becomes a British subject and earns his master’s certifi cate from the Board of Trade.

1889

Conrad begins writing Almayer’s Folly.

1890

Conrad embarks on a four-month voyage along the Congo River on a steamboat. During this period he keeps a diary, which he will later use when he writes Heart of Darkness.  He returns to Brussels exhausted, ill with malaria, and profoundly disturbed by what he has experienced in the Congo.

1894

Conrad concludes his sea career and begins writing full time. His uncle dies, leaving him £1,600. Conrad begins socializing with a literary circle that includes the critic Edward Garnett, John Galsworthy, Henry James, and Stephen Crane.

1895

Joseph Conrad formally adopts his pen name, and his first novel, Almayer’s  Folly, is published.

1896

Conrad settles permanently in England and marries twenty-two year-old Jessie George, with whom he will have two sons. His sec ond novel, An Outcast of the Islands,  is published.

1897

Conrad’s novel The Nigger of the “Narcissus”  is published.

1898

“Youth” is published in the September issue of Blackwood’s Edinburgh Magazine. Tales of Unrest,  his first volume of short stories, is published. The Conrad family moves to Pent Farm, near the coast of Kent, England. Conrad’s son Borys is born.

1899

Heart of Darkness is published, as The Heart of Darkness, in the February, March, and April issues of Blackwood’s Edinburgh Magazine.

1900

Conrad’s novel Lord Jim  is published.

1901

“Amy Foster” is published in the Illustrated London News, December 14-28. Conrad collaborates with Ford Madox Ford; the result is The Inheritors.

1902

Edward Garnett favorably reviews Heart of Darkness upon its ini tial publication in book form in Youth: A Narrative; and Two Other Stories.

1903

Conrad publishes Typhoon and Other Stories, which includes “Amy Foster.” Romance,  his second collaboration with Ford Madox Ford, is published. Roger Casement, a British consul to the Congo Free State, solicits Conrad’s support to expose the atrocities of Leopold’s rule over the Congo.

1904

Conrad’s novel Nostromo  is published.

1906

Conrad’s son John is born.

1907

Conrad’s novel The Secret Agent  is published.

1908

Following international outcry about the treatment of the Con golese under Leopold’s Congo Free State, Belgium annexes the country, establishing the Belgian Congo. The worst abuses are gradually diminished, but the region remains a resource for Euro pean exploitation, with little provision for the well-being of its people.

1910

“The Secret Sharer” is published, as “The Secret-Sharer,” in the August and September issues of Harper’s Magazine.

1911

Conrad publishes the novel Under Western Eyes,  following a ner vous breakdown.

1912

Conrad’s memoir A Personal Record and ’Twixt Land and Sea,  a short-story collection that includes “The Secret Sharer,” are pub lished.

1914

Conrad enjoys popular success for the first time as his novel Chance  becomes a bestseller. World War I erupts during the Conrads’ visit to Poland.

1915

Conrad’s novel Victory  is published.

1917

Conrad’s novella The Shadow-Line  is published.

1921

1920- Collected editions of Conrad’s works are published by Double day, Page (in America) and Heinemann (in Britain).

1923

Conrad undertakes a reading tour in the United States.

1924

A rheumatic Conrad refuses an offer of knighthood a few months before he succumbs to a fatal heart attack.

1926

Conrad’s volume Last Essays  is posthumously published.

1958

The Congo forms its first parliamentary government.

1960

The Congo wins its independence from Belgium.

1979

Francis Ford Coppola’s Apocalypse Now, a movie largely inspired by Heart of Darkness,  premieres.

INTRODUCTION

While engaged in the mundane chore of packing ivory tusks into casks, in his second week in the Congo as an employee of a Belgian company, Joseph Conrad could hardly have dreamed that the events of the next six months would provide him with the basis for one of the most influential works of fiction of the modern era. In fact, at the time, in June 1890, he felt this task to be “idiotic employment” (Conrad, “The Congo Diary,” p. 161; see “For Further Reading”), an impression he recorded in a journal that is one of the earliest samples of his writing in the English language as well as a document that demonstrates how closely aspects of Heart of Darkness are based on his own experiences. Perhaps it was the unpleasant memory of his physical contact with the coveted substance for which the Congo region was being plundered that would lead him, twenty-seven years later, to make clear that he did not profit from the endeavor materially but only artistically: two stories, one of which was Heart of Darkness, he maintained, “are all the spoil I brought out from the centre of Africa, where, really, I had no sort of business” (Author’s Note, p. 4). Conrad was not yet a writer in 1890, although he had a year earlier tentatively begun work on what would eventually become his first novel, based partly on his observations in the Malay Archipelago. His relatively late start, however, was essential to his success, for by the time he began he had amassed a wealth of experiences of the sort that most other writers could only imagine. In fact, while Heart of Darkness is the best-known instance of Conrad’s penchant for transforming personal experiences into fiction, it is only one of numerous such works by this prolific author. By presenting this novella along with several of Conrad’s finest short stories—“Youth,” “Amy Foster,” and “The Secret Sharer,” each of which also draws on his travels and observations from around the world—the current volume aims to facilitate an appreciation of the diverse fruits of his genius.

Life and Career

In an essay written shortly after Conrad’s death in 1924, Virginia Woolf copiously praised her fellow novelist’s artistry. Yet even though Conrad had been naturalized as a British subject nearly four decades earlier, the quintessentially English Woolf viewed this Polish émigré, who “spoke English with a strong foreign accent,” as a “guest” in Britain. She further described him as “compound of two men,” as one who was “at once inside and out,” and who was therefore possessed of a penetrating “double vision” (Woolf, Collected Essays, pp. 302, 304). Ever the penetrating observer herself, Woolf thus crystallized what is perhaps the most basic aspect of Conrad’s identity: the fact that it was structured according to a series of dichotomies. He was a Pole and a Briton as well as a seaman and a writer, a fact he alluded to in a 1903 letter in which he characterized himself as a “homo duplex” (double man) in multiple senses (The Collected Letters of Joseph Conrad, vol. 3, p. 89). As a result of his dual nationalities and careers, he had a plurality of experiences and insights on a wide range of issues. Indeed, he was a consummate example of what Salman Rushdie (himself a hybrid product of India, Pakistan, and Britain) has termed “translated men”—expatriate artists whose geographical, cultural, and linguistic border crossings have resulted in rich cross-fertilizations of identities and perspectives (Imaginary Homelands, p. 17). One salient example of Conrad’s variety of experiences is on the matter of imperialism. Having been born in Russian-occupied Poland to a family of ardently nationalistic Poles and subsequently naturalized as a subject of the world’s foremost imperial power, and, further, as a seaman who traveled around the world during the heyday of European imperialism, he had a diversity of viewpoints that enabled him to write illuminating fiction on this theme. Another such example is that of language. That he is one of the foremost English prose stylists is an especially remarkable achievement given that this was his third language (after Polish and French, the latter being the language of the writers he most admired) and that he did not begin to learn it until he was a young adult.

Conrad’s unique circumstances as an individual were complemented by the fact that he occupied a singularly opportune moment in the history of British literature. His period of artistic fertility occurred precisely on the cusp between a Victorianism that was rapidly becoming antiquated and a modernism that would not be fully developed until after World War I. Dramatic changes in the reading public and the publishing industry, along with technological and geopolitical developments that challenged the traditional insularity of British culture, made the era ripe for both formal and thematic literary innovations. Yet while the particulars both of Conrad’s individual life and his historical moment no doubt provided him with special opportunities and capabilities, it was a combination of raw talent and uncompromising dedication to his artistic vision that enabled him so fully to actualize their potential. It is through understanding the remarkable circumstances of his life that one may see how it paradoxically came to be the case that this Polish-born, Francophile mariner was uniquely equipped to exploit the aesthetic and ideological instabilities of his era and thereby become a vital force in the development of British literary modernism.

Józef Teodor Konrad Korzeniowski, who published under the Anglicized pseudonym Joseph Conrad, was born on December 3, 1857, in southeastern Russian-occupied Poland—specifically, in or near Berdichev, a Polish province in the Ukraine. His family were Catholic members of the Polish hereditary nobility, the szlachta, which Conrad unassumingly characterized as “the land-tilling gentry” in order to make clear that this group (which comprised about ten percent of the population and for whom there was no distinction between aristocracy and gentry) was not comparable to the small minority of superwealthy families that constituted the aristocracy of his adoptive country. A formidable power in the fifteenth and sixteenth centuries, Poland had gone into decline and then been systematically dismantled by its more powerful neighbors, Austria, Russia, and Prussia, in a series of partitions in the late eighteenth century. In 1795, in the last of these partitions, the remnants of Polish territory were taken, and the nation would not be reconstituted until after World War I. Poland’s subjugation was a profound influence on Poles of Conrad’s generation in general and for Conrad in particular, given that many members of his family were deeply committed to the cause of autonomy for their homeland. The extent to which his father, Apollo Korzeniowski, a prominent playwright, poet, and translator, embraced the nationalist cause is indicated in the title of a poem he composed that marked Conrad’s birth in relation to the first Polish partition of 1772: “To My Son Born in the 85th Year of Muscovite Oppression, a Song for the Day of His Christening.” For his political activism, Apollo was imprisoned by the Russian authorities in the fall of 1861 and then, upon his release the following spring, was exiled with his wife, Ewa, and their only child to Vologda, a cold city northeast of Moscow. The harsh circumstances of their exile took a toll on the health of both parents. Ewa died of tuberculosis in 1865, when Conrad was seven years old. In 1867 the ailing Apollo and his son were permitted to return to Poland, where Apollo died, also of tuberculosis, in 1869. His funeral procession, in Cracow, inspired a major nationalist demonstration.

As Conrad was thus orphaned at the age of eleven, his upbringing now fell to his maternal uncle, Tadeusz Bobrowski, who was to prove a formative influence. Whereas Conrad’s father had been a passionate idealist, his uncle was eminently practical and conservative, and the opposition between these influences may be viewed as yet another of the dichotomies that shaped the author’s life. As Zdzislaw Najder, Conrad’s finest biographer, observes, “Almost all Conrad’s inner tensions—the painful, uncomfortable, wearisome wealth of his mind—can be associated with this basic contrast between his [father‘s] and his uncle’s personalities” (Joseph Conrad: A Chronicle, p. 166). In 1872, at the age of fourteen, Conrad declared his intention of becoming a sailor, a plan that was initially opposed by his uncle. The idealistic adolescent was fixed on the idea, though, and his aspiration actually served a practical necessity, since it was clear that emigration would be necessary: as a Russian subject and the son of a convict, he would have been liable for up to twenty-five years of compulsory duty in the Russian Army had he remained in Poland. So in October 1874, two months before his seventeenth birthday, he left Poland for the port city of Marseilles, where he entered the French merchant marine as a trainee seaman and a steward.

His budding career, however, was temporarily brought to a halt when, in December 1877, he was informed that, as a Russian subject, he could no longer serve on French vessels. Without a livelihood, he remained in Marseilles, where he lived beyond his means and then tried to recoup his losses by gambling. The ensuing financial crisis led him to attempt suicide. (Conrad himself always insisted that the scar on his left breast was from a gunshot wound received in a duel, a claim perpetuated in his pseudo-autobiographical novel The Arrow of Gold [1919], which consists of heavily embellished memories of his Marseilles period, including romantic stories of gun running for the Spanish Carlist cause and a torrid love affair. His uncle, who rushed to Marseilles, helped him recuperate, and paid off his debts, publicly affirmed this myth—presumably because suicide is a mortal sin for Catholics whereas dueling was viewed as honorable—but in a confidential letter he acknowledged the truth.) After his recovery, no longer eligible to serve on French ships, Conrad joined the British merchant marine and first arrived on British shores in June 1878. Over the next several years he rose through the ranks, passing his exams for second mate in 1880, first mate in 1884, and captain in 1886, the same year in which he was naturalized as a Briton.

Yet employment opportunities for captains were scarce during this era, for the demand for sea officers was steadily declining as steamships were supplanting smaller sailing vessels (a historical shift Conrad wistfully treated in his 1906 memoir The Mirror of the Sea, in which he makes clear his belief in the dignity of sail over steam). So over the next several years he accepted positions as first mate and second mate, and in January 1894 he completed his last voyage. His two-decade-long career as a seaman had taken him all over the world—to southeast Asia, Australia, Africa, the Caribbean, South America, India, and throughout Europe—and would provide him with much of the material for his second profession, as a writer. The year 1894, in fact, constitutes a watershed in Conrad’s life, as the end of his period as a seaman was followed rapidly by the death, the next month, of his beloved uncle Tadeusz and the completion of his first novel, Almayer’s Folly, which he had begun writing five years earlier. The novel was published in 1895 under the name Joseph Conrad (the inaugural use of this pseudonym), and, although it did not sell well, it received generally good reviews. With this modest success, the thirty-seven-year-old Conrad embarked on a literary career that from this point on would be the consuming passion of his life.

Conrad settled permanently in England in 1896 and (to the surprise of some of his friends) after a brief courtship married Jessie George, an intellectually unimpressive lower-middle-class Englishwoman nearly sixteen years younger than he. They would remain married for the rest of his life, and she appears to have provided the domestic support and stability that the irascible, high-strung author found necessary in order to work. In the same year his second novel, An Outcast of the Islands, was published, followed in 1897 by The Nigger of the “Narcissus,” whose preface may be viewed as his aesthetic manifesto: he defined “art” as “a single-minded attempt to render the highest kind of justice to the visible universe, by bringing to light the truth, manifold and one, underlying its every aspect” (Kimbrough edition, p. 145). He was well aware that his rather elevated artistic vision of fiction was not typical of English assumptions of the period. On the contrary, as Ian Watt points out, “Conrad’s basic conception of the novel was not of English origin. Nor was it derived from Polish sources, if only because the novel developed rather late in Poland, compared to poetry and drama. For Conrad the exemplary novelists were French, and, in particular, Flaubert and Maupassant” (Conrad in the Nineteenth Century, p. 48). As Conrad forged ahead with his literary career, his domestic life continued to develop. In 1898 the first of his two children, Borys, was born, and his first volume of short stories, Tales of Unrest, was published. In the fall of that year the family moved into Pent Farm, a home near the Kentish coast that Conrad had subleased from a new friend of his, the writer Ford Madox Huef fer (later, Ford Madox Ford). The relationship with Ford would prove to be important, as the two would go on to collaborate on several projects, most notably the novels The Inheritors (1901) and Romance (1903), before a quarrel would effectively end their friendship. It was also during this period that Conrad began to cultivate relationships with some of the most important writers of the era, several of whom—H.G. Wells, Stephen Crane, and Henry James—were now his neighbors. His second son, John, born in 1906, would in fact be named after his friend, the future Nobel Prize-winning novelist John Galsworthy.

The family lived at Pent Farm until 1907, and it was here that Conrad wrote most of his finest and most enduring fiction, beginning with Heart of Darkness (1899) and Lord Jim (1900). Although his output was prodigious during his years at Pent Farm—and he remained steadily prolific throughout his career as a writer, with not only novellas and novels but short stories and essays as well—he suffered chronically from delibi tating bouts of depression and writer’s block. In a letter to the literary critic Edward Garnett, written shortly before he began full-time work on Lord Jim, he dramatically conveyed his anguish and sense of paralysis:

The more I write the less substance do I see in my work. The scales are falling off my eyes. It is tolerably awful. And I face it, I face it but the fright is growing on me. My fortitude is shaken by the view of the monster. It does not move; its eyes are baleful; it is as still as death itself—and it will devour me. Its stare has eaten into my soul already deep, deep. I am alone with it in a chasm with perpendicular sides of black basalt. Never were sides so perpendicular and smooth, and high (Collected Letters, vol. 2, p. 177).

To make matters worse, as he was racked with escalating debts (and proudly refused to lower his fairly high standard of living) he often spent large advances on work that he had hardly begun, which led him to request still greater advances; he was, therefore, more or less constantly under pressure to produce. Further, his difficulties with writing were exacerbated by a deep metaphysical pessimism that presupposed the ultimate futility of all human endeavors. In a letter to the idealistic Scottish socialist politician Cunninghame Graham, he summed up his view of the human condition, which was extrapolated from popularized accounts of the second law of thermodynamics (the law of entropy):

The mysteries of a universe made of drops of fire and clods of mud do not concern us in the least. The fate of a humanity condemned ultimately to perish from cold is not worth troubling about. If you take it to heart it becomes an unendurable tragedy. If you believe in improvement you must weep, for the attained perfection must end in cold, darkness and silence. In a dispassionate view the ardour for reform, improvement for virtue, for knowledge, and even for beauty is only a vain sticking up for appearances as though one were anxious about the cut of one’s clothes in a community of blind men (Collected Letters, vol. 2, pp. 16-17).

What has been termed the Conradian ethic is based, paradoxically, on acknowledging this darkly existential condition while nonetheless remaining faithful to one’s human commitments.

Having spent much of his early career as a writer using his own experiences and observations as grist for his art (most of his early tales are set at sea or in parts of the world to which he had traveled during his years as a seaman), Conrad now, after completing Typhoon (1903), began to treat subjects that were remote from his own experiences. This was in part a strategic shift of gears: he did not like the idea of being thought of as a writer whose sole subject matter was seafaring. The great political novels Nostromo (1904), The Secret Agent (1907), and Under Western Eyes (1911) were his primary achievements during this period. His political interests found expression at this time in nonfiction writings as well, most notably the 1905 essay “Autocracy and War,” which he wrote on the occasion of the defeat of Russia in the 1904-1905 Russo-Japanese War. In this essay, Conrad astutely analyzes the increasingly bellicose climate of Europe generally, asserting that it has become “an armed and trading continent, the home of slowly maturing economical contests for life and death, and of loudly proclaimed world-wide ambitions” and presciently warning of the growing danger of German militarism (The Works of Joseph Conrad: Notes on Life and Letters, p. 112). He also used the piece on behalf of his homeland with the assertion that “[t]he common guilt of the two [that is, German and Russian] Empires is defined precisely by their frontier line running through the Polish provinces” (p. 95). He would in later years take up this issue at greater length in the polemical essays “A Note on the Polish Problem” (1916) and “The Crime of Partition” (1919), in which he would represent the Poles as “Western” rather than “Slavonic” and would appeal to the “Western Powers” to protect Poland from the twin evils of “Russian Slavonism” and “Prussian Ger manism” based on “the moral and intellectual kinship of that distant outpost of their own type of civilisation” (pp. 131, 135).

Public affirmations of loyalty to Poland appear to have been very important for Conrad, particularly following a debate that had transpired at the turn of the century in the Polish press over the emigration of talent. During this debate he was publicly denounced by one of Poland’s most famous novelists for alleged disloyalty for having emigrated to Britain and chosen to write in the English language. So acutely sensitive was he to such charges that he contended in a 1901 letter to a fellow Pole (who happened to share the name Józef Korzeniowski), on the matter of his adoption of an Anglicized pseudonym,

I have in no way disavowed either my nationality or the name we share for the sake of success. It is widely known that I am a Pole and that Józef [and] Konrad are my two Christian names, the latter being used by me as a surname so that foreign mouths should not distort my real surname.... It does not seem to me that I have been unfaithful to my country by having proved to the English that a gentleman from the Ukraine can be as good a sailor as they, and has something to tell them in their own language (Collected Letters, vol. 2, pp. 322-323).

Although the claims of some critics that Conrad’s fiction may be viewed primarily as displaced expressions of his own sense of guilt over having abandoned Poland have been taken beyond plausibility, there is no doubt that this issue played a prominent role in his psychology and in the development of his fiction, which pursues with a relentlessness bordering on obsession the themes of conflicted loyalties and betrayal. In fact, his 1912 autobiography, A Personal Record, is particularly interesting as a rhetorical effort to represent himself as faithful to his native homeland yet nonetheless as a natural fit for his adoptive country. The latter tendency is epitomized in the author’s note he wrote for a new edition of the volume in 1919 that includes a rather mysterious account of his relationship to the English language, which, it bears recalling in this context, he always spoke with a thick Polish accent:

The truth of the matter is that my faculty to write in English is as natural as any other aptitude with which I might have been born. I have a strange and overpowering feeling that it had always been an inherent part of myself. English was for me neither a matter of choice nor adoption. The merest idea of choice had never entered my head. And as to adoption—well, yes, there was adoption; but it was I who was adopted by the genius of the language, which directly I came out of the stammering stage made me its own so completely that its very idioms I truly believe had a direct action on my temperament and fashioned my still plastic character (The Works of Joseph, Conrad: A Personal Record, p. vii).

He even went so far as to deny the formative influence on him of French writers in order, as Najder characterizes it, “to erase from his literary biography any elements which might detract from his reputation as a classic of the English literary tradition” (p. 433).

In addition to the conflict over his dual national allegiances, Conrad was faced with the dilemma of how to negotiate the conflicting exigencies of two distinct audiences for his fiction. Subsequent to the education reform movement of the 1870s (a series of acts passed by Parliament had made elementary education compulsory for all British children), the British reading public had increasingly divided into a new mass readership and a highbrow readership. Although Conrad’s loyalties were with the latter, he was financially dependent on the former, and, despite his begrudging efforts to appeal to a popular readership, his books simply would not sell well. Unsuccessful in attracting a popular readership, he attempted to make his writing more lucrative by adapting his fiction for the stage, but the results of this endeavor were disappointing as well. Although he blithely claimed of his 1905 adaptation of his short story “To-morrow” (under the title One Day More) that he was content to have “an exceptionally intelligent audience stare... it coldly off the boards” (“The Censor of Plays” in The Works of Joseph Conrad: Notes on Life and Letters, p. 77), privately he had made clear that he had been hoping it would make him solvent in a way that his fiction had not yet done for him: “my little play.... may lead to the end of all my financial troubles,” he had optimistically speculated (Collected Letters, vol. 3, p. 237). The first substantial sign of a change in this situation was the 1912 publication of ‘Twixt Land and Sea (including the fine short story “The Secret Sharer”), which garnered unprecedentedly high sales for him. Yet it would not be until the publication of the novel Chance, in 1914, that he would have an actual best-seller and a measure of relief from his financial burdens. From this point on, Conrad was marketable.

In an irony of the sort that is characteristic of his own fiction, however, Conrad’s newfound popularity coincided with a dramatic and permanent diminution in his powers as a writer. Indeed, the fact that Henry James, whom Conrad viewed as the greatest authority on the art of the novel form, had been sharply critical of Chance made painfully clear to him that the work’s fame and its artistic quality were not proportional to each other. The decline that had begun with Chance steepened with his next novel, Victory (1915), and his subsequent fiction, with the notable exception of the novella The Shadow-Line (1917), is inferior still. Some critics identify this process as having begun with his nervous collapse in 1910 after completing Under Western Eyes. So torturous was the writing of this book that even for Conrad, for whom completion of a novel was often the occasion for physical and emotional breakdown, it was extreme: he collapsed with fever, raved, and spent three months in bed recuperating. Yet regardless of whether one can identify the deterioration in the quality of his fiction with a particular event, it is apparent that his mode of creativity was not sustainable either physically or psychologically.

Other circumstances no doubt contributed as well to his decline. The fact that he began writing at a relatively advanced age meant that the duration of his career would be correspondingly short, and his creative difficulties later in life were surely exacerbated by various burdens, such as the chronically poor health of his wife and the long-term effects of shell shock experienced by his son Borys in the trenches of World War I. It is also important to recognize that the tendency to dismiss Conrad’s later work may not altogether do justice to it, and critics have begun to reassess that work and to challenge the assumption that it is wholly substandard. Yet despite how one judges the quality of Conrad’s output during his last decade, what is clear is that the popularity of that work led to belated appreciation of his earlier books as well as numerous reprintings of them, most notably in the form of a pair of prematurely titled “collected editions” that were published in Britain and America in 1920 and 1921. Riding the crest of his popular success, in 1923 he embarked on a reading tour in the United States, where for the first time he found himself a center of public interest. In the following year, his mounting accolades in Britain culminated in the offer of a knighthood, although, in keeping with his propensity for turning down public honors, he declined to accept it. He died of a heart attack on August 3, 1924, at the age of sixty-six, and was buried near his home in a Roman Catholic cemetery in Canterbury. Although his reputation ebbed slightly in the years after his death, by the 1940s he was generally acknowledged to be among a handful of the greatest writers of his era, an estimation that has never faltered since.

“Youth,” “Amy Foster,” and “The Secret Sharer”

For both practical and artistic reasons, the short story form was important to Conrad. On the practical side, before he became a popular success, it provided the chronically debt-ridden author with a more dependable source of income than did the novel form; both in Britain and America, magazines during this era tended to pay well for short fiction, whereas selling a novel was always a dicey proposition. Yet he was also deeply invested in the short story as an aesthetic form, as was the case with several of the authors whom he most admired, such as Guy de Maupassant. Unlike Maupassant’s compact, elliptical stories, however—and despite his own assertion that “[i]t takes a small-scale narrative (short story) to show the master’s hand” (Collected Letters, vol. 1, p. 124)—Conrad’s stories tend to be long and richly detailed, and, as his creative imagination was constantly at work reshaping and augmenting his material, they invariably threatened to evolve into novellas and even full-scale novels. In fact, nearly all of his novels were initially envisioned as short stories. In his entire career, to the consternation of his publishers and his literary agent, he brought only one work of fiction in at the length he had projected (the 1897 short story “The Lagoon”), and he completed very few works by the times to which he had agreed. Writing either to a set length or to a deadline was anathema to this temperamental artist.

The three short stories included in this volume are generally recognized to be among Conrad’s finest examples of the genre. As is the case with much of his fiction, all three stories deal with the theme of the dangers of sea travel, a preoccupation that stems from his first career as a seaman. Further, all three stories demonstrate Conrad’s proclivity for transmitting information through the refracting lenses of specific subjectivities—in the case of “Youth” and “Amy Foster” (each of which is a frame-tale narrative, or a story within a story), multiple subjectivities. Yet despite these thematic and formal similarities, they also present Conrad in three different modes, and each displays different of his skills. While reading any one of these stories on its own is illuminating, for reasons that are detailed below, when read together they yield considerably more than the sum of their parts.

“Youth” (1898) consists of the reminiscences of the English seaman Charlie Marlow, Conrad’s most famous narrator, to a group of his friends, one of whom subsequently passes the story on to the reader. The outlook Marlow here recalls—in sharp contrast to that of the next of Conrad’s tales he will narrate, the broodingly pessimistic Heart of Darkness —is unencumbered by introspection and psychological conflict. Yet this is not to say that the story runs no deeper than the insights of its reckless, twenty-year-old protagonist (whose limited outlook the wistful, now forty-two-year-old Marlow scrupulously reproduces); on the contrary, “Youth” contains much more than its boy‘s-adventure-tale surface immediately discloses. The story Marlow recounts is of his ill-fated first voyage as second mate on an aged, poorly maintained ship that is supposed to deliver a load of coal from England to Siam (modern Thailand). After several months of false starts, crew changes, and long periods of waiting for repairs to be done, the barely seaworthy craft finally sets off. The comedy of errors that is the voyage culminates when, en route in the Indian Ocean, the cargo of coal catches fire. The crewmen make futile attempts to put out the fire and then are nearly killed in an explosion that compels them finally to abandon the now-sinking ship. Marlow is put in charge of one of the lifeboats with two other men, and, proud to assume his first “command,” he successfully leads his boat ashore, having had a memorable adventure and an initiation of sorts into manhood.

Although the story draws heavily on Conrad’s own experiences from 1881 to 1883 as second mate on the Palestine (here renamed the Judea), which would conclude with his first voyage to southeast Asia, his claims in the 1917 author’s note that the tale constitutes “a feat of memory” and “a record of experience” (p. 4) are decidedly inaccurate. For example, Marlow’s account of the acts of recklessness committed by those in charge is heavily embellished from the facts: Captain Beard’s decision to keep his crew on the clearly doomed Judea, Captain Nash’s decision to deliver mail rather than rescue Captain Beard and his crew, and Marlow’s own decision to place the lives of the two men in his lifeboat in jeopardy by remaining silent about a ship that could potentially rescue them simply so he can continue his romantic adventure—any of these actions would have been sufficient to lead to charges that would have stripped the perpetrator of his officer’s certificate. (A court of inquiry was convened in Singapore to investigate the loss of the Palestine, and no such findings were made.) Actually, the Palestine sank not far from shore, so even to the extent that those three decisions may correspond to the facts, the perils associated with them in the fictional version do not reflect the real circumstances. Rather attached to the myths he had created of his maritime career, as well as to his honor, Conrad was not pleased when, in 1922, this fact was unearthed and publicized.

What is perhaps the story’s most interesting departure from the facts, however, was hardly a secret: the recasting of the Polish Conrad as the Englishman Marlow. Further, it is not only the author who is reinvented as an Englishman. Whereas the group with whom Conrad actually served on the Palestine could hardly have been of more international composition—although the captain and several of the crew were English, there were also men from Australia, Norway, Ireland, and the Caribbean island of Saint Kitts—the courageous, dutiful seamen of the Judea are all English; they are Liverpool men who, Marlow affirms, have “the right stuff” (p. 24). In fact, the story’s chief thematic preoccupation is with what is represented, in highly traditional terms, as a uniquely English sort of virtue that seafaring provides the opportunity for actualizing. This tendency is epitomized in Marlow’s explanation for why the crew have conducted themselves with exemplary honor and steadfastness under the most trying of circumstances:

[I]t was something in them, something inborn and subtle and everlasting. I don’t say positively that the crew of a French or German merchantman wouldn’t have done it, but I doubt whether it would have been done in the same way. There was a completeness in it, something solid like a principle, and masterful like an instinct—a disclosure of something secret—of that hidden something, that gift of good or evil that makes racial difference, that shapes the fate of nations (p. 26).

In espousing the notion of the superiority of Anglo-Saxons over other imperial “races,” the story, which was written during the ascendancy of competition among imperial powers, participates in fairly common place rhetoric for the era. Yet given how skeptical Conrad tended to be about such matters, this apparent endorsement of a vision of Englishness that borders on jingoism is puzzling. To some extent we can make sense of such pronouncements by recognizing that he wrote the story for Blackwood’s Edinburgh Magazine, knowing that its readers were predominantly pro-imperial Tory-Conservatives. It is also possible that, as a naturalized Briton, he felt obliged to affirm publicly the chauvinistic assumptions of his compatriots—that is, to present himself, as the American-turned-Briton T. S. Eliot subsequently would do a generation later, as more English than the English.

These strategic considerations aside, Conrad’s idealistic depiction of English virtue in “Youth” appears to a limited extent to reflect his own convictions, and, insofar as this is the case, it represents only one side of a complex ambivalence toward his adoptive country, the other side of which would be displayed three years later in the poignant short story “Amy Foster” (1901). Actually, Conrad never wrote a more Anglophilic story than “Youth” or a more Anglophobic one than “Amy Foster.” On the one hand, “Youth” is a tale of imaginary belonging written by someone who acutely felt himself to be an outsider in the British merchant marine: as Najder observes, “there is no evidence to suggest that [a] sense of professional solidarity and comradeship in dangerous work was indeed part of Korzeniowski’s personal experience. It seems more probable that he felt lonely and alienated throughout his service” (p. 163). The fact that he was referred to by some of his shipmates, ironically, as “the Russian Count” reinforces this contention. On the other hand, in “Amy Foster” the experiences of the protagonist, an abused immigrant in Britain, clearly reflect Conrad’s own sentiments of being an unwelcome outsider.

The tale is narrated by Kennedy, a doctor whose thoughtful, cosmopolitan outlook sharply differs from that of the story’s provincial, rural Britons. Kennedy befriends the protagonist, Yanko, the sole survivor of a shipwreck off the Kentish coast, and gradually comes to learn the stranger’s story. Having washed ashore after the America-bound ship loaded with European émigrés on which he was a passenger has foundered, the long-haired Slavic stranger who speaks no English is immediately subjected by xenophobic Britons to both verbal and physical abuse. Mistaken for a madman or a criminal, he is treated in a manner comparable to that of the pathetically misunderstood monster in Mary Shel ley’s Frankenstein: he is lashed with a whip, stoned, and hit over the head with an umbrella before finally being locked up in a woodshed. During his imprisonment, Amy Foster, a plain-looking, unintelligent country girl, offers him bread, and they subsequently fall in love and marry. Yet as time progresses the cultural disparity between them becomes increasingly evident. Amy’s growing fear of her passionate, impulsive, and decidedly un-English husband’s strangeness reaches a climax when, during his bout of fever, what she mistakes for ravings (in fact, he is merely requesting water in his own language) frighten her to the point where she takes their infant son and flees their home. The abandoned Yanko dies the next day, Dr. Kennedy determines with evident symbolism, of “heart-failure” (p. 151), and the story concludes with the doctor reflecting on the irony that Yanko has been spared the fate of his drowned companions only to suffer and die for lack of human community in England: he has been “cast out mysteriously by the sea to perish in the supreme disaster of loneliness and despair” (p. 152).

Conrad was careful not to make the parallels between himself and his unfortunate protagonist excessively transparent. Unlike the devout Catholic peasant Yanko, Conrad was descended from Polish nobility and had long since lapsed from the faith. Yet while the tale is only obliquely autobiographical, its personal resonances are unmistakable. It is never explicitly stated that Yanko is Polish, but we are supplied with ample clues to make this determination. For example, we are informed that he has been a mountaineer, the term for which, “in the dialect of his country,” sounds “like Goorall” (p. 146), which bears a close resemblance to the Polish term for mountaineer, góral. And it is no coincidence that he washes up on the Kentish coast, the very part of southeast England where Conrad himself lived at the time he was writing the story. It is also important to recognize that Conrad believed himself to be an object of English xenophobia. For example, in an effort to account for the disappointing sales of his 1907 novel The Secret Agent, he wrote, “I suppose there is something in me that is unsympathetic to the general public.... Foreignness I suppose” (Collected Letters, vol. 4, pp. 9-10); and he consistently declined to give public readings of his work in Britain, explaining that “I am not very anxious to display my accent before a large gathering of people. It might affect them disagreeably” (Jean-Aubry, Joseph Conrad: Life and Letters, p. 283). Further, the story expresses Conrad’s sense of alienation not only from Britons generally, but from his English wife specifically. Notably, one of the titles he had considered before settling on “Amy Foster” was the distinctly autobiographical “A Husband,” and those aspects of the story that concern the incompatibility between Yanko and his provincial English wife are especially consonant with the circumstances of Conrad’s marriage. (The endnotes in this volume may be consulted for further information about the story’s autobiographical content.) Ultimately, of course, the tale cannot be reduced to mere veiled autobiography, but it does provide a revealing glimpse into the sentiments Conrad harbored toward his adoptive country that profoundly affected his fiction as a whole.

Like “Amy Foster,” “The Secret Sharer” (1910) makes an interesting companion piece to “Youth,” as it is also a tale of youthful initiation at sea recounted by an English seaman many years after the fact. Yet unlike in “Youth,” where passing the test is a fairly straightforward matter of keeping up one’s physical courage in the face of potentially deadly perils, in “The Secret Sharer” the emphasis is on the psychological tests of character that are associated with command. In the latter story, Conrad revisited the topic of seafaring after a long hiatus while writing political fiction, and the return to familiar subject matter appears to have made the writing process uncharacteristically smooth. The story, which draws on his own feelings and experiences as a first-time captain in 1888, was written in late 1909 with what was for him remarkable speed and ease, and he was quite pleased with it. As he affirmed in a rare self-congratulatory moment, “Every word fits and there’s not a single uncertain note” (Collected Letters, vol. 5, p. 128). Most critics have agreed with this assessment; it has long been the most widely admired of Conrad’s short stories.

The story begins with the narrator wondering at the outset of his first voyage as a captain whether he “should turn out faithful to that ideal conception of one’s own personality every man sets up for himself secretly” (p. 155). As it happens, the ensuing circumstances will provide the opportunity for an investigation of that very question, although the terms of the investigation will be considerably more complex and ambiguous than he can anticipate. The plot that subsequently unfolds is loosely based on the circumstances surrounding a famous episode of violence at sea. In 1880, on a sailing vessel off the coast of South Africa, a white first mate racially taunted and then killed a black crewman during an altercation between them. Several days later the captain secretly allowed the mate to escape, leading the crew nearly to a state of mutiny. The anguished captain subsequently committed suicide, by drowning himself, and the mate was eventually caught and convicted of man-slaughter. In Conrad’s version of the story, which is set in the Gulf of Siam and elides the race issue, it is without the complicity of his captain that the mate (here named Leggatt) escapes imprisonment on his ship. He swims to a nearby vessel, where he is taken in by the narrator, and much of the story is occupied with detailing the uncomfortable, and often comic, circumstances surrounding the latter’s efforts to keep the presence of his stowaway secret. Having successfully hidden Leggatt not only from his own crew but also from the captain and crew of the ship from which the errant mate has escaped, the narrator concludes his tale by describing how he has taken his ship on a dangerous nighttime maneuver in order to bring it close to shore in an effort to enable Leggatt to swim to safety.

Although “The Secret Sharer” has inspired a wide variety of interpretations, including political, sociological, and historical ones, by far the greatest interest in the story has been in its rich suggestiveness as a psychological tale. It has, accordingly, been subjected to a barrage of psychoanalytic interpretations. While Conrad maintained that he had no interest in the theories of Sigmund Freud, he was nonetheless intrigued by the complex duality of human consciousness, and this tale clearly reflects that interest. Throughout the story the narrator emphasizes his uncanny sense of identity with Leggatt—he characterizes the fugitive as his “other self,” his “double,” and his “secret sharer”; and he goes on to say of the duplicity necessitated by his efforts to keep Leggatt hidden, “the dual working of my mind distracted me almost to the point of insanity. I was constantly watching myself, my secret self.... It was very much like being mad, only it was worse because one was aware of it” (p. 170). In this respect the story, which Conrad had considered titling “The Second Self,” “The Secret Self,” and “The Other Self,” participates in the motifs of the Doppelgänger literary tradition, of which Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde (1886) is a particularly influential example.

Some of the most interesting interpretive possibilities for the story, in fact, are based on the assumption that the young captain’s intense identification with his alter ego may render his judgment, and perhaps even his veracity, suspect. Indeed, the confidence with which he claims that he understands the circumstances of the killing and how to interpret them (based solely on Leggatt’s own exculpatory version of the events) is remarkable for the uncritical frame of mind it discloses: “I knew well enough... that my double there was no homicidal ruffian. I did not think of asking him for details, and he told me the story roughly in brusque, disconnected sentences. I needed no more” (p. 161). And when the captain of the ship on which the killing has occurred comes aboard and tells his version of the story, the narrator dismisses it by asserting that “[i]t is not worth while to record that version” (p. 173). Thus, the sole opportunity we have to hear a potential counternarrative to Leggatt’s account is suppressed. At the beginning of the tale the narrator describes himself as having been both “a stranger to the ship [and] ... a stranger to myself” (p. 155), and the circumstances with which he is subsequently faced will resolve precisely into a conflict between his professional duties to his ship and his moral duties to his conscience. Yet even though he has violated his professional code by sheltering a fugitive from justice and willfully endangered his crew, the story nonetheless concludes with his idealized vision of himself as experiencing “the perfect communion of a seaman with his first command” and of Leggatt as “a free man, a proud swimmer striking out for a new destiny” (p. 193). That is, he appears to believe he has reconciled the seemingly contradictory exigencies with which he has been faced. Whether we concur that this judgment is sound or believe his representation of the events to be, either consciously or unconsciously, self-serving is an open matter. Indeed, much of the story’s artistry inheres in its tantalizing capacity for generating interpretations that differ from that offered by the narrator-captain.

Heart of Darkness

Heart of Darkness (1899) is one of the most broadly influential works in the history of British literature. The novella’s diverse attributes—its rich symbolism, intricate plotting, evocative prose, penetrating psychological insights, broad allusiveness, moral significance, metaphysical suggestiveness—have earned for it the admiration of literary scholars and critics, high school and college teachers, and general readers alike. Further, its impact can be gauged not only by the frequency with which it is read, taught, and written about, but also by its cultural fertility. It has heavily influenced works ranging from T. S. Eliot’s landmark poem The Waste Land (1922), the manuscript of which has as its original epigraph a passage from the book that concludes with the last words of Conrad’s anti-hero Kurtz, to Barbara Kingsolver’s novel The Poisonwood Bible (1998), which updates the tale to the years shortly before and after independence, when the Belgian Congo became the nation that is known today as the Democratic Republic of the Congo. Nor has its artistic influence been limited to literature; to cite only the most famous instance, it served as the basis for Francis Ford Coppola’s film Apocalypse Now (1979), which transposes the story, in both place and time, to Vietnam and Cambodia during the American-Vietnamese War and recasts Kurtz as a renegade American colonel. Its various homages aside, in its original form Heart of Darkness has for several generations influenced the literary and moral outlook of innumerable readers. Yet while the text is widely recognized as an indictment of the greed, and ruthlessness that generally drove European imperialism in Africa, most readers are unfamiliar with the fact that the setting is the event in imperial history so uniquely horrific in its sheer scale of suffering and death that it has been termed the African Holocaust. As Conrad himself would characterize the situation in the Congo nearly a quarter of a century after his novella was published, it was “the vilest scramble for loot that ever disfigured the history of human conscience” (“Geography and Some Explorers,” p. 17).

Set during the era of heightened competition for imperial territories that historians have termed the New Imperialism, Heart of Darkness is loosely based on Conrad’s experiences and observations during a six-month stint, in 1890, in the Congo as an employee of a Belgian company, the Société Anonyme Belge pour le Commerce du Haut-Congo. This was five years after the 1884-1885 Berlin Conference, a meeting of representatives of the European powers to establish the terms according to which much of the continent of Africa would be divided among them. During this meeting, King Leopold II of Belgium, skillfully playing the jealousies and fears of rival powers off one another, astonishingly managed to secure as his own property over 900,000 square miles of central Africa—that is, a territory roughly seventy-five times the size of the diminutive country he ruled. Under humanitarian pretenses, Leopold’s agents, who had’ begun the process of conquest several years earlier, effectively turned the so-called Congo Free State into an enormous forced labor camp for the extraction of ivory and, later, after the world-wide rubber boom in the early 1890s following the popularization of the pneumatic tire, rubber. In addition to outright murders, the slave labor conditions led to many deaths from starvation and disease as well as a steeply declining birth rate. Even during an era in which most Europeans viewed imperialism as legitimate, the appalling circumstances of Leopold’s Congo (it would officially become a Belgian colony in 1908, and Leopold would die the following year never having so much as visited the territory) led to international outrage. Conservative demographic estimates place the region’s depopulation toll between 1880 and 1920 at ten million people—that is, half of the total population—with the worst of the carnage occurring between 1890 and 1910. Not much was known outside Africa about the conditions of Leopold’s rule when Conrad was there, but in the several years before he began writing Heart of Darkness, in 1898, it became an international scandal, and regular reports appeared in the British and European press denouncing the abuses. Even before the publicity and protests, however (which would peak several years after the novella’s publication), Conrad had seen enough on his own to be thoroughly disgusted.

Yet it is important to recognize that while parts of Heart of Darkness are based on Conrad’s experiences and that it does register his sense of moral outrage, the book is neither a work of autobiography nor history, and (as we shall see, the controversy over how to read it demonstrates) it presents considerable interpretive difficulties. Although the fictional structure is the same as that of “Youth”—again, we have a frame-tale narrative with the Englishman Marlow recounting his experiences to the same quartet of middle-aged men—it is a much more complex work. The terms of that complexity are elucidated in the opening pages by the unnamed primary narrator, who precedes his recapitulation of Marlow’s tale with a figurative description of how this raconteur’s mode of storytelling differs from that of his less-sophisticated seafaring peers:

The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine (p. 40).

We are presented here with images that illustrate not only two different narrative methods but two distinct epistemologies. On the one hand, in the first sentence we have the typical seaman’s story depicted as presenting no, interpretive problems whatsoever: telling a tale is a straightforward process whose aim is to reveal an unambiguous and easily accessible kernel of truth for the listener’s edification. On the other hand, in the second, more elaborate sentence, Marlow’s stories are depicted (as the primary narrator will later term them) as utterly “inconclusive” (p. 42): telling a story in this manner is aimed not at providing definitive enlightenment, but rather, as Ian Watt puts it, to lead the listener to become aware of “a circumambient universe of meanings which are not normally visible, but which the story, the glow, dimly illuminates” (Conrad in the Nineteenth Century, p. 180). We are thus apprised from the outset that the tale we are about to hear will resist traditional interpretive techniques, will undermine our sense of how to read— indeed, will destabilize our very notion of “meaning” itself. This passage, in fact, is one of the classic statements of a modernist epistemology, and it thus serves as a useful primer for how to approach not only the story Marlow will proceed to tell but also Conrad’s text as a whole.

The aspects of Marlow’s storytelling method that impede our efforts to arrive at an unambiguous understanding of his tale’s meaning also hinder us from gaining a clear apprehension of the events themselves, something attested to by many first-time readers of the text who have difficulties following the plot. Such complications are in keeping with the modernist inclination for making narrative increasingly a function of individual subjectivity—a process that writers of the subsequent generation, such as James Joyce and Virginia Woolf, would take still further. With broad brush strokes, however, the plot of the story that Marlow dimly conveys through ruminations interspersed with bits and pieces of events runs as follows. Having secured a position with a Belgian ivory-trading company through the contacts of his Brussels-residing aunt, Marlow travels to Africa, where he is to captain a ship up the Congo River in order to recall a company agent named Kurtz who has cut himself off from all communications. Upon arriving in Africa, Marlow finds that the company conducts its business with terrible cruelty toward its Congolese employees. He also finds that the competition for power among the company agents is ruthless, and that Kurtz is widely resented by his colleagues for his alleged humanitarianism. When Marlow and his crew finally arrive at Kurtz’s compound several months later, however, they discover that the idealistic ivory trader has established himself as a virtual deity among the indigenous people, whom he has been ruling with bloodthirsty savagery. Mad and gravely ill, Kurtz is forcibly retrieved by Marlow and then dies on the return voyage. During their brief acquaintance Marlow finds himself drawn to Kurtz, despite his knowledge of the latter’s monstrous conduct, and Kurtz reciprocates by entrusting him with various personal effects. Soon after, a now ill and disoriented Marlow returns to Europe, where he recovers his physical health but remains profoundly disturbed by the memory of his experiences. Some months later, in an apparent effort to effect closure, he meets with Kurtz’s grief-stricken fiancee, but, rather than telling her the truth about the depraved conduct of her beloved, he perpetuates her belief that Kurtz was a benevolent humanitarian who was devoted to her. He does, however, disclose the truth some years later to a handful of friends in the form of the tale that is then transmitted to us by one of them.

Marlow prefaces his account of his experiences in the Congo, which he narrates while on a yacht on the Thames, with some observations about imperialism in general. He begins by anticipating one of the central themes of his tale—the collapse of the distinction between civilization and barbarism—by recalling that Britain itself, the world’s foremost imperial power, was at one time a colony of a mighty empire: alluding to the Roman invasion and conquest of Britain more than 1,800 years earlier, his first words are “[a]nd this also... has been one of the dark places of the earth” (p. 39). Such a reminder would have been particularly bracing to an English readership that had recently been steeped in the self-congratulatory excesses of Queen Victoria’s 1897 Diamond Jubilee, which primarily took the form of an ostentatious celebration of Britain’s imperial might. Marlow’s prologue thus provides a sobering historical frame of reference for his ensuing tale about the seedy, hypocritical side of empire. And what we come to recognize as the story unfolds is that this is merely the first in a series of such rhetorical moves. In fact, much of the tale’s energy is invested in systematically dismantling those binary oppositions (civilization/barbarism, Europe/Africa, Christian ity/heathenism, white men/black men) that provided the ideological foundation of Anglo-European society of the era.

Noting the slim margin of difference that separates the vanquisher from the vanquished, Marlow remarks that the ability to subjugate another people is “nothing to boast of, when you have it, since your strength is just an accident arising from the weakness of others.” And, he continues, “[t]he conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much” (p. 41). He does, however, qualify these assertions by upholding—that is, by exempting from the logic of his tale—one binary opposition: that between what he terms “colonists” and “conquerors.” The Romans in Britain, like King Leopold’s agents in the Congo, “were no colonists; their administration was merely a squeeze, and nothing more, I suspect. They were conquerors, and for that you want only brute force.... They grabbed what they could get for the sake of what was to be got. It was just robbery with violence, aggravated murder on a great scale” (p. 41). When he proceeds to the action of the narrative, he vividly illustrates this distinction between legitimate and illegitimate forms of imperialism in his recollection of “a large shining map [of Africa], marked with all the colours of a rainbow,” which he has seen in the Brussels office of his new employers prior to his journey to the Congo:

There was a vast amount of red—good to see at any time, because one knows that some real work is done in there, a deuce of a lot of blue, a little green, smears of orange, and, on the East Coast, a purple patch, to show where the jolly pioneers of progress drink the jolly lager-beer. However, I wasn’t going into any of these. I was going into the yellow (p. 45).

Maps during this era often represented imperial territories according to this color-coded system—red for British, blue for French, green for Italian, orange for Portuguese, purple for German, and yellow for Belgian. Further, they served not merely as geographical but also as ideological tools; as Marlow demonstrates by singling out the red (British) territories for praise and the purple (German) territories for disapprobation, they enabled one to distinguish between different types of imperialism and morally to evaluate them accordingly. He has earlier asserted that what “redeems” imperialism—and hence what separates the colonists from the conquerors—“is the idea only.... ; not a sentimental pretence but an idea; and an unselfish belief in the idea” (p. 41), and it now appears that he believes it is the British who uniquely possess such an ennobling idea and an ethical commitment to it. How we are to interpret Marlow’s careful exclusion of Britain from his ensuing assault on the hypocrisies of imperialism is an open question. We have already seen how, in “Youth,” Conrad’s English alter ego tends to be Anglophilic, and it bears noting that, like “Youth,” Heart of Darkness was written for the pro-imperialist British readership of Blackwood’s Edinburgh Magazine. Yet the evidence as to whether Marlow’s assertions wholly reflect Conrad’s beliefs is ambiguous. An essay on the British arch-imperialist Rudyard Kipling that Conrad wrote several months before beginning Heart of Darkness might have shed light on this question, but it was not published and the manuscript has not survived.

Regardless of how we are to interpret Marlow’s exemption of Britain from his attack on imperialism, he is unambiguous in his denunciation of those forms of imperialism that he views as illegitimate. This fact becomes apparent in the contrast between his outlook and that of his naively idealistic aunt during their farewell meeting before he sets out for Africa. Complaining to his listeners that she viewed him as an “emissary of light, something like a lower sort of apostle,” he points out that “[t]here had been a lot of such rot let loose in print and talk just about that time” (p. 48). Conrad had given a taste of what Marlow means by “such rot” in his ironically titled short story “An Outpost of Progress” (1897), which, like Heart of Darkness, depicts the moral degradation of ivory traders in the Congo. In this story a Belgian newspaper “discussed what it was pleased to call ‘Our Colonial Expansion’ in high-flown language. It spoke much of the rights and duties of civilization, of the sacredness of the civilizing work, and extolled the merits of those who went about bringing light, and faith and commerce to the dark places of the earth” (Tales of Unrest, p. 94). (It bears pointing out that some of the most egregiously insincere instances of such Belgian propaganda came from the pen of King Leopold himself. It should also be noted that Conrad signaled the importance of the nationality of the story’s Belgian pro tagonists when he emphatically corrected a reader who mistook them for Frenchmen [Collected Letters, vol. 3, pp. 93-94].) Significantly, however, whereas Marlow freely discloses to his male listeners his disgust for “the philanthropic pretence of the whole concern” (p. 61 ), to his aunt the most he has done is “ventured to hint that the Company was run for profit” (p.48). His recollection of this exchange leads him to reflect on the differences between men and women in a passage whose condescension is ringingly primitive:

It’s queer how out of touch with truth women are. They live in a world of their own, and there had never been anything like it, and never can be. It is too beautiful altogether, and if they were to set it up it would go to pieces before the first sunset. Some confounded fact we men have been living contentedly with ever since the day of creation would start up and knock the whole thing over (p. 48).

Precisely the sorts of ugly truths that women are allegedly incapable of stomaching are what Marlow will be subjected to in the Congo. Upon his arrival he is struck by the perfidiousness of the white company agents, whom he terms “pilgrims” in order to underscore the hypocrisy of the quasi-religious rhetoric that masks their criminal conduct. They are ruthless schemers who view Marlow (as they do Kurtz) with mistrust, as he has been represented to them by his aunt’s friends as one of “the new gang—the gang of virtue” (p. 62); that is, they believe him to take seriously the civilizing propaganda associated with the company’s endeavors and thus worry that he may impede their ability to generate profits. Marlow is also appalled by the condition of the indigenous workers. In one episode a chain gang of Congolese laborers overseen by an African collaborator with a rifle passes by:

Six black men advanced in a file, toiling up the path. They walked erect and slow, balancing small baskets full of earth on their heads, and the clink kept time with their footsteps. Black rags were wound round their loins, and the short ends behind waggled to and fro like tails. I could see every rib, the joints of their limbs were like knots in a rope; each had an iron collar on his neck, and all were connected together with a chain... (p. 51 ).

In a spectacle that he likens to something out of Dante’s depiction of Hell in the Inferno, he subsequently sees what the fate of such men is when they become too exhausted and sick to work:

Black shapes crouched, lay, sat between the trees leaning against the trunks, clinging to the earth, half coming out, half effaced within the dim light, in all the attitudes of pain, abandonment, and despair.... [T]his was the place where some of the helpers had withdrawn to die.

They were dying slowly—it was very clear. They were not enemies, they were not criminals, they were nothing earthly now,—nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom (pp. 52-53).

During the several months that Marlow spends in the Central Station (modern Kinshasa, then named Leopoldville), he becomes intrigued by the reputation of the one company agent who appears to be a genuine humanitarian. The chief of the Inner Station (modern Kisangani, then Stanley Falls), Kurtz is, moreover, an accomplished painter, poet, musician, and essayist; in short, he is a consummate example of the best that European civilization has to offer. As Marlow sets out on his thousand-mile, two-month-long steamship journey upriver to retrieve Kurtz, the spectacle of rampant hypocrisy among his colleagues has led him to be curious to see how someone fortified with what appear to be genuine “moral ideas” (p. 69) has fared under these circumstances. Toward the end of the journey, when the ship comes under native attack, Marlow assumes the violent episode to indicate that Kurtz must be dead, but he subsequently finds that this is not the case. (Later, Kurtz’s young Russian worshiper will confide in him that it was actually the great man himself who ordered the attack on the ship.) By the time Marlow reaches the compound and sees human heads displayed on stakes, he realizes that Kurtz is not at all the enlightened altruist he had been hoping to meet. These impressions are confirmed later when Marlow learns of the appalling circumstances of Kurtz’s rule, which have included “midnight dances ending with unspeakable rites” (p. 92) over which he has presided.

Marlow becomes acquainted with Kurtz in person during the brief remainder of the emaciated ivory trader’s life (he presumably has dysentery, an illness that Conrad himself contracted while in Africa) and concludes that he has undergone a reversal of the instinctual renunciations upon which civilization is based: “the wilderness,” Marlow observes, “seemed to draw him to its pitiless breast by the awakening of forgotten and brutal instincts” (p. 111). What Marlow finds particularly illuminating in documenting this reversal is the manuscript of an essay that Kurtz has entrusted to him. Before coming to Africa, Kurtz has been asked by “the International Society for the Suppression of Savage Customs” to write up “a report, for its future guidance.” (Conrad appears to have drawn the title of this organization from L‘Association Internationale pour l’Exploration et la Civilisation en Afrique—the International Association for Exploration and Civilization in Africa—which was headed by King Leopold.) The essay, which he has evidently written before his breakdown, describes how Europeans, allegedly further along in the evolutionary process than members of other races, “can exert a power for good practically unbounded” by presenting themselves to non-Europeans as “supernatural beings.” It continues for seventeen pages that are “vibrating with eloquence” but ends startlingly with a phrase that has been “scrawled evidently much later, in an unsteady hand... : ‘Exterminate all the brutes!’” (p. 92). By devolving from expansive, refined eloquence into terse, primal utterance, the document thus reflects the atavistic transformation of this paragon of European civilization that ironically renders him more savage than the so-called savages. A major theme of Conrad’s writings generally is the notion that the fallibility of human nature leads idealistic people to fall short of their aspirations—in fact, to fall a distance that is directly proportional to the loftiness of those aspirations. This principle is exemplified in the career of Kurtz, whose airy idealism is represented as equal and opposite to his bestial cruelty, a tension neatly captured in the disparity between his eloquent report and its barbaric postscript.

Marlow reflects on the significance of Kurtz’s career while recounting the moments preceding the latter’s death, which occurs as they are making their way back downriver:

Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn’t touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror—of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath—

“The horror! The horror!” (p. 115).

Although Marlow himself does not offer a definitive interpretation of this deathbed scene, especially compelling among the broad range of readings this famous passage has received is the suggestion that it sums up Kurtz’s Conradian insight into the basic depravity of human nature as he briefly returns to lucidity before his death. Conrad’s friend the great mathematician and philosopher Bertrand Russell observed that Heart of Darkness “expresses... most completely [Conrad‘s] philosophy of life”: “he thought of civilized and morally tolerable human life as a dangerous walk on a thin crust of barely cooled lava which at any moment might break and let the unwary sink into fiery depths” (The Autobiography of Bertrand Russell, p. 321). Kurtz has evidently fallen through that thin crust.

Yet as poignant as the collapse of Kurtz may be, and while in some respects he may rank with Oedipus or King Lear as a tragic figure, it is nonetheless reasonable to ask why Marlow (or we) should care about either the sufferings or the insights of an individual who has committed what might well be termed crimes against humanity. Indeed, in the single most influential critical essay on the novella, “An Image of Africa: Racism in Conrad’s Heart of Darkness” (first delivered as a lecture in 1975), the Nigerian novelist Chinua Achebe takes issue precisely with the text’s uneven representation of Africa and Africans relative to Kurtz:

Africa as setting and backdrop which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognizable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind? (p. 12).

Imputing this emphasis to the fact that “Conrad was a thoroughgoing racist” (p. 11), Achebe adduces such scenes as the following, in which Marlow likens himself and the other white men to “wanderers on prehistoric earth” and the Africans to “prehistoric man”:

No, they [the Congolese] were not inhuman. Well, you know, that was the worst of it—this suspicion of their not being inhuman. It would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity—like yours—the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you—you so remote from the night of first ages—could comprehend (p. 76).

To some extent Achebe is right to identify Conrad’s outlook (which, it is true, is essentially in accord with Marlow’s when it comes to matters of race) as reproducing the prejudices characteristic of his historical era, and it is clear that this passage, in which Marlow affirms the “remote kinship” of his European listeners with Africans, is intended primarily as a spirited dare; that is, it is designed not to elevate the status of Africans but rather to lower that of Europeans. Yet while Achebe had intended his essay to relegate Heart of Darkness to the ash can of history by concluding that a text that thus “depersonalizes a portion of the human race” cannot constitute “a great work of art” (p. 12), it actually has had the opposite result by making readers all the more intrigued by Conrad’s book. Nonetheless, it served Achebe’s end in an important respect by transforming a work that had generally been viewed as progressively anti-imperialist and antiracist into one that now was suspected of being Eurocentric and racist. And the dispute over how to assess the novella has shown no signs of abating in the more than quarter of a century since the essay first appeared.

In addition to the controversy over how we are to understand the way Heart of Darkness represents race, an important related issue is that of how to view the way it represents history. All techniques of reading create specific sorts of attention as well as specific sorts of inattention, and many of those methods used on Heart of Darkness have obscured the historical setting to the point of virtual invisibility. At the far end of the spectrum the story can be read and taught—and often is read and taught—as abstractly and ahistorically as Samuel Taylor Coleridge’s poem “The Rime of the Ancient Mariner” (1798), another famous tale of a seaman burdened by knowledge acquired on a perilous water journey that he feels compelled to impart to others in the form of a vivid narrative. This tendency, in fact, provided Adam Hochschild with an impetus for writing his historical account of the Congo Free State, King Leopold’s Ghost (1998). As Hochschild observes,

High school teachers and college professors who have discussed this book in thousands of classrooms over the years tend to do so in terms of Freud, Jung, and Nietzsche; of classical myth, Victorian innocence, and original sin; of postmodernism, postcolonialism, and poststructuralism. European and American readers, not comfortable acknowledging the genocidal scale of the killing in Africa at the turn of the century, have cast Heart of Darkness loose from its historical moorings. We read it as a parable for all times and places, not as a book about one time and one place (p. 143).

It is no doubt the case that a Euro-American amnesia about the atrocities in the Congo working in combination with prevalent techniques of reading that are predisposed to filtering out historical information have contributed to making Heart of Darkness so readily detachable from its historical setting. Yet this is not the whole story. We must also recognize that the book has tended to be read in an ahistorical manner because, to some extent, that is how Conrad deliberately wrote it. The Congo is never named; Brussels is identified only as “the sepulchral city,” Leopoldville as “the Central Station,” and Stanley Falls as “the Inner Station”; and Kurtz cannot be identified with a single country: “His mother was half-English, his father was half-French. All Europe contributed to the making of Kurtz” (p. 92); as Conrad would affirm in a 1903 letter, “I took great care to give Kurtz a cosmopolitan origin” (Collected Letters, vol. 3, p. 94). Conrad thus, while clearly indicating that the setting is Leopold’s Congo, also invites readers to view the events of the tale as a microcosmic reduction of European imperialism in Africa generally. It is consistent with this equivocating tendency that, in revising the manuscript, he excised a passage that clearly alluded to King Leopold (in the original version of the prologue Marlow refers to a “third rate king” who directs an allegedly philanthropic organization that furthers his own imperial ambitions), yet he nonetheless preserved the identity of his chief polemical target in the name of the steamship Marlow captains (the Roi des Belges-King of the Belgians), which was, in fact, the name of the ship on which Conrad served while in the Congo. Further, in describing the setting Conrad minimized the degree of colonial development along the Congo River (there were actually numerous factories, trading stations, and missionary outposts as well as a substantial quantity of river traffic, not only Belgian but also English, French, and Dutch), thereby intensifying what Marlow represents as the alienating, primordial aspect of the landscape. Such alterations enhance the literary attributes of the text but at the cost of historical accuracy and specificity.

To gain perspective on the artistic license Conrad took, it is useful to contrast his novella with the writings of two men who were in the Congo at the same time he was. The first, an African-American lawyer named George Washington Williams, appalled by what he had witnessed, responded by immediately writing at Stanley Falls (Kurtz’s fiefdom) an open letter to King Leopold, dated July 18, 1890, several weeks after Conrad’s arrival in the region. In this lengthy document Williams enumerated the crimes of Leopold’s agents and roundly criticized their hypocrisies. The second, an Irishman named Roger Casement, whom Conrad befriended shortly after arriving in Africa, would subsequently dedicate much of his life to publicizing the human rights abuses, most notably in the form of a widely circulated report he published in 1904 that detailed the atrocities. Conrad’s sentiments were largely the same as both of these activists. As he wrote to Casement in 1903, railing against the “ruthless, systematic cruelty towards the blacks” and offering his “warmest wishes” for the success of the Irishman’s campaign, “It is an extraordinary thing that the conscience of Europe which seventy years ago... put down the slave trade on humanitarian grounds tolerates the Congo State to day. It is as if the moral clock has been put back many hours” (Collected Letters, vol. 3, pp. 95-97). Nonetheless, Conrad consistently declined to write political pamphlets or to become directly involved in the protest movement in any other manner. As he sheepishly wrote of Casement’s cause several days later to Cunninghame Graham, “I would help him but it is not in me. I am only a wretched novelist inventing wretched stories and not even up to that” (Collected Letters, vol. 3., p. 102). Indeed, although some of Conrad’s contemporaries viewed Heart of Darkness as an expose of Leopold’s Congo (E. D. Morel, founder of the Congo Reform Association, praised it as such in his 1903 pamphlet The Congo Slave State), its political usefulness was ambiguous at best. For whereas the goal of politically engaged writing is to galvanize conviction, what Heart of Darkness mainly tends to elicit is moral indecisiveness. To recur to the primary narrator’s opening characterization of Marlow’s storytelling method, as the tale merely casts a glow on a haze, it steadfastly resists providing the reader with a kernel of truth of the sort that can serve as a basis for resolute action.

Perhaps the best illustration of how the text functions to blunt potential political effect is in the representation of Marlow’s rather perplexing allegiance to Kurtz, whom, notably, he first alludes to with the chummy phrase “the poor chap” (p. 42). Explaining why he has “remained loyal to Kurtz to the last,” Marlow says that his deathbed epiphany was “a moral victory,” albeit one that was obtained at the price of “abominable terrors” (p. 117). What is disturbing here is the way that Marlow’s telling of the story subordinates the “abominable terrors” (the enslavement and murder of Africans) to the “moral victory” (Kurtz’s apparent insight into his own depravity). Further, the term “loyal” is a euphemism, for what he specifically means is that he has suppressed the truth about Kurtz’s savagely criminal conduct. A well-known example of this practice occurs in the melodramatic closing scene, in which Marlow meets with Kurtz’s fiancee and falsely reports that her lover’s final utterance was her name. By withholding from her the knowledge of Kurtz’s breakdown, he thus acts on his earlier assertion that women inhabit a world of beautiful illusions and that it is the duty of men to keep them there. Yet this relatively inconsequential effort to spare an individual’s feelings is not the only act of insincerity in which Marlow has engaged with respect to Kurtz’s memory. During this meeting he comforts the grieving woman by affirming her consoling thought that Kurtz’s “words, at least, have not died” (p. 123), an apparent allusion to his published writings. On this matter Marlow has previously sanitized Kurtz’s reputation in a much more significant fashion. Having been “repeatedly entreated” by Kurtz “to take good care of ‘my pamphlet’ (he called it), as it was sure to have in the future a good influence upon his career” (p. 93), Marlow has acceded by tearing off the damning postscript (“Exterminate all the brutes!”) before offering up “the famous Report for publication” (p. 119). This action tends to be overlooked in interpretations of the novella because Marlow makes only passing mention of it. We are, however, given to believe that the essay has been published as the magnum opus of a man whom the public at large continues to view as a great humanitarian, and, as such, it would no doubt have been used to further legitimize the imperial ravaging of the Congo. Indeed, while the text strongly hints that this is the case, regardless of how we interpret the possible impact of Kurtz’s report, what is certain is that Marlow has been complicit in the conspiracy of silence about the crimes this eminent figure has perpetrated. We thus encounter the deep irony that in this story whose chief purpose is ostensibly to disclose dark truths, Marlow confesses how he has declined his greatest opportunity publicly to do just that.

We have a variety of alternatives for how to make sense of Marlow’s solicitousness toward the reputation of a man whose conduct he views as deplorable. For example, we may assume it to be a function of his conviction that Kurtz, as largely a victim of his own misguided idealism, is less condemnable than the other company agents who have no ideals to lose; or of his belief that the primary sort of knowledge he has to impart is less of a political than a metaphysical nature; or we may speculate that, through his complicity, he enacts Conrad’s own mixed feelings over having remained aloof from the growing protest movement and instead written an aestheticized account of what he had witnessed in the Congo. More broadly, however, Marlow’s paradoxical fidelity to Kurtz is emblematic of the complex dynamics of Heart of Darkness as a whole, and it thus helps to account for the diverse range of competing interpretations that the text has generated. Much of the controversy over how to read the novella, in fact, resolves into the rather unnuanced question of whether we are to view it primarily as a challenge to or an affirmation of the status quo. That is, it tends either to be celebrated for bearing witness to human rights atrocities and the evils of imperialism or excoriated for complacently reproducing the racist assumptions of its historical era. Indeed, few literary works have been so heavily freighted with cultural baggage or tugged in such different directions simultaneously. What tends to be disregarded in this polarized debate, however, is the fact that what makes this work of art enduring is precisely its complex oscillation between perpetuating and challenging the premises of its historical moment. The more we can recognize Heart of Darkness to be the creation of a writer who was neither a passive product of his own culture nor fully able to transcend the assumptions of that culture, the better we will be able to come to terms with this deeply troubling book.

A. Michael Matin is a professor in the English Department of Warren Wilson College, where he teaches late-nineteenth-century and twentieth-century British and Anglophone postcolonial literature. His essays on Rudyard Kipling, Joseph Conrad, T.S. Eliot, W.H. Auden, Anita Desai, and David Lodge have appeared in Studies in the Novel, The Journal of Modem Literature, Scribners’ British Writers, Scribners’ World Poets, and the Norton Critical Edition of Kipling’s Kim. He has also written an introduction and notes for the Barnes & Noble Classics edition of Conrad’s Lord Jim. A recipient of a National Endowment for the Humanities Fellowship, he is currently writing a book titled Securing Britain: Invasion-Scare Literature before the Great War. He lives in Black Mountain, North Carolina, with his wife and their two daughters.

A NOTE ON THE TEXTS

Heart of Darkness was originally published, as The Heart of Darkness, in the February, March, and April 1899 issues of Blackwood’s Edinburgh Magazine. “Youth” was originally published in the September 1898 issue of Blackwood’s. Both works were subsequently included in Youth: A Narrative; and Two Other Stories (1902). “Amy Foster” was originally published in the Illustrated London News, December 14-28, 1901, and it was subsequently included in Typhoon and Other Stories (1903). “The Secret Sharer” was originally published, as “The Secret-Sharer,” in the August and September 1910 issues of Harper’s Magazine, and it was subsequently included in ‘Twixt Land and Sea (1912).

Because of their complicated textual history, there is no such thing as a generally agreed-upon copy-text for Conrad’s works. Most of Conrad’s works of fiction were initially serialized, then revised to appear in book form, and then revised again for his collected editions. There were, in fact, two prematurely titled “collected editions” of his works that appeared during his lifetime, one published in America by Doubleday in 1920-1921 (the Sun-Dial edition) and the other published in Britain by William Heinemann in 1921. As the Heinemann version introduced numerous minor alterations to the texts to make them conform to that publisher’s house style, the edition I have chosen as the copy-text for all four stories is the less-altered Doubleday version, whose plates were subsequently used for various other collected editions, including those published by J.M. Dent and Sons in 1923-1928 and 1946-1955. I have silently emended some typographical errors but have otherwise made no changes. The volumes of the painstakingly edited Cambridge Edition of the Works of Joseph Conrad (published by Cambridge University Press) that will include these four texts are currently in progress, and when they appear they will constitute definitive scholarly editions.

—A. Michael Matin

AUTHOR’S NOTE

THE THREE STORIES IN this volume[1] lay no claim to unity of artistic purpose. The only bond between them is that of the time in which they were written. They belong to the period immediately following the publication of the “Nigger of the Narcissus,” and preceding the first conception of “Nostromo,” two books which, it seems to me, stand apart and by themselves in the body of my work. It is also the period during which I contributed to Maga;[a] a period dominated by “Lord Jim” and associated in my grateful memory with the late Mr. William Blackwood’s encouraging and helpful kindness.

“Youth” was not my first contribution to Maga.[b] It was the second. But that story marks the first appearance in the world of the man Marlow, with whom my relations have grown very intimate in the course of years. The origins of that gentleman (nobody as far as I know had ever hinted that he was anything but that)—his origins have been the subject of some literary speculation of, I am glad to say, a friendly nature.

One would think that I am the proper person to throw a light on the matter; but in truth I find that it isn’t so easy. It is pleasant to remember that nobody had charged him with fraudulent purposes or looked down on him as a charlatan; but apart from that he was supposed to be all sorts of things: a clever screen, a mere device, a “personator,” a familiar spirit, a whispering “dæmon.” I myself have been suspected of a meditated plan for his capture.

That is not so. I made no plans. The man Marlow and I came together in the casual manner of those health-resort acquaintances which sometimes ripen into friendships. This one has ripened. For all his assertiveness in matters of opinion he is not an intrusive person. He haunts my hours of solitude, when, in silence, we lay our heads together in great comfort and harmony; but as we part at the end of a tale I am never sure that it may not be for the last time. Yet I don’t think that either of us would care much to survive the other. In his case, at any rate, his occupation would be gone and he would suffer from that extinction, because I suspect him of some vanity. I don’t mean vanity in the Solomonian sense.[2] Of all my people he’s the one that has never been a vexation to my spirit. A most discreet, understanding man....

Even before appearing in book-form “Youth” was very well received. It lies on me to confess at last, and this is as good a place for it as another, that I have been all my life—all my two lives—the spoiled adopted child of Great Britain and even of the Empire; for it was Australia that gave me my first command. I break out into this declaration not because of a lurking tendency to megalomania, but, on the contrary, as a man who has no very notable illusions about himself. I follow the instincts of vain-glory and humility natural to all mankind. For it can hardly be denied that it is not their own deserts that men are most proud of, but rather of their prodigious luck, of their marvellous fortune: of that in their lives for which thanks and sacrifices must be offered on the altars of the inscrutable gods.

“Heart of Darkness” also received a certain amount of notice from the first; and of its origins this much may be said: it is well known that curious men go prying into all sorts of places (where they have no business) and come out of them with all kinds of spoil. This story, and one other, not in this volume,[c] are all the spoil I brought out from the centre of Africa, where, really, I had no sort of business. More ambitious in its scope and longer in the telling, “Heart of Darkness” is quite as authentic in fundamentals as “Youth.” It is, obviously, written in another mood. I won’t characterize the mood precisely, but anybody can see that it is anything but the mood of wistful regret, of reminiscent tenderness.

One more remark may be added. “Youth” is a feat of memory. It is a record of experience; but that experience, in its facts, in its inwardness and in its outward colouring, begins and ends in myself. “Heart of Darkness” is experience, too; but it is experience pushed a little (and only very little) beyond the actual facts of the case for the perfectly legitimate, I believe, purpose of bringing it home to the minds and bosoms of the readers. There it was no longer a matter of sincere colouring. It was like another art altogether. That sombre theme had to be given a sinister resonance, a tonality of its own, a continued vibration that, I hoped, would hang in the air and dwell on the ear after the last note had been struck.... [3]

J.C.

1917.

YOUTH

THIS COULD HAVE OCCURRED nowhere but in England, where men and sea interpenetrate, so to speak—the sea entering into the life of most men, and the men knowing something or everything about the sea, in the way of amusement, of travel, or of bread-winning.

We were sitting round a mahogany table that reflected the bottle, the claret-glasses, and our faces as we leaned on our elbows. There was a director of companies, an accountant, a lawyer, Marlow, and myself. The director had been a Conway boy,[1] the accountant had served four years at sea, the lawyer—a fine crusted Tory, High Churchman,[d] the best of old fellows, the soul of honour—had been chief officer in the P. & O. service[e] in the good old days when mail-boats were square-rigged at least on two masts, and used to come down the China Sea before a fair monsoon with stun‘-sails set alow and aloft.[2] We all began life in the merchant service. Between the five of us there was the strong bond of the sea, and also the fellowship of the craft, which no amount of enthusiasm for yachting, cruising, and so on can give, since one is only the amusement of life and the other is life itself.

Marlow (at least I think that is how he spelt his name) told the story, or rather the chronicle, of a voyage:—

“Yes, I have seen a little of the Eastern seas; but what I remember best is my first voyage there. You fellows know there are those voyages that seem ordered for the illustration of life, that might stand for a symbol of existence. You fight, work, sweat, nearly kill yourself, sometimes do kill yourself, trying to accomplish something—and you can’t. Not from any fault of yours. You simply can do nothing, neither great nor little—not a thing in the world—not even marry an old maid, or get a wretched 600-ton cargo of coal to its port of destination.

“It was altogether a memorable affair. It was my first voyage to the East, and my first voyage as second mate; it was also my skipper’s first command. You’ll admit it was time. He was sixty if a day; a little man, with a broad, not very straight back, with bowed shoulders and one leg more bandy[f] than the other, he had that queer twisted-about appearance you see so often in men who work in the fields. He had a nut-cracker face—chin and nose trying to come together over a sunken mouth—and it was framed in iron-gray fluffy hair, that looked like a chin-strap of cotton-wool sprinkled with coal-dust. And he had blue eyes in that old face of his, which were amazingly like a boy‘s, with that candid expression some quite common men preserve to the end of their days by a rare internal gift of simplicity of heart and rectitude of soul. What induced him to accept me was a wonder. I had come out of a crack Australian clipper,[g] where I had been third officer, and he seemed to have a prejudice against crack clippers as aristocratic and high-toned. He said to me, ‘You know, in this ship you will have to work’. I said I had to work in every ship I had ever been in. ‘Ah, but this is different, and you gentlemen out of them big ships;... but there! I dare say you will do. Join tomorrow.’

“I joined to-morrow. It was twenty-two years ago; and I was just twenty. How time passes! It was one of the happiest days of my life. Fancy! Second mate for the first time—a really responsible officer! I wouldn’t have thrown up my new billet[h] for a fortune. The mate looked me over carefully. He was also an old chap, but of another stamp. He had a Roman nose, a snow-white, long beard, and his name was Mahon, but he insisted that it should be pronounced Mann. He was well connected; yet there was something wrong with his luck, and he had never got on.

“As to the captain, he had been for years in coasters, then in the Mediterranean, and last in the West Indian trade. He had never been round the Capes.[3] He could just write a kind of sketchy hand, and didn’t care for writing at all. Both were thorough good seamen of course, and between those two old chaps I felt like a small boy between two grand-fathers.

“The ship also was old. Her name was the Judea.[4] Queer name, isn’t it? She belonged to a man Wilmer, Wilcox—some name like that; but he has been bankrupt and dead these twenty years or more, and his name don’t matter. She had been laid up in Shadwell basin[i] for ever so long. You may imagine her state. She was all rust, dust, grime—soot aloft, dirt on deck. To me it was like coming out of a palace into a ruined cottage. She was about 400 tons, had a primitive windlass,[j] wooden latches to the doors, not a bit of brass about her, and a big square stern. There was on it, below her name in big letters, a lot of scrollwork, with the gilt off, and some sort of a coat of arms, with the motto ‘Do or Die’[5] underneath. I remember it took my fancy immensely. There was a touch of romance in it, something that made me love the old thing—something that appealed to my youth!

“We left London in ballast[k]—sand ballast—to load a cargo of coal in a northern port for Bankok. Bankok! I thrilled. I had been six years at sea, but had only seen Melbourne and Sydney, very good places, charming places in their way—but Bankok!

“We worked out of the Thames under canvas, with a North Sea pilot on board. His name was Jermyn, and he dodged all day long about the galley drying his handkerchief before the stove. Apparently he never slept. He was a dismal man, with a perpetual tear sparkling at the end of his nose, who either had been in trouble, or was in trouble, or expected to be in trouble—couldn’t be happy unless something went wrong. He mistrusted my youth, my common-sense, and my seamanship, and made a point of showing it in a hundred little ways. I dare say he was right. It seems to me I knew very little then, and I know not much more now; but I cherish a hate for that Jermyn to this day.

“We were a week working up as far as Yarmouth Roads, and then we got into a gale—the famous October gale of twenty-two years ago. It was wind, lightning, sleet, snow, and a terrific sea. We were flying light, and you may imagine how bad it was when I tell you we had smashed bulwarks [l] and a flooded deck. On the second night she shifted her ballast into the lee bow, and by that time we had been blown off somewhere on the Dogger Bank.[6] There was nothing for it but go below with shovels and try to right her, and there we were in that vast hold, gloomy like a cavern, the tallow dips[m] stuck and flickering on the beams, the gale howling above, the ship tossing about like mad on her side; there we all were, Jermyn, the captain, every one, hardly able to keep our feet, engaged on that gravedigger’s work, and trying to toss shovelfuls of wet sand up to windward. At every tumble of the ship you could see vaguely in the dim light men falling down with a great flourish of shovels. One of the ship’s boys (we had two), impressed by the weirdness of the scene, wept as if his heart would break. We could hear him blubbering somewhere in the shadows.

“On the third day the gale died out, and by-and-by a north-country tug picked us up. We took sixteen days in all to get from London to the Tyne![n] When we got into dock we had lost our turn for loading, and they hauled us off to a tier where we remained for a month. Mrs. Beard (the captain’s name was Beard) came from Colchester to see the old man. She lived on board. The crew of runners[o] had left, and there remained only the officers, one boy and the steward, a mulatto who answered to the name of Abraham. Mrs. Beard was an old woman, with a face all wrinkled and ruddy like a winter apple, and the figure of a young girl. She caught sight of me once, sewing on a button, and insisted on having my shirts to repair. This was something different from the captains’ wives I had known on board crack clippers. When I brought her the shirts, she said: ‘And the socks? They want mending, I am sure, and John’s—Captain Beard‘s—things are all in order now. I would be glad of something to do.’ Bless the old woman. She overhauled my outfit for me, and meantime I read for the first time Sartor Resartus and Burnaby’s Ride to Khiva.[7] I didn’t understand much of the first then; but I remember I preferred the soldier to the philosopher at the time; a preference which life has only confirmed. One was a man, and the other was either more—or less. However, they are both dead and Mrs. Beard is dead, and youth, strength, genius, thoughts, achievements, simple hearts—all dies.... No matter.

“They loaded us at last. We shipped a crew. Eight able seamen and two boys. We hauled off one evening to the buoys at the dock-gates, ready to go out, and with a fair prospect of beginning the voyage next day. Mrs. Beard was to start for home by a late train. When the ship was fast we went to tea. We sat rather silent through the meal—Mahon, the old couple, and I. I finished first, and slipped away for a smoke, my cabin being in a deck-house just against the poop.[p] It was high water, blowing fresh with a drizzle; the double dock-gates were opened, and the steam-colliers were going in and out in the darkness with their lights burning bright, a great plashing of propellers, rattling of winches, and a lot of hailing on the pier-heads. I watched the procession of head-lights gliding high and of green lights gliding low in the night, when suddenly a red gleam flashed at me, vanished, came into view again, and remained. The fore-end of a steamer loomed up close. I shouted down the cabin, ‘Come up, quick!’ and then heard a startled voice saying afar in the dark, ‘Stop her, sir.’ A bell jingled. Another voice cried warningly, ‘We are going right into that barque, sir.’ The answer to this was a gruff ‘All right,’ and the next thing was a heavy crash as the steamer struck a glancing blow with the bluff of her bow about our fore-rigging. There was a moment of confusion, yelling, and running about. Steam roared. Then somebody was heard saying, ‘All clear, sir.’ ... ‘Are you all right?’ asked the gruff voice. I had jumped forward to see the damage, and hailed back, ‘I think so.’ ‘Easy astern,’ said the gruff voice. A bell jingled. ‘What steamer is that?’ screamed Mahon. By that time she was no more to us than a bulky shadow manoeuvring a little way off. They shouted at us some name—a woman’s name, Miranda or Melissa—or some such thing. ‘This means another month in this beastly hole,’ said Mahon to me, as we peered with lamps about the splintered bulwarks and broken braces. ‘But where’s the captain?’

“We had not heard or seen anything of him all that time. We went aft to look. A doleful voice arose hailing somewhere in the middle of the dock, ‘Judea ahoy!’ ... How the devil did he get there? ... ‘Hallo!’ we shouted. ‘I am adrift in our boat without oars,’ he cried. A belated waterman [q] offered his services, and Mahon struck a bargain with him for half-a-crown to tow our skipper alongside; but it was Mrs. Beard that came up the ladder first. They had been floating about the dock in that mizzly[r] cold rain for nearly an hour. I was never so surprised in my life.

“It appears that when he heard my shout ‘Come up’ he understood at once what was the matter, caught up his wife, ran on deck, and across, and down into our boat, which was fast to the ladder. Not bad for a sixty-year-old. Just imagine that old fellow saving heroically in his arms that old woman—the woman of his life. He set her down on a thwart[s] and was ready to climb back on board when the painter[t] came adrift somehow, and away they went together. Of course in the confusion we did not hear him shouting. He looked abashed. She said cheerfully, ‘I suppose it does not matter my losing the train now?’ ‘No, Jenny—you go below and get warm,’ he growled. Then to us: ‘A sailor has no business with a wife—I say. There I was, out of the ship. Well, no harm done this time. Let’s go and look at what that fool of a steamer smashed.’

“It wasn’t much, but it delayed us three weeks. At the end of that time, the captain being engaged with his agents, I carried Mrs. Beard’s bag to the railway-station and put her all comfy into a third-class carriage. She lowered the window to say, ‘You are a good young man. If you see John—Captain Beard—without his muffler at night, just remind him from me to keep his throat well wrapped up.’ ‘Certainly, Mrs. Beard,’ I said. ‘You are a good young man; I noticed how attentive you are to John—to Captain—’ The train pulled out suddenly; I took my cap off to the old woman: I never saw her again.... Pass the bottle.

“We went to sea next day. When we made that start for Bankok we had been already three months out of London. We had expected to be a fortnight or so—at the outside.

“It was January, and the weather was beautiful—the beautiful sunny winter weather that has more charm than in the summer-time, because it is unexpected, and crisp, and you know it won‘t, it can’t, last long. It’s like a windfall, like a godsend, like an unexpected piece of luck.

“It lasted all down the North Sea, all down Channel; and it lasted till we were three hundred miles or so to the westward of the Lizards:[u] then the wind went round to the sou‘west and began to pipe up. In two days it blew a gale. The Judea, hove to, wallowed on the Atlantic like an old candle-box. It blew day after day: it blew with spite, without interval, without mercy, without rest. The world was nothing but an immensity of great foaming waves rushing at us, under a sky low enough to touch with the hand and dirty like a smoked ceiling. In the stormy space surrounding us there was as much flying spray as air. Day after day and night after night there was nothing round the ship but the howl of the wind, the tumult of the sea, the noise of water pouring over her deck. There was no rest for her and no rest for us. She tossed, she pitched, she stood on her head, she sat on her tail, she rolled, she groaned, and we had to hold on while on deck and cling to our bunks when below, in a constant effort of body and worry of mind.

“One night Mahon spoke through the small window of my berth. It opened right into my very bed, and I was lying there sleepless, in my boots, feeling as though I had not slept for years, and could not if I tried. He said excitedly—

“ ‘You got the sounding-rod in here, Marlow? I can’t get the pumps to suck. By God! it’s no child’s play.’

“I gave him the sounding-rod and lay down again, trying to think of various things—but I thought only of the pumps. When I came on deck they were still at it, and my watch relieved at the pumps. By the light of the lantern brought on deck to examine the sounding-rod I caught a glimpse of their weary, serious faces. We pumped all the four hours. We pumped all night, all day, all the week—watch and watch. She was working herself loose, and leaked badly—not enough to drown us at once, but enough to kill us with the work at the pumps. And while we pumped the ship was going from us piecemeal: the bulwarks went, the stanchions[v] were torn out, the ventilators smashed, the cabin-door burst in. There was not a dry spot in the ship. She was being gutted bit by bit. The long-boat changed, as if by magic, into matchwood where she stood in her gripes. I had lashed her myself, and was rather proud of my handiwork, which had withstood so long the malice of the sea. And we pumped. And there was no break in the weather. The sea was white like a sheet of foam, like a caldron of boiling milk; there was not a break in the clouds, no—not the size of a man’s hand—no, not for so much as ten seconds. There was for us no sky, there were for us no stars, no sun, no universe—nothing but angry clouds and an infuriated sea. We pumped watch and watch, for dear life; and it seemed to last for months, for years, for all eternity, as though we had been dead and gone to a hell for sailors. We forgot the day of the week, the name of the month, what year it was, and whether we had ever been ashore. The sails blew away, she lay broadside on under a weather-cloth, the ocean poured over her, and we did not care. We turned those handles, and had the eyes of idiots. As soon as we had crawled on deck I used to take a round turn with a rope about the men, the pumps, and the mainmast, and we turned, we turned incessantly, with the water to our waists, to our necks, over our heads. It was all one. We had forgotten how it felt to be dry.

“And there was somewhere in me the thought: By Jove! this is the deuce of an adventure—something you read about; and it is my first voyage as second mate—and I am only twenty—and here I am lasting it out as well as any of these men, and keeping my chaps up to the mark. I was pleased. I would not have given up the experience for worlds. I had moments of exultation. Whenever the old dismantled craft pitched heavily with her counter[w] high in the air, she seemed to me to throw up, like an appeal, like a defiance, like a cry to the clouds without mercy, the words written on her stern: ‘Judea, London. Do or Die.’

“O youth! The strength of it, the faith of it, the imagination of it! To me she was not an old rattle-trap carting about the world a lot of coal for a freight—to me she was the endeavour, the test, the trial of life. I think of her with pleasure, with affection, with regret—as you would think of someone dead you have loved. I shall never forget her.... Pass the bottle.

“One night when tied to the mast, as I explained, we were pumping on, deafened with the wind, and without spirit enough in us to wish ourselves dead, a heavy sea crashed aboard and swept clean over us. As soon as I got my breath I shouted, as in duty bound, ‘Keep on, boys!’ when suddenly I felt something hard floating on deck strike the calf of my leg. I made a grab at it and missed. It was so dark we could not see each other’s faces within a foot—you understand.

“After that thump the ship kept quiet for a while, and the thing, whatever it was, struck my leg again. This time I caught it—and it was a saucepan. At first, being stupid with fatigue and thinking of nothing but the pumps, I did not understand what I had in my hand. Suddenly it dawned upon me, and I shouted, ‘Boys, the house on deck is gone. Leave this, and let’s look for the cook.’

“There was a deck-house forward, which contained the galley, the cook’s berth, and the quarters of the crew. As we had expected for days to see it swept away, the hands had been ordered to sleep in the cabin—the only safe place in the ship. The steward, Abraham, however, persisted in clinging to his berth, stupidly, like a mule—from sheer fright I believe, like an animal that won’t leave a stable falling in an earthquake. So we went to look for him. It was chancing death, since once out of our lashings we were as exposed as if on a raft. But we went. The house was shattered as if a shell had exploded inside. Most of it had gone overboard—stove, men’s quarters, and their property, all was gone; but two posts, holding a portion of the bulkhead to which Abraham’s bunk was attached, remained as if by a miracle. We groped in the ruins and came upon this, and there he was, sitting in his bunk, surrounded by foam and wreckage, jabbering cheerfully to himself. He was out of his mind; completely and for ever mad, with this sudden shock coming upon the fag-end[x] of his endurance. We snatched him up, lugged him aft, and pitched him head-first down the cabin companion. You understand there was no time to carry him down with infinite precautions and wait to see how he got on. Those below would pick him up at the bottom of the stairs all right. We were in a hurry to go back to the pumps. That business could not wait. A bad leak is an inhuman thing.

“One would think that the sole purpose of that fiendish gale had been to make a lunatic of that poor devil of a mulatto. It eased before morning, and next day the sky cleared, and as the sea went down the leak took up. When it came to bending a fresh set of sails the crew demanded to put back—and really there was nothing else to do. Boats gone, decks swept clean, cabin gutted, men without a stitch but what they stood in, stores spoiled, ship strained. We put her head for home, and—would you believe it? The wind came east right in our teeth. It blew fresh, it blew continuously. We had to beat up every inch of the way, but she did not leak so badly, the water keeping comparatively smooth. Two hours’ pumping in every four is no joke—but it kept her afloat as far as Falmouth.[y]

“The good people there live on casualties of the sea, and no doubt were glad to see us. A hungry crowd of shipwrights sharpened their chisels at the sight of that carcass of a ship. And, by Jove! they had pretty pickings off us before they were done. I fancy the owner was already in a tight place. There were delays. Then it was decided to take part of the cargo out and caulk her topsides. This was done, the repairs finished, cargo reshipped; a new crew came on board, and we went out—for Bankok. At the end of a week we were back again. The crew said they weren’t going to Bankok—a hundred and fifty days’ passage—in a something hooker that wanted pumping eight hours out of the twenty-four; and the nautical papers inserted again the little paragraph: ‘Judea. Barque. Tyne to Bankok; coals; put back to Falmouth leaky and with crew refusing duty.’

“There were more delays—more tinkering. The owner came down for a day, and said she was as right as a little fiddle. Poor old Captain Beard looked like the ghost of a Geordie skipper[8]—through the worry and humiliation of it. Remember he was sixty, and it was his first command. Mahon said it was a foolish business, and would end badly. I loved the ship more than ever, and wanted awfully to get to Bankok. To Bankok! Magic name, blessed name. Mesopotamia[9] wasn’t a patch on it. Remember I was twenty, and it was my first second-mate’s billet, and the East was waiting for me.

“We went out and anchored in the outer roads with a fresh crew—the third. She leaked worse than ever. It was as if those confounded shipwrights had actually made a hole in her. This time we did not even go outside. The crew simply refused to man the windlass.

“They towed us back to the inner harbour, and we became a fixture, a feature, an institution of the place. People pointed us out to visitors as ‘That ’ere barque that’s going to Bankok—has been here six months—put back three times.’ On holidays the small boys pulling about in boats would hail, ‘Judea, ahoy!’ and if a head showed above the rail shouted, ‘Where you bound to?—Bankok?’ and jeered. We were only three on board. The poor old skipper mooned in the cabin. Mahon undertook the cooking, and unexpectedly developed all a Frenchman’s genius for preparing nice little messes.[z] I looked languidly after the rigging. We became citizens of Falmouth. Every shopkeeper knew us. At the barber’s or tobacconist’s they asked familiarly, ‘Do you think you will ever get to Bankok?’ Meantime the owner, the underwriters, and the charterers squabbled amongst themselves in London, and our pay went on.... Pass the bottle.

“It was horrid. Morally it was worse than pumping for life. It seemed as though we had been forgotten by the world, belonged to nobody, would get nowhere; it seemed that, as if bewitched, we would have to live for ever and ever in that inner harbour, a derision and a byword to generations of long-shore loafers and dishonest boatmen. I obtained three months’ pay and a five days’ leave, and made a rush for London. It took me a day to get there and pretty well another to come back—but three months’ pay went all the same. I don’t know what I did with it. I went to a music-hall, I believe, lunched, dined, and supped in a swell place in Regent Street, and was back to time, with nothing but a complete set of Byron’s works and a new railway rug[10] to show for three months’ work. The boat-man who pulled me off to the ship said: ‘Hallo! I thought you had left the old thing. She will never get to Bankok.’ ‘That’s all you know about it,’ I said, scornfully—but I didn’t like that prophecy at all.

“Suddenly a man, some kind of agent to somebody, appeared with full powers. He had grog-blossomsaa all over his face, an indomitable energy, and was a jolly soul. We leaped into life again. A hulk came alongside, took our cargo, and then we went into dry dock to get our copper stripped. No wonder she leaked. The poor thing, strained beyond endurance by the gale, had, as if in disgust, spat out all the oakumab of her lower seams. She was recaulked, new coppered, and made as tight as a bottle. We went back to the hulk and reshipped our cargo.

“Then, on a fine moonlight night, all the rats left the ship.[11]

“We had been infested with them. They had destroyed our sails, consumed more stores than the crew, affably shared our beds and our dangers, and now, when the ship was made seaworthy, concluded to clear out. I called Mahon to enjoy the spectacle. Rat after rat appeared on our rail, took a last look over his shoulder, and leaped with a hollow thud into the empty hulk. We tried to count them, but soon lost the tale. Mahon said: ‘Well, well! don’t talk to me about the intelligence of rats. They ought to have left before, when we had that narrow squeak from foundering. There you have the proof how silly is the superstition about them. They leave a good ship for an old rotten hulk, where there is nothing to eat, too, the fools! ... I don’t believe they know what is safe or what is good for them, any more than you or I.’

“And after some more talk we agreed that the wisdom of rats had been grossly overrated, being in fact no greater than that of men.

“The story of the ship was known, by this, all up the Channel from Land’s End to the Forelands,[12] and we could get no crew on the south coast. They sent us one all complete from Liverpool, and we left once more—for Bankok.

“We had fair breezes, smooth water right into the tropics, and the old Judea lumbered along in the sunshine. When she went eight knots everything cracked aloft, and we tied our caps to our heads; but mostly she strolled on at the rate of three miles an hour. What could you expect? She was tired—that old ship. Her youth was where mine is—where yours is—you fellows who listen to this yarn; and what friend would throw your years and your weariness in your face? We didn’t grumble at her. To us aft, at least, it seemed as though we had been born in her, reared in her, had lived in her for ages, had never known any other ship. I would just as soon have abused the old village church at home for not being a cathedral.

“And for me there was also my youth to make me patient. There was all the East before me, and all life, and the thought that I had been tried in that ship and had come out pretty well. And I thought of men of old who, centuries ago, went that road in ships that sailed no better, to the land of palms, and spices, and yellow sands, and of brown nations ruled by kings more cruel than Nero the Roman, and more splendid than Solomon the Jew.[13] The old bark lumbered on, heavy with her age and the burden of her cargo, while I lived the life of youth in ignorance and hope. She lumbered on through an interminable procession of days; and the fresh gilding flashed back at the setting sun, seemed to cry out over the darkening sea the words painted on her stern, ‘Judea, London. Do or Die.’

“Then we entered the Indian Ocean and steered northerly for Java Head.ac The winds were light. Weeks slipped by. She crawled on, do or die, and people at home began to think of posting us as overdue.

“One Saturday evening, I being off duty, the men asked me to give them an extra bucket of water or so—for washing clothes. As I did not wish to screw on the fresh-water pump so late, I went forward whistling, and with a key in my hand to unlock the forepeak scuttle,ad intending to serve the water out of a spare tank we kept there.

“The smell down below was as unexpected as it was frightful. One would have thought hundreds of paraffin-lamps had been flaring and smoking in that hole for days. I was glad to get out. The man with me coughed and said, ‘Funny smell, sir.’ I answered negligently, ‘It’s good for the health they say,’ and walked aft.

“The first thing I did was to put my head down the square of the midship ventilator. As I lifted the lid a visible breath, something like a thin fog, a puff of faint haze, rose from the opening. The ascending air was hot, and had a heavy, sooty, paraffiny smell. I gave one sniff, and put down the lid gently. It was no use choking myself. The cargo was on fire.

“Next day she began to smoke in earnest. You see it was to be expected, for though the coal was of a safe kind, that cargo had been so handled, so broken up with handling, that it looked more like smithy coalae than anything else. Then it had been wetted—more than once. It rained all the time we were taking it back from the hulk, and now with this long passage it got heated, and there was another case of spontaneous combustion.[14] ”The captain called us into the cabin. He had a chart spread on the table, and looked unhappy. He said, ‘The coast of West Australia is near, but I mean to proceed to our destination. It is the hurricane month, too; but we will just keep her head for Bankok, and fight the fire. No more putting back anywhere, if we all get roasted. We will try first to stifle this ‘ere damned combustion by want of air.’

“We tried. We battened down everything, and still she smoked. The smoke kept coming out through imperceptible crevices; it forced itself through bulkheads and covers; it oozed here and there and everywhere in slender threads, in an invisible film, in an incomprehensible manner. It made its way into the cabin, into the forecastle;af it poisoned the sheltered places on the deck, it could be sniffed as high as the mainyard.ag It was clear that if the smoke came out the air came in. This was disheartening. This combustion refused to be stifled.

“We resolved to try water, and took the hatches off. Enormous volumes of smoke, whitish, yellowish, thick, greasy, misty, choking, ascended as high as the trucks. All hands cleared out aft. Then the poisonous cloud blew away, and we went back to work in a smoke that was no thicker now than that of an ordinary factory chimney.

“We rigged the force-pump, got the hose along, and by-and-by it burst. Well, it was as old as the ship—a prehistoric hose, and past repair. Then we pumped with the feeble head-pump, drew water with buckets, and in this way managed in time to pour lots of Indian Ocean into the main hatch. The bright stream flashed in sunshine, fell into a layer of white crawling smoke, and vanished on the black surface of coal. Steam ascended mingling with the smoke. We poured salt water as into a barrel without a bottom. It was our fate to pump in that ship, to pump out of her, to pump into her; and after keeping water out of her to save ourselves from being drowned, we frantically poured water into her to save ourselves from being burnt.

“And she crawled on, do or die, in the serene weather. The sky was a miracle of purity, a miracle of azure. The sea was polished, was blue, was pellucid, was sparkling like a precious stone, extending on all sides, all round to the horizon—as if the whole terrestrial globe had been one jewel, one colossal sapphire, a single gem fashioned into a planet. And on the lustre of the great calm waters the Judea glided imperceptibly, enveloped in languid and unclean vapours, in a lazy cloud that drifted to leeward, light and slow; a pestiferous cloud defiling the splendour of sea and sky.

“All this time of course we saw no fire. The cargo smouldered at the bottom somewhere. Once Mahon, as we were working side by side, said to me with a queer smile: ‘Now, if she only would spring a tidy leak—like that time when we first left the Channel—it would put a stopper on this fire. Wouldn’t it?’ I remarked irrelevantly, ‘Do you remember the rats?’

“We fought the fire and sailed the ship too as carefully as though nothing had been the matter. The steward cooked and attended on us. Of the other twelve men, eight worked while four rested. Everyone took his turn, captain included. There was equality, and if not exactly fraternity, then a deal of good feeling. Sometimes a man, as he dashed a bucketful of water down the hatchway, would yell out, ‘Hurrah for Bankok!’ and the rest laughed. But generally we were taciturn and serious—and thirsty. Oh! how thirsty! And we had to be careful with the water. Strict allowance. The ship smoked, the sun blazed.... Pass the bottle.

“We tried everything. We even made an attempt to dig down to the fire. No good, of course. No man could remain more than a minute below. Mahon, who went first, fainted there, and the man who went to fetch him out did likewise. We lugged them out on deck. Then I leaped down to show how easily it could be done. They had learned wisdom by that time, and contented themselves by fishing for me with a chainhook tied to a broom-handle, I believe. I did not offer to go and fetch up my shovel, which was left down below.

“Things began to look bad. We put the long-boat into the water. The second boat was ready to swing out. We had also another, a 14-foot thing, on davitsah aft, where it was quite safe.

“Then, behold, the smoke suddenly decreased. We redoubled our efforts to flood the bottom of the ship. In two days there was no smoke at all. Everybody was on the broad grin. This was on a Friday. On Saturday no work, but sailing the ship of course, was done. The men washed their clothes and their faces for the first time in a fortnight, and had a special dinner given them. They spoke of spontaneous combustion with contempt, and implied they were the boys to put out combustions. Somehow we all felt as though we each had inherited a large fortune. But a beastly smell of burning hung about the ship. Captain Beard had hollow eyes and sunken cheeks. I had never noticed so much before how twisted and bowed he was. He and Mahon prowled soberly about hatches and ventilators, sniffing. It struck me suddenly poor Mahon was a very, very old chap. As to me, I was as pleased and proud as though I had helped to win a great naval battle. O! Youth!

“The night was fine. In the morning a homeward-bound ship passed us hull down—the first we had seen for months; but we were nearing the land at last, Java Head being about 190 miles off, and nearly due north.

“Next day it was my watch on deck from eight to twelve. At breakfast the captain observed, ‘It’s wonderful how that smell hangs about the cabin.’ About ten, the mate being on the poop, I stepped down on the main-deck for a moment. The carpenter’s bench stood abaftai the mainmast : I leaned against it sucking at my pipe, and the carpenter, a young chap, came to talk to me. He remarked, ‘I think we have done very well, haven’t we?’ and then I perceived with annoyance the fool was trying to tilt the bench. I said curtly, ‘Don’t, Chips,’ and immediately became aware of a queer sensation, of an absurd delusion,—I seemed somehow to be in the air. I heard all round me like a pent-up breath released—as if a thousand giants simultaneously had said Phoo!—and felt a dull concussion which made my ribs ache suddenly. No doubt about it—I was in the air, and my body was describing a short parabola. But short as it was, I had the time to think several thoughts in, as far as I can remember, the following order: ‘This can’t be the carpenter—What is it?—Some accident—Submarine volcano?—Coals, gas!—By Jove! we are being blown up—Everybody’s dead—I am falling into the after-hatch—I see fire in it.’[15]

“The coal-dust suspended in the air of the hold had glowed dull-red at the moment of the explosion. In the twinkling of an eye, in an infinitesimal fraction of a second since the first tilt of the bench, I was sprawling full length on the cargo. I picked myself up and scrambled out. It was quick like a rebound. The deck was a wilderness of smashed timber, lying crosswise like trees in a wood after a hurricane; an immense curtain of solid rags waved gently before me—it was the mainsail blown to strips. I thought, The masts will be toppling over directly; and to get out of the way bolted on all-fours towards the poop-ladder. The first person I saw was Mahon, with eyes like saucers, his mouth open, and the long white hair standing straight on end round his head like a silver halo. He was just about to go down when the sight of the main-deck stirring, heaving up, and changing into splinters before his eyes, petrified him on the top step. I stared at him in unbelief, and he stared at me with a queer kind of shocked curiosity. I did not know that I had no hair, no eyebrows, no eyelashes, that my young moustache was burnt off, that my face was black, one cheek laid open, my nose cut, and my chin bleeding. I had lost my cap, one of my slippers, and my shirt was torn to rags. Of all this I was not aware. I was amazed to see the ship still afloat, the poop-deck whole—and, most of all, to see anybody alive. Also the peace of the sky and the serenity of the sea were distinctly surprising. I suppose I expected to see them convulsed with horror.... Pass the bottle.

“There was a voice hailing the ship from somewhere—in the air, in the sky—I couldn’t tell. Presently I saw the captain—and he was mad. He asked me eagerly, ‘Where’s the cabin-table?’ and to hear such a question was a frightful shock. I had just been blown up, you understand, and vibrated with that experience,—I wasn’t quite sure whether I was alive. Mahon began to stamp with both feet and yelled at him. ‘Good God! don’t you see the deck’s blown out of her?’ I found my voice, and stammered out as if conscious of some gross neglect of duty, ‘I don’t know where the cabin-table is.’ It was like an absurd dream.

“Do you know what he wanted next? Well, he wanted to trim the yards.aj Very placidly, and as if lost in thought, he insisted on having the foreyard squared. ‘I don’t know if there’s anybody alive,’ said Mahon, almost tearfully. ‘Surely,’ he said, gently, ‘there will be enough left to square the foreyard.’

“The old chap, it seems, was in his own berth winding up the chronometers, when the shock sent him spinning. Immediately it occurred to him—as he said afterwards—that the ship had struck something, and ran out into the cabin. There, he saw, the cabin-table had vanished somewhere. The deck being blown up, it had fallen down into the lazaretteak of course. Where we had our breakfast that morning he saw only a great hole in the floor. This appeared to him so awfully mysterious, and impressed him so immensely, that what he saw and heard after he got on deck were mere trifles in comparison. And, mark, he noticed directly the wheel deserted and his barque off her course—and his only thought was to get that miserable, stripped, undecked, smouldering shell of a ship back again with her head pointing at her port of destination. Bankok! That’s what he was after. I tell you this quiet, bowed, bandy-legged, almost deformed little man was immense in the singleness of his idea and in his placid ignorance of our agitation. He motioned us forward with a commanding gesture, and went to take the wheel himself.

“Yes; that was the first thing we did—trim the yards of that wreck! No one was killed, or even disabled, but everyone was more or less hurt. You should have seen them! Some were in rags, with black faces, like coal heavers, like sweeps, and had bullet heads that seemed closely cropped, but were in fact singed to the skin. Others, of the watch below, awakened by being shot out from their collapsing bunks, shivered incessantly, and kept on groaning even as we went about our work. But they all worked. That crew of Liverpool hard cases had in them the right stuff. It’s my experience they always have. It is the sea that gives it—the vastness, the loneliness surrounding their dark stolid souls. Ah! Well! we stumbled, we crept, we fell, we barked our shins on the wreckage, we hauled. The masts stood, but we did not know how much they might be charred down below. It was nearly calm, but a long swell ran from the west and made her roll. They might go at any moment. We looked at them with apprehension. One could not foresee which way they would fall.

“Then we retreated aft and looked about us. The deck was a tangle of planks on edge, of planks on end, of splinters, of ruined woodwork. The masts rose from that chaos like big trees above a matted undergrowth.

“The interstices of that mass of wreckage were full of something whitish, sluggish, stirring—of something that was like a greasy fog. The smoke of the invisible fire was coming up again, was trailing, like a poisonous thick mist in some valley choked with dead wood. Already lazy wisps were beginning to curl upwards amongst the mass of splinters. Here and there a piece of timber, stuck upright, resembled a post. Half of a fife-rail had been shot through the foresail, and the sky made a patch of glorious blue in the ignobly soiled canvas. A portion of several boards holding together had fallen across the rail, and one end protruded overboard, like a gangwayal leading upon nothing, like a gangway leading over the deep sea, leading to death—as if inviting us to walk the plank at once and be done with our ridiculous troubles. And still the air, the sky—a ghost, something invisible was hailing the ship.

“Someone had the sense to look over, and there was the helmsman, who had impulsively jumped overboard, anxious to come back. He yelled and swam lustily like a merman, keeping up with the ship. We threw him a rope, and presently he stood amongst us streaming with water and very crestfallen. The captain had surrendered the wheel, and apart, elbow on rail and chin in hand, gazed at the sea wistfully. We asked ourselves, What next? I thought, Now, this is something like. This is great. I wonder what will happen. O youth!

“Suddenly Mahon sighted a steamer far astern. Captain Beard said, ‘We may do something with her yet.’ We hoisted two flags, which said in the international language of the sea, ‘On fire. Want immediate assistance.’ The steamer grew bigger rapidly, and by-and-by spoke with two flags on her foremast, ‘I am coming to your assistance.’

“In half an hour she was abreast, to windward, within hail, and rolling slightly, with her engines stopped. We lost our composure, and yelled all together with excitement, ‘We’ve been blown up.’ A man in a white helmet, on the bridge, cried, ‘Yes! All right! all right!’ and he nodded his head, and smiled, and made soothing motions with his hand as though at a lot of frightened children. One of the boats dropped in the water, and walked towards us upon the sea with her long oars. Four Calashesam pulled a swinging stroke. This was my first sight of Malay seamen. I’ve known them since, but what struck me then was their unconcern: they came alongside, and even the bowman standing up and holding to our main-chains with the boat-hook did not deign to lift his head for a glance. I thought people who had been blown up deserved more attention.

“A little man, dry like a chip and agile like a monkey, clambered up. It was the mate of the steamer. He gave one look, and cried, ‘O boys—you had better quit.’

“We were silent. He talked apart with the captain for a time,—seemed to argue with him. Then they went away together to the steamer.

“When our skipper came back we learned that the steamer was the Somerville, Captain Nash, from West Australia to Singapore via Batavia with mails, and that the agreement was she should tow us to Anjer or Batavia,an if possible, where we could extinguish the fire by scuttling, and then proceed on our voyage—to Bankok! The old man seemed excited. ‘We will do it yet,’ he said to Mahon, fiercely. He shook his fist at the sky. Nobody else said a word.

“At noon the steamer began to tow. She went ahead slim and high, and what was left of the Judea followed at the end of seventy fathomao of tow-rope,—followed her swiftly like a cloud of smoke with mast-heads protruding above. We went aloft to furl the sails. We coughed on the yards, and were careful about the bunts. Do you see the lot of us there, putting a neat furl on the sails of that ship doomed to arrive nowhere? There was not a man who didn’t think that at any moment the masts would topple over. From aloft we could not see the ship for smoke, and they worked carefully, passing the gaskets with even turns. ‘Harbour furl—aloft there!’ cried Mahon from below.

“You understand this? I don’t think one of those chaps expected to get down in the usual way. When we did I heard them saying to each other, ‘Well, I thought we would come down overboard, in a lump—sticks and all—blame me if I didn’t.’ ‘That’s what I was thinking to myself,’ would answer wearily another battered and bandaged scarecrow. And, mind, these were men without the drilled-in habit of obedience. To an onlooker they would be a lot of profane scallywagsap without a redeeming point. What made them do it—what made them obey me when I, thinking consciously how fine it was, made them drop the bunt of the foresail twice to try and do it better? What? They had no professional reputation—no examples, no praise. It wasn’t a sense of duty; they all knew well enough how to shirk, and laze, and dodge—when they had a mind to it—and mostly they had. Was it the two pounds ten a-month that sent them there? They didn’t think their pay half good enough. No; it was something in them, something inborn and subtle and everlasting. I don’t say positively that the crew of a French or German merchantman wouldn’t have done it, but I doubt whether it would have been done in the same way. There was a completeness in it, something solid like a principle, and masterful like an instinct—a disclosure of something secret—of that hidden something, that gift of good or evil that makes racial difference, that shapes the fate of nations.[16]

“It was that night at ten that, for the first time since we had been fighting it, we saw the fire. The speed of the towing had fanned the smouldering destruction. A blue gleam appeared forward, shining below the wreck of the deck. It wavered in patches, it seemed to stir and creep like the light of a glowworm. I saw it first, and told Mahon. ‘Then the game’s up,’ he said. ‘We had better stop this towing, or she will burst out suddenly fore and aft before we can clear out.’ We set up a yell; rang bells to attract their attention; they towed on. At last Mahon and I had to crawl forward and cut the rope with an axe. There was no time to cast off the lashings. Red tongues could be seen licking the wilderness of splinters under our feet as we made our way back to the poop.

“Of course they very soon found out in the steamer that the rope was gone. She gave a loud blast of her whistle, her lights were seen sweeping in a wide circle, she came up ranging close along-side, and stopped. We were all in a tight group on the poop looking at her. Every man had saved a little bundle or a bag. Suddenly a conical flame with a twisted top shot up forward and threw upon the black sea a circle of light, with the two vessels side by side and heaving gently in its centre. Captain Beard had been sitting on the gratings still and mute for hours, but now he rose slowly and advanced in front of us, to the mizzen-shrouds. Captain Nash hailed: ‘Come along! Look sharp. I have mail-bags on board. I will take you and your boats to Singapore.’

“ ‘Thank you! No!’ said our skipper. ‘We must see the last of the ship.’

“ ‘I can’t stand by any longer,’ shouted the other. ‘Mails—you know.’

“ ‘Ay! ay! We are all right.’

“ ‘Very well! I’ll report you in Singapore.... Good-bye!’

“He waved his hand. Our men dropped their bundles quietly. The steamer moved ahead, and passing out of the circle of light, vanished at once from our sight, dazzled by the fire which burned fiercely. And then I knew that I would see the East first as commander of a small boat. I thought it fine; and the fidelity to the old ship was fine. We should see the last of her. Oh, the glamour of youth! Oh, the fire of it, more dazzling than the flames of the burning ship, throwing a magic light on the wide earth, leaping audaciously to the sky, presently to be quenched by time, more cruel, more pitiless, more bitter than the sea—and like the flames of the burning ship surrounded by an impenetrable night.

“The old man warned us in his gentle and inflexible way that it was part of our duty to save for the underwriters as much as we could of the ship’s gear. Accordingly we went to work aft, while she blazed forward to give us plenty of light. We lugged out a lot of rubbish. What didn’t we save? An old barometer fixed with an absurd quantity of screws nearly cost me my life: a sudden rush of smoke came upon me, and I just got away in time. There were various stores, bolts of canvas, coils of rope; the poop looked like a marine bazaar, and the boats were lumbered to the gunwales. aq One would have thought the old man wanted to take as much as he could of his first command with him. He was very, very quiet, but off his balance evidently. Would you believe it? He wanted to take a length of old stream-cable and a kedge-anchorar with him in the long-boat. We said, ‘Ay, ay, sir,’ deferentially, and on the quiet let the things slip overboard. The heavy medicine-chest went that way, two bags of green coffee, tins of paint—fancy, paint!—a whole lot of things. Then I was ordered with two hands into the boats to make a stowage and get them ready against the time it would be proper for us to leave the ship.

“We put everything straight, stepped the long-boat’s mast for our skipper, who was to take charge of her, and I was not sorry to sit down for a moment. My face felt raw, every limb ached as if broken, I was aware of all my ribs, and would have sworn to a twist in the backbone. The boats, fast astern, lay in a deep shadow, and all around I could see the circle of the sea lighted by the fire. A gigantic flame arose forward straight and clear. It flared fierce, with noises like the whirr of wings, with rumbles as of thunder. There were cracks, detonations, and from the cone of flame the sparks flew upwards, as man is born to trouble,[17] to leaky ships, and to ships that burn.

“What bothered me was that the ship, lying broadside to the swell and to such wind as there was—a mere breath—the boats would not keep astern where they were safe, but persisted, in a pig-headed way boats have, in getting under the counter and then swinging alongside. They were knocking about dangerously and coming near the flame, while the ship rolled on them, and, of course, there was always the danger of the masts going over the side at any moment. I and my two boat-keepers kept them off as best we could, with oars and boat-hooks; but to be constantly at it became exasperating, since there was no reason why we should not leave at once. We could not see those on board, nor could we imagine what caused the delay. The boat-keepers were swearing feebly, and I had not only my share of the work but also had to keep at it two men who showed a constant inclination to lay themselves down and let things slide.

“At last I hailed, ‘On deck there,’ and someone looked over. ‘We’re ready here,’ I said. The head disappeared, and very soon popped up again. ‘The captain says, All right, sir, and to keep the boats well clear of the ship.’

“Half an hour passed. Suddenly there was a frightful racket, rattle, clanking of chain, hiss of water, and millions of sparks flew up into the shivering column of smoke that stood leaning slightly above the ship. The cat-headsas had burned away, and the two red-hot anchors had gone to the bottom, tearing out after them two hundred fathom of red-hot chain. The ship trembled, the mass of flame swayed as if ready to collapse, and the fore top-gallant-mastat fell. It darted down like an arrow of fire, shot under, and instantly leaping up within an oar‘s-length of the boats, floated quietly, very black on the luminous sea. I hailed the deck again. After some time a man in an unexpectedly cheerful but also muffled tone, as though he had been trying to speak with his mouth shut, informed me, ‘Coming directly, sir,’ and vanished. For a long time I heard nothing but the whirr and roar of the fire. There were also whistling sounds. The boats jumped, tugged at the painters, ran at each other playfully, knocked their sides together, or, do what we would, swung in a bunch against the ship’s side. I couldn’t stand it any longer, and swarming up a rope, clambered aboard over the stern.

“It was as bright as day. Coming up like this, the sheet of fire facing me was a terrifying sight, and the great seemed hardly bearable at first. On a settee cushionau dragged out of the cabin Captain Beard, his legs drawn up and one arm under his head, slept with the light playing on him. Do you know what the rest were busy about? They were sitting on deck right aft, round an open case, eating bread and cheese and drinking bottled stout.

“On the background of flames twisting in fierce tongues above their heads they seemed at home like salamanders, and looked like a band of desperate pirates. The fire sparkled in the whites of their eyes, gleamed on patches of white skin seen through the torn shirts. Each had the marks as of a battle about him—bandaged heads, tied-up arms, a strip of dirty rag round a knee—and each man had a bottle between his legs and a chunk of cheese in his hand. Mahon got up. With his handsome and disreputable head, his hooked profile, his long white beard, and with an uncorked bottle in his hand, he resembled one of those reckless sea-robbers of old making merry amidst violence and disaster. ‘The last meal on board,’ he explained solemnly. ‘We had nothing to eat all day, and it was no use leaving all this.’ He flourished the bottle and indicated the sleeping skipper. ‘He said he couldn’t swallow anything, so I got him to lie down,’ he went on; and as I stared, ‘I don’t know whether you are aware, young fellow, the man had no sleep to speak of for days—and there will be dam’ little sleep in the boats.’ ‘There will be no boats by-and-by if you fool about much longer,’ I said, indignantly. I walked up to the skipper and shook him by the shoulder. At last he opened his eyes, but did not move. ‘Time to leave her, sir,’ I said quietly.

“He got up painfully, looked at the flames, at the sea sparkling round the ship, and black, black as ink farther away; he looked at the stars shining dim through a thin veil of smoke in a sky black, black as Erebus.av

“ ‘Youngest first,’ he said.

“And the ordinary seaman, wiping his mouth with the back of his hand, got up, clambered over the taffrail,aw and vanished. Others followed. One, on the point of going over, stopped short to drain his bottle, and with a great swing of his arm flung it at the fire. ‘Take this!’ he cried.

“The skipper lingered disconsolately, and we left him to commune alone for a while with his first command. Then I went up again and brought him away at last. It was time. The ironwork on the poop was hot to the touch.

“Then the painter of the long-boat was cut, and the three boats, tied together, drifted clear of the ship. It was just sixteen hours after the explosion when we abandoned her. Mahon had charge of the second boat, and I had the smallest—the 14-foot thing. The long-boat would have taken the lot of us; but the skipper said we must save as much property as we could—for the underwriters—and so I got my first command. I had two men with me, a bag of biscuits, a few tins of meat, and a breaker of water. I was ordered to keep close to the long-boat, that in case of bad weather we might be taken into her.

“And do you know what I thought? I thought I would part company as soon as I could. I wanted to have my first command all to myself. I wasn’t going to sail in a squadron if there were a chance for independent cruising. I would make land by myself. I would beat the other boats. Youth! All youth! The silly, charming, beautiful youth.

“But we did not make a start at once. We must see the last of the ship. And so the boats drifted about that night, heaving and setting on the swell. The men dozed, waked, sighed, groaned. I looked at the burning ship.

“Between the darkness of earth and heaven she was burning fiercely upon a disc of purple sea shot by the blood-red play of gleams; upon a disc of water glittering and sinister. A high, clear flame, an immense and lonely flame, ascended from the ocean, and from its summit the black smoke poured continuously at the sky. She burned furiously; mournful and imposing like a funeral pile kindled in the night, surrounded by the sea, watched over by the stars. A magnificent death had come like a grace, like a gift, like a reward to that old ship at the end of her laborious days. The surrender of her weary ghost to the keeping of stars and sea was stirring like the sight of a glorious triumph. The masts fell just before daybreak, and for a moment there was a burst and turmoil of sparks that seemed to fill with flying fire the night patient and watchful, the vast night lying silent upon the sea. At daylight she was only a charred shell, floating still under a cloud of smoke and bearing a glowing mass of coal within.

“Then the oars were got out, and the boats forming in a line moved round her remains as if in procession—the long-boat leading. As we pulled across her stern a slim dart of fire shot out viciously at us, and suddenly she went down, head first, in a great hiss of steam. The unconsumed stern was the last to sink; but the paint had gone, had cracked, had peeled off, and there were no letters, there was no word, no stubborn device that was like her soul, to flash at the rising sun her creed and her name.

“We made our way north. A breeze sprang up, and about noon all the boats came together for the last time. I had no mast or sail in mine, but I made a mast out of a spare oar and hoisted a boat-awning for a sail, with a boat-hook for a yard. She was certainly over-masted, but I had the satisfaction of knowing that with the wind aft I could beat the other two. I had to wait for them. Then we all had a look at the captain’s chart, and, after a sociable meal of hard bread and water got our last instructions. These were simple: steer north, and keep together as much as possible. ‘Be careful with that jury-rig,ax Marlow,’ said the captain; and Mahon, as I sailed proudly past his boat, wrinkled his curved nose and hailed, ‘You will sail that ship of yours under water, if you don’t look out, young fellow.’ He was a malicious old man—and may the deep sea where he sleeps now rock him gently, rock him tenderly to the end of time!

“Before sunset a thick rain-squall passed over the two boats, which were far astern, and that was the last I saw of them for a time. Next day I sat steering my cockle-shell—my first command—with nothing but water and sky around me. I did sight in the afternoon the upper sails of a ship far away, but said nothing, and my men did not notice her. You see I was afraid she might be homeward bound, and I had no mind to turn back from the portals of the East. I was steering for Java—another blessed name—like Bankok, you know. I steered many days.

“I need not tell you what it is to be knocking about in an open boat. I remember nights and days of calm, when we pulled, we pulled, and the boat seemed to stand still, as if bewitched within the circle of the sea horizon. I remember the heat, the deluge of rain-squalls that kept us baling for dear life (but filled our water-cask), and I remember sixteen hours on end with a mouth dry as a cinder and a steering-oar over the stern to keep my first command head on to a breaking sea. I did not know how good a man I was till then. I remember the drawn faces, the dejected figures of my two men, and I remember my youth and the feeling that will never come back any more—the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort—to death; the triumphant conviction of strength, the heat of life in the handful of dust,[18] the glow in the heart that with every year grows dim, grows cold, grows small, and expires—and expires, too soon, too soon—before life itself.

“And this is how I see the East. I have seen its secret places and have looked into its very soul; but now I see it always from a small boat, a high outline of mountains, blue and afar in the morning; like faint mist at noon; a jagged wall of purple at sunset. I have the feel of the oar in my hand, the vision of a scorching blue sea in my eyes. And I see a bay, a wide bay, smooth as glass and polished like ice, shimmering in the dark. A red light burns far off upon the gloom of the land, and the night is soft and warm. We drag at the oars with aching arms, and suddenly a puff of wind, a puff faint and tepid and laden with strange odours of blossoms, of aromatic wood, comes out of the still night—the first sigh of the East on my face. That I can never forget. It was impalpable and enslaving, like a charm, like a whispered promise of mysterious delight.

“We had been pulling this finishing spell for eleven hours. Two pulled, and he whose turn it was to rest sat at the tiller. We had made out the red light in that bay and steered for it, guessing it must mark some small coasting port. We passed two vessels, outlandish and high-sterned, sleeping at anchor, and, approaching the light, now very dim, ran the boat’s nose against the end of a jutting wharf. We were blind with fatigue. My men dropped the oars and fell off the thwarts as if dead. I made fast to a pile. A current rippled softly. The scented obscurity of the shore was grouped into vast masses, a density of colossal clumps of vegetation, probably—mute and fantastic shapes. And at their foot the semicircle of a beach gleamed faintly, like an illusion. There was not a light, not a stir, not a sound. The mysterious East faced me, perfumed like a flower, silent like death, dark like a grave.

“And I sat weary beyond expression, exulting like a conqueror, sleepless and entranced as if before a profound, a fateful enigma.

“A splashing of oars, a measured dip reverberating on the level of water, intensified by the silence of the shore into loud claps, made me jump up. A boat, a European boat, was coming in. I invoked the name of the dead; I hailed: Judea ahoy! A thin shout answered.

“It was the captain. I had beaten the flagship by three hours, and I was glad to hear the old man’s voice again, tremulous and tired. ‘Is it you, Marlow?’ ‘Mind the end of that jetty, sir,’ I cried.

“He approached cautiously, and brought up with the deep-sea lead-line which we had saved—for the underwriters. I eased my painter and fell alongside. He sat, a broken figure at the stern, wet with dew, his hands clasped in his lap. His men were asleep already. ‘I had a terrible time of it,’ he murmured. ‘Mahon is behind—not very far.’ We conversed in whispers, in low whispers, as if afraid to wake up the land. Guns, thunder, earthquakes would not have awakened the men just then.

“Looking round as we talked, I saw away at sea a bright light travelling in the night. ‘There’s a steamer passing the bay,’ I said. She was not passing, she was entering, and she even came close and anchored. ‘I wish,’ said the old man, ‘you would find out whether she is English. Perhaps they could give us a passage somewhere.’ He seemed nervously anxious. So by dint of punching and kicking I started one of my men into a state of somnambulism, and giving him an oar, took another and pulled towards the lights of the steamer.

“There was a murmur of voices in her, metallic hollow clangs of the engine-room, footsteps on the deck. Her ports shone, round like dilated eyes. Shapes moved about, and there was a shadowy man high up on the bridge. He heard my oars.

“And then, before I could open my lips, the East spoke to me, but it was in a Western voice. A torrent of words was poured into the enigmat ical, the fateful silence; outlandish, angry words, mixed with words and even whole sentences of good English, less strange but even more surprising. The voice swore and cursed violently; it riddled the solemn peace of the bay by a volley of abuse. It began by calling me Pig, and from that went crescendo into unmentionable adjectives—in English. The man up there raged aloud in two languages, and with a sincerity in his fury that almost convinced me I had, in some way, sinned against the harmony of the universe. I could hardly see him, but began to think he would work himself into a fit.

“Suddenly he ceased, and I could hear him snorting and blowing like a porpoise. I said—

“ ‘What steamer is this, pray?’

“ ‘Eh? What’s this? And who are you?’

“ ‘Castaway crew of an English barque burnt at sea. We came here to-night. I am the second mate. The captain is in the long-boat, and wishes to know if you would give us a passage somewhere.’

“ ‘Oh, my goodness! I say.... This is the Celestial from Singapore on her return trip. I’ll arrange with your captain in the morning, ... and,... I say, ... did you hear me just now?’

“ ‘I should think the whole bay heard you.’

“ ‘I thought you were a shore-boat. Now, look here—this infernal lazy scoundrel of a caretaker has gone to sleep again—curse him. The light is out, and I nearly ran foul of the end of this damned jetty. This is the third time he plays me this trick. Now, I ask you, can anybody stand this kind of thing? It’s enough to drive a man out of his mind. I’ll report him.... I’ll get the Assistant Resident to give him the sack, by ... ! See—there’s no light. It’s out, isn’t it? I take you to witness the light’s out. There should be a light, you know. A red light on the—’

“ ‘There was a light,’ I said, mildly.

“ ‘But it’s out, man! What’s the use of talking like this? You can see for yourself it’s out—don’t you? If you had to take a valuable steamer along this God-forsaken coast you would want a light, too. I’ll kick him from end to end of his miserable wharf. You’ll see if I don’t. I will—’

“ ‘So I may tell my captain you’ll take us?’ I broke in.

“ ‘Yes, I’ll take you. Good-night,’ he said, brusquely.

“I pulled back, made fast again to the jetty, and then went to sleep at last. I had faced the silence of the East. I had heard some of its language. But when I opened my eyes again the silence was as complete as though it had never been broken. I was lying in a flood of light, and the sky had never looked so far, so high, before. I opened my eyes and lay without moving.

“And then I saw the men of the East—they were looking at me. The whole length of the jetty was full of people. I saw brown, bronze, yellow faces, the black eyes, the glitter, the colour of an Eastern crowd. And all these beings stared without a murmur, without a sigh, without a movement. They stared down at the boats, at the sleeping men who at night had come to them from the sea. Nothing moved. The fronds of palms stood still against the sky. Not a branch stirred along the shore, and the brown roofs of hidden houses peeped through the green foliage, through the big leaves that hung shining and still like leaves forged of heavy metal. This was the East of the ancient navigators, so old, so mysterious, resplendent and sombre, living and unchanged, full of danger and promise. And these were the men. I sat up suddenly. A wave of movement passed through the crowd from end to end, passed along the heads, swayed the bodies, ran along the jetty like a ripple on the water, like a breath of wind on a field—and all was still again. I see it now—the wide sweep of the bay, the glittering sands, the wealth of green infinite and varied, the sea blue like the sea of a dream, the crowd of attentive faces, the blaze of vivid colour—the water reflecting it all, the curve of the shore, the jetty, the high-sterned outlandish craft floating still, and the three boats with the tired men from the West sleeping, unconscious of the land and the people and of the violence of sunshine. They slept thrown across the thwarts, curled on bottom-boards, in the careless attitudes of death. The head of the old skipper, leaning back in the stern of the long-boat, had fallen on his breast, and he looked as though he would never wake. Farther out old Mahon’s face was upturned to the sky, with the long white beard spread out on his breast, as though he had been shot where he sat at the tiller; and a man, all in a heap in the bows of the boat, slept with both arms embracing the stern-head and with his cheek laid on the gunwale. The East looked at them without a sound.

“I have known its fascination since; I have seen the mysterious shores, the still water, the lands of brown nations, where a stealthy Nemesisay lies in wait, pursues, overtakes so many of the conquering race, who are proud of their wisdom, of their knowledge, of their strength. But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth! ... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye ... !”

He drank.

“Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.”

He drank again.

“By all that’s wonderful it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?”

And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.

HEART OF DARKNESS

- I -

THE NELLIE, A CRUISING yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide.

The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished spirits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend,az and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.

The Director of Companies was our captain and our host. We four[1] affectionately watched his back as he stood in the bows looking to seaward. On the whole river there was nothing that looked half so nautical. He resembled a pilot, which to a seaman is trustworthiness personified. It was difficult to realize his work was not out there in the luminous estuary, but behind him, within the brooding gloom.

Between us there was, as I have already said somewhere,ba the bond of the sea. Besides holding our hearts together through long periods of separation, it had the effect of making us tolerant of each other’s yarns—and even convictions. The Lawyer—the best of old fellows—had, because of his many years and many virtues, the only cushion on deck, and was lying on the only rug. The Accountant had brought out already a box of dominoes, and was toying architecturally with the bones.bb Marlow sat cross-legged right aft, leaning against the mizzen-mast.bc He had sunken cheeks, a yellow complexion, a straight back, an ascetic aspect, and, with his arms dropped, the palms of hands outwards, resembled an idol. The director, satisfied the anchor had good hold, made his way aft and sat down amongst us. We exchanged a few words lazily. Afterwards there was silence on board the yacht. For some reason or other we did not begin that game of dominoes. We felt meditative, and fit for nothing but placid staring. The day was ending in a serenity of still and exquisite brilliance. The water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essexbd marshes was like a gauzy and radiant fabric, hung from the wooded rises inland, and draping the low shores in diaphanous folds. Only the gloom to the west, brooding over the upper reaches, became more sombre every minute, as if angered by the approach of the sun.

And at last, in its curved and imperceptible fall, the sun sank low, and from glowing white changed to a dull red without rays and without heat, as if about to go out suddenly, stricken to death by the touch of that gloom brooding over a crowd of men.

Forthwith a change came over the waters, and the serenity became less brilliant but more profound. The old river in its broad reach rested unruffled at the decline of day, after ages of good service done to the race that peopled its banks, spread out in the tranquil dignity of a waterway leading to the uttermost ends of the earth. We looked at the venerable stream not in the vivid flush of a short day that comes and departs for ever, but in the august light of abiding memories. And indeed nothing is easier for a man who has, as the phrase goes, “followed the sea” with reverence and affection, than to evoke the great spirit of the past upon the lower reaches of the Thames. The tidal current runs to and fro in its unceasing service, crowded with memories of men and ships it had borne to the rest of home or to the battles of the sea. It had known and served all the men of whom the nation is proud, from Sir Francis Drake to Sir John Franklin, knights all, titled and untitled—the great knights-errant of the sea. It had borne all the ships whose names are like jewels flashing in the night of time, from the Golden Hind returning with her round flanks full of treasure, to be visited by the Queen’s Highness and thus pass out of the gigantic tale, to the Erebus and Terror, bound on other conquests—and that never returned.[2] It had known the ships and the men. They had sailed from Deptford, from Greenwich, from Erithbe—the adventures and the settlers; kings’ ships and the ships of men on ‘Change;bf captains, admirals, the dark “interlopers”bg of the Eastern trade, and the commissioned “generals” of East India fleets. Hunters for gold or pursuers of fame, they all had gone out on that stream, bearing the sword, and often the torch, messengers of the might within the land, bearers of a spark from the sacred fire. What greatness had not floated on the ebb of that river into the mystery of an unknown earth! ... The dreams of men, the seed of commonwealths, the germs of empires.

The sun set; the dusk fell on the stream, and lights began to appear along the shore. The Chapman light-house, a three-legged thing erect on a mud-flat, shone strongly. Lights of ships moved in the fairway—a great stir of lights going up and going down. And farther west on the upper reaches the place of the monstrous town was still marked ominously on the sky, a brooding gloom in sunshine, a lurid glare under the stars.

“And this also,” said Marlow suddenly, “has been one of the dark places of the earth.”

He was the only man of us who still “followed the sea.” The worst that could be said of him was that he did not represent his class. He was a seaman, but he was a wanderer, too, while most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order, and their home is always with them—the ship; and so is their country—the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.[3]

His remark did not seem at all surprising. It was just like Marlow. It was accepted in silence. No one took the trouble to grunt even; and presently he said, very slow—

“I was thinking of very old times, when the Romans first came here,[4] nineteen hundred years ago—the other day.... Light came out of this river since—you say Knights? Yes; but it is like a running blaze on a plain, like a flash of lightning in the clouds. We live in the nicker—may it last as long as the old earth keeps rolling! But darkness was here yesterday. Imagine the feelings of a commander of a fine—what d‘ye call ’em?—triremebh in the Mediterranean, ordered suddenly to the north; run overland across the Gauls in a hurry; put in charge of one of these craft the legionaries—a wonderful lot of handy men they must have been, too—used to build, apparently by the hundred, in a month or two, if we may believe what we read. Imagine him here—the very end of the world, a sea the colour of lead, a sky the colour of smoke, a kind of ship about as rigid as a concertina—and going up this river with stores, or orders, or what you like. Sand-banks, marshes, forests, savages,—precious little to eat fit for a civilized man, nothing but Thames water to drink. No Falernian winebi here, no going ashore. Here and there a military camp lost in a wilderness, like a needle in a bundle of hay—cold, fog, tempests, disease, exile, and death,—death skulking in the air, in the water, in the bush. They must have been dying like flies here. Oh, yes—he did it. Did it very well, too, no doubt, and without thinking much about it either, except afterwards to brag of what he had gone through in his time, perhaps. They were men enough to face the darkness. And perhaps he was cheered by keeping his eye on a chance of promotion to the fleet at Ravennabj by-and-by, if he had good friends in Rome and survived the awful climate. Or think of a decent young citizen in a toga—perhaps too much dice, you know—coming out here in the train of some prefect, or tax-gatherer, or trader even, to mend his fortunes. Land in a swamp, march through the woods, and in some inland post feel the savagery, the utter savagery, had closed round him,—all that mysterious life of the wilderness that stirs in the forest, in the jungles, in the hearts of wild men. There’s no initiation either into such mysteries. He has to live in the midst of the incomprehensible, which is also detestable. And it has a fascination, too, that goes to work upon him. The fascination of the abomination—you know, imagine the growing regrets, the longing to escape, the powerless disgust, the surrender, the hate.”

He paused.

“Mind,” he began again, lifting one arm from the elbow, the palm of the hand outwards, so that, with his legs folded before him, he had the pose of a Buddha preaching in European clothes and without a lotus-flower—“ Mind, none of us would feel exactly like this. What saves us is efficiency—the devotion to efficiency. But these chaps were not much account, really. They were no colonists; their administration was merely a squeeze, and nothing more, I suspect. They were conquerors, and for that you want only brute force—nothing to boast of, when you have it, since your strength is just an accident arising from the weakness of others. They grabbed what they could get for the sake of what was to be got. It was just robbery with violence, aggravated murder on a great scale, and men going at it blind—as is very proper for those who tackle a darkness. The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only. An idea at the back of it; not a sentimental pretence but an idea; and an unselfish belief in the idea—something you can set up, and bow down before, and offer a sacrifice to....”

He broke off. Flames glided in the river, small green flames, red flames, white flames, pursuing, overtaking, joining, crossing each other—then separating slowly or hastily. The traffic of the great city went on in the deepening night upon the sleepless river. We looked on, waiting patiently—there was nothing else to do till the end of the flood; but it was only after a long silence, when he said, in a hesitating voice, “I suppose you fellows remember I did once turn fresh-water sailor for a bit,” that we knew we were fated, before the ebb began to run, to hear about one of Marlow’s inconclusive experiences.

“I don’t want to bother you much with what happened to me personally,” he began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would best like to hear; “yet to understand the effect of it on me you ought to know how I got out there, what I saw, how I went up that river to the place where I first met the poor chap.bk It was the farthest point of navigation and the culminating point of my experience. It seemed somehow to throw a kind of light on everything about me—and into my thoughts. It was sombre enough, too—and pitiful—not extraordinary in any way—not very clear either. No, not very clear. And yet it seemed to throw a kind of light.

“I had then, as you remember, just returned to London after a lot of Indian Ocean, Pacific, China Seas—a regular dose of the East—six years or so, and I was loafing about, hindering you fellows in your work and invading your homes, just as though I had got a heavenly mission to civilize you. It was very fine for a time, but after a bit I did get tired of resting. Then I began to look for a ship—I should think the hardest work on earth. But the ships wouldn’t even look at me. And I got tired of that game, too.

“Now when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration. At that time there were many blank spaces on the earth, and when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, When I grow up I will go there. The North Pole was one of these places, I remember. Well, I haven’t been there yet, and shall not try now. The glamour’s off. Other places were scattered about the Equator, and in every sort of latitude all over the two hemispheres. I have been in some of them, and... well, we won’t talk about that. But there was one yet—the biggest, the most blank, so to speak—that I had a hankering after.

“True, by this time it was not a blank space any more. It had got filled since my boyhood with rivers and lakes and names. It had ceased to be a blank space of delightful mystery—a white patch for a boy to dream glo riously over. It had become a place of darkness. But there was in it one riverbl especially, a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land. And as I looked at the map of it in a shop-window, it fascinated me as a snake would a bird—a silly little bird. Then I remembered there was a big concern, a Company for trade on that river. Dash it all! I thought to myself, they can’t trade without using some kind of craft on that lot of fresh water—steamboats! Why shouldn’t I try to get charge of one? I went on along Fleet Street,bm but could not shake off the idea. The snake had charmed me.

“You understand it was a Continental concern, that Trading society; but I have a lot of relations living on the Continent, because it’s cheap and not so nasty as it looks, they say.

“I am sorry to own I began to worry them. This was already a fresh departure for me. I was not used to get things that way, you know. I always went my own road and on my own legs where I had a mind to go. I wouldn’t have believed it of myself; but, then—you see—I felt somehow I must get there by hook or by crook. So I worried them. The men said ‘My dear fellow,’ and did nothing. Then—would you believe it?—I tried the women. I, Charlie Marlow, set the women to work—to get a job. Heavens! Well, you see, the notion drove me. I had an aunt, a dear enthusiastic soul. She wrote: ‘It will be delightful. I am ready to do anything, anything for you. It is a glorious idea. I know the wife of a very high personage in the Administration, and also a man who has lots of influence with,’ etc., etc. She was determined to make no end of fuss to get me appointed skipper of a river steamboat, if such was my fancy.

“I got my appointment—of course; and I got it very quick. It appears the Company had received news that one of their captains had been killed in a scuffle with the natives. This was my chance, and it made me the more anxious to go. It was only months and months afterwards, when I made the attempt to recover what was left of the body, that I heard the original quarrel arose from a misunderstanding about some hens. Yes, two black hens. Fresleven—that was the fellow’s name, a Dane—thought himself wronged somehow in the bargain, so he went ashore and started to hammer the chief of the village with a stick. Oh, it didn’t surprise me in the least to hear this, and at the same time to be told that Fresleven was the gentlest, quietest creature that ever walked on two legs. No doubt he was; but he had been a couple of years already out there engaged in the noble cause, you know, and he probably felt the need at last of asserting his self-respect in some way. Therefore he whacked the old nigger mercilessly, while a big crowd of his people watched him, thunderstruck, till some man—I was told the chief’s son—in desperation at hearing the old chap yell, made a tentative jab with a spear at the white man—and of course it went quite easy between the shoulder-blades. Then the whole population cleared into the forest, expecting all kinds of calamities to happen, while, on the other hand, the steamer Fresleven commanded left also in a bad panic, in charge of the engineer, I believe. Afterwards nobody seemed to trouble much about Fresleven’s remains, till I got out and stepped into his shoes. I couldn’t let it rest, though; but when an opportunity offered at last to meet my predecessor, the grass growing through his ribs was tall enough to hide his bones. They were all there. The supernatural being had not been touched after he fell. And the village was deserted, the huts gaped black, rotting, all askew within the fallen enclosures. A calamity had come to it, sure enough. The people had vanished. Mad terror had scattered them, men, women, and children, through the bush, and they had never returned. What became of the hens I don’t know either. I should think the cause of progress got them, anyhow. However, through this glorious affair I got my appointment, before I had fairly begun to hope for it.

“I flew around like mad to get ready, and before forty-eight hours I was crossing the Channel to show myself to my employers, and sign the contract. In a very few hours I arrived in a citybn that always makes me think of a whited sepulchre.[5] Prejudice no doubt. I had no difficulty in finding the Company’s offices. It was the biggest thing in the town, and everybody I met was full of it. They were going to run an over-sea empire, and make no end of coin by trade.

“A narrow and deserted street in deep shadow, high houses, innumerable windows with venetian blinds, a dead silence, grass sprouting between the stones, imposing carriage archways right and left, immense double doors standing ponderously ajar. I slipped through one of these cracks, went up a swept and ungarnished staircase, as arid as a desert, and opened the first door I came to. Two women, one fat and the other slim, sat on straw-bottomed chairs, knitting black wool. The slim one got up and walked straight at me—still knitting with down-cast eyes—and only just as I began to think of getting out of her way, as you would for a somnambulist, stood still, and looked up. Her dress was as plain as an umbrella-cover, and she turned round without a word and preceded me into a waiting-room. I gave my name, and looked about. Deal table in the middle, plain chairs all round the walls; on one end a large shining map, marked with all the colours of a rainbow. There was a vast amount of red—good to see at any time, because one knows that some real work is done in there, a deuce of a lot of blue, a little green, smears of orange, and, on the East Coast, a purple patch, to show where the jolly pioneers of progress drink the jolly lager-beer. However, I wasn’t going into any of these. I was going into the yellow.[6] Dead in the centre. And the river was there—fascinating—deadly—like a snake. Ough! A door opened, a white-haired secretarial head, but wearing a compassionate expression, appeared, and a skinny forefinger beckoned me into the sanctuary. Its light was dim, and a heavy writing-desk squatted in the middle. From behind that structure came out an impression of pale plumpness in a frock-coat. The great man himself. He was five feet six, I should judge, and had his grip on the handle-end of ever so many millions. He shook hands, I fancy, murmured vaguely, was satisfied with my French. Bon voyage.

“In about forty-five seconds I found myself again in the waiting-room with the compassionate secretary, who, full of desolation and sympathy, made me sign some document. I believe I undertook amongst other things not to disclose any trade secrets. Well, I am not going to.

“I began to feel slightly uneasy. You know I am not used to such ceremonies, and there was something ominous in the atmosphere. It was just as though I had been let into some conspiracy—I don’t know-something not quite right; and I was glad to get out. In the outer room the two women knitted black wool feverishly. People were arriving, and the younger one was walking back and forth introducing them. The old one sat on her chair. Her flat cloth slippers were propped up on a footwarmer, and a cat reposed on her lap. She wore a starched white affair on her head, had a wart on one cheek, and silver-rimmed spectacles hung on the tip of her nose. She glanced at me above the glasses. The swift and indifferent placidity of that look troubled me. Two youths with foolish and cheery countenances were being piloted over, and she threw at them the same quick glance of unconcerned wisdom. She seemed to know all about them and about me, too. An eerie feeling came over me. She seemed uncanny and fateful. Often far away there I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cheery and foolish faces with unconcerned old eyes. Ave! Old knitter of black wool. Morituri te salutant.[7] Not many of those she looked at ever saw her again—not half, by a long way.

“There was yet a visit to the doctor. ‘A simple formality,’ assured me the secretary, with an air of taking an immense part in all my sorrows. Accordingly a young chap wearing his hat over the left eyebrow, some clerk I suppose,—there must have been clerks in the business, though the house was as still as a house in a city of the dead—came from somewhere up-stairs, and led me forth. He was shabby and careless, with ink-stains on the sleeves of his jacket, and his cravat was large and billowy, under a chin shaped like the toe of an old boot. It was a little too early for the doctor, so I proposed a drink, and thereupon he developed a vein of joviality. As we sat over our vermuths he glorified the Company’s business, and by-and-by I expressed casually my surprise at him not going out there. He became very cool and collected all at once. ‘I am not such a fool as I look, quoth Plato to his disciples,’bo he said sententiously, emptied his glass with great resolution, and we rose.

“The old doctor felt my pulse, evidently thinking of something else the while. ‘Good, good for there,’ he mumbled, and then with a certain eagerness asked me whether I would let him measure my head.[8] Rather surprised, I said Yes, when he produced a thing like calipers and got the dimensions back and front and every way, taking notes carefully. He was an unshaven little man in a threadbare coat like a gaberdine,bp with his feet in slippers, and I thought him a harmless fool. ‘I always ask leave, in the interests of science, to measure the crania of those going out there,’ he said. ‘And when they come back, too?’ I asked. ‘Oh, I never see them,’ he remarked; ‘and, moreover, the changes take place inside, you know.’ He smiled, as if at some quiet joke. ‘So you are going out there. Famous.bq Interesting, too.’ He gave me a searching glance, and made another note. ‘Ever any madness in your family?’ he asked, in a matter-of-fact tone. I felt very annoyed. ‘Is that question in the interests of science, too?’ ‘It would be,’ he said, without taking notice of my irritation, ‘interesting for science to watch the mental changes of individuals, on the spot, but ... ’ ‘Are you an alienist?’br I interrupted. ‘Every doctor should be—a little,’ answered that original, imperturbably. ‘I have a little theory which you Messieurs who go out there must help me to prove. This is my share in the advantages my country shall reap from the possession of such a magnificent dependency. The mere wealth I leave to others. Pardon my questions, but you are the first Englishman coming under my observation ... ’ I hastened to assure him I was not in the least typical. ‘If I were,’ said I, ‘I wouldn’t be talking like this with you.’ ‘What you say is rather profound, and probably erroneous,’ he said, with a laugh. ‘Avoid irritation more than exposure to the sun. Adieu. How do you English say, eh? Good-bye. Ah! Good-bye. Adieu. In the tropics one must before everything keep calm.’ ... He lifted a warning forefinger.... ‘Du calme, du calme. Adieu.’bs

“One thing more remained to do—say good-bye to my excellent aunt. I found her triumphant. I had a cup of tea—the last decent cup of tea for many days—and in a room that most soothingly looked just as you would expect a lady’s drawing-room to look, we had a long quiet chat by the fireside. In the course of these confidences it became quite plain to me I had been represented to the wife of the high dignitary, and goodness knows to how many more people besides, as an exceptional and gifted creature—a piece of good fortune for the Company—a man you don’t get hold of every day. Good heavens! and I was going to take charge of a two-penny-half-penny river-steamboat with a penny whistle attached! It appeared, however, I was also one of the Workers, with a capital—you know. Something like an emissary of light, something like a lower sort of apostle. There had been a lot of such rot let loose in print and talk just about that time, and the excellent woman, living right in the rush of all that humbug, got carried off her feet. She talked about ‘weaning those ignorant millions from their horrid ways,’ till, upon my word, she made me quite uncomfortable. I ventured to hint that the Company was run for profit.

“ ‘You forget, dear Charlie, that the labourer is worthy of his hire,”[9] she said, brightly. It’s queer how out of touch with truth women are. They live in a world of their own, and there had never been anything like it, and never can be. It is too beautiful altogether, and if they were to set it up it would go to pieces before the first sunset. Some confounded fact we men have been living contentedly with ever since the day of creation would start up and knock the whole thing over.

“After this I got embraced, told to wear flannel, be sure to write often, and so on—and I left. In the street—I don’t know why—a queer feeling came to me that I was an impostor. Odd thing that I, who used to clear out for any part of the world at twenty-four hours’ notice, with less thought than most men give to the crossing of a street, had a moment—I won’t say of hesitation, but of startled pause, before this common-place affair. The best way I can explain it to you is by saying that, for a second or two, I felt as though, instead of going to the centre of a continent, I were about to set off for the centre of the earth.

“I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom-house officers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. There it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, Come and find out. This one was almost featureless, as if still in the making, with an aspect of monotonous grimness. The edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. The sun was fierce, the land seemed to glisten and drip with steam. Here and there grayish whitish specks showed up clustered inside the white surf, with a flag flying above them perhaps. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a flag-pole lost in it; landed more soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. They were just flung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places—trading places—with names like Gran’ Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. The idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. The voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. They shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. They wanted no excuse for being there. They were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. There wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.

“We gave her her letters (I heard the men in that lonely ship were dying of fever at the rate of three a-day) and went on. We called at some more places with farcical names, where the merry dance of death and trade goes on in a still and earthy atmosphere as of an overheated catacomb; all along the formless coast bordered by dangerous surf, as if Nature herself had tried to ward off intruders; in and out of rivers, streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair. Nowhere did we stop long enough to get a particularized impression, but the general sense of vague and oppressive wonder grew upon me. It was like a weary pilgrimage amongst hints for nightmares.

“It was upward of thirty days before I saw the mouth of the big river. We anchored off the seat of the government.bt But my work would not begin till some two hundred miles farther on. So as soon as I could I made a start for a place thirty miles higher up.

“I had my passage on a little sea-going steamer. Her captain was a Swede, and knowing me for a seaman, invited me on the bridge. He was a young man, lean, fair, and morose, with lanky hair and a shuffling gait. As we left the miserable little wharf, he tossed his head contemptuously at the shore. ‘Been living there?’ he asked. I said, ‘Yes.’ ‘Fine lot these government chaps—are they not?’ he went on, speaking English with great precision and considerable bitterness. ‘It is funny what some people will do for a few francs a-month. I wonder what becomes of that kind when it goes up country?’ I said to him I expected to see that soon. ‘So-o-o!’ he exclaimed. He shuffled athwart, keeping one eye ahead vigilantly. ‘Don’t be too sure,’ he continued. ‘The other day I took up a man who hanged himself on the road. He was a Swede, too.’ ‘Hanged himself! Why, in God’s name?’ I cried. He kept on looking out watchfully. ‘Who knows? The sun too much for him, or the country perhaps.’

“At last we opened a reach. A rocky cliff appeared, mounds of turned-up earth by the shore, houses on a hill, others with iron roofs, amongst a waste of excavations, or hanging to the declivity. A continuous noise of the rapids above hovered over this scene of inhabited devastation. A lot of people, mostly black and naked, moved about like ants. A jetty projected into the river. A blinding sunlight drowned all this at times in a sudden recrudescence of glare. ‘There’s your Company’s station,’ said the Swede, pointing to three wooden barrack-like structures on the rocky slope. ‘I will send your things up. Four boxes did you say? So. Farewell.’

“I came upon a boiler wallowing in the grass, then found a path leading up the hill. It turned aside for the boulders, and also for an undersized railway-truck lying there on its back with its wheels in the air. One was off. The thing looked as dead as the carcass of some animal. I came upon more pieces of decaying machinery, a stack of rusty rails. To the left a clump of trees made a shady spot, where dark things seemed to stir feebly. I blinked, the path was steep. A horn tooted to the right, and I saw the black people run. A heavy and dull detonation shook the ground, a puff of smoke came out of the cliff, and that was all. No change appeared on the face of the rock. They were building a railway. The cliff was not in the way or anything; but this objectless blasting was all the work going on.

“A slight clinking behind me made me turn my head. Six black men advanced in a file, toiling up the path. They walked erect and slow, balancing small baskets full of earth on their heads, and the clink kept time with their footsteps. Black rags were wound round their loins, and the short ends behind waggled to and fro like tails. I could see every rib, the joints of their limbs were like knots in a rope; each had an iron collar on his neck, and all were connected together with a chain whose bightsbu swung between them, rhythmically clinking. Another report from the cliff made me think suddenly of that ship of war I had seen firing into a continent. It was the same kind of ominous voice; but these men could by no stretch of imagination be called enemies. They were called criminals, and the outraged law, like the bursting shells, had come to them, an insoluble mystery from the sea. All their meagre breasts panted together, the violently dilated nostrils quivered, the eyes stared stonily up-hill. They passed me within six inches, without a glance, with that complete, deathlike indifference of unhappy savages. Behind this raw matter one of the reclaimed,[10] the product of the new forces at work, strolled despondently, carrying a rifle by its middle. He had a uniform jacket with one button off, and seeing a white man on the path, hoisted his weapon to his shoulder with alacrity. This was simple prudence, white men being so much alike at a distance that he could not tell who I might be. He was speedily reassured, and with a large, white, rascally grin, and a glance at his charge, seemed to take me into partnership in his exalted trust. After all, I also was a part of the great cause of these high and just proceedings.

“Instead of going up, I turned and descended to the left. My idea was to let that chain-gang get out of sight before I climbed the hill. You know I am not particularly tender; I’ve had to strike and to fend off. I’ve had to resist and to attack sometimes—that’s only one way of resisting—without counting the exact cost, according to the demands of such sort of life as I had blundered into. I’ve seen the devil of violence, and the devil of greed, and the devil of hot desire; but, by all the stars! these were strong, lusty, red-eyed devils, that swayed and drove men—men, I tell you. But as I stood on this hillside, I foresaw that in the blinding sunshine of that land I would become acquainted with a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly. How insidious he could be, too, I was only to find out several months later and a thousand miles farther. For a moment I stood appalled, as though by a warning. Finally I descended the hill, obliquely, towards the trees I had seen.

“I avoided a vast artificial hole somebody had been digging on the slope, the purpose of which I found it impossible to divine. It wasn’t a quarry or a sandpit, anyhow. It was just a hole. It might have been connected with the philanthropic desire of giving the criminals something to do. I don’t know. Then I nearly fell into a very narrow ravine, almost no more than a scar in the hillside. I discovered that a lot of imported drainage-pipes for the settlement had been tumbled in there. There wasn’t one that was not broken. It was a wanton smash-up. At last I got under the trees. My purpose was to stroll into the shade for a moment; but no sooner within than it seemed to me I had stepped into the gloomy circle of some Inferno.[11] The rapids were near, and an uninterrupted, uniform, headlong, rushing noise filled the mournful stillness of the grove, where not a breath stirred, not a leaf moved, with a mysterious sound—as though the tearing pace of the launched earth had suddenly become audible.

“Black shapes crouched, lay, sat between the trees leaning against the trunks, clinging to the earth, half coming out, half effaced within the dim light, in all the attitudes of pain, abandonment, and despair. Another minebv on the cliff went off, followed by a slight shudder of the soil under my feet. The work was going on. The work! And this was the place where some of the helpers had withdrawn to die.

“They were dying slowly—it was very clear. They were not enemies, they were not criminals, they were nothing earthly now,—nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom. Brought from all the recesses of the coast in all the legality of time contracts, lost in uncongenial surroundings, fed on unfamiliar food, they sickened, became inefficient, and were then allowed to crawl away and rest. These moribund shapes were free as air—and nearly as thin. I began to distinguish the gleam of the eyes under the trees. Then, glancing down, I saw a face near my hand. The black bones reclined at full length with one shoulder against the tree, and slowly the eyelids rose and the sunken eyes looked up at me, enormous and vacant, a kind of blind, white flicker in the depths of the orbs, which died out slowly. The man seemed young—almost a boy—but you know with them it’s hard to tell. I found nothing else to do but to offer him one of my good Swede’s ship’s biscuits I had in my pocket. The fingers closed slowly on it and held—there was no other movement and no other glance. He had tied a bit of white worsted round his neck—Why? Where did he get it? Was it a badge—an ornament—a charm—a propitiatory act? Was there any idea at all connected with it? It looked startling round his black neck, this bit of white thread from beyond the seas.

“Near the same tree two more bundles of acute angles sat with their legs drawn up. One, with his chin propped on his knees, stared at nothing, in an intolerable and appalling manner: his brother phantom rested its forehead, as if overcome with a great weariness; and all about others were scattered in every pose of contorted collapse, as in some picture of a massacre or a pestilence. While I stood horror-struck, one of these creatures rose to his hands and knees, and went off on all-fours towards the river to drink. He lapped out of his hand, then sat up in the sunlight, crossing his shins in front of him, and after a time let his woolly head fall on his breastbone.

“I didn’t want any more loitering in the shade, and I made haste towards the station. When near the buildings I met a white man, in such an unexpected elegance of get-up that in the first moment I took him for a sort of vision. I saw a high starched collar, white cuffs, a light alpaca jacket, snowy trousers, a clear necktie, and varnished boots. No hat. Hair parted, brushed, oiled, under a green-lined parasol held in a big white hand. He was amazing, and had a penholder behind his ear.

“I shook hands with this miracle, and I learned he was the Company’s chief accountant, and that all the book-keeping was done at this station. He had come out for a moment, he said, ‘to get a breath of fresh air.’ The expression sounded wonderfully odd, with its suggestion of sedentary desk-life. I wouldn’t have mentioned the fellow to you at all, only it was from his lips that I first heard the name of the man who is so indissolubly connected with the memories of that time. Moreover, I respected the fellow. Yes; I respected his collars, his vast cuffs, his brushed hair. His appearance was certainly that of a hairdresser’s dummy; but in the great demoralization of the land he kept up his appearance. That’s backbone. His starched collars and got-up shirt-fronts were achievements of character. He had been out nearly three years; and, later, I could not help asking him how he managed to sport such linen. He had just the faintest blush, and said modestly, ‘I’ve been teaching one of the native women about the station. It was difficult. She had a distaste for the work.’ Thus this man had verily accomplished something. And he was devoted to his books, which were in apple-pie order.

“Everything else in the station was in a muddle,—heads, things, buildings. Strings of dusty niggers with splay feet arrived and departed; a stream of manufactured goods, rubbishy cottons, beads, and brass-wire set into the depths of darkness, and in return came a precious trickle of ivory.

“I had to wait in the station for ten days—an eternity. I lived in a hut in the yard, but to be out of the chaos I would sometimes get into the accountant’s office. It was built of horizontal planks, and so badly put together that, as he bent over his high desk, he was barred from neck to heels with narrow strips of sunlight. There was no need to open the big shutter to see. It was hot there, too; big flies buzzed fiendishly, and did not sting, but stabbed. I sat generally on the floor, while, of faultless appearance (and even slightly scented), perching on a high stool, he wrote, he wrote. Sometimes he stood up for exercise. When a truckle-bed bw with a sick man (some invalid agent from up-country) was put in there, he exhibited a gentle annoyance. ‘The groans of this sick person,’ he said, ‘distract my attention. And without that it is extremely difficult to guard against clerical errors in this climate.’

“One day he remarked, without lifting his head, ‘In the interior you will no doubt meet Mr. Kurtz.’[12] On my asking who Mr. Kurtz was, he said he was a first-class agent; and seeing my disappointment at this information, he added slowly, laying down his pen, ‘He is a very remarkable person.’ Further questions elicited from him that Mr. Kurtz was at present in charge of a trading post, a very important one, in the true ivory-country, at ‘the very bottom of there. Sends in as much ivory as all the others put together ... ’ He began to write again. The sick man was too ill to groan. The flies buzzed in a great peace.

“Suddenly there was a growing murmur of voices and a great tramping of feet. A caravan had come in. A violent babble of uncouth sounds burst out on the other side of the planks. All the carriers were speaking together, and in the midst of the uproar the lamentable voice of the chief agent was heard ‘giving it up’ tearfully for the twentieth time that day.... He rose slowly. ‘What a frightful row,’ he said. He crossed the room gently to look at the sick man, and returning, said to me, ‘He does not hear.’ ‘What! Dead?’ I asked, startled. ’No, not yet,‘ he answered, with great composure. Then, alluding with a toss of the head to the tumult in the station-yard, ’When one has got to make correct entries, one comes to hate those savages—hate them to the death.’ He remained thoughtful for a moment. ‘When you see Mr. Kurtz,’ he went on, ‘tell him from me that everything here’—he glanced at the desk—‘is very satisfactory. I don’t like to write to him—with those messengers of ours you never know who may get hold of your letter—at that Central Station.’ He stared at me for a moment with his mild, bulging eyes. ‘Oh, he will go far, very far,’ he began again. ‘He will be a somebody in the Administration before long. They, above—the Council in Europe, you know—mean him to be.’

“He turned to his work. The noise outside had ceased, and presently in going out I stopped at the door. In the steady buzz of flies the homeward-bound agent was lying flushed and insensible; the other, bent over his books, was making correct entries of perfectly correct transac-tions; and fifty feet below the doorstep I could see the still tree-tops of the grove of death.

“Next day I left that station at last, with a caravan of sixty men, for a two-hundred-mile tramp.

“No use telling you much about that. Paths, paths, everywhere; a stamped-in network of paths spreading over the empty land, through long grass, through burnt grass, through thickets, down and up chilly ravines, up and down stony hills ablaze with heat; and a solitude, a solitude, nobody, not a hut. The population had cleared out a long time ago. Well, if a lot of mysterious niggers armed with all kinds of fearful weapons suddenly took to travelling on the road between Dealbx and Gravesend, catching the yokels right and left to carry heavy loads for them, I fancy every farm and cottage thereabouts would get empty very soon. Only here the dwellings were gone, too. Still I passed through several abandoned villages. There’s something pathetically childish in the ruins of grass walls. Day after day, with the stamp and shuffle of sixty pair of bare feet behind me, each pair under a 60-lb. load. Camp, cook, sleep, strike camp, march. Now and then a carrier dead in harness, at rest in the long grass near the path, with an empty water-gourd and his long staff lying by his side. A great silence around and above. Perhaps on some quiet night the tremor of far-off drums, sinking, swelling, a tremor vast, faint; a sound weird, appealing, suggestive, and wild—and perhaps with as profound a meaning as the sound of bells in a Christian country. Once a white man in an unbuttoned uniform, camping on the path with an armed escort of lank Zanzibaris,by very hospitable and festive—not to say drunk. Was looking after the upkeep of the road, he declared. Can’t say I saw any road or any upkeep, unless the body of a middle-aged negro, with a bullet-hole in the forehead, upon which I absolutely stumbled three miles farther on, may be considered as a permanent improvement. I had a white companion, too, not a bad chap, but rather too fleshy and with the exasperating habit of fainting on the hot hillsides, miles away from the least bit of shade and water. Annoying, you know, to hold your own coat like a parasol over a man’s head while he is coming-to. I couldn’t help asking him once what he meant by coming there at all. ‘To make money, of course. What do you think?’ he said, scornfully. Then he got fever, and had to be carried in a hammock slung under a pole. As he weighed sixteen stonebz I had no end of rows with the carriers. They jibbed, ran away, sneaked off with their loads in the night—quite a mutiny. So, one evening, I made a speech in English with gestures, not one of which was lost to the sixty pairs of eyes before me, and the next morning I started the hammock off in front all right. An hour afterwards I came upon the whole concern wrecked in a bush—man, hammock, groans, blankets, horrors. The heavy pole had skinned his poor nose. He was very anxious for me to kill somebody, but there wasn’t the shadow of a carrier near. I remember the old doctor,—‘It would be interesting for science to watch the mental changes of individuals, on the spot.’ I felt I was becoming scientifically interesting. However, all that is to no purpose. On the fifteenth day I came in sight of the big river again, and hobbled into the Central Station.ca It was on a back water surrounded by scrub and forest, with a pretty border of smelly mud on one side, and on the three others enclosed by a crazy fence of rushes. A neglected gap was all the gate it had, and the first glance at the place was enough to let you see the flabby devil was running that show. White men with long staves in their hands appeared languidly from amongst the buildings, strolling up to take a look at me, and then retired out of sight somewhere. One of them, a stout, excitable chap with black moustaches, informed me with great volubility and many digressions, as soon as I told him who I was, that my steamer was at the bottom of the river. I was thunderstruck. What, how, why? Oh, it was ‘all right.’ The ‘manager himself’ was there. All quite correct. ‘Everybody had behaved splendidly! splendidly!’—’you must,’ he said in agitation, ‘go and see the general manager at once. He is waiting!’

“I did not see the real significance of that wreck at once. I fancy I see it now, but I am not sure—not at all.[13] Certainly the affair was too stupid—when I think of it—to be altogether natural. Still ... But at the moment it presented itself simply as a confounded nuisance. The steamer was sunk. They had started two days before in a sudden hurry up the river with the manager on board, in charge of some volunteer skipper, and before they had been out three hours they tore the bottom out of her on stones, and she sank near the south bank. I asked myself what I was to do there, now my boat was lost. As a matter of fact, I had plenty to do in fishing my command out of the river. I had to set about it the very next day. That, and the repairs when I brought the pieces to the station, took some months.

“My first interview with the manager was curious. He did not ask me to sit down after my twenty-mile walk that morning. He was common place in complexion, in feature, in manners, and in voice. He was of middle size and of ordinary build. His eyes, of the usual blue, were perhaps remarkably cold, and he certainly could make his glance fall on one as trenchant and heavy as an axe. But even at these times the rest of his person seemed to disclaim the intention. Otherwise there was only an indefinable, faint expression of his lips, something stealthy—a smile—not a smile—I remember it, but I can’t explain. It was unconscious, this smile was, though just after he had said something it got intensified for an instant. It came at the end of his speeches like a seal applied on the words to make the meaning of the commonest phrase appear absolutely inscrutable. He was a common trader, from his youth up employed in these parts—nothing more. He was obeyed, yet he inspired neither love nor fear, nor even respect. He inspired uneasiness. That was it! Uneasiness. Not a definite mistrust—just uneasiness—nothing more. You have no idea how effective such a ... a ... faculty can be. He had no genius for organizing, for initiative, or for order even. That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence. His position had come to him—why? Perhaps because he was never ill ... He had served three terms of three years out there... Because triumphant health in the general rout of constitutions is a kind of power in itself. When he went home on leave he rioted on a large scale—pompously. Jackcb ashore—with a difference—in externals only. This one could gather from his casual talk. He originated nothing, he could keep the routine going—that’s all. But he was great. He was great by this little thing that it was impossible to tell what could control such a man. He never gave that secret away. Perhaps there was nothing within him. Such a suspicion made one pause—for out there there were no external checks. Once when various tropical diseases had laid low almost every ‘agent’ in the station, he was heard to say, ’Men who come out here should have no entrails.‘[14] He sealed the utterance with that smile of his, as though it had been a door opening into a darkness he had in his keeping. You fancied you had seen things—but the seal was on. When annoyed at meal-times by the constant quarrels of the white men about precedence, he ordered an immense round table to be made, for which a special house had to be built. This was the station’s mess-room. Where he sat was the first place—the rest were nowhere. One felt this to be his unalterable conviction. He was neither civil nor uncivil. He was quiet. He allowed his ‘boy’—an overfed young negro from the coast—to treat the white men, under his very eyes, with provoking insolence.

“He began to speak as soon as he saw me. I had been very long on the road. He could not wait. Had to start without me. The up-river stations had to be relieved. There had been so many delays already that he did not know who was dead and who was alive, and how they got on—and so on, and so on. He paid no attention to my explanations, and, playing with a stick of sealing-wax, repeated several times that the situation was ‘very grave, very grave.’ There were rumours that a very important station was in jeopardy, and its chief, Mr. Kurtz, was ill. Hoped it was not true. Mr. Kurtz was ... I felt weary and irritable. Hang Kurtz, I thought. I interrupted him by saying I had heard of Mr. Kurtz on the coast. ‘Ah! So they talk of him down there,’ he murmured to himself. Then he began again, assuring me Mr. Kurtz was the best agent he had, an exceptional man, of the greatest importance to the Company; therefore I could understand his anxiety. He was, he said, ‘very, very uneasy.’ Certainly he fidgeted on his chair a good deal, exclaimed, ‘Ah, Mr. Kurtz!’ broke the stick of sealing-wax and seemed dumbfounded by the accident. Next thing he wanted to know ‘how long it would take to’ ... I interrupted him again. Being hungry, you know, and kept on my feet, too, I was getting savage. ‘How could I tell?’ I said. ’I hadn’t even seen the wreck yet—some months, no doubt.’ All this talk seemed to me so futile. ‘Some months,’ he said. ‘Well, let us say three months before we can make a start. Yes. That ought to do the affair.’I flung out of his hut (he lived all alone in a clay hut with a sort of verandah) muttering to myself my opinion of him. He was a chattering idiot. Afterwards I took it back when it was borne in upon me startlingly with what extreme nicety he had estimated the time requisite for the ‘affair.’

“I went to work the next day, turning, so to speak, my back on that station. In that way only it seemed to me I could keep my hold on the redeeming facts of life. Still, one must look about sometimes; and then I saw this station, these men strolling aimlessly about in the sunshine of the yard. I asked myself sometimes what it all meant. They wandered here and there with their absurd long staves in their hands, like a lot of faithless pilgrims bewitched inside a rotten fence. The word ‘ivory’ rang in the air, was whispered, was sighed. You would think they were praying to it. A taint of imbecile rapacity blew through it all, like a whiff from some corpse. By Jove! I’ve never seen anything so unreal in my life. And outside, the silent wilderness surrounding this cleared speck on the earth struck me as something great and invincible, like evil or truth, waiting patiently for the passing away of this fantastic invasion.

“Oh, these months! Well, never mind. Various things happened. One evening a grass shed full of calico, cotton prints, beads, and I don’t know what else, burst into a blaze so suddenly that you would have thought the earth had opened to let an avenging fire consume all that trash. I was smoking my pipe quietly by my dismantled steamer, and saw them all cutting capers in the light, with their arms lifted high, when the stout man with moustaches came tearing down to the river, a tin pail in his hand, assured me that everybody was ‘behaving splendidly, splendidly,’ dipped about a quart of water and tore back again. I noticed there was a hole in the bottom of his pail.

“I strolled up. There was no hurry. You see the thing had gone off like a box of matches. It had been hopeless from the very first. The flame had leaped high, driven everybody back, lighted up everything—and collapsed. The shed was already a heap of embers glowing fiercely. A nigger was being beaten near by. They said he had caused the fire in some way; be that as it may, he was screeching most horribly. I saw him, later, for several days, sitting in a bit of shade looking very sick and trying to recover himself: afterwards he arose and went out—and the wilderness without a sound took him into its bosom again. As I approached the glow from the dark I found myself at the back of two men, talking. I heard the name of Kurtz pronounced, then the words, ‘take advantage of this unfortunate accident.’ One of the men was the manager. I wished him a good evening. ‘Did you ever see anything like it—eh? It is incredible,’ he said, and walked off. The other man remained. He was a first-class agent, young, gentlemanly, a bit reserved, with a forked little beard and a hooked nose. He was stand-offish with the other agents, and they on their side said he was the manager’s spy upon them. As to me, I had hardly ever spoken to him before. We got into talk, and by-and-by we strolled away from the hissing ruins. Then he asked me to his room, which was in the main building of the station. He struck a match, and I perceived that this young aristocrat had not only a silver-mounted dressing-case but also a whole candle all to himself. Just at that time the manager was the only man supposed to have any right to candles. Native mats covered the clay walls; a collection of spears, assegais,cc shields, knives was hung up in trophies. The business intrusted to this fellow was the making of bricks—so I had been informed; but there wasn’t a fragment of a brick anywhere in the station, and he had been there more than a year—waiting. It seems he could not make bricks without something, I don’t know what—straw maybe. Anyways, it could not be found there, and as it was not likely to be sent from Europe, it did not appear clear to me what he was waiting for. An act of special creation perhaps. However, they were all waiting—all the sixteen or twenty pilgrims of them—for something; and upon my word it did not seem an uncongenial occupation, from the way they took it, though the only thing that ever came to them was disease—as far as I could see. They beguiled the time by backbiting and intriguing against each other in a foolish kind of way. There was an air of plotting about that station, but nothing came of it, of course. It was as unreal as everything else—as the philanthropic pretence of the whole concern, as their talk, as their government, as their show of work. The only real feeling was a desire to get appointed to a trading-post where ivory was to be had, so that they could earn percentages. They intrigued and slandered and hated each other only on that account,—but as to effectually lifting a little finger—oh, no. By heavens! there is something after all in the world allowing one man to steal a horse while another must not look at a halter.[15] Steal a horse straight out. Very well. He has done it. Perhaps he can ride. But there is a way of looking at a halter that would provoke the most charitable of saints into a kick.

“I had no idea why he wanted to be sociable, but as we chatted in there it suddenly occurred to me the fellow was trying to get at something t—in fact, pumping me. He alluded constantly to Europe, to the people I was supposed to know there—putting leading questions as to my acquaintances in the sepulchral city, and so on. His little eyes glittered like mica discs—with curiosity—though he tried to keep up a bit of superciliousness. At first I was astonished, but very soon I became awfully curious to see what he would find out from me. I couldn’t possibly imagine what I had in me to make it worth his while. It was very pretty to see how he baffled himself, for in truth my body was full only of chills, and my head had nothing in it but that wretched steamboat business. It was evident he took me for a perfectly shameless prevaricator. At last he got angry, and, to conceal a movement of furious annoyance, he yawned. I rose. Then I noticed a small sketch in oils, on a panel, representing a woman, draped and blindfolded, carrying a lighted torch. The background was sombre—almost black. The movement of the woman was stately, and the effect of the torch-light on the face was sinister.

“It arrested me, and he stood by civilly, holding an empty half-pint champagne bottle (medical comforts) with the candle stuck in it. To my question he said Mr. Kurtz had painted this—in this very station more than a year ago—while waiting for means to go to his trading-post. ‘Tell me, pray,’ said I, ‘who is this Mr. Kurtz?’

“ ‘The chief of the Inner Station,’ he answered in a short tone, looking away. ‘Much obliged,’ I said, laughing. ‘And you are the brickmaker of the Central Station. Everyone knows that.’ He was silent for a while. ‘He is a prodigy,’ he said at last. ‘He is an emissary of pity, and science, and progress, and devil knows what else. We want,’ he began to declaim suddenly, ‘for the guidance of the cause intrusted to us by Europe, so to speak, higher intelligence, wide sympathies, a singleness of purpose.’ ‘Who says that?’ I asked. ‘Lots of them,’ he replied. ‘Some even write that; and so he comes here, a special being, as you ought to know.’ ‘Why ought I to know?’ I interrupted, really surprised. He paid no attention. ‘Yes. To-day he is chief of the best station, next year he will be assistant-manager, two years more and ... but I daresay you know what he will be in two years’ time. You are of the new gang—the gang of virtue. The same people who sent him specially also recommended you. Oh, don’t say no. I’ve my own eyes to trust.’ Light dawned upon me. My dear aunt’s influential acquaintances were producing an unexpected effect upon that young man. I nearly burst into a laugh. ‘Do you read the Company’s confidential correspondence?’ I asked. He hadn’t a word to say. It was great fun. ‘When Mr. Kurtz,’ I continued, severely, ‘is General Manager, you won’t have the opportunity.’

“He blew the candle out suddenly, and we went outside. The moon had risen. Black figures strolled about listlessly, pouring water on the glow, whence proceeded a sound of hissing; steam ascended in the moonlight, the beaten nigger groaned somewhere. ‘What a row the brute makes!’ said the indefatigable man with the moustaches, appearing near us. ‘Serve him right. Transgression—punishment—bang! Pitiless, pitiless. That’s the only way. This will prevent all conflagrations for the future. I was just telling the manager ... ’ He noticed my companion, and became crestfallen all at once. ‘Not in bed yet,’ he said, with a kind of servile heartiness; ‘it’s so natural. Ha! Danger—agitation.’ He vanished. I went on to the river-side, and the other followed me. I heard a scathing murmur at my ear, ‘Heap of muffscd—go to.’ The pilgrims could be seen in knots gesticulating, discussing. Several had still their staves in their hands. I verily believe they took these sticks to bed with them. Beyond the fence the forest stood up spectrally in the moonlight, and through the dim stir, through the faint sounds of that lamentable courtyard, the silence of the land went home to one’s very heart—its mystery, its greatness, the amazing reality of its concealed life. The hurt nigger moaned feebly somewhere near by, and then fetched a deep sigh that made me mend my pace away from there. I felt a hand introducing itself under my arm. ‘My dear sir,’ said the fellow, ‘I don’t want to be misunderstood, and especially by you, who will see Mr. Kurtz long before I can have that pleasure. I wouldn’t like him to get a false idea of my disposition.... ’

“I let him run on, this papier-maché Mephistopheles,ce and it seemed to me that if I tried I could poke my forefinger through him, and would find nothing inside but a little loose dirt, maybe. He, don’t you see, had been planning to be assistant-manager by-and-by under the present man, and I could see that the coming of that Kurtz had upset them both not a little. He talked precipitately, and I did not try to stop him. I had my shoulders against the wreck of my steamer, hauled up on the slope like a carcass of some big river animal. The smell of mud, of primeval mud, by Jove! was in my nostrils, the high stillness of primeval forest was before my eyes; there were shiny patches on the black creek. The moon had spread over everything a thin layer of silver—over the rank grass, over the mud, upon the wall of matted vegetation standing higher than the wall of a temple, over the great river I could see through a sombre gap glittering, glittering, as it flowed broadly by without a murmur. All this was great, expectant, mute, while the man jabbered about himself. I wondered whether the stillness on the face of the immensity looking at us two were meant as an appeal or as a menace. What were we who had strayed in here? Could we handle that dumb thing, or would it handle us? I felt how big, how confoundedly big, was that thing that couldn’t talk, and perhaps was deaf as well. What was in there? I could see a little ivory coming out from there, and I had heard Mr. Kurtz was in there. I had heard enough about it, too—God knows! Yet somehow it didn’t bring any image with it—no more than if I had been told an angel or a fiend was in there. I believed it in the same way one of you might believe there are inhabitants in the planet Mars.[16] I knew once a Scotch sailmaker who was certain, dead sure, there were people in Mars. If you asked him for some idea how they looked and behaved, he would get shy and mutter something about ‘walking on all-fours.’ If you as much as smiled, he would—though a man of sixty—offer to fight you. I would not have gone so far as to fight for Kurtz, but I went for him near enough to a lie. You know I hate, detest, and can’t bear a lie, not because I am straighter than the rest of us, but simply because it appals me. There is a taint of death, a flavour of mortality in lies—which is exactly what I hate and detest in the world—what I want to forget. It makes me miserable and sick, like biting something rotten would do. Temperament, I suppose. Well, I went near enough to it by letting the young fool there believe anything he liked to imagine as to my influence in Europe. I became in an instant as much of a pretence as the rest of the bewitched pilgrims. This simply because I had a notion it somehow would be of help to that Kurtz whom at the time I did not see—you understand. He was just a word for me. I did not see the man in the name any more than you do. Do you see him? Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream—making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams. ...”

He was silent for a while.

“... No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one’s existence—that which makes its truth, its meaning—its subtle and penetrating essence. It is impossible. We live, as we dream—alone....”

He paused again as if reflecting, then added—

“Of course in this you fellows see more than I could then. You see me, whom you know....”

It had become so pitch dark that we listeners could hardly see one another. For a long time already he, sitting apart, had been no more to us than a voice. There was not a word from anybody. The others might have been asleep, but I was awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative that seemed to shape itself without human lips in the heavy night-air of the river.

“... Yes—I let him run on,” Marlow began again, “and think what he pleased about the powers that were behind me. I did! And there was nothing behind me! There was nothing but that wretched, old, mangled steamboat I was leaning against, while he talked fluently about ‘the necessity for every man to get on.’ ‘And when one comes out here, you conceive, it is not to gaze at the moon.’ Mr. Kurtz was a ‘universal genius,’ but even a genius would find it easier to work with ‘adequate tools—intelligent men.’ He did not make bricks—why, there was a physical impossibility in the way—as I was well aware; and if he did secretarial work for the manager, it was because ‘no sensible man rejects wantonly the confidence of his superiors.’ Did I see it? I saw it. What more did I want? What I really wanted was rivets, by heaven! Rivets. To get on with the work—to stop the hole. Rivets I wanted. There were cases of them down at the coast—cases—piled up—burst—split! You kicked a loose rivet at every second step in that station yard on the hillside. Rivets had rolled into the grove of death. You could fill your pockets with rivets for the trouble of stooping down—and there wasn’t one rivet to be found where it was wanted. We had plates that would do, but nothing to fasten them with. And every week the messenger, a lone negro, letter-bag on shoulder and staff in hand, left our station for the coast. And several times a week a coast caravan came in with trade goods—ghastly glazed calico that made you shudder only to look at it, glass beads value about a penny a quart, confounded spotted cotton handkerchiefs. And no rivets. Three carriers could have brought all that was wanted to set that steamboat afloat.

“He was becoming confidential now, but I fancy my unresponsive attitude must have exasperated him at last, for he judged it necessary to inform me he feared neither God nor devil, let alone any mere man. I said I could see that very well, but what I wanted was a certain quantity of rivets—and rivets were what really Mr. Kurtz wanted, if he had only known it. Now letters went to the coast every week.... ‘My dear sir,’ he cried, ‘I write from dictation.’ I demanded rivets. There was a way—for an intelligent man. He changed his manner; became very cold, and suddenly began to talk about a hippopotamus; wondered whether sleeping on board the steamer (I stuck to my salvage night and day) I wasn’t disturbed. There was an old hippo that had the bad habit of getting out on the bank and roaming at night over the station grounds. The pilgrims used to turn out in a body and empty every rifle they could lay hands on at him. Some even had sat up o’ nights for him. All this energy was wasted, though. ‘That animal has a charmed life,’ he said; ‘but you can say this only of brutes in this country. No man—you apprehend me?—no man here bears a charmed life.’ He stood there for a moment in the moonlight with his delicate hooked nose set a little askew, and his mica eyes glittering without a wink, then, with a curt Goodnight, he strode off. I could see he was disturbed and considerably puzzled, which made me feel more hopeful than I had been for days. It was a great comfort to turn from that chap to my influential friend, the battered, twisted, ruined, tin-pot steamboat. I clambered on board. She rang under my feet like an empty Huntley & Palmer biscuit-tin kicked along a gutter; she was nothing so solid in make, and rather less pretty in shape, but I had expended enough hard work on her to make me love her. No influential friend would have served me better. She had given me a chance to come out a bit—to find out what I could do. No, I don’t like work. I had rather laze about and think of all the fine things that can be done. I don’t like work—no man does—but I like what is in the work,—the chance to find yourself. Your own reality—for yourself, not for others—what no other man can ever know. They can only see the mere show, and never can tell what it really means.

“I was not surprised to see somebody sitting aft, on the deck, with his legs dangling over the mud. You see I rather chummed with the few mechanics there were in that station, whom the other pilgrims naturally despised—on account of their imperfect manners, I suppose. This was the foreman—a boiler-maker by trade—a good worker. He was a lank, bony, yellow-faced man, with big intense eyes. His aspect was worried, and his head was as bald as the palm of my hand; but his hair in falling seemed to have stuck to his chin, and had prospered in the new locality, for his beard hung down to his waist. He was a widower with six young children (he had left them in charge of a sister of his to come out there), and the passion of his life was pigeon-flying. He was an enthusiast and a connoisseur. He would rave about pigeons. After work hours he used sometimes to come over from his hut for a talk about his children and his pigeons; at work, when he had to crawl in the mud under the bottom of the steamboat, he would tie up that beard of his in a kind of white serviettecf he brought for the purpose. It had loops to go over his ears. In the evening he could be seen squatted on the bank rinsing that wrapper in the creek with great care, then spreading it solemnly on a bush to dry.

“I slapped him on the back and shouted ‘We shall have rivets!’ He scrambled to his feet exclaiming ‘No! Rivets!’ as though he couldn’t believe his ears. Then in a low voice, ‘You ... eh?’ I don’t know why we behaved like lunatics. I put my finger to the side of my nose and nodded mysteriously. ‘Good for you!’ he cried, snapped his fingers above his head, lifting one foot. I tried a jig. We capered on the iron deck. A frightful clatter came out of that hulk, and the virgin forest on the other bank of the creek sent it back in a thundering roll upon the sleeping station. It must have made some of the pilgrims sit up in their hovels. A dark figure obscured the lighted doorway of the manager’s hut, vanished, then, a second or so after, the doorway itself vanished, too. We stopped, and the silence driven away by the stamping of our feet flowed back again from the recesses of the land. The great wall of vegetation, an exuberant and entangled mass of trunks, branches, leaves, boughs, festoons, motionless in the moonlight, was like a rioting invasion of soundless life, a rolling wave of plants, piled up, crested, ready to topple over the creek, to sweep every little man of us out of his little existence. And it moved not. A deadened burst of mighty splashes and snorts reached us from afar, as though an ichthyosauruscg had been taking a bath of glitter in the great river. ‘After all,’ said the boiler-maker in a reasonable tone, ‘why shouldn’t we get the rivets?’ Why not, indeed! I did not know of any reason why we shouldn’t. ‘They’ll come in three weeks,’ I said, confidently.

“But they didn’t. Instead of rivets there came an invasion, an infliction, a visitation. It came in sections during the next three weeks, each section headed by a donkey carrying a white man in new clothes and tan shoes, bowing from that elevation right and left to the impressed pilgrims. A quarrelsome band of footsore sulky niggers trod on the heels of the donkey; a lot of tents, camp-stools, tin boxes, white cases, brown bales would be shot down in the courtyard, and the air of mystery would deepen a little over the muddle of the station. Five such installments came, with their absurd air of disorderly flight with the loot of innumerable outfit shops and provision stores, that, one would think, they were lugging, after a raid, into the wilderness for equitable division. It was an inextricable mess of things decent in themselves but that human folly made look like spoils of thieving.

“This devoted band called itself the Eldoradoch Exploring Expedition, and I believe they were sworn to secrecy. Their talk, however, was the talk of sordid buccaneers: it was reckless without hardihood, greedy without audacity, and cruel without courage; there was not an atom of foresight or of serious intention in the whole batch of them, and they did not seem aware these things are wanted for the work of the world. To tear treasure out of the bowels of the land was their desire, with no more moral purpose at the back of it than there is in burglars breaking into a safe. Who paid the expenses of the noble enterprise I don’t know; but the uncle of our manager was leader of that lot.

“In exterior he resembled a butcher in a poor neighbourhood, and his eyes had a look of sleepy cunning. He carried his fat paunch with ostentation on his short legs, and during the time his gang infested the station spoke to no one but his nephew. You could see these two roaming about all day long with their heads close together in an everlasting confab.ci

“I had given up worrying myself about the rivets. One’s capacity for that kind of folly is more limited than you would suppose. I said Hang!—and let things slide. I had plenty of time for meditation, and now and then I would give some thought to Kurtz. I wasn’t very interested in him. No. Still, I was curious to see whether this man, who had come out equipped with moral ideas of some sort, would climb to the top after all and how he would set about his work when there.”

-II-

“ONE EVENING AS I was lying flat on the deck of my steamboat, I heard voices approaching—and there were the nephew and the uncle strolling along the bank. I laid my head on my arm again, and had nearly lost myself in a doze, when somebody said in my ear, as it were: ‘I am as harmless as a little child, but I don’t like to be dictated to. Am I the manager—or am I not? I was ordered to send him there. It’s incredible.’ ... I became aware that the two were standing on the shore alongside the forepart of the steamboat, just below my head. I did not move; it did not occur to me to move: I was sleepy. ‘It is unpleasant,’ grunted the uncle. ‘He has asked the Administration to be sent there,’ said the other, ‘with the idea of showing what he could do; and I was instructed accordingly. Look at the influence that man must have. Is it not frightful?’ They both agreed it was frightful, then made several bizarre remarks: ‘Make rain and fine weather—one man—the Council—by the nose’—bits of absurd sentences that got the better of my drowsiness, so that I had pretty near the whole of my wits about me when the uncle said, ‘The climate may do away with this difficulty for you. Is he alone there?’ ‘Yes,’ answered the manager; ‘he sent his assistant down the river with a note to me in these terms: ”Clear this poor devil out of the country, and don’t bother sending more of that sort. I had rather be alone than have the kind of men you can dispose of with me.” It was more than a year ago. Can you imagine such impudence!’ ‘Anything since then?’ asked the other, hoarsely. ‘Ivory,’ jerked the nephew; ‘lots of it—prime sort—lots—most annoying, from him.’[17] ‘And with that?’ questioned the heavy rumble. ‘Invoice,’ was the reply fired out, so to speak. Then silence. They had been talking about Kurtz.

“I was broad awake by this time, but, lying perfectly at ease, remained still, having no inducement to change my position. ‘How did that ivory come all this way?’ growled the elder man, who seemed very vexed. The other explained that it had come with a fleet of canoes in charge of an English half-caste clerk Kurtz had with him; that Kurtz had apparently intended to return himself, the station being by that time bare of goods and stores, but after coming three hundred miles, had suddenly decided to go back, which he started to do alone in a small dugout with four paddlers, leaving the half-caste to continue down the river with the ivory. The two fellows there seemed astounded at anybody attempting such a thing. They were at a loss for an adequate motive. As to me, I seemed to see Kurtz for the first time. It was a distinct glimpse: the dugout, four paddling savages, and the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home—perhaps; setting his face towards the depths of the wilderness, towards his empty and desolate station. I did not know the motive. Perhaps he was just simply a fine fellow who stuck to his work for its own sake. His name, you understand, had not been pronounced once. He was ‘that man.’ The half-caste, who, as far as I could see, had conducted a difficult trip with great prudence and pluck, was invariably alluded to as ‘that scoundrel.’ The ‘scoundrel’ had reported that the ’man’ had been very ill—had recovered imperfectly.... The two below me moved away then a few paces, and strolled back and forth at some little distance. I heard: ‘Military post—doctor-two hundred miles—quite alone now—unavoidable delays—nine months—no news—strange rumours.’ They approached again, just as the manager was saying, ‘No one, as far as I know, unless a species of wandering trader—a pestilential fellow, snapping ivory from the natives.’ Who was it they were talking about now? I gathered in snatches that this was some man supposed to be in Kurtz’s district, and of whom the manager did not approve. ‘We will not be free from unfair competition till one of these fellows is hanged for an example,’ he said. ‘Certainly,’ grunted the other; ‘get him hanged! Why not? Anything—anything can be done in this country. That’s what I say; nobody here, you understand, here, can endanger your position. And why? You stand the climate—you outlast them all. The danger is in Europe; but there before I left I took care to—’ They moved off and whispered, then their voices rose again. ‘The extraordinary series of delays is not my fault. I did my best.’ The fat man sighed. ‘Very sad.’ ‘And the pestiferous absurdity of his talk,’ continued the other; ‘he bothered me enough when he was here. ”Each station should be like a beacon on the road towards better things, a centre for trade of course, but also for humanizing, improving, instructing.” Conceive you—that ass! And he wants to be manager! No, !t’s—‘ Here he got choked by excessive indignation, and I lifted my head the least bit. I was surprised to see how near they were—right under me. I could have spat upon their hats. They were looking on the ground, absorbed in thought. The manager was switching his leg with a slender twig: his sagacious relative lifted his head. ‘You have been well since you came out this time?’ he asked. The other gave a start. ‘Who? I? Oh! Like a charm—like a charm. But the rest—oh, my goodness! All sick. They die so quick, too, that I haven’t the time to send them out of the country—it’s incredible!’ ‘H’m. Just so,’ grunted the uncle. ‘Ah! my boy, trust to this—I say, trust to this.’ I saw him extend his short flipper of an arm for a gesture that took in the forest, the creek, the mud, the river,—seemed to beckon with a dishonouring flourish before the sunlit face of the land a treacherous appeal to the lurking death, to the hidden evil, to the profound darkness of its heart. It was so startling that I leaped to my feet and looked back at the edge of the forest, as though I had expected an answer of some sort to that black display of confidence. You know the foolish notions that come to one sometimes. The high stillness confronted these two figures with its ominous patience, waiting for the passing away of a fantastic invasion.

“They swore aloud together—out of sheer fright, I believe—then pretending not to know anything of my existence, turned back to the station. The sun was low; and leaning forward side by side, they seemed to be tugging painfully uphill their two ridiculous shadows of unequal length, that trailed behind them slowly over the tall grass without bending a single blade.

“In a few days the Eldorado Expedition went into the patient wilderness, that closed upon it as the sea closes over a diver. Long afterwards the news came that all the donkeys were dead. I know nothing as to the fate of the less valuable animals.cj They, no doubt, like the rest of us, found what they deserved. I did not inquire. I was then rather excited at the prospect of meeting Kurtz very soon. When I say very soon I mean it comparatively. It was just two months from the day we left the creek when we came to the bank below Kurtz’s station.

“Going up that river was like travelling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once—somewhere—far away—in another existence perhaps. There were moments when one’s past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect. I got used to it afterwards; I did not see it any more; I had no time. I had to keep guessing at the channel; I had to discern, mostly by inspiration, the signs of hidden banks; I watched for sunken stones; I was learning to clap my teeth smartly before my heart flew out, when I shaved by a fluke some infernal sly old snag that would have ripped the life out of the tin-pot steamboat and drowned all the pilgrims; I had to keep a look-out for the signs of dead wood we could cut up in the night for next day’s steaming. When you have to attend to things of that sort, to the mere incidents of the surface, the reality—the reality, I tell you—fades. The inner truth is hidden—luckily, luckily. But I felt it all the same; I felt often its mysterious stillness watching me at my monkey tricks, just as it watches you fellows performing on your respective tight-ropes for—what is it? half-a-crown a tumble—”

“Try to be civil, Marlow,” growled a voice, and I knew there was at least one listener awake besides myself.

“I beg your pardon. I forgot the heartache which makes up the rest of the price. And indeed what does the price matter, if the trick be well done? You do your tricks very well. And I didn’t do badly either, since I managed not to sink that steamboat on my first trip. It’s a wonder to me yet. Imagine a blindfolded man set to drive a van over a bad road. I sweated and shivered over that business considerably, I can tell you. After all, for a seaman, to scrape the bottom of the thing that’s supposed to float all the time under his care is the unpardonable sin. No one may know of it, but you never forget the thump—eh? A blow on the very heart. You remember it, you dream of it, you wake up at night and think of it—years after—and go hot and cold all over. I don’t pretend to say that steamboat floated all the time. More than once she had to wade for a bit, with twenty cannibals splashing around and pushing. We had enlisted some of these chaps on the way for a crew. Fine fellows—cannibals—in their place. They were men one could work with, and I am grateful to them. And, after all, they did not eat each other before my face: they had brought along a provision of hippo-meat which went rotten, and made the mystery of the wilderness stink in my nostrils. Phoo! I can sniff it now. I had the manager on board and three or four pilgrims with their staves—all complete. Sometimes we came upon a station close by the bank, clinging to the skirts of the unknown, and the white men rushing out of a tumble-down hovel, with great gestures of joy and surprise and welcome, seemed very strange—had the appearance of being held there captive by a spell. The word ivory would ring in the air for a while—and on we went again into the silence, along empty reaches, round the still bends, between the high walls of our winding way, reverberating in hollow claps the ponderous beat of the stern-wheel.ck Trees, trees, millions of trees, massive, immense, running up high; and at their foot, hugging the bank against the stream, crept the little begrimed steamboat, like a sluggish beetle crawling on the floor of a lofty portico. It made you feel very small, very lost, and yet it was not altogether depressing, that feeling. After all, if you were small, the grimy beetle crawled on—which was just what you wanted it to do. Where the pilgrims imagined it crawled to I don’t know. To some place where they expected to get something, I bet! For me it crawled towards Kurtz—exclusively; but when the steam-pipes started leaking we crawled very slow. The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day. Whether it meant war, peace, or prayer we could not tell. The dawns were heralded by the descent of a chill stillness; the wood-cutterscl slept, their fires burned low; the snapping of a twig would make you start. We were wan on prehistoric earth, on an earth that wore the aspect of an unknown planet. We could have fancied ourselves the first of men taking possession of an accursed inheritance, to be subdued at the cost of profound anguish and of excessive toil. But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass-roofs, a burst of yells, a whirl of black limbs, a mass of hands clapping, of feet stamping, of bodies swaying, of eyes rolling, under the droop of heavy and motionless foliage. The steamer toiled along slowly on the edge of a black and incomprehensible frenzy. The prehistoric man was cursing us, praying to us, welcoming us—who could tell? We were cut off from the comprehension of our surroundings; we glided past like phantoms, wondering and secretly appalled, as sane men would be before an enthusiastic outbreak in a madhouse. We could not understand because we were too far and could not remember, because we were travelling in the night of first ages, of those ages that are gone, leaving hardly a sign—and no memories.

“The earth seemed unearthly. We are accustomed to look upon the shackled form of a conquered monster, but there—there you could look at a thing monstrous and free. It was unearthly, and the men were—No, they were not inhuman. Well, you know, that was the worst of it—this suspicion of their not being inhuman. It would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity—like yours—the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you—you so remote from the night of first ages-could comprehend. And why not? The mind of man is capable of anything—because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valour, rage—who can tell?—but truth—truth stripped of its cloak of time. Let the fool gape and shudder—the man knows, and can look on without a wink. But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff—with his own inborn strength. Principles won’t do. Acquisitions, clothes, pretty rags—rags that would fly off at the first good shake. No; you want a deliberate belief. An appeal to me in this fiendish row—is there? Very well; I hear; I admit, but I have a voice, too, and for good or evil mine is the speech that cannot be silenced. Of course, a fool, what with sheer fright and fine sentiments, is always safe. Who’s that grunting? You wonder I didn’t go ashore for a howl and a dance? Well, no—I didn’t. Fine sentiments, you say? Fine sentiments, be hanged! I had no time. I had to mess about with white-lead and strips of woollen blanket helping to put bandages on those leaky steampipes—I tell you. I had to watch the steering, and circumvent those snags, and get the tin-pot along by hook or by crook. There was surface-truth enough in these things to save a wiser man. And between whiles I had to look after the savage who was fireman.cm He was an improved specimen; he could fire up a vertical boiler. He was there below me, and, upon my word, to look at him was as edifying as seeing a dog in a parody of breeches and a feather hat, walking on his hind-legs. A few months of training had done for that really fine chap. He squinted at the steam-gauge and at the water-gauge with an evident effort of intrepidity—and he had filed teeth, too, the poor devil, and the wool of his pate shaved into queer patterns, and three ornamental scars on each of his cheeks. He ought to have been clapping his hands and stamping his feet on the bank, instead of which he was hard at work, a thrall to strange witchcraft, full of improving knowledge. He was useful because he had been instructed; and what he knew was this—that should the water in that transparent thing disappear, the evil spirit inside the boiler would get angry through the greatness of his thirst, and take a terrible vengeance. So he sweated and fired up and watched the glass fearfully (with an impromptu charm, made of rags, tied to his arm, and a piece of polished bone, as big as a watch, stuck flatways through his lower lip), while the wooded banks slipped past us slowly, the short noise was left behind, the interminable miles of silence—and we crept on, towards Kurtz. But the snags were thick, the water was treacherous and shallow, the boiler seemed indeed to have a sulky devil in it, and thus neither that fireman nor I had any time to peer into our creepy thoughts.

“Some fifty miles below the Inner Stationcn we came upon a hut of reeds, an inclined and melancholy pole, with the unrecognizable tatters of what had been a flag of some sort flying from it, and a neatly stacked wood-pile. This was unexpected. We came to the bank, and on the stack of firewood found a flat piece of board with some faded pencil-writing on it. When deciphered it said: ‘Woodco for you. Hurry up. Approach cautiously.’ There was a signature, but it was illegible—not Kurtz—a much longer word. Hurry up. Where? Up the river? ‘Approach cautiously.’ We had not done so. But the warning could not have been meant for the place where it could be only found after approach. Something was wrong above. But what—and how much? That was the question. We commented adversely upon the imbecility of that telegraphiccp style. The bush around said nothing, and would not let us look very far, either. A torn curtain of red twill hung in the doorway of the hut, and flapped sadly in our faces. The dwelling was dismantled; but we could see a white man had lived there not very long ago. There remained a rude table—a plank on two posts; a heap of rubbish reposed in a dark corner, and by the door I picked up a book. It had lost its covers, and the pages had been thumbed into a state of extremely dirty softness; but the back had been lovingly stitched afresh with white cotton thread, which looked clean yet. It was an extraordinary find. Its title was, An Inquiry into some Points of Seamanship, by a man Tower, Towson—some such name—Master in his Majesty’s Navy. The matter looked dreary reading enough, with illustrative diagrams and repulsive tables of figures, and the copy was sixty years old. I handled this amazing antiquity with the greatest possible tenderness, lest it should dissolve in my hands. Within, Towson or Towser was inquiring earnestly into the breaking strain of ships’ chains and tackle, and other such matters. Not a very enthralling book; but at the first glance you could see there a singleness of intention, an honest concern for the right way of going to work, which made these humble pages, thought out so many years ago, luminous with another than a professional light. The simple old sailor, with his talk of chains and purchases,cq made me forget the jungle and the pilgrims in a delicious sensation of having come upon something unmistakably real. Such a book being there was wonderful enough; but still more astounding were the notes pencilled in the margin, and plainly referring to the text. I couldn’t believe my eyes! They were in cipher! Yes, it looked like cipher.cr Fancy a man lugging with him a book of that description into this nowhere and studying it—and making notes—in cipher at that! It was an extravagant mystery.

“I had been dimly aware for some time of a worrying noise, and when I lifted my eyes I saw the wood-pile was gone, and the manager, aided by all the pilgrims, was shouting at me from the river-side. I slipped the book into my pocket. I assure you to leave off reading was like tearing myself away from the shelter of an old and solid friendship.

“I started the lame engine ahead. ‘It must be this miserable trader—this intruder,’ exclaimed the manager, looking back malevolently at the place we had left. ‘He must be English,’ I said. ‘It will not save him from getting into trouble if he is not careful,’ muttered the manager darkly. I observed with assumed innocence that no man was safe from trouble in this world.

“The current was more rapid now, the steamer seemed at her last gasp, the stern-wheel flopped languidly, and I caught myself listening on tiptoe for the next beat of the boat, for in sober truth I expected the wretched thing to give up every moment. It was like watching the last flickers of a life. But still we crawled. Sometimes I would pick out a tree a little way ahead to measure our progress towards Kurtz by, but I lost it invariably before we got abreast. To keep the eyes so long on one thing was too much for human patience. The manager displayed a beautiful resignation. I fretted and fumed and took to arguing with myself whether or no I would talk openly with Kurtz; but before I could come to any conclusion it occurred to me that my speech or my silence, indeed any action of mine, would be a mere futility. What did it matter what any one knew or ignored? What did it matter who was manager? One gets sometimes such a flash of insight. The essentials of this affair lay deep under the surface, beyond my reach, and beyond my power of meddling.

“Towards the evening of the second day we judged ourselves about eight miles from Kurtz’s station. I wanted to push on; but the manager looked grave, and told me the navigation up there was so dangerous that it would be advisable, the sun being very low already, to wait where we were till next morning. Moreover, he pointed out that if the warning to approach cautiously were to be followed, we must approach in daylight—not at dusk, or in the dark. This was sensible enough. Eight miles meant nearly three hours’ steaming for us, and I could also see suspicious ripples at the upper end of the reach. Nevertheless, I was annoyed beyond expression at the delay, and most unreasonably, too, since one night more could not matter much after so many months. As we had plenty of wood, and caution was the word, I brought up in the middle of the stream. The reach was narrow, straight, with high sides like a railway cutting. The dusk came gliding into it long before the sun had set. The current ran smooth and swift, but a dumb immobility sat on the banks. The living trees, lashed together by the creepers and every living bush of the undergrowth, might have been changed into stone, even to the slen derest twig, to the lightest leaf. It was not sleep—it seemed unnatural, like a state of trance. Not the faintest sound of any kind could be heard. You looked on amazed, and began to suspect yourself of being deaf-then the night came suddenly, and struck you blind as well. About three in the morning some large fish leaped, and the loud splash made me jump as though a gun had been fired. When the sun rose there was a white fog, very warm and clammy, and more blinding than the night. It did not shift or drive; it was just there, standing all round you like something solid. At eight or nine, perhaps, it lifted as a shutter lifts. We had a glimpse of the towering multitude of trees, of the immense matted jungle, with the blazing little ball of the sun hanging over it—all perfectly still—and then the white shutter came down again, smoothly, as if sliding in greased grooves. I ordered the chain, which we had begun to heave in, to be paid outcs again. Before it stopped running with a muffled rattle, a cry, a very loud cry, as of infinite desolation, soared slowly in the opaque air. It ceased. A complaining clamour, modulated in savage discords, filled our ears. The sheer unexpectedness of it made my hair stir under my cap. I don’t know how it struck the others: to me it seemed as though the mist itself had screamed, so suddenly, and apparently from all sides at once, did this tumultuous and mournful uproar arise. It culminated in a hurried outbreak of almost intolerably excessive shrieking, which stopped short, leaving us stiffened in a variety of silly attitudes, and obstinately listening to the nearly as appalling and excessive silence. ‘Good God! What is the meaning—’ stammered at my elbow one of the pilgrims,—a little fat man, with sandy hair and red whiskers, who wore side-spring boots, and pink pyjamas tucked into his socks. Two others remained open-mouthed a whole minute, then dashed into the little cabin, to rush out incontinently and stand darting scared glances, with Winchestersct at ‘ready’ in their hands. What we could see was just the steamer we were on, her outlines blurred as though she had been on the point of dissolving, and a misty strip of water, perhaps two feet broad, around her—and that was all. The rest of the world was nowhere, as far as our eyes and ears were concerned. Just nowhere. Gone, disappeared; swept off without leaving a whisper or a shadow behind.

“I went forward, and ordered the chain to be hauled in short, so as to be ready to trip the anchor and move the steamboat at once if necessary. ‘Will they attack?’ whispered an awed voice. ‘We will be all butchered in this fog,’ murmured another. The faces twitched with the strain, the hands trembled slightly, the eyes forgot to wink. It was very curious to see the contrast of expressions of the white men and of the black fellows of our crew, who were as much strangers to that part of the river as we, though their homes were only eight hundred miles away. The whites, of course greatly discomposed, had besides a curious look of being painfully shocked by such an outrageous row. The others had an alert, naturally interested expression; but their faces were essentially quiet, even those of the one or two who grinned as they hauled at the chain. Several exchanged short, grunting phrases, which seemed to settle the matter to their satisfaction. Their headman, a young, broad-chested black, severely draped in dark-blue fringed cloths, with fierce nostrils and his hair all done up artfully in oily ringlets, stood near me. ‘Aha!’ I said, just for good fellowship’s sake. ‘Catch ’im,’ he snapped, with a bloodshot widening of his eyes and a flash of sharp teeth—‘catch ‘im. Give ’im to us.’ ‘To you, eh?’ I asked; ‘what would you do with them?’ ‘Eat ‘im!’ he said, curtly, and, leaning his elbow on the rail, looked out into the fog in a dignified and profoundly pensive attitude. I would no doubt have been properly horrified, had it not occurred to me that he and his chaps must be very hungry: that they must have been growing increasingly hungry for at least this month past. They had been engaged for six months (I don’t think a single one of them had any clear idea of time, as we at the end of countless ages have. They still belonged to the beginnings of time—had no inherited experience to teach them as it were), and of course, as long as there was a piece of paper written over in accordance with some farcical law or other made down the river, it didn’t enter anybody’s head to trouble how they would live. Certainly they had brought with them some rotten hippo-meat, which couldn’t have lasted very long, anyway, even if the pilgrims hadn‘t, in the midst of a shocking hullabaloo, thrown a considerable quantity of it overboard. It looked like a high-handed proceeding; but it was really a case of legitimate self-defence. You can’t breathe dead hippo waking, sleeping, and eating, and at the same time keep your precarious grip on existence. Besides that, they had given them every week three pieces of brass wire, each about nine inches long; and the theory was they were to buy their provisions with that currency in river-side villages. You can see how that worked. There were either no villages, or the people were hostile, or the director, who like the rest of us fed out of tins, with an occasional old he-goat thrown in, didn’t want to stop the steamer for some more or less recondite reason. So, unless they swallowed the wire itself, or made loops of it to snare the fishes with, I don’t see what good their extravagant salary could be to them. I must say it was paid with a regularity worthy of a large and honourable trading company. For the rest, the only thing to eat—though it didn’t look eatable in the least—I saw in their possession was a few lumps of some stuff like half-cooked dough, of a dirty lavender colour,[18] they kept wrapped in leaves, and now and then swallowed a piece of, but so small that it seemed done more for the looks of the thing than for any serious purpose of sustenance. Why in the name of all the gnawing devils of hunger they didn’t go for us—they were thirty to five—and have a good tuck in for once, amazes me now when I think of it. They were big powerful men, with not much capacity to weigh the consequences, with courage, with strength, even yet, though their skins were no longer glossy and their muscles no longer hard. And I saw that something restraining, one of those human secrets that baffle probability, had come into play there. I looked at them with a swift quickening of interest—not because it occurred to me I might be eaten by them before very long, though I own to you that just then I perceived—in a new light, as it were—how unwholesome the pilgrims looked, and I hoped, yes, I positively hoped, that my aspect was not so—what shall I say?—so-unappetizing: a touch of fantastic vanity which fitted well with the dream-sensation that pervaded all my days at that time. Perhaps I had a little fever, too. One can’t live with one’s finger everlastingly on one’s pulse. I had often ‘a little fever,’ or a little touch of other things—the playful paw-strokes of the wilderness, the preliminary trifling before the more serious onslaught which came in due course. Yes; I looked at them as you would on any human being, with a curiosity of their impulses, motives, capacities, weaknesses, when brought to the test of an inexorable physical necessity. Restraint! What possible restraint? Was it superstition, disgust, patience, fear—or some kind of primitive honour? No fear can stand up to hunger, no patience can wear it out, disgust simply does not exist where hunger is; and as to superstition, beliefs, and what you may call principles, they are less than chaff in a breeze. Don’t you know the devilry of lingering starvation, its exasperating torment, its black thoughts, its sombre and brooding ferocity? Well, I do. It takes a man all his inborn strength to fight hunger properly. It’s really easier to face bereavement, dishonour, and the perdition of one’s soul—than this kind of prolonged hunger. Sad, but true. And these chaps, too, had no earthly reason for any kind of scruple. Restraint! I would just as soon have expected restraint from a hyena prowling amongst the corpses of a battlefield. But there was the fact facing me—the fact dazzling, to be seen, like the foam on the depths of the sea, like a ripple on an unfathomable enigma, a mystery greater—when I thought of it—than the curious, inexplicable note of desperate grief in this savage clamour that had swept by us on the river-bank, behind the blind whiteness of the fog.

“Two pilgrims were quarrelling in hurried whispers as to which bank. ‘Left.’ ‘No, no; how can you? Right, right, of course.’ ‘It is very serious,’ said the manager’s voice behind me; ‘I would be desolated if anything should happen to Mr. Kurtz before we came up.’ I looked at him, and had not the slightest doubt he was sincere. He was just the kind of man who would wish to preserve appearances. That was his restraint. But when he muttered something about going on at once, I did not even take the trouble to answer him. I knew, and he knew, that it was impossible. Were we to let go our hold of the bottom, we would be absolutely in the air—in space. We wouldn’t be able to tell where we were going to—whether up or down stream, or across—till we fetched against one bank or the other,—and then we wouldn’t know at first which it was. Of course I made no move. I had no mind for a smash-up. You couldn’t imagine a more deadly place for a shipwreck. Whether drowned at once or not, we were sure to perish speedily in one way or another. ‘I authorize you to take all the risks,’ he said, after a short silence. ‘I refuse to take any,’ I said, shortly; which was just the answer he expected, though its tone might have surprised him. ‘Well, I must defer to your judgment. You are captain,’ he said, with marked civility. I turned my shoulder to him in sign of my appreciation, and looked into the fog. How long would it last? It was the most hopeless look-out. The approach to this Kurtz grubbing for ivory in the wretched bush was beset by as many dangers as though he had been an enchanted princess sleeping in a fabulous castle. ‘Will they attack, do you think?’ asked the manager, in a confidential tone.

“I did not think they would attack, for several obvious reasons. The thick fog was one. If they left the bank in their canoes they would get lost in it, as we would be if we attempted to move. Still, I had also judged the jungle of both banks quite impenetrable—and yet eyes were in it, eyes that had seen us. The river-side bushes were certainly very thick; but the undergrowth behind was evidently penetrable. However, during the short lift I had seen no canoes anywhere in the reach—certainly not abreast of the steamer. But what made the idea of attack inconceivable to me was the nature of the noise—of the cries we had heard. They had not the fierce character boding of immediate hostile intention. Unexpected, wild, and violent as they had been, they had given me an irresistible impression of sorrow. The glimpse of the steamboat had for some reason filled those savages with unrestrained grief. The danger, if any, I expounded, was from our proximity to a great human passion let loose. Even extreme grief may ultimately vent itself in violence—but more generally takes the form of apathy....

“You should have seen the pilgrims stare! They had no heart to grin, or even to revile me: but I believe they thought me gone mad—with fright, maybe. I delivered a regular lecture. My dear boys, it was no good bothering. Keep a look-out? Well, you may guess I watched the fog for the signs of lifting as a cat watches a mouse; but for anything else our eyes were of no more use to us than if we had been buried miles deep in a heap of cotton-wool. It felt like it, too—choking, warm, stifling. Besides, all I said, though it sounded extravagant, was absolutely true to fact. What we afterwards alluded to as an attack was really an attempt at repulse. The action was very far from being aggressive—it was not even defensive, in the usual sense: it was undertaken under the stress of desperation, and in its essence was purely protective.

“It developed itself, I should say, two hours after the fog lifted, and its commencement was at a spot, roughly speaking, about a mile and a half below Kurtz’s station. We had just floundered and flopped round a bend, when I saw an islet, a mere grassy hummock of bright green, in the middle of the stream. It was the only thing of the kind; but as we opened the reach more, I perceived it was the head of a long sandbank, or rather of a chain of shallow patches stretching down the middle of the river. They were discoloured, just awash, and the whole lot was seen just under the water, exactly as a man’s backbone is seen running down the middle of his back under the skin. Now, as far as I did see, I could go to the right or to the left of this. I didn’t know either channel, of course. The banks looked pretty well alike, the depth appeared the same; but as I had been informed the station was on the west side, I naturally headed for the western passage.

“No sooner had we fairly entered it than I became aware it was much narrower than I had supposed. To the left of us there was the long uninterrupted shoal, and to the right a high, steep bank heavily overgrown with bushes. Above the bush the trees stood in serried ranks. The twigs overhung the current thickly, and from distance to distance a large limb of some tree projected rigidly over the stream. It was then well on in the afternoon, the face of the forest was gloomy, and a broad strip of shadow had already fallen on the water. In this shadow we steamed up—very slowly, as you may imagine. I sheered hercu well inshore—the water being deepest near the bank, as the sounding-polecv informed me.

“One of my hungry and forbearing friends was sounding in the bows just below me. This steamboat was exactly like a decked scow.cw On the deck, there were two little teak-wood houses, with doors and windows. The boiler was in the fore-end, and the machinery right astern. Over the whole there was a light roof, supported on stanchions. The funnel projected through that roof, and in front of the funnel a small cabin built of light planks served for a pilot-house. It contained a couch, two campstools, a loaded Martini-Henrycx leaning in one corner, a tiny table, and the steering-wheel. It had a wide door in front and a broad shutter at each side. All these were always thrown open, of course. I spent my days perched up there on the extreme fore-end of that roof, before the door. At night I slept, or tried to, on the couch. An athletic black belonging to some coast tribe, and educated by my poor predecessor, was the helmsman. He sported a pair of brass earrings, wore a blue cloth wrapper from the waist to the ankles, and thought all the world of himself. He was the most unstable kind of fool I had ever seen. He steered with no end of a swagger while you were by; but if he lost sight of you, he became instantly the prey of an abject funk, and would let that cripple of a steamboat get the upper hand of him in a minute.

“I was looking down at the sounding-pole, and feeling much annoyed to see at each try a little more of it stick out of that river, when I saw my poleman give up the business suddenly, and stretch himself flat on the deck, without even taking the trouble to haul his pole in. He kept hold on it though, and it trailed in the water. At the same time the fireman, whom I could also see below me, sat down abruptly before his furnace and ducked his head. I was amazed. Then I had to look at the river mighty quick, because there was a snag in the fairway. Sticks, little sticks, were flying about—thick: they were whizzing before my nose, dropping below me, striking behind me against my pilot-house. All this time the river, the shore, the woods, were very quiet—perfectly quiet. I could only hear the heavy splashing thump of the stern-wheel and the patter of these things. We cleared the snag clumsily. Arrows, by Jove! We were being shot at![19] I stepped in quickly to close the shutter on the land-side. That fool-helmsman, his hands on the spokes, was lifting his knees high, stamping his feet, champing his mouth, like a reined-in horse. Confound him! And we were staggering within ten feet of the bank. I had to lean right out to swing the heavy shutter, and I saw a face amongst the leaves on the level with my own, looking at me very fierce and steady; and then suddenly, as though a veil had been removed from my eyes, I made out, deep in the tangled gloom, naked breasts, arms, legs, glaring eyes,—the bush was swarming with human limbs in movement, glistening, of bronze colour. The twigs shook, swayed, and rustled, the arrows flew out of them, and then the shutter came to. ‘Steer her straight,’ I said to the helmsman. He held his head rigid, face forward; but his eyes rolled, he kept on, lifting and setting down his feet gently, his mouth foamed a little. ‘Keep quiet!’ I said in a fury. I might just as well have ordered a tree not to sway in the wind. I darted out. Below me there was a great scuffle of feet on the iron deck; confused exclamations; a voice screamed, ‘Can you turn back?’ I caught sight of a V-shaped ripple on the water ahead. What? Another snag! A fusilladecy burst out under my feet. The pilgrims had opened with their Winchesters, and were simply squirting lead into that bush. A deucecz of a lot of smoke came up and drove slowly forward. I swore at it. Now I couldn’t see the ripple or the snag either. I stood in the doorway, peering, and the arrows came in swarms. They might have been poisoned, but they looked as though they wouldn’t kill a cat. The bush began to howl. Our wood-cutters raised a warlike whoop; the report of a rifle just at my back deafened me. I glanced over my shoulder, and the pilot-house was yet full of noise and smoke when I made a dash at the wheel. The fool-nigger had dropped everything, to throw the shutter open and let off that Martini-Henry. He stood before the wide opening, glaring, and I yelled at him to come back, while I straightened the sudden twist out of that steamboat. There was no room to turn even if I had wanted to, the snag was somewhere very near ahead in that confounded smoke, there was no time to lose, so I just crowded her into the bank—right into the bank, where I knew the water was deep.

“We tore slowly along the overhanging bushes in a whirl of broken twigs and flying leaves. The fusillade below stopped short, as I had foreseen it would when the squirtsda got empty. I threw my head back to a glinting whizz that traversed the pilot-house, in at one shutter-hole and out at the other. Looking past that mad helmsman, who was shaking the empty rifle and yelling at the shore, I saw vague forms of men running bent double, leaping, gliding, distinct, incomplete, evanescent. Something big appeared in the air before the shutter, the rifle went overboard, and the man stepped back swiftly, looked at me over his shoulder in an extraordinary, profound, familiar manner, and fell upon my feet. The side of his head hit the wheel twice, and the end of what appeared a long cane clattered round and knocked over a little camp-stool. It looked as though after wrenching that thing from somebody ashore he had lost his balance in the effort. The thin smoke had blown away, we were clear of the snag, and looking ahead I could see that in another hundred yards or so I would be free to sheer off, away from the bank; but my feet felt so very warm and wet that I had to look down. The man had rolled on his back and stared straight up at me; both his hands clutched that cane. It was the shaft of a spear that, either thrown or lunged through the opening, had caught him in the side just below the ribs; the blade had gone in out of sight, after making a frightful gash; my shoes were full; a pool of blood lay very still, gleaming dark-red under the wheel; his eyes shone with an amazing lustre. The fusillade burst out again. He looked at me anxiously, gripping the spear like something precious, with an air of being afraid I would try to take it away from him. I had to make an effort to free my eyes from his gaze and attend to the steering. With one hand I felt above my head for the line of the steam whistle, and jerked out screech after screech hurriedly. The tumult of angry and warlike yells was checked instantly, and then from the depths of the woods went out such a tremulous and prolonged wail of mournful fear and utter despair as may be imagined to follow the flight of the last hope from the earth. There was a great commotion in the bush; the shower of arrows stopped, a few dropping shots rang out sharply—then silence, in which the languid beat of the stern-wheel came plainly to my ears. I put the helm hard a-starboard at the moment when the pilgrim in pink pyjamas, very hot and agitated, appeared in the doorway. ‘The manager sends me—’ he began in an official tone, and stopped short. ‘Good God!’ he said, glaring at the wounded man.

“We two whites stood over him, and his lustrous and inquiring glance enveloped us both. I declare it looked as though he would presently put to us some question in an understandable language; but he died without uttering a sound, without moving a limb, without twitching a muscle. Only in the very last moment, as though in response to some sign we could not see, to some whisper we could not hear, he frowned heavily, and that frown gave to his black death-mask an inconceivably sombre, brooding, and menacing expression. The lustre of inquiring glance faded swiftly into vacant glassiness. ‘Can you steer?’ I asked the agent eagerly. He looked very dubious; but I made a grab at his arm, and he understood at once I meant him to steer whether or no. To tell you the truth, I was morbidly anxious to change my shoes and socks. ‘He is dead,’ murmured the fellow, immensely impressed. ‘No doubt about it,’ said I, tugging like mad at the shoe-laces. ‘And by the way, I suppose Mr. Kurtz is dead as well by this time.’

“For the moment that was the dominant thought. There was a sense of extreme disappointment, as though I had found out I had been striving after something altogether without a substance. I couldn’t have been more disgusted if I had travelled all this way for the sole purpose of talking with Mr. Kurtz. Talking with.... I flung one shoe overboard, and became aware that that was exactly what I had been looking forward to—a talk with Kurtz. I made the strange discovery that I had never imagined him as doing, you know, but as discoursing. I didn’t say to myself, ‘Now I will never see him,’ or ‘Now I will never shake him by the hand,’ but, ‘now I will never hear him.’ The man presented himself as a voice. Not of course that I did not connect him with some sort of action. Hadn’t I been told in all the tones of jealousy and admiration that he had collected, bartered, swindled, or stolen more ivory than all the other agents together? That was not the point. The point was in his being a gifted creature, and that of all his gifts the one that stood out preemi nently, that carried with it a sense of real presence, was his ability to talk, his words—the gift of expression, the bewildering, the illuminating, the most exalted and the most contemptible, the pulsating stream of light, or the deceitful flow from the heart of an impenetrable darkness.

“The other shoe went flying unto the devil-god of that river. I thought, By Jove! it’s all over. We are too late; he has vanished—the gift has vanished, by means of some spear, arrow, or club. I will never hear that chap speak after all,—and my sorrow had a startling extravagance of emotion, even such as I had noticed in the howling sorrow of these savages in the bush. I couldn’t have felt more of lonely desolation somehow, had I been robbed of a belief or had missed my destiny in life.... Why do you sigh in this beastly way, somebody? Absurd? Well, absurd. Good Lord! mustn’t a man ever—Here, give me some tobacco.” ...

There was a pause of profound stillness, then a match flared, and Marlow’s lean face appeared, worn, hollow, with downward folds and dropped eyelids, with an aspect of concentrated attention; and as he took vigorous draws at his pipe, it seemed to retreat and advance out of the night in the regular flicker of the tiny flame. The match went out.

“Absurd!” he cried. “This is the worst of trying to tell.... Here you all are, each moored with two good addresses, like a hulk with two anchors, a butcher round one corner, a policeman round another, excellent appetites, and temperature normal—you hear—normal from year’s end to year’s end. And you say, Absurd! Absurd be—exploded! Absurd! My dear boys, what can you expect from a man who out of sheer nervousness had just flung overboard a pair of new shoes! Now I think of it, it is amazing I did not shed tears. I am, upon the whole, proud of my fortitude. I was cut to the quick at the idea of having lost the inestimable privilege of listening to the gifted Kurtz. Of course I was wrong. The privilege was waiting for me. Oh, yes, I heard more than enough. And I was right, too. A voice. He was very little more than a voice. And I heard—him—it—this voice—other voices—all of them were so little more than voices—and the memory of that time itself lingers around me, impalpable, like a dying vibration of one immense jabber, silly, atrocious, sordid, savage, or simply mean, without any kind of sense. Voices, voices—even the girl herself—now—”

He was silent for a long time.

“I laid the ghost of his gifts at last with a lie,” he began, suddenly. “Girl! What? Did I mention a girl? Oh, she is out of it—completely. They—the women I mean—are out of it—should be out of it. We must help them to stay in that beautiful world of their own, lest ours gets worse. Oh, she had to be out of it. You should have heard the disinterred body of Mr. Kurtz saying, ‘My Intended.’ You would have perceived directly then how completely she was out of it. And the lofty frontal bone of Mr. Kurtz! They say the hair goes on growing[20] sometimes, but this—ah—specimen, was impressively bald. The wilderness had patted him on the head, and, behold, it was like a ball—an ivory ball; it had caressed him, and—lo!—he had withered; it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favourite. Ivory? I should think so. Heaps of it, stacks of it. The old mud shanty was bursting with it. You would think there was not a single tusk left either above or below the ground in the whole country. ‘Mostly fossil,’ the manager had remarked, disparagingly. It was no more fossil than I am; but they call it fossil when it is dug up. It appears these niggers do bury the tusks sometimes—but evidently they couldn’t bury this parcel deep enough to save the gifted Mr. Kurtz from his fate. We filled the steamboat with it, and had to pile a lot on the deck. Thus he could see and enjoy as long as he could see, because the appreciation of this favour had remained with him to the last. You should have heard him say, ‘My ivory.’ Oh yes, I heard him. ‘My Intended, my ivory, my station, my river, my—’ everything belonged to him. It made me hold my breath in expectation of hearing the wilderness burst into a prodigious peal of laughter that would shake the fixed stars in their places. Everything belonged to him—but that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. That was the reflection that made you creepy all over. It was impossible—it was not good for one either—trying to imagine. He had taken a high seat amongst the devils of the land—mean literally. You can’t understand. How could you?—with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums—how can you imagine what particular region of the first ages a man’s untrammelled feet may take him into by the way of solitude—utter solitude without a policeman—by the way of silence—utter silence, where no warning voice of a kind neighbour can be heard whispering of public opinion? These little things make all the great difference. When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. Of course you may be too much of a fool to go wrong—too dull even to know you are being assaulted by the powers of darkness. I take it, no fool ever made a bargain for his soul with the devil: the fool is too much of a fool, or the devil too much of a devil—I don’t know which. Or you may be such a thunder ingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place—and whether to be like this is your loss or your gain I won’t pretend to say. But most of us are neither one nor the other. The earth for us is a place to live in, where we must put up with sights, with sounds, with smells, too, by Jove!—breathe dead hippo, so to speak, and not be contaminated. And there, don’t you see? your strength comes in, the faith in your ability for the digging of unostentatious holes to bury the stuff in—your power of devotion, not to yourself, but to an obscure, back-breaking business. And that’s difficult enough. Mind, I am not trying to excuse or even explain—I am trying to account to myself for—for—Mr. Kurtz— for the shade of Mr. Kurtz. This initiated wraithdb from the back of Nowhere honoured me with its amazing confidence before it vanished altogether. This was because it could speak English to me. The original Kurtz had been educated partly in England, and—as he was good enough to say himself—his sympathies were in the right place. His mother was half-English, his father was half-French. All Europe contributed to the making of Kurtz; and by-and-by I learned that, most appropriately, the International Society for the Suppression of Savage Customs[21] had intrusted him with the making of a report, for its future guidance. And he had written it, too. I’ve seen it. I’ve read it. It was eloquent, vibrating with eloquence, but too high-strung, I think. Seventeen pages of close writing he had found time for! But this must have been before his—let us say—nerves, went wrong, and caused him to preside at certain midnight dances ending with unspeakable rites,dcwhich—as far as I reluctantly gathered from what I heard at various times—were offered up to him—do you understand?—to Mr. Kurtz himself. But it was a beautiful piece of writing. The opening paragraph, however, in the light of later information, strikes me now as ominous. He began with the argument that we whites, from the point of development we had arrived at, ‘must necessarily appear to them [savages] in the nature of supernatural beings—we approach them with the might as of a deity,’ and so on, and so on. ‘By the simple exercise of our will we can exert a power for good practically unbounded,’ etc. etc. From that point he soared and took me with him. The peroration was magnificent, though difficult to remember, you know. It gave me the notion of an exotic Immensity ruled by an august Benevolence. It made me tingle with enthusiasm. This was the unbounded power of eloquence—of words—of burning noble words. There were no practical hints to interrupt the magic current of phrases, unless a kind of note at the foot of the last page, scrawled evidently much later, in an unsteady hand, may be regarded as the exposition of a method. It was very simple, and at the end of that moving appeal to every altruistic sentiment it blazed at you, luminous and terrifying, like a flash of lightning in a serene sky: ‘Exterminate all the brutes!’ The curious part was that he had apparently forgotten all about that valuable postscriptum, because, later on, when he in a sense came to himself, he repeatedly entreated me to take good care of ‘my pamphlet’ (he called it), as it was sure to have in the future a good influence upon his career. I had full information about all these things, and, besides, as it turned out, I was to have the care of his memory. I’ve done enough for it to give me the indisputable right to lay it, if I choose, for an everlasting rest in the dust-bin of progress, amongst all the sweep ings and, figuratively speaking, all the dead cats of civilization. But then, you see, I can’t choose. He won’t be forgotten. Whatever he was, he was not common. He had the power to charm or frighten rudimentary souls into an aggravated witch-dance in his honour; he could also fill the small souls of the pilgrims with bitter misgivings: he had one devoted friend at least, and he had conquered one soul in the world that was neither rudimentary nor tainted with self-seeking. No; I can’t forget him, though I am not prepared to affirm the fellow was exactly worth the life we lost in getting to him. I missed my late helmsman awfully,—I missed him even while his body was still lying in the pilot-house. Perhaps you will think it passing strange this regret for a savage who was no more account than a grain of sand in a black Sahara. Well, don’t you see, he had done something, he had steered; for months I had him at my back—a help—an instrument. It was a kind of partnership. He steered for me—I had to look after him, I worried about his deficiencies, and thus a subtle bond had been created, of which I only became aware when it was suddenly broken. And the intimate profundity of that look he gave me when he received his hurt remains to this day in my memory—like a claim of distant kinship affirmed in a supreme moment.

“Poor fool! If he had only left that shutter alone. He had no restraint, no restraint—just like Kurtz—a tree swayed by the wind. As soon as I had put on a dry pair of slippers, I dragged him out, after first jerking the spear out of his side, which operation I confess I performed with my eyes shut tight. His heels leaped together over the little door-step; his shoulders were pressed to my breast; I hugged him from behind desperately. Oh! he was heavy, heavy; heavier than any man on earth, I should imagine. Then without more ado I tipped him overboard. The current snatched him as though he had been a wisp of grass, and I saw the body roll over twice before I lost sight of it for ever. All the pilgrims and the manager were then congregated on the awning-deck about the pilot-house, chattering at each other like a flock of excited magpies, and there was a scandalized murmur at my heartless promptitude. What they wanted to keep that body hanging about for I can’t guess. Embalm it, maybe. But I had also heard another, and a very ominous, murmur on the deck below. My friends the wood-cutters were likewise scandalized, and with a better show of reason—though I admit that the reason itself was quite inadmissible. Oh, quite! I had made up my mind that if my late helmsman was to be eaten, the fishes alone should have him. He had been a very second-rate helmsman while alive, but now he was dead he might have become a first-class temptation, and possibly cause some startling trouble. Besides, I was anxious to take the wheel, the man in pink pyjamas showing himself a hopeless dufferdd at the business.

“This I did directly the simple funeral was over. We were going half-speed, keeping right in the middle of the stream, and I listened to the talk about me. They had given up Kurtz, they had given up the station; Kurtz was dead, and the station had been burnt—and so on—and so on. The red-haired pilgrim was beside himself with the thought that at least this poor Kurtz had been properly avenged. ‘Say! We must have made a glorious slaughter of them in the bush. Eh? What do you think? Say?’ He positively danced, the bloodthirsty little gingerydebeggar. And he had nearly fainted when he saw the wounded man! I could not help saying, ‘You made a glorious lot of smoke, anyhow.’ I had seen, from the way the tops of the bushes rustled and flew, that almost all the shots had gone too high. You can’t hit anything unless you take aim and fire from the shoulder; but these chaps fired from the hip with their eyes shut. The retreat, I maintained—and I was right—was caused by the screeching of the steam-whistle. Upon this they forgot Kurtz, and began to howl at me with indignant protests.

“The manager stood by the wheel murmuring confidentially about the necessity of getting well away down the river before dark at all events, when I saw in the distance a clearing on the river-side and the outlines of some sort of building. ‘What’s this?’ I asked. He clapped his hands in wonder. ‘The station!’ he cried. I edged in at once, still going half-speed.

“Through my glasses I saw the slope of a hill interspersed with rare trees and perfectly free from undergrowth. A long decaying building on the summit was half buried in the high grass; the large holes in the peaked roof gaped black from afar; the jungle and the woods made a background. There was no enclosure or fence of any kind; but there had been one apparently, for near the house half-a-dozen slim posts remained in a row, roughly trimmed, and with their upper ends ornamented with round carved balls. The rails, or whatever there had been between, had disappeared. Of course the forest surrounded all that. The river-bank was clear, and on the water-side I saw a white man under a hat like a cart-wheel beckoning persistently with his whole arm. Examining the edge of the forest above and below, I was almost certain I could see movements—human forms gliding here and there. I steamed past prudently, then stopped the engines and let her drift down. The man on the shore began to shout, urging us to land. ‘We have been attacked,’ screamed the manager. ‘I know—I know. It’s all right,’ yelled back the other, as cheerful as you please. ‘Come along. It’s all right. I am glad.’

“His aspect reminded me of something I had seen—something funny I had seen somewhere. As I manoeuvred to get alongside, I was asking myself, ‘What does this fellow look like?’ Suddenly I got it. He looked like a harlequin.df His clothes had been made of some stuff that was brown hollanddg probably, but it was covered with patches all over, with bright patches, blue, red, and yellow,—patches on the back, patches on the front, patches on elbows, on knees; coloured binding around his jacket, scarlet edging at the bottom of his trousers; and the sunshine made him look extremely gay and wonderfully neat withal, because you could see how beautifully all this patching had been done. A beardless, boyish face, very fair, no features to speak of, nose peeling, little blue eyes, smiles and frowns chasing each other over that open countenance like sunshine and shadow on a wind-swept plain. ‘Look out, captain!’ he cried; ‘there’s a snag lodged in here last night.’ What! Another snag? I confess I swore shamefully. I had nearly holed my cripple, to finish off that charming trip. The harlequin on the bank turned his little pug-nose up to me. ‘You English?’ he asked, all smiles. ‘Are you?’ I shouted from the wheel. The smiles vanished, and he shook his head as if sorry for my disappointment. Then he brightened up. ‘Never mind!’ he cried, encouragingly. ‘Are we in time?’ I asked. ‘He is up there,’ he replied, with a toss of the head up the hill, and becoming gloomy all of a sudden. His face was like the autumn sky, overcast one moment and bright the next.

“When the manager, escorted by the pilgrims, all of them armed to the teeth, had gone to the house this chap came on board. ‘I say, I don’t like this. These natives are in the bush,’ I said. He assured me earnestly it was all right. ‘They are simple people,’ he added; ‘well, I am glad you came. It took me all my time to keep them off.’ ‘But you said it was all right,’ I cried. ‘Oh, they meant no harm,’ he said; and as I stared he corrected himself, ‘Not exactly.’ Then vivaciously, ‘My faith, your pilot-house wants a clean up!’ In the next breath he advised me to keep enough steam on the boiler to blow the whistle in case of any trouble. ‘One good screech will do more for you than all your rifles. They are simple people,’ he repeated. He rattled away at such a rate he quite overwhelmed me. He seemed to be trying to make up for lots of silence, and actually hinted, laughing, that such was the case. ‘Don’t you talk with Mr. Kurtz?’ I said. ‘You don’t talk with that man—you listen to him,’ he exclaimed with severe exaltation. ‘But now—’ He waved his arm, and in the twinkling of an eye was in the uttermost depths of despondency. In a moment he came up again with a jump, possessed himself of both my hands, shook them continuously, while he gabbled: ‘Brother sailor ... honour ... pleasure ... delight ... introduce myself ... Russian ... son of an arch-priest ... Government of Tambovdh ... What? Tobacco! English tobacco; the excellent English tobacco! Now, that’s brotherly. Smoke? Where’s a sailor that does not smoke?’

“The pipe soothed him, and gradually I made out he had run away from school, had gone to sea in a Russian ship; ran away again; served some time in English ships; was now reconciled with the arch-priest. He made a point of that. ‘But when one is young one must see things, gather experience, ideas; enlarge the mind.’ ‘Here!’ I interrupted. ‘You can never tell! Here I met Mr. Kurtz,’ he said, youthfully solemn and reproachful. I held my tongue after that. It appears he had persuaded a Dutch trading-house[22] on the coast to fit him out with stores and goods, and had started for the interior with a light heart, and no more idea of what would happen to him than a baby. He had been wandering about that river for nearly two years alone, cut off from everybody and everything. ‘I am not so young as I look. I am twenty-five,’ he said. ‘At first old Van Shuyten would tell me to go to the devil,’ he narrated with keen enjoyment; ‘but I stuck to him, and talked and talked, till at last he got afraid I would talk the hind-leg off his favourite dog, so he gave me some cheap things and a few guns, and told me he hoped he would never see my face again. Good old Dutchman, Van Shuyten. I’ve sent him one small lot of ivory a year ago, so that he can’t call me a little thief when I get back. I hope he got it. And for the rest I don’t care. I had some wood stacked for you. That was my old house. Did you see?’

“I gave him Towson’s book. He made as though he would kiss me, but restrained himself. ‘The only book I had left, and I thought I had lost it,’ he said, looking at it ecstatically. ‘So many accidents happen to a man going about alone, you know. Canoes get upset sometimes—and sometimes you’ve got to clear out so quick when the people get angry.’ He thumbed the pages. ‘You made notes in Russian?’ I asked. He nodded. ‘I thought they were written in cipher,’ I said. He laughed, then became serious. ‘I had lots of trouble to keep these people off,’ he said. ‘Did they want to kill you?’ I asked. ‘Oh, no!’ he cried, and checked himself. ‘Why did they attack us?’ I pursued. He hesitated, then said shamefacedly, ‘They don’t want him to go.’ ‘Don’t they?’ I said, curiously. He nodded a nod full of mystery and wisdom. ‘I tell you,’ he cried, ‘this man has enlarged my mind.’ He opened his arms wide, staring at me with his little blue eyes that were perfectly round.”

- III -

“I LOOKED AT HIM, lost in astonishment. There he was before me, in motley,di as though he had absconded from a troupe of mimes, enthusiastic, fabulous. His very existence was improbable, inexplicable, and altogether bewildering. He was an insoluble problem. It was inconceivable how he had existed, how he had succeeded in getting so far, how he had managed to remain—why he did not instantly disappear. ‘I went a little farther,’ he said, ‘then still a little farther—till I had gone so far that I don’t know how I’ll ever get back. Never mind. Plenty time. I can manage. You take Kurtz away quick—quick—1 tell you.’ The glamour of youth enveloped his particoloured rags, his destitution, his loneliness, the essential desolation of his futile wanderings. For months—for years—his life hadn’t been worth a day’s purchase; and there he was gallantly, thoughtlessly alive, to all appearance indestructible solely by the virtue of his few years and of his unreflecting audacity. I was seduced into something like admiration—like envy. Glamour urged him on, glamour kept him unscathed. He surely wanted nothing from the wilderness but space to breathe in and to push on through. His need was to exist, and to move onwards at the greatest possible risk, and with a maximum of privation. If the absolutely pure, uncalculating, unpractical spirit of adventure had ever ruled a human being, it ruled this be-patched youth. I almost envied him the possession of this modest and clear flame. It seemed to have consumed all thought of self so completely, that even while he was talking to you, you forgot that it was he—the man before your eyes—who had gone through these things. I did not envy him his devotion to Kurtz, though. He had not meditated over it. It came to him, and he accepted it with a sort of eager fatalism. I must say that to me it appeared about the most dangerous thing in every way he had come upon so far.

“They had come together unavoidably, like two ships becalmed near each other, and lay rubbing sides at last. I suppose Kurtz wanted an audience, because on a certain occasion, when encamped in the forest, they had talked all night, or more probably Kurtz had talked. ‘We talked of everything,’ he said, quite transported at the recollection. ‘I forgot there was such a thing as sleep. The night did not seem to last an hour. Everything! Everything! ... Of love, too.’ ‘Ah, he talked to you of love!’ I said, much amused. ‘It isn’t what you think,’ he cried, almost passionately. ‘It was in general. He made me see things—things.’

“He threw his arms up. We were on deck at the time, and the headman of my wood-cutters, lounging near by, turned upon him his heavy and glittering eyes. I looked around, and I don’t know why, but I assure you that never, never before, did this land, this river, this jungle, the very arch of this blazing sky, appear to me so hopeless and so dark, so impenetrable to human thought, so pitiless to human weakness. ‘And, ever since, you have been with him, of course?’ I said.

“On the contrary. It appears their intercourse had been very much broken by various causes. He had, as he informed me proudly, managed to nurse Kurtz through two illnesses (he alluded to it as you would to some risky feat), but as a rule Kurtz wandered alone, far in the depths of the forest. ‘Very often coming to this station, I had to wait days and days before he would turn up,’ he said. ‘Ah, it was worth waiting for!—sometimes.’ ‘What was he doing? exploring or what?’ I asked. ‘Oh, yes, of course’; he had discovered lots of villages, a lake, too—he did not know exactly in what direction; it was dangerous to inquire too much—but mostly his expeditions had been for ivory. ‘But he had no goods to trade with by that time,’ I objected. ‘There’s a good lot of cartridges left even yet,’ he answered, looking away. ‘To speak plainly, he raided the country,’ I said. He nodded. ‘Not alone, surely!’ He muttered something about the villages round that lake. ‘Kurtz got the tribe to follow him, did he?’ I suggested. He fidgeted a little. ‘They adored him,’ he said. The tone of these words was so extraordinary that I looked at him searchingly. It was curious to see his mingled eagerness and reluctance to speak of Kurtz. The man filled his life, occupied his thoughts, swayed his emotions. ‘What can you expect?’ he burst out; ‘he came to them with thunder and lightning, you know—and they had never seen anything like it—and very terrible. He could be very terrible. You can’t judge Mr. Kurtz as you would an ordinary man. No, no, no! Now—just to give you an idea—I don’t mind telling you, he wanted to shoot me, too, one day—but I don’t judge him.’ ‘Shoot you!’ I cried. ‘What for?’ ‘Well, I had a small lot of ivory the chief of that village near my house gave me. You see I used to shoot game for them. Well, he wanted it, and wouldn’t hear reason. He declared he would shoot me unless I gave him the ivory and then cleared out of the country, because he could do so, and had a fancy for it, and there was nothing on earth to prevent him killing whom he jolly well pleased. And it was true, too.[23] I gave him the ivory. What did I care! But I didn’t clear out. No, no. I couldn’t leave him. I had to be careful, of course, till we got friendly again for a time. He had his second illness then. Afterwards I had to keep out of the way; but I didn’t mind. He was living for the most part in those villages on the lake. When he came down to the river, sometimes he would take to me, and sometimes it was better for me to be careful. This man suffered too much. He hated all this, and somehow he couldn’t get away. When I had a chance I begged him to try and leave while there was time; I offered to go back with him. And he would say yes, and then he would remain; go off on another ivory hunt; disappear for weeks; forget himself amongst these people—forget himself—you know.’ ‘Why! he’s mad,’ I said. He protested indignantly. Mr. Kurtz couldn’t be mad. If I had heard him talk, only two days ago, I wouldn’t dare hint at such a thing.... I had taken up my binoculars while we talked, and was looking at the shore, sweeping the limit of the forest at each side and at the back of the house. The consciousness of there being people in that bush, so silent, so quiet—as silent and quiet as the ruined house on the hill—made me uneasy. There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate exclamations, completed by shrugs, in interrupted phrases, in hints ending in deep sighs. The woods were unmoved, like a mask—heavy, like the closed door of a prison—they looked with their air of hidden knowledge, of patient expectation, of unapproachable silence. The Russian was explaining to me that it was only lately that Mr. Kurtz had come down to the river, bringing along with him all the fighting men of that lake tribe. He had been absent for several months—getting himself adored, I suppose—and had come down unexpectedly, with the intention to all appearance of making a raid either across the river or down stream. Evidently the appetite for more ivory had got the better of the—what shall I say?—less material aspirations. However he had got much worse suddenly. ‘I heard he was lying helpless, and so I came up—took my chance,’ said the Russian. ‘Oh, he is bad, very bad.’ I directed my glassdj to the house. There were no signs of life, but there was the ruined roof, the long mud wall peeping above the grass, with three little square window-holes, no two of the same size; all this brought within reach of my hand, as it were. And then I made a brusque movement, and one of the remaining posts of that vanished fence leaped up in the field of my glass. You remember I told you I had been struck at the distance by certain attempts at ornamentation, rather remarkable in the ruinous aspect of the place. Now I had suddenly a nearer view, and its first result was to make me throw my head back as if before a blow. Then I went carefully from post to post with my glass, and I saw my mistake. These round knobs were not ornamental but symbolic; they were expressive and puzzling, striking and disturbing—food for thought and also for the vultures if there had been any looking down from the sky; but at all events for such ants as were industrious enough to ascend the pole. They would have been even more impressive, those heads on the stakes,[24] if their faces had not been turned to the house. Only one, the first I had made out, was facing my way. I was not so shocked as you may think. The start back I had given was really nothing but a movement of surprise. I had expected to see a knob of wood there, you know. I returned deliberately to the first I had seen—and there it was, black, dried, sunken, with closed eyelids,—a head that seemed to sleep at the top of that pole, and, with the shrunken dry lips showing a narrow white line of the teeth, was smiling, too, smiling continuously at some endless and jocose dream of that eternal slumber.

“I am not disclosing any trade secrets. In fact, the manager said afterwards that Mr. Kurtz’s methods had ruined the district. I have no opinion on that point, but I want you clearly to understand that there was nothing exactly profitable in these heads being there. They only showed that Mr. Kurtz lacked restraint in the gratification of his various lusts, that there was something wanting in him—some small matter which, when the pressing need arose, could not be found under his magnificent eloquence. Whether he knew of this deficiency himself I can’t say. I think the knowledge came to him at last—only at the very last. But the wilderness had found him out early, and had taken on him a terrible vengeance for the fantastic invasion. I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude—and the whisper had proved irresistibly fascinating. It echoed loudly within him because he was hollow at the core.... I put down the glass, and the head that had appeared near enough to be spoken to seemed at once to have leaped away from me into inaccessible distance.

“The admirer of Mr. Kurtz was a bit crestfallen. In a hurried, indistinct voice he began to assure me he had not dared to take these—say, symbols—down. He was not afraid of the natives; they would not stir till Mr. Kurtz gave the word. His ascendancy was extraordinary. The camps of these people surrounded the place, and the chiefs came every day to see him. They would crawl.... ‘I don’t want to know anything of the ceremonies used when approaching Mr. Kurtz,’ I shouted. Curious, this feeling that came over me that such details would be more intolerable than those heads drying on the stakes under Mr. Kurtz’s windows. After all, that was only a savage sight, while I seemed at one bound to have been transported into some lightless region of subtle horrors, where pure, uncomplicated savagery was a positive relief, being something that had a right to exist—obviously—in the sunshine. The young man looked at me with surprise. I suppose it did not occur to him that Mr. Kurtz was no idol of mine. He forgot I hadn’t heard any of these splendid monologues on, what was it? on love, justice, conduct of life—or what not. If it had come to crawling before Mr. Kurtz, he crawled as much as the veriest savage of them all. I had no idea of the conditions, he said: these heads were the heads of rebels. I shocked him excessively by laughing. Rebels! What would be the next definition I was to hear? There had been enemies, criminals, workers—and these were rebels. Those rebellious heads looked very subdued to me on their sticks. ‘You don’t know how such a life tries a man like Kurtz,’ cried Kurtz’s last disciple. ‘Well, and you?’ I said. ‘I! I! I am a simple man. I have no great thoughts. I want nothing from anybody. How can you compare me to? ... ’ His feelings were too much for speech, and suddenly he broke down. ‘I don’t understand,’ he groaned. ‘I’ve been doing my best to keep him alive, and that’s enough. I had no hand in all this. I have no abilities. There hasn’t been a drop of medicine or a mouthful of invalid fooddk for months here. He was shamefully abandoned. A man like this, with such ideas. Shamefully! Shamefully! I—I—haven’t slept for the last ten nights ... ’

“His voice lost itself in the calm of the evening. The long shadows of the forest had slipped down hill while we talked, had gone far beyond the ruined hovel, beyond the symbolic row of stakes. All this was in the gloom, while we down there were yet in the sunshine, and the stretch of the river abreast of the clearing glittered in a still and dazzling splendour, with a murky and overshadowed bend above and below. Not a living soul was seen on the shore. The bushes did not rustle.

“Suddenly round the corner of the house a group of men appeared, as though they had come up from the ground. They waded waist-deep in the grass, in a compact body, bearing an improvised stretcher in their midst. Instantly, in the emptiness of the landscape, a cry arose whose shrillness pierced the still air like a sharp arrow flying straight to the very heart of the land; and, as if by enchantment, streams of human beings—of naked human beings—with spears in their hands, with bows, with shields, with wild glances and savage movements, were poured into the clearing by the dark-faced and pensive forest. The bushes shook, the grass swayed for a time, and then everything stood still in attentive immobility.

“ ‘Now, if he does not say the right thing to them we are all done for,’ said the Russian at my elbow. The knot of men with the stretcher had stopped, too, halfway to the steamer, as if petrified. I saw the man on the stretcher sit up, lank and with an uplifted arm, above the shoulders of the bearers. ‘Let us hope that the man who can talk so well of love in general will find some particular reason to spare us this time,’ I said. I resented bitterly the absurd danger of our situation, as if to be at the mercy of that atrocious phantom had been a dishonouring necessity. I could not hear a sound, but through my glasses I saw the thin arm extended commandingly, the lower jaw moving, the eyes of that apparition shining darkly far in its bony head that nodded with grotesque jerks. Kurtz—Kurtz—that means short in German—[25] don’t it? Well, the name was as true as everything else in his life—and death. He looked at least seven feet long. His covering had fallen off, and his body emerged from it pitiful and appalling as from a winding-sheet. I could see the cage of his ribs all astir, the bones of his arm waving. It was as though an animated image of death carved out of old ivory had been shaking its hand with menaces at a motionless crowd of men made of dark and glittering bronze. I saw him open his mouth wide—it gave him a weirdly voracious aspect, as though he had wanted to swallow all the air, all the earth, all the men before him. A deep voice reached me faintly. He must have been shouting. He fell back suddenly. The stretcher shook as the bearers staggered forward again, and almost at the same time I noticed that the crowd of savages was vanishing without any perceptible movement of retreat, as if the forest that had ejected these beings so suddenly had drawn them in again as the breath is drawn in a long aspiration.

“Some of the pilgrims behind the stretcher carried his arms—two shot-guns, a heavy rifle, and a light revolver-carbinedl—the thunderbolts of that pitiful Jupiter. The manager bent over him murmuring as he walked beside his head. They laid him down in one of the little cabins—just a room for a bedplace and a camp-stool or two, you know. We had brought his belated correspondence, and a lot of torn envelopes and open letters littered his bed. His hand roamed feebly amongst these papers. I was struck by the fire of his eyes and the composed languor of his expression. It was not so much the exhaustion of disease. He did not seem in pain. This shadow looked satiated and calm, as though for the moment it had had its fill of all the emotions.

“He rustled one of the letters, and looking straight in my face said, ‘I am glad.’ Somebody had been writing to him about me. These special recommendationsdm were turning up again. The volume of tone he emitted without effort, almost without the trouble of moving his lips, amazed me. A voice! A voice! It was grave, profound, vibrating, while the man did not seem capable of a whisper. However, he had enough strength in him—factitious no doubt—to very nearly make an end of us, as you shall hear directly.

“The manager appeared silently in the doorway; I stepped out at once and he drew the curtain after me. The Russian, eyed curiously by the pilgrims, was staring at the shore. I followed the direction of his glance.

“Dark human shapes could be made out in the distance, flitting indistinctly against the gloomy border of the forest, and near the river two bronze figures, leaning on tall spears, stood in the sunlight under fantastic head-dresses of spotted skins, warlike and still in statuesque repose. And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman.

“She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.[26] ”She came abreast of the steamer, stood still, and faced us. Her long shadow fell to the water’s edge. Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, half-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscrutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. The young fellow by my side growled. The pilgrims murmured at my back. She looked at us all as if her life had depended upon the unswerving steadiness of her glance. Suddenly she opened her bared arms and threw them up rigid above her head, as though in an uncontrollable desire to touch the sky, and at the same time the swift shadows darted out on the earth, swept around on the river, gathering the steamer into a shadowy embrace. A formidable silence hung over the scene.

“She turned away slowly, walked on, following the bank, and passed into the bushes to the left. Once only her eyes gleamed back at us in the dusk of the thickets before she disappeared.

“ ‘If she had offered to come aboard I really think I would have tried to shoot her,’ said the man of patches, nervously. ‘I had been risking my life every day for the last fortnight to keep her out of the house. She got in one day and kicked up a row about those miserable rags I picked up in the storeroom to mend my clothes with. I wasn’t decent. At least it must have been that, for she talked like a fury to Kurtz for an hour, pointing at me now and then. I don’t understand the dialect of this tribe. Luckily for me, I fancy Kurtz felt too ill that day to care, or there would have been mischief. I don’t understand.... No—it’s too much for me. Ah, well, it’s all over now.’

“At this moment I heard Kurtz’s deep voice behind the curtain: ‘Save me!—save the ivory, you mean. Don’t tell me. Save me! Why, I’ve had to save you. You are interrupting my plans now. Sick! Sick! Not so sick as you would like to believe. Never mind. I’ll carry my ideas out yet—I will return. I’ll show you what can be done. You with your little peddling notions—you are interfering with me. I will return. I.... ’

“The manager came out. He did me the honour to take me under the arm and lead me aside. ‘He is very low, very low,’ he said. He considered it necessary to sigh, but neglected to be consistently sorrowful. ‘We have done all we could for him—haven’t we? But there is no disguising the fact, Mr. Kurtz has done more harm than good to the Company. He did not see the time was not ripe for vigorous action. Cautiously, cautiously—that’s my principle. We must be cautious yet. The district is closed to us for a time. Deplorable! Upon the whole, the trade will suffer. I don’t deny there is a remarkable quantity of ivory—mostly fossil.dn We must save it, at all events—but look how precarious the position is—and why? Because the method is unsound.’ ‘Do you,’ said I, looking at the shore, ‘call it “unsound method?” ’ ‘Without doubt,’ he exclaimed, hotly. ‘Don’t you?’ ... ‘No method at all,’ I murmured after a while. ‘Exactly,’ he exulted. ‘I anticipated this. Shows a complete want of judgment. It is my duty to point it out in the proper quarter.’ ‘Oh,’ said I, ‘that fellow—what’s his name?—the brickmaker, will make a readable report for you.’ He appeared confounded for a moment. It seemed to me I had never breathed an atmosphere so vile, and I turned mentally to Kurtz for relief—positively for relief. ‘Nevertheless I think Mr. Kurtz is a remarkable man,’ I said with emphasis. He started, dropped on me a cold heavy glance, said very quietly, ‘he was,’ and turned his back on me. My hour of favour was over; I found myself lumped along with Kurtz as a partisan of methods for which the time was not ripe: I was unsound! Ah! but it was something to have at least a choice of nightmares.

“I had turned to the wilderness really, not to Mr. Kurtz, who, I was ready to admit, was as good as buried. And for a moment it seemed to me as if I also were buried in a vast grave full of unspeakable secrets. I felt an intolerable weight oppressing my breast, the smell of the damp earth, the unseen presence of victorious corruption, the darkness of an impenetrable night.... The Russian tapped me on the shoulder. I heard him mumbling and stammering something about ‘brother seaman—couldn’t conceal—knowledge of matters that would affect Mr. Kurtz’s reputation.’ I waited. For him evidently Mr. Kurtz was not in his grave; I suspect that for him Mr. Kurtz was one of the immortals. ‘Well!’ said I at last, ‘speak out. As it happens, I am Mr. Kurtz’s friend—in a way.’

“He stated with a good deal of formality that had we not been ‘of the same profession,’ he would have kept the matter to himself without regard to consequences. ‘He suspected there was an active ill will towards him on the part of these white men that—’ ‘You are right,’ I said, remembering a certain conversation I had overheard. ‘The manager thinks you ought to be hanged.’ He showed a concern at this intelligence which amused me at first. ‘I had better get out of the way quietly,’ he said, earnestly. ‘I can do no more for Kurtz now, and they would soon find some excuse. What’s to stop them? There’s a military post three hundred miles from here.’ ‘Well, upon my word,’ said I, ‘perhaps you had better go if you have any friends amongst the savages near by.’ ‘Plenty,’ he said. ‘They are simple people—and I want nothing, you know.’ He stood biting his lip, then: ‘I don’t want any harm to happen to these whites here, but of course I was thinking of Mr. Kurtz’s reputation—but you are a brother seaman and—’ ‘All right,’ said I, after a time. ‘Mr. Kurtz’s reputation is safe with me.’ I did not know how truly I spoke.

“He informed me, lowering his voice, that it was Kurtz who had ordered the attack to be made on the steamer. ‘He hated sometimes the idea of being taken away—and then again.... But I don’t understand these matters. I am a simple man. He thought it would scare you away—that you would give it up, thinking him dead. I could not stop him. Oh, I had an awful time of it this last month.’ ‘Very well,’ I said. ‘He is all right now.’ ‘Ye-e-es,’ he muttered, not very convinced apparently. ‘Thanks,’ said I; ‘I shall keep my eyes open.’ ‘But quiet—eh?’ he urged, anxiously. ‘It would be awful for his reputation if anybody here—’ I promised a complete discretion with great gravity. ‘I have a canoe and three black fellows waiting not very far. I am off. Could you give me a few Martini-Henry cartridges?’ I could, and did, with proper secrecy. He helped himself, with a wink at me, to a handful of my tobacco. ‘Between sailors—you know—good English tobacco.’ At the door of the pilot-house he turned round—‘I say, haven’t you a pair of shoes you could spare?’ He raised one leg. ‘Look.’ The soles were tied with knotted strings sandal-wise under his bare feet. I rooted out an old pair, at which he looked with admiration before tucking it under his left arm. One of his pockets (bright red) was bulging with cartridges, from the other (dark blue) peeped ‘Towson’s Inquiry,‘ etc., etc. He seemed to think himself excellently well equipped for a renewed encounter with the wilderness. ‘Ah! I’ll never, never meet such a man again. You ought to have heard him recite poetry—his own, too, it was, he told me. Poetry!’ He rolled his eyes at the recollection of these delights. ‘Oh, he enlarged my mind!’ ‘Good-bye,’ said I. He shook hands and vanished in the night. Sometimes I ask myself whether I had ever really seen him—whether it was possible to meet such a phenomenon! ...

“When I woke up shortly after midnight his warning came to my mind with its hint of danger that seemed, in the starred darkness, real enough to make me get up for the purpose of having a look round. On the hill a big fire burned, illuminating fitfully a crooked corner of the station-house. One of the agents with a picket of a few of our blacks, armed for the purpose, was keeping guard over the ivory; but deep within the forest, red gleams that wavered, that seemed to sink and rise from the ground amongst confused columnar shapes of intense blackness, showed the exact position of the camp where Mr. Kurtz’s adorers were keeping their uneasy vigil. The monotonous beating of a big drum filled the air with muffled shocks and a lingering vibration. A steady droning sound of many men chanting each to himself some weird incantation came out from the black, flat wall of the woods as the humming of bees comes out of a hive, and had a strange narcotic effect upon my half-awake senses. I believe I dozed off leaning over the rail, till an abrupt burst of yells, an overwhelming outbreak of a pent-up and mysterious frenzy, woke me up in a bewildered wonder. It was cut short all at once, and the low droning went on with an effect of audible and soothing silence. I glanced casually into the little cabin. A light was burning within, but Mr. Kurtz was not there.

“I think I would have raised an outcry if I had believed my eyes. But I didn’t believe them at first—the thing seemed so impossible. The fact is I was completely unnerved by a sheer blank fright, pure abstract terror, unconnected with any distinct shape of physical danger. What made this emotion so overpowering was—how shall I define it?—the moral shock I received, as if something altogether monstrous, intolerable to thought and odious to the soul, had been thrust upon me unexpectedly. This lasted of course the merest fraction of a second, and then the usual sense of commonplace, deadly danger, the possibility of a sudden onslaught and massacre, or something of the kind, which I saw impending, was positively welcome and composing. It pacified me, in fact, so much, that I did not raise an alarm.

“There was an agent buttoned up inside an ulsterdo and sleeping on a chair on deck within three feet of me. The yells had not awakened him; he snored very slightly; I left him to his slumbers and leaped ashore. I did not betray Mr. Kurtz—it was ordered I should never betray him—it was written I should be loyal to the nightmare of my choice. I was anxious to deal with this shadow by myself alone,—and to this day I don’t know why I was so jealous of sharing with any one the peculiar blackness of that experience.

“As soon as I got on the bank I saw a trail—a broad trail through the grass. I remember the exultation with which I said to myself, ‘He can’t walk—he is crawling on all-fours—I’ve got him.’ The grass was wet with dew. I strode rapidly with clenched fists. I fancy I had some vague notion of falling upon him and giving him a drubbing. I don’t know. I had some imbecile thoughts. The knitting old woman with the cat obtruded herself upon my memory as a most improper person to be sitting at the other end of such an affair. I saw a row of pilgrims squirting lead in the air out of Winchesters held to the hip. I thought I would never get back to the steamer, and imagined myself living alone and unarmed in the woods to an advanced age. Such silly things—you know. And I remember I confounded the beat of the drum with the beating of my heart, and was pleased at its calm regularity.

“I kept to the track though—then stopped to listen. The night was very clear; a dark blue space, sparkling with dew and starlight, in which black things stood very still. I thought I could see a kind of motion ahead of me. I was strangely cocksure of everything that night. I actually left the track and ran in a wide semicircle (I verily believe chuckling to myself) so as to get in front of that stir, of that motion I had seen—if indeed I had seen anything. I was circumventing Kurtz as though it had been a boyish game.

“I came upon him, and, if he had not heard me coming, I would have fallen over him, too, but he got up in time. He rose, unsteady, long, pale, indistinct, like a vapour exhaled by the earth, and swayed slightly, misty and silent before me; while at my back the fires loomed between the trees, and the murmur of many voices issued from the forest. I had cut him off cleverly; but when actually confronting him I seemed to come to my senses, I saw the danger in its right proportion. It was by no means over yet. Suppose he began to shout? Though he could hardly stand, there was still plenty of vigour in his voice. ‘Go away—hide yourself,’ he said, in that profound tone. It was very awful. I glanced back. We were within thirty yards from the nearest fire. A black figure stood up, strode on long black legs, waving long black arms, across the glow. It had horns—antelope horns, I think—on its head. Some sorcerer, some witch-man, no doubt: it looked fiend-like enough. ‘Do you know what you are doing?’ I whispered. ‘Perfectly,’ he answered, raising his voice for that single word: it sounded to me far off and yet loud, like a hail through a speaking-trumpet. If he makes a row we are lost, I thought to myself. This clearly was not a case for fisticuffs, even apart from the very natural aversion I had to beat that Shadow—this wandering and tormented thing. ‘You will be lost,’ I said—‘utterly lost.’ One gets sometimes such a flash of inspiration, you know. I did say the right thing, though indeed he could not have been more irretrievably lost than he was at this very moment, when the foundations of our intimacy were being laid—to endure—to endure—even to the end—even beyond.

“ ‘I had immense plans,’ he muttered irresolutely. ‘Yes,’ said I; ‘but if you try to shout I’ll smash your head with—’ There was not a stick or a stone near. ‘I will throttle you for good,’ I corrected myself. ‘I was on the threshold of great things,’ he pleaded, in a voice of longing, with a wistfulness of tone that made my blood run cold. ‘And now for this stupid scoundrel—’ ‘Your success in Europe is assured in any case,’ I affirmed, steadily. I did not want to have the throttling of him, you understand—and indeed it would have been very little use for any practical purpose. I tried to break the spell—the heavy, mute spell of the wilderness—that seemed to draw him to its pitiless breast by the awakening of forgotten and brutal instincts, by the memory of gratified and monstrous passions. This alone, I was convinced, had driven him out to the edge of the forest, to the bush, towards the gleam of fires, the throb of drums, the drone of weird incantations; this alone had beguiled his unlawful soul beyond the bounds of permitted aspirations. And, don’t you see, the terror of the position was not in being knocked on the head—though I had a very lively sense of that danger, too—but in this, that I had to deal with a being to whom I could not appeal in the name of anything high or low. I had, even like the niggers, to invoke him—himself—his own exalted and incredible degradation. There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces. He was alone, and I before him did not know whether I stood on the ground or floated in the air. I’ve been telling you what we said—repeating the phrases we pronounced—but what’s the good? They were common everyday words—the familiar, vague sounds exchanged on every waking day of life. But what of that? They had behind them, to my mind, the terrific suggestiveness of words heard in dreams, of phrases spoken in nightmares. Soul! If anybody had ever struggled with a soul, I am the man. And I wasn’t arguing with a lunatic either. Believe me or not, his intelligence was perfectly clear—concentrated, it is true, upon himself with horrible intensity, yet clear; and therein was my only chance—barring, of course, the killing, him there and then, which wasn’t so good, on account of unavoidable noise. But his soul was mad. Being alone in the wilderness, it had looked within itself, and, by heavens! I tell you, it had gone mad. I had—for my sins, I suppose—to go through the ordeal of looking into it myself. No eloquence could have been so withering to one’s belief in mankind as his final burst of sincerity. He struggled with himself, too. I saw it,—I heard it. I saw the inconceivable mystery of a soul that knew no restraint, no faith, and no fear, yet struggling blindly with itself. I kept my head pretty well; but when I had him at last stretched on the couch, I wiped my forehead, while my legs shook under me as though I had carried half a ton on my back down that hill. And yet I had only supported him, his bony arm clasped round my neck—and he was not much heavier than a child.

“When next day we left at noon, the crowd, of whose presence behind the curtain of trees I had been acutely conscious all the time, flowed out of the woods again, filled the clearing, covered the slope with a mass of naked, breathing, quivering, bronze bodies. I steamed up a bit, then swung downstream, and two thousand eyes followed the evolutions of the splashing, thumping, fierce river-demon beating the water with its terrible tail and breathing black smoke into the air. In front of the first rank, along the river, three men, plastered with bright red earth from head to foot, strutted to and fro restlessly. When we came abreast again, they faced the river, stamped their feet, nodded their horned heads, swayed their scarlet bodies; they shook towards the fierce river-demon a bunch of black feathers, a mangy skin with a pendent tail—something that looked like a dried gourd; they shouted periodically together strings of amazing words that resembled no sounds of human language; and the deep murmurs of the crowd, interrupted suddenly, were like the responses of some satanic litany.

“We had carried Kurtz into the pilot-house: there was more air there. Lying on the couch, he stared through the open shutter. There was an eddy in the mass of human bodies, and the woman with helmeted head and tawny cheeks rushed out to the very brink of the stream. She put out her hands, shouted something, and all that wild mob took up the shout in a roaring chorus of articulated, rapid, breathless utterance.

“ ‘Do you understand this?’ I asked.

“He kept on looking out past me with fiery, longing eyes, with a mingled expression of wistfulness and hate. He made no answer, but I saw a smile, a smile of indefinable meaning, appear on his colourless lips that a moment after twitched convulsively. ‘Do I not?’ he said slowly, gasping, as if the words had been torn out of him by a supernatural power.

“I pulled the string of the whistle, and I did this because I saw the pilgrims on deck getting out their rifles with an air of anticipating a jolly lark. At the sudden screech there was a movement of abject terror through that wedged mass of bodies. ‘Don’t! don’t you frighten them away,’ cried someone on deck disconsolately. I pulled the string time after time. They broke and ran, they leaped, they crouched, they swerved, they dodged the flying terror of the sound. The three red chaps had fallen flat, face down on the shore, as though they had been shot dead. Only the barbarous and superb woman did not so much as flinch, and stretched tragically her bare arms after us over the sombre and glittering river.

“And then that imbecile crowd down on the deck started their little fun, and I could see nothing more for smoke.

“The brown current ran swiftly out of the heart of darkness, bearing us down towards the sea with twice the speed of our upwards progress; and Kurtz’s life was running swiftly, too, ebbing, ebbing out of his heart into the sea of inexorable time. The manager was very placid, he had no vital anxieties now, he took us both in with a comprehensive and satisfied glance: the ‘affair’ had come off as well as could be wished. I saw the time approaching when I would be left alone of the party of ‘unsound method.’ The pilgrims looked upon me with disfavour. I was, so to speak, numbered with the dead. It is strange how I accepted this unforeseen partnership, this choice of nightmares forced upon me in the tenebrous land invaded by these mean and greedy phantoms.

“Kurtz discoursed. A voice! a voice! It rang deep to the very last. It survived his strength to hide in the magnificent folds of eloquence the barren darkness of his heart. Oh, he struggled! he struggled! The wastes of his weary brain were haunted by shadowy images now—images of wealth and fame revolving obsequiously round his unextinguishable gift of noble and lofty expression. My Intended, my station, my career, my ideas—these were the subjects for the occasional utterances of elevated sentiments. The shade of the original Kurtz frequented the bedside of the hollow sham, whose fate it was to be buried presently in the moulddp of primeval earth. But both the diabolic love and the unearthly hate of the mysteries it had penetrated fought for the possession of that soul satiated with primitive emotions, avid of lying fame, of sham distinction, of all the appearances of success and power.

“Sometimes he was contemptibly childish. He desired to have kings meet him at railway-stations on his return from some ghastly Nowhere, where he intended to accomplish great things. ‘You show them you have in you something that is really profitable, and then there will be no limits to the recognition of your ability,’ he would say. ‘Of course you must take care of the motives—right motives—always.’ The long reaches that were like one and the same reach, monotonous bends that were exactly alike, slipped past the steamer with their multitude of seculardq trees looking patiently after this grimy fragment of another world, the forerunner of change, of conquest, of trade, of massacres, of blessings. I looked ahead—piloting. ‘Close the shutter,’ said Kurtz suddenly one day; ‘I can’t bear to look at this.’ I did so. There was a silence. ‘Oh, but I will wring your heart yet!’ he cried at the invisible wilderness.

“We broke down—as I had expected—and had to lie up for repairs at the head of an island. This delay was the first thing that shook Kurtz’s confidence. One morning he gave me a packet of papers and a photograph—the lot tied together with a shoe-string. ‘Keep this for me,’ he said. ‘This noxious fool’ (meaning the manager) ‘is capable of prying into my boxes when I am not looking.’ In the afternoon I saw him. He was lying on his back with closed eyes, and I withdrew quietly, but I heard him mutter, ‘Live rightly, die, die ... ’ I listened. There was nothing more. Was he rehearsing some speech in his sleep, or was it a fragment of a phrase from some newspaper article? He had been writing for the papers and meant to do so again, ‘for the furthering of my ideas. It’s a duty.’

“His was an impenetrable darkness. I looked at him as you peer down at a man who is lying at the bottom of a precipice where the sun never shines. But I had not much time to give him, because I was helping the engine-driver to take to pieces the leaky cylinders, to straighten a bent connecting-rod, and in other such matters. I lived in an infernal mess of rust, filings, nuts, bolts, spanners, hammers, ratchet-drills—things I abominate, because I don’t get on with them. I tended the little forge we fortunately had aboard; I toiled wearily in a wretched scrap-heap-unless I had the shakes too bad to stand.

“One evening coming in with a candle I was startled to hear him say a little tremulously, ‘I am lying here in the dark waiting for death.’ The light was within a foot of his eyes. I forced myself to murmur, ‘Oh, nonsense!’ and stood over him as if transfixed.

“Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn’t touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror—of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath—

“ ‘The horror! The horror!’[27]

“I blew the candle out and left the cabin. The pilgrims were dining in the mess-room, and I took my place opposite the manager, who lifted his eyes to give me a questioning glance, which I successfully ignored. He leaned back, serene, with that peculiar smile of his sealing the unexpressed depths of his meanness. A continuous shower of small flies streamed upon the lamp, upon the cloth, upon our hands and faces. Suddenly the manager’s boy put his insolent black head in the doorway, and said in a tone of scathing contempt—

“ ‘Mistah Kurtz—he dead.’

“All the pilgrims rushed out to see. I remained, and went on with my dinner. I believe I was considered brutally callous. However, I did not eat much. There was a lamp in there—light, don’t you know—and outside it was so beastly, beastly dark. I went no more near the remarkable man who had pronounced a judgment upon the adventures of his soul on this earth. The voice was gone. What else had been there? But I am of course aware that next day the pilgrims buried something in a muddy hole.

“And then they very nearly buried me.

“However, as you see, I did not go to join Kurtz there and then. I did not. I remained to dream the nightmare out to the end, and to show my loyalty to Kurtz once more. Destiny. My destiny! Droll thing life is—that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself—that comes too late—a crop of unextinguishable regrets. I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable grayness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary. If such is the form of ultimate wisdom, then life is a greater riddle than some of us think it to be. I was within a hair‘s-breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say. This is the reason why I affirm that Kurtz was a remarkable man. He had something to say. He said it. Since I had peeped over the edge myself, I understand better the meaning of his stare, that could not see the flame of the candle, but was wide enough to embrace the whole universe, piercing enough to penetrate all the hearts that beat in the darkness. He had summed up—he had judged. ‘The horror!’ He was a remarkable man. After all, this was the expression of some sort of belief; it had candour, it had conviction, it had a vibrating note of revolt in its whisper, it had the appalling face of a glimpsed truth—the strange commingling of desire and hate. And it is not my own extremity I remember best—a vision of grayness without form filled with physical pain, and a careless contempt for the evanescence of all things—even of this pain itself. No! It is his extremity that I seem to have lived through. True, he had made that last stride, he had stepped over the edge, while I had been permitted to draw back my hesitating foot. And perhaps in this is the whole difference; perhaps all the wisdom, and all truth, and all sincerity, are just compressed into that inappreciable moment of time in which we step over the threshold of the invisible. Perhaps! I like to think my summing-up would not have been a word of careless contempt. Better his cry—much better. It was an affirmation, a moral victory paid for by innumerable defeats, by abominable terrors, by abominable satisfac tions. But it was a victory! That is why I have remained loyal to Kurtz to the last, and even beyond, when a long time after I heard once more, not his own voice, but the echo of his magnificent eloquence thrown to me from a soul as translucently pure as a cliff of crystal.

“No, they did not bury me, though there is a period of time which I remember mistily, with a shuddering wonder, like a passage through some inconceivable world that had no hope in it and no desire. I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filchdr a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretence, because I felt so sure they could not possibly know the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the face of a danger it is unable to comprehend. I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces, so full of stupid importance. I daresay I was not very well at that time. I tottered about the streets—there were various affairs to settle—grinning bitterly at perfectly respectable persons. I admit my behaviour was inexcusable, but then my temperature was seldom normal in these days. My dear aunt’s endeavours to ‘nurse up my strength’ seemed altogether beside the mark. It was not my strength that wanted nursing, it was my imagination that wanted soothing. I kept the bundle of papers given me by Kurtz, not knowing exactly what to do with it. His mother had died lately, watched over, as I was told, by his Intended. A clean-shaved man, with an official manner and wearing gold-rimmed spectacles, called on me one day and made inquiries, at first circuitous, afterwards suavely pressing, about what he was pleased to denominate certain ‘documents.’ I was not surprised, because I had had two rows with the manager on the subject out there. I had refused to give up the smallest scrap out of that package, and I took the same attitude with the spectacled man. He became darkly menacing at last, and with much heat argued that the Company had the right to every bit of information about its ‘territories.’ And said he, ‘Mr. Kurtz’s knowledge of unexplored regions must have been necessarily extensive and peculiar—owing to his great abilities and to the deplorable circumstances in which he had been placed: therefore—’ I assured him Mr. Kurtz’s knowledge, however extensive, did not bear upon the problems of commerce or administration. He invoked then the name of science. ‘It would be an incalculable loss of,’ etc., etc. I offered him the report on the ‘Suppression of Savage Customs,’ with the postscriptum torn off. He took it up eagerly, but ended by sniffing at it with an air of contempt. ‘This is not what we had a right to expect,’ he remarked. ‘Expect nothing else,’ I said. ‘There are only private letters.’ He withdrew upon some threat of legal proceedings, and I saw him no more; but another fellow, calling himself Kurtz’s cousin, appeared two days later, and was anxious to hear all the details about his dear relative’s last moments. Incidentally he gave me to understand that Kurtz had been essentially a great musician. ‘There was the making of an immense success,’ said the man, who was an organist, I believe, with lank gray hair flowing over a greasy coat-collar. I had no reason to doubt his statement; and to this day I am unable to say what was Kurtz’s profession, whether he ever had any—which was the greatest of his talents. I had taken him for a painter who wrote for the papers, or else for a journalist who could paint—but even the cousin (who took snuff during the interview) could not tell me what he had been—exactly. He was a universal genius—on that point I agreed with the old chap, who thereupon blew his nose noisily into a large cotton handkerchief and withdrew in senile agitation, bearing off some family letters and memoranda without importance. Ultimately a journalist anxious to know something of the fate of his ‘dear colleague’ turned up. This visitor informed me Kurtz’s proper sphere ought to have been politics ‘on the popular side.’ He had furry straight eyebrows, bristly hair cropped short, an eye-glass on a broad ribbon, and, becoming expansive, confessed his opinion that Kurtz really couldn’t write a bit—‘but heavens! how that man could talk. He electrified large meetings. He had faith—don’t you see?—he had the faith. He could get himself to believe anything—anything. He would have been a splendid leader of an extreme party.’ ‘What party?’ I asked. ‘Any party,’ answered the other. ‘He was an—an—extremist.’ Did I not think so? I assented. Did I know, he asked, with a sudden flash of curiosity, ‘what it was that had induced him to go out there?’ ‘Yes,’ said I, and forthwith handed him the famous Report for publication, if he thought fit. He glanced through it hurriedly, mumbling all the time, judged ‘it would do,’ and took himself off with this plunder.

“Thus I was left at last with a slim packet of letters and the girl’s portrait. She struck me as beautiful—I mean she had a beautiful expression. I know that the sunlight can be made to lie, too, yet one felt that no manipulation of light and pose could have conveyed the delicate shade of truthfulness upon those features. She seemed ready to listen without mental reservation, without suspicion, without a thought for herself. I concluded I would go and give her back her portrait and those letters myself. Curiosity? Yes; and also some other feeling perhaps. All that had been Kurtz’s had passed out of my hands: his soul, his body, his station, his plans, his ivory, his career. There remained only his memory and his Intended—and I wanted to give that up, too, to the past, in a way—to surrender personally all that remained of him with me to that oblivion which is the last word of our common fate. I don’t defend myself. I had no clear perception of what it was I really wanted. Perhaps it was an impulse of unconscious loyalty, or the fulfilment of one of these ironic necessities that lurk in the facts of human existence. I don’t know. I can’t tell. But I went.

“I thought his memory was like the other memories of the dead that accumulate in every man’s life—a vague impress on the brain of shadows that had fallen on it in their swift and final passage; but before the high and ponderous door, between the tall houses of a street as still and decorous as a well-kept alley in a cemetery, I had a vision of him on the stretcher, opening his mouth voraciously, as if to devour all the earth with all its mankind. He lived then before me; he lived as much as he had ever lived—a shadow insatiable of splendid appearances, of frightful realities; a shadow darker than the shadow of the night, and draped nobly in the folds of a gorgeous eloquence. The vision seemed to enter the house with me—the stretcher, the phantom-bearers, the wild crowd of obedient worshippers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum, regular and muffled like the beating of a heart—the heart of a conquering darkness. It was a moment of triumph for the wilderness, an invading and vengeful rush which, it seemed to me, I would have to keep back alone for the salvation of another soul. And the memory of what I had heard him say afar there, with the horned shapes stirring at my back, in the glow of fires, within the patient woods, those broken phrases came back to me, were heard again in their ominous and terrifying simplicity. I remembered his abject pleading, his abject threats, the colossal scale of his vile desires, the meanness, the torment, the tempestuous anguish of his soul. And later on I seemed to see his collected languid manner, when he said one day, ‘This lot of ivory now is really mine. The Company did not pay for it. I collected it myself at a very great personal risk. I am afraid they will try to claim it as theirs though. H’m. It is a difficult case. What do you think I ought to do—resist? Eh? I want no more than justice.’ ... He wanted no more than justice—no more than justice. I rang the bell before a mahogany door on the first floor, and while I waited he seemed to stare at me out of the glassy panel—stare with that wide and immense stare embracing, condemning, loathing all the universe. I seemed to hear the whispered cry, ‘The horror! The horror!’

“The dusk was falling. I had to wait in a lofty drawing-room with three long windows from floor to ceiling that were like three luminous and bedraped columns. The bent gilt legs and backs of the furniture shone in indistinct curves. The tall marble fireplace had a cold and monumental whiteness. A grand piano stood massively in a corner; with dark gleams on the flat surfaces like a sombre and polished sarcophagus.ds A high door opened—closed. I rose.

“She came forward, all in black, with a pale head, floating towards me in the dusk. She was in mourning. It was more than a year since his death, more than a year since the news came; she seemed as though she would remember and mourn for ever. She took both my hands in hers and murmured, ‘I had heard you were coming.’ I noticed she was not very young—I mean not girlish. She had a mature capacity for fidelity, for belief, for suffering. The room seemed to have grown darker, as if all the sad light of the cloudy evening had taken refuge on her forehead. This fair hair, this pale visage, this pure brow, seemed surrounded by an ashy halo from which the dark eyes looked out at me. Their glance was guileless, profound, confident, and trustful. She carried her sorrowful head as though she were proud of that sorrow, as though she would say, I—I alone know how to mourn for him as he deserves. But while we were still shaking hands, such a look of awful desolation came upon her face that I perceived she was one of those creatures that are not the play-things of Time. For her he had died only yesterday. And, by Jove! the impression was so powerful that for me, too, he seemed to have died only yesterday—nay, this very minute. I saw her and him in the same instant of time—his death and her sorrow—I saw her sorrow in the very moment of his death. Do you understand? I saw them together—I heard them together. She had said, with a deep catch of the breath, ‘I have survived’ while my strained ears seemed to hear distinctly, mingled with her tone of despairing regret, the summing up whisper of his eternal condemnation. I asked myself what I was doing there, with a sensation of panic in my heart as though I had blundered into a place of cruel and absurd mysteries not fit for a human being to behold. She motioned me to a chair. We sat down. I laid the packet gently on the little table, and she put her hand over it.... ‘You knew him well,’ she murmured, after a moment of mourning silence.

“ ‘Intimacy grows quickly out there,’ I said. ‘I knew him as well as it is possible for one man to know another.’

“ ‘And you admired him,’ she said. ‘It was impossible to know him and not to admire him. Was it?’

“ ‘He was a remarkable man,’ I said, unsteadily. Then before the appealing fixity of her gaze, that seemed to watch for more words on my lips, I went on, ‘It was impossible not to—’

“ ‘Love him,’ she finished eagerly, silencing me into an appalled dumbness. ‘How true! how true! But when you think that no one knew him so well as I! I had all his noble confidence. I knew him best.’

“ ‘You knew him best,’ I repeated. And perhaps she did. But with every word spoken the room was growing darker, and only her forehead, smooth and white, remained illumined by the unextinguishable light of belief and love.

“ ‘You were his friend,’ she went on. ‘His friend,’ she repeated, a little louder. ‘You must have been, if he had given you this, and sent you to me. I feel I can speak to you—and oh! I must speak. I want you—you who have heard his last words—to know I have been worthy of him.... It is not pride.... Yes! I am proud to know I understood him better than any one on earth—he told me so himself. And since his mother died I have had no one—no one—to—to—’

“I listened. The darkness deepened. I was not even sure whether he had given me the right bundle. I rather suspect he wanted me to take care of another batch of his papers which, after his death, I saw the manager examining under the lamp. And the girl talked, easing her pain in the certitude of my sympathy; she talked as thirsty men drink. I had heard that her engagement with Kurtz had been disapproved by her people.dt He wasn’t rich enough or something. And indeed I don’t know whether he had not been a pauper all his life. He had given me some reason to infer that it was his impatience of comparative poverty that drove him out there.

“ ‘ ... Who was not his friend who had heard him speak once?’ she was saying. ‘He drew men towards him by what was best in them.’ She looked at me with intensity. ‘It is the gift of the great,’ she went on, and the sound of her low voice seemed to have the accompaniment of all the other sounds, full of mystery, desolation, and sorrow, I had ever heard—the ripple of the river, the soughingdu of the trees swayed by the wind, the murmurs of the crowds, the faint ring of incomprehensible words cried from afar, the whisper of a voice speaking from beyond the threshold of an eternal darkness. ‘But you have heard him! You know!’ she cried.

“ ‘Yes, I know,’ I said with something like despair in my heart, but bowing my head before the faith that was in her, before that great and saving illusion that shone with an unearthly glow in the darkness, in the triumphant darkness from which I could not have defended her—from which I could not even defend myself.

“ ‘What a loss to me—to us!’—she corrected herself with beautiful generosity; then added in a murmur, ‘To the world.’ By the last gleams of twilight I could see the glitter of her eyes, full of tears—of tears that would not fall.

“ ‘I have been very happy—very fortunate—very proud,’ she went on. ‘Too fortunate. Too happy for a little while. And now I am unhappy for—for life.’

“She stood up; her fair hair seemed to catch all the remaining light in a glimmer of gold. I rose, too.

“‘And of all this,’ she went on, mournfully, ‘of all his promise, and of all his greatness, of his generous mind, of his noble heart, nothing remains—nothing but a memory. You and I—’

“ ‘We shall always remember him,’ I said, hastily.

“‘No!’ she cried. ‘It is impossible that all this should be lost—that such a life should be sacrificed to leave nothing—but sorrow. You know what vast plans he had. I knew of them, too—I could not perhaps understand—but others knew of them. Something must remain. His words, at least, have not died.’

“ ‘His words will remain,’ I said.

“‘And his example,’ she whispered to herself. ‘Men looked up to him—his goodness shone in every act. His example—’

“ ‘True,’ I said; ‘his example, too. Yes, his example. I forgot that.’

“ ‘But I do not. I cannot—I I cannot believe—not yet. I cannot believe that I shall never see him again, that nobody will see him again, never, never, never.

“She put out her arms as if after a retreating figure, stretching them black and with clasped pale hands across the fading and narrow sheen of the window. Never see him! I saw him clearly enough then. I shall see this eloquent phantom as long as I live, and I shall see her, too, a tragic and familiar Shade, resembling in this gesture another one, tragic also, and bedecked with powerless charms, stretching bare brown arms over the glitter of the infernal stream, the stream of darkness. She said suddenly very low, ‘He died as he lived.’

“ ‘His end,’ said I, with dull anger stirring in me, ‘was in every way worthy of his life.’

“ ‘And I was not with him,’ she murmured. My anger subsided before a feeling of infinite pity.

“ ‘Everything that could be done—’ I mumbled.

“ ‘Ah, but I believed in him more than any one on earth—more than his own mother, more than—himself. He needed me! Me! I would have treasured every sigh, every word, every sign, every glance.’

“I felt like a chill grip on my chest. ‘Don’t,’ I said, in a muffled voice.

“ ‘Forgive me. I—I—have mourned so long in silence—in silence.... You were with him—to the last? I think of his loneliness. Nobody near to understand him as I would have understood. Perhaps no one to hear.... ’

“ ‘To the very end,’ I said, shakily. ‘I heard his very last words.... ’ I stopped in a fright.

‘ “Repeat them,’ she murmured in a heart-broken tone. ‘I want—I want—something—something—to—to live with.’

“I was on the point of crying at her, ‘Don’t you hear them?’ The dusk was repeating them in a persistent whisper all around us, in a whisper that seemed to swell menacingly like the first whisper of a rising wind. ‘The horror! the horror!’

“ ‘His last word—to live with,’ she insisted. ‘Don’t you understand I loved him—I loved him—I loved him!’

“I pulled myself together and spoke slowly.

“ ‘The last word he pronounced was—your name.’

“I heard a light sigh and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. ‘I knew it—I was sure!’.... She knew. She was sure. I heard her weeping; she had hidden her face in her hands. It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due?[28] Hadn’t he said he wanted only justice? But I couldn’t. I could not tell her. It would have been too dark—too dark altogether....”

Marlow ceased, and sat apart, indistinct and silent, in the pose of a meditating Buddha. Nobody moved for a time. “We have lost the first of the ebb,” said the Director, suddenly. I raised my head. The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed sombre under an overcast sky—seemed to lead into the heart of an immense darkness.

AMY FOSTER

KENNEDY IS A COUNTRY doctor, and lives in Colebrook, on the shores of Eastbay. The high ground rising abruptly behind the red roofs of the little town crowds the quaint High Street against the wall which defends it from the sea. Beyond the sea-wall there curves for miles in a vast and regular sweep the barren beach of shingledv with the village of Brenzett standing out darkly across the water, a spire in a clump of trees; and still further out the perpendicular column of a light-house, looking in the distance no bigger than a lead-pencil, marks the vanishing-point of the land. The country at the back of Brenzett is low and flat; but the bay is fairly well sheltered from the seas, and occasionally a big ship, windbound or through stress of weather, makes use of the anchoring ground a mile and a half due north from you as you stand at the back door of the “Ship Inn” in Brenzett. A dilapidated windmill near by, lifting its shattered arms from a mound no loftier than a rubbish-heap, and a Martello Tower[1] squatting at the water’s edge half a mile to the south of the Coastguard cottages, are familiar to the skippers of small craft. These are the official seamarks for the patch of trustworthy bottom represented on the Admiralty charts by an irregular oval of dots enclosing several figures six, with a tiny anchor engraved among them, and the legend “mud and shells” over all.

The brow of the upland overtops the square tower of the Colebrook Church. The slope is green and looped by a white road. Ascending along this road, you open a valley broad and shallow, a wide green trough of pastures and hedges merging inland into a vista of purple tints and flowing lines closing the view.

In this valley down to Brenzett and Colebrook and up to Darnford,[2] the market town fourteen miles away, lies the practice of my friend Kennedy. He had begun life as surgeon in the Navy, and afterwards had been the companion of a famous traveller, in the days when there were continents with unexplored interiors. His papers on the fauna and flora made him known to scientific societies. And now he had come to a country practice—from choice. The penetrating power of his mind, acting like a corrosive fluid, had destroyed his ambition, I fancy. His intelligence is of a scientific order, of an investigating habit, and of that unappeasable curiosity which believes that there is a particle of a general truth in every mystery.

A good many years ago now, on my return from abroad, he invited me to stay with him. I came readily enough, and as he could not neglect his patients to keep me company, he took me on his rounds—thirty miles or so of an afternoon, sometimes. I waited for him on the roads; the horse reached after the leafy twigs, and, sitting high in the dogcart,dw I could hear Kennedy’s laugh through the half-open door of some cottage. He had a big, hearty laugh that would have fitted a man twice his size, a brisk manner, a bronzed face, and a pair of gray, profoundly attentive eyes. He had the talent of making people talk to him freely, and an inexhaustible patience in listening to their tales.

One day, as we trotted out of a large village into a shady bit of road, I saw on our left hand a low, black cottage, with diamond panes in the windows, a creeper on the end wall, a roof of shingle, and some roses climbing on the rickety trellis-work of the tiny porch. Kennedy pulled up to a walk. A woman, in full sunlight, was throwing a dripping blanket over a line stretched between two old apple-trees. And as the bobtailed, long-necked chestnut, trying to get his head,dx jerked the left hand, covered by a thick dogskin glove, the doctor raised his voice over the hedge: “How’s your child, Amy?”

I had the time to see her dull face, red, not with a mantling blush, but as if her flat cheeks had been vigorously slapped, and to take in the squat figure, the scanty, dusty brown hair drawn into a tight knot at the back of the head. She looked quite young. With a distinct catch in her breath, her voice sounded low and timid.

“He’s well, thank you.”

We trotted again. “A young patient of yours,” I said; and the doctor, flicking the chestnut absently, muttered, “Her husband used to be.”

“She seems a dull creature,” I remarked, listlessly.

“Precisely,” said Kennedy. “She is very passive. It’s enough to look at the red hands hanging at the end of those short arms, at those slow, prominent brown eyes, to know the inertness of her mind—an inertness that one would think made it everlastingly safe from all the surprises of imagination. And yet which of us is safe? At any rate, such as you see her, she had enough imagination to fall in love. She’s the daughter of one Isaac Foster, who from a small farmer has sunk into a shepherd; the beginning of his misfortunes dating from his runaway marriage with the cook of his widowed father—a well-to-do, apoplectic grazier,dy who passionately struck his name off his will, and had been heard to utter threats against his life. But this old affair, scandalous enough to serve as a motive for a Greek tragedy, arose from the similarity of their characters. There are other tragedies, less scandalous and of a subtler poignancy, arising from irreconcilable differences and from that fear of the Incomprehensible that hangs over all our heads—over all our heads....”

The tired chestnut dropped into a walk; and the rim of the sun, all red in a speckless sky, touched familiarly the smooth top of a ploughed rise near the road as I had seen it times innumerable touch the distant horizon of the sea. The uniform brownness of the harrowed field glowed with a rose tinge, as though the powdered clods had sweated out in minute pearls of blood the toil of uncounted ploughmen. From the edge of a copsedz a waggon with two horses was rolling gently along the ridge. Raised above our heads upon the sky-line, it loomed up against the red sun, triumphantly big, enormous, like a chariot of giants drawn by two slow-stepping steeds of legendary proportions. And the clumsy figure of the man plodding at the head of the leading horse projected itself on the background of the Infinite with a heroic uncouthness. The end of his carter’s whip quivered high up in the blue. Kennedy discoursed.

“She’s the eldest of a large family. At the age of fifteen they put her out to service at the New Barns Farm. I attended Mrs. Smith, the tenant’s wife, and saw that girl there for the first time. Mrs. Smith, a genteel person with a sharp nose, made her put on a black dress every afternoon. I don’t know what induced me to notice her at all. There are faces that call your attention by a curious want of definiteness in their whole aspect, as, walking in a mist, you peer attentively at a vague shape which, after all, may be nothing more curious or strange than a signpost. The only peculiarity I perceived in her was a slight hesitation in her utterance, a sort of preliminary stammer which passes away with the first word. When sharply spoken to, she was apt to lose her head at once; but her heart was of the kindest. She had never been heard to express a dislike for a single human being, and she was tender to every living creature. She was devoted to Mrs. Smith, to Mr. Smith, to their dogs, cats, canaries; and as to Mrs. Smith’s gray parrot, its peculiarities exercised upon her a positive fascination. Nevertheless, when that outlandish bird, attacked by the cat, shrieked for help in human accents, she ran out into the yard stopping her ears, and did not prevent the crime. For Mrs. Smith this was another evidence of her stupidity; on the other hand, her want of charm, in view of Smith’s well-known frivolousness, was a great recommendation. Her short-sighted eyes would swim with pity for a poor mouse in a trap, and she had been seen once by some boys on her knees in the wet grass helping a toad in difficulties. If it’s true, as some German fellow has said, that without phosphorus there is no thought,[3] it is still more true that there is no kindness of heart without a certain amount of imagination. She had some. She had even more than is necessary to understand suffering and to be moved by pity. She fell in love under circumstances that leave no room for doubt in the matter; for you need imagination to form a notion of beauty at all, and still more to discover your ideal in an unfamiliar shape.

“How this aptitude came to her, what it did feed upon, is an inscrutable mystery. She was born in the village, and had never been further away from it than Colebrook or perhaps Darnford. She lived for four years with the Smiths. New Barns is an isolated farmhouse a mile away from the road, and she was content to look day after day at the same fields, hollows, rises; at the trees and the hedgerows; at the faces of the four men about the farm, always the same—day after day, month after month, year after year. She never showed a desire for conversation, and, as it seemed to me, she did not know how to smile. Sometimes of a fine Sunday afternoon she would put on her best dress, a pair of stout boots, a large gray hat trimmed with a black feather (I’ve seen her in that finery), seize an absurdly slender parasol, climb over two stiles,ea tramp over three fields and along two hundred yards of road—never further. There stood Foster’s cottage. She would help her mother to give their tea to the younger children, wash up the crockery, kiss the little ones, and go back to the farm. That was all. All the rest, all the change, all the relaxation. She never seemed to wish for anything more. And then she fell in love. She fell in love silently, obstinately—perhaps helplessly. It came slowly, but when it came it worked like a powerful spell; it was love as the Ancients understood it: an irresistible and fateful impulse—a possession! Yes, it was in her to become haunted and possessed by a face, by a presence, fatally, as though she had been a pagan worshipper of form under a joyous sky—and to be awakened at last from that mysterious forgetfulness of self, from that enchantment, from that transport, by a fear resembling the unaccountable terror of a brute....”

With the sun hanging low on its western limit, the expanse of the grass-lands framed in the counter-scarpseb of the rising ground took on a gorgeous and sombre aspect. A sense of penetrating sadness, like that inspired by a grave strain of music, disengaged itself from the silence of the fields. The men we met walked past, slow, unsmiling, with downcast eyes, as if the melancholy of an over-burdened earth had weighted their feet, bowed their shoulders, borne down their glances.

“Yes,” said the doctor to my remark, “one would think the earth is under a curse, since of all her children these that cling to her the closest are uncouth in body and as leaden of gait as if their very hearts were loaded with chains. But here on this same road you might have seen amongst these heavy men a being lithe, supple and long-limbed, straight like a pine, with something striving upwards in his appearance as though the heart within him had been buoyant. Perhaps it was only the force of the contrast, but when he was passing one of these villagers here, the soles of his feet did not seem to me to touch the dust of the road. He vaulted over the stiles, paced these slopes with a long elastic stride that made him noticeable at a great distance, and had lustrous black eyes. He was so different from the mankind around that, with his freedom of movement, his soft—a little startled, glance, his olive complexion and graceful bearing, his humanity suggested to me the nature of a woodland creature. He came from there.”

The doctor pointed with his whip, and from the summit of the descent seen over the rolling tops of the trees in a park by the side of the road, appeared the level sea far below us, like the floor of an immense edifice inlaid with bands of dark ripple, with still trails of glitter, ending in a belt of glassy water at the foot of the sky. The light blur of smoke, from an invisible steamer, faded on the great clearness of the horizon like the mist of a breath on a mirror; and, inshore, the white sails of a coaster, with the appearance of disentangling themselves slowly from under the branches, floated clear of the foliage of the trees.

“Shipwrecked in the bay?” I said.

“Yes; he was a castaway. A poor emigrant from Central Europe bound to America and washed ashore here in a storm. And for him, who knew nothing of the earth, England was an undiscovered country. It was some time before he learned its name; and for all I know he might have expected to find wild beasts or wild men here, when, crawling in the dark over the sea-wall, he rolled down the other side into a dyke, where it was another miracle he didn’t get drowned. But he struggled instinctively like an animal under a net, and this blind struggle threw him out into a field. He must have been, indeed, of a tougher fibre than he looked to withstand without expiring such buffetings, the violence of his exertions, and so much fear. Later on, in his broken English that resembled curiously the speech of a young child, he told me himself that he put his trust in God, believing he was no longer in this world. And truly—he would add—how was he to know? He fought his way against the rain and the gale on all fours, and crawled at last among some sheep huddled close under the lee of a hedge. They ran off in all directions, bleating in the darkness, and he welcomed the first familiar sound he heard on these shores. It must have been two in the morning then. And this is all we know of the manner of his landing, though he did not arrive unattended by any means. Only his grisly companyec did not begin to come ashore till much later in the day....”

The doctor gathered the reins, clicked his tongue; we trotted down the hill. Then turning, almost directly, a sharp corner into High Street, we rattled over the stones and were home.

Late in the evening Kennedy, breaking a spell of moodiness that had come over him, returned to the story. Smoking his pipe, he paced the long room from end to end. A reading-lamp concentrated all its light upon the papers on his desk; and, sitting by the open window, I saw, after the windless, scorching day, the frigid splendour of a hazy sea lying motionless under the moon. Not a whisper, not a splash, not a stir of the shingle, not a footstep, not a sigh came up from the earth below—never a sign of life but the scent of climbing jasmine: and Kennedy’s voice, speaking behind me, passed through the wide casement, to vanish outside in a chill and sumptuous stillness.

“.... The relations of shipwrecks in the olden time tell us of much suffering. Often the castaways were only saved from drowning to die miserably from starvation on a barren coast; others suffered violent death or else slavery, passing through years of precarious existence with people to whom their strangeness was an object of suspicion, dislike or fear. We read about these things, and they are very pitiful. It is indeed hard upon a man to find himself a lost stranger, helpless, incomprehensible, and of a mysterious origin, in some obscure corner of the earth. Yet amongst all the adventurers shipwrecked in all the wild parts of the world, there is not one, it seems to me, that ever had to suffer a fate so simply tragic as the man I am speaking of, the most innocent of adventurers cast out by the sea in the bighted of this bay, almost within sight from this very window.

“He did not know the name of his ship. Indeed, in the course of time we discovered he did not even know that ships had names—‘like Christian people’; and when, one day, from the top of Talfourd Hill, he beheld the sea lying open to his view, his eyes roamed afar, lost in an air of wild surprise, as though he had never seen such a sight before. And probably he had not. As far as I could make out, he had been hustled together with many others on board an emigrant ship at the mouth of the Elbe,ee too bewildered to take note of his surroundings, too weary to see anything, too anxious to care. They were driven below into the ‘tween-deck and battened down from the very start. It was a low timber dwelling—he would say—with wooden beams overhead, like the houses in his country, but you went into it down a ladder. It was very large, very cold, damp and sombre, with places in the manner of wooden boxes where people had to sleep one above another, and it kept on rocking all ways at once all the time. He crept into one of these boxes and lay down there in the clothes in which he had left his home many days before, keeping his bundle and his stick by his side. People groaned, children cried, water dripped, the lights went out, the walls of the place creaked, and everything was being shaken so that in one’s little box one dared not lift one’s head. He had lost touch with his only companion (a young man from the same valley, he said), and all the time a great noise of wind went on outside and heavy blows fell—boom! boom! An awful sickness overcame him, even to the point of making him neglect his prayers. Besides, one could not tell whether it was morning or evening. It seemed always to be night in that place.

“Before that he had been travelling a long, long time on the iron track.[4] He looked out of the window, which had a wonderfully clear glass in it, and the trees, the houses, the fields, and the long roads seemed to fly round and round about him till his head swam. He gave me to understand that he had on his passage beheld uncounted multi tudes of people—whole nations—all dressed in such clothes as the rich wear. Once he was made to get out of the carriage, and slept through a night on a bench in a house of bricks with his bundle under his head; and once for many hours he had to sit on a floor of flat stones, dozing, with his knees up and with his bundle between his feet. There was a roof over him, which seemed made of glass, and was so high that the tallest mountain-pine he had ever seen would have had room to grow under it. Steam-machines rolled in at one end and out at the other. People swarmed more than you can see on a feast-day round the miraculous Holy Image in the yard of the Carmeliteef Convent down in the plains where, before he left his home, he drove his mother in a wooden cart:—a pious old woman who wanted to offer prayers and make a vow for his safety. He could not give me an idea of how large and lofty and full of noise and smoke and gloom, and clang of iron, the place was, but someone had told him it was called Berlin. Then they rang a bell, and another steam-machine came in, and again he was taken on and on through a land that wearied his eyes by its flatness without a single bit of a hill to be seen anywhere. One more night he spent shut up in a building like a good stable with a litter of straw on the floor, guarding his bundle amongst a lot of men, of whom not one could understand a single word he said. In the morning they were all led down to the stony shores of an extremely broad muddy river, flowing not between hills but between houses that seemed immense. There was a steam-machine that went on the water, and they all stood upon it packed tight, only now there were with them many women and children who made much noise. A cold rain fell, the wind blew in his face; he was wet through, and his teeth chattered. He and the young man from the same valley took each other by the hand.

“They thought they were being taken to America straight away, but suddenly the steam-machine bumped against the side of a thing like a great house on the water. The walls were smooth and black, and there uprose, growing from the roof as it were, bare trees in the shape of crosses,eg extremely high. That’s how it appeared to him then, for he had never seen a ship before. This was the ship that was going to swim all the way to America. Voices shouted, everything swayed; there was a ladder dipping up and down. He went up on his hands and knees in mortal fear of falling into the water below, which made a great splashing. He got separated from his companion, and when he descended into the bottom of that ship his heart seemed to melt suddenly within him.

“It was then also, as he told me, that he lost contact for good and all with one of those three men who the summer before had been going about through all the little towns in the foothills of his country. They would arrive on market-days driving in a peasant’s cart, and would set up an office in an inn or some other Jew’s house. There were three of them, of whom one with a long beard looked venerable; and they had red cloth collars round their necks and gold lace on their sleeves like Government officials. They sat proudly behind a long table; and in the next room, so that the common people shouldn’t hear, they kept a cunning telegraph machine, through which they could talk to the Emperor of America. The fathers hung about the door, but the young men of the mountains would crowd up to the table asking many questions, for there was work to be got all the year round at three dollars a day in America, and no military service to do.[5]

“But the American Kaiser would not take everybody. Oh, no! He himself had a great difficulty in getting accepted, and the venerable man in uniform had to go out of the room several times to work the telegraph on his behalf. The American Kaiser engaged him at last at three dollars, he being young and strong. However, many able young men backed out, afraid of the great distance; besides, those only who had some money could be taken. There were some who sold their huts and their land because it cost a lot of money to get to America; but then, once there, you had three dollars a day, and if you were clever you could find places where true gold could be picked up on the ground. His father’s house was getting over full. Two of his brothers were married and had children. He promised to send money home from America by post twice a year. His father sold an old cow, a pair of piebald mountain ponies of his own raising, and a cleared plot of fair pasture land on the sunny slope of a pine-clad pass to a Jew inn-keeper, in order to pay the people of the ship that took men to America to get rich in a short time.

“He must have been a real adventurer at heart, for how many of the greatest enterprises in the conquest of the earth had for their beginning just such a bargaining away of the paternal cow for the mirage of true gold far away! I have been telling you more or less in my own words what I learned fragmentarily in the course of two or three years, during which I seldom missed an opportunity of a friendly chat with him. He told me this story of his adventure with many flashes of white teeth and lively glances of black eyes, at first in a sort of anxious baby-talk, then, as he acquired the language, with great fluency, but always with that singing, soft, and at the same time vibrating intonation that instilled a strangely penetrating power into the sound of the most familiar English words, as if they had been the words of an unearthly language. And he always would come to an end, with many emphatic shakes of his head, upon that awful sensation of his heart melting within him directly he set foot on board that ship. Afterwards there seemed to come for him a period of blank ignorance, at any rate as to facts. No doubt he must have been abominably seasick and abominably unhappy—this soft and passionate adventurer, taken thus out of his knowledge, and feeling bitterly as he lay in his emigrant bunk his utter loneliness; for his was a highly sensitive nature. The next thing we know of him for certain is that he had been hiding in Hammond’s pig-pound by the side of the road to Norton, six miles, as the crow flies, from the sea. Of these experiences he was unwilling to speak: they seemed to have seared into his soul a sombre sort of wonder and indignation. Through the rumours of the countryside, which lasted for a good many days after his arrival, we know that the fishermen of West Colebrook had been disturbed and startled by heavy knocks against the walls of weatherboardeh cottages, and by a voice crying piercingly strange words in the night. Several of them turned out even, but, no doubt, he had fled in sudden alarm at their rough angry tones hailing each other in the darkness. A sort of frenzy must have helped him up the steep Norton hill. It was he, no doubt, who early the following morning had been seen lying (in a swoon, I should say) on the roadside grass by the Brenzett carrier, who actually got down to have a nearer look, but drew back, intimidated by the perfect immobility, and by something queer in the aspect of that tramp, sleeping so still under the showers. As the day advanced, some children came dashing into school at Norton in such a fright that the schoolmistress went out and spoke indignantly to a ‘horrid-looking man’ on the road. He edged away, hanging his head, for a few steps, and then suddenly ran off with extraordinary fleetness. The driver of Mr. Bradley’s milk-cart made no secret of it that he had lashed with his whip at a hairy sort of gipsy fellow who, jumping up at a turn of the road by the Vents, made a snatch at the pony’s bridle. And he caught him a good one, too, right over the face, he said, that made him drop down in the mud a jolly sight quicker than he had jumped up; but it was a good half a mile before he could stop the pony. Maybe that in his desperate endeavours to get help, and in his need to get in touch with someone, the poor devil had tried to stop the cart. Also three boys confessed afterwards to throwing stones at a funny tramp, knocking about all wet and muddy, and, it seemed, very drunk, in the narrow deep lane by the limekilns.ei All this was the talk of three villages for days; but we have Mrs. Finn’s (the wife of Smith’s waggoner) unimpeachable testimony that she saw him get over the low wall of Hammond’s pig-pound and lurch straight at her, babbling aloud in a voice that was enough to make one die of fright. Having the baby with her in a perambulator,ej Mrs. Finn called out to him to go away, and as he persisted in coming nearer, she hit him courageously with her umbrella over the head, and, without once looking back, ran like the wind with the perambulator as far as the first house in the village. She stopped then, out of breath, and spoke to old Lewis, hammering there at a heap of stones; and the old chap, taking off his immense black wire goggles, got up on his shaky legs to look where she pointed. Together they followed with their eyes the figure of the man running over a field; they saw him fall down, pick himself up, and run on again, staggering and waving his long arms above his head, in the direction of the New Barns Farm. From that moment he is plainly in the toils of his obscure and touching destiny. There is no doubt after this of what happened to him. All is certain now: Mrs. Smith’s intense terror; Amy Foster’s stolid conviction held against the other’s nervous attack, that the man ‘meant no harm’; Smith’s exasperation (on his return from Darnford Market) at finding the dog barking himself into a fit, the back-door locked, his wife in hysterics; and all for an unfortunate dirty tramp, supposed to be even then lurking in his stackyard. Was he? He would teach him to frighten women.

“Smith is notoriously hot-tempered, but the sight of some nondescript and miry creature sitting cross-legged amongst a lot of loose straw, and swinging itself to and fro like a bear in a cage, made him pause. Then this tramp stood up silently before him, one mass of mud and filth from head to foot. Smith, alone amongst his stacks with this apparition, in the stormy twilight ringing with the infuriated barking of the dog, felt the dread of an inexplicable strangeness. But when that being, parting with his black hands the long matted locks that hung before his face, as you part the two halves of a curtain, looked out at him with glistening, wild, black-and-white eyes, the weirdness of this silent encounter fairly staggered him. He has admitted since (for the story has been a legitimate subject of conversation about here for years) that he made more than one step backwards. Then a sudden burst of rapid, senseless speech persuaded him at once that he had to do with an escaped lunatic. In fact, that impression never wore off completely. Smith has not in his heart given up his secret conviction of the man’s essential insanity to this very day.

“As the creature approached him, jabbering in a most discomposing manner, Smith (unaware that he was being addressed as ‘gracious lord,’ and adjured in God’s name to afford food and shelter) kept on speaking firmly but gently to it, and retreating all the time into the other yard. At last, watching his chance, by a sudden charge he bundled him headlong into the woodlodge, and instantly shot the bolt. Thereupon he wiped his brow, though the day was cold. He had done his duty to the community by shutting up a wandering and probably dangerous maniac. Smith isn’t a hard man at all, but he had room in his brain only for that one idea of lunacy. He was not imaginative enough to ask himself whether the man might not be perishing with cold and hunger. Meantime, at first, the maniac made a great deal of noise in the lodge. Mrs. Smith was screaming upstairs, where she had locked herself in her bedroom; but Amy Foster sobbed piteously at the kitchen-door, wringing her hands and muttering, ‘Don’t! don‘t!’ I daresay Smith had a rough time of it that evening with one noise and another, and this insane, disturbing voice crying obstinately through the door only added to his irritation. He couldn’t possibly have connected this troublesome lunatic with the sinking of a ship in Eastbay, of which there had been a rumour in the Darnford market place. And I daresay the man inside had been very near to insanity on that night. Before his excitement collapsed and he became unconscious he was throwing himself violently about in the dark, rolling on some dirty sacks, and biting his fists with rage, cold, hunger, amazement, and despair.

“He was a mountaineer of the eastern range of the Carpathians,ek and the vessel sunk the night before in Eastbay was the Hamburg emigrant-ship Herzogin Sophia-Dorothea, of appalling memory.

“A few months later we could read in the papers the accounts of the bogus ‘Emigration Agencies’ among the Sclavonianel peasantry in the more remote provinces of Austria. The object of these scoundrels was to get hold of the poor ignorant people’s homesteads, and they were in league with the local usurers. They exported their victims through Hamburg mostly. As to the ship, I had watched her out of this very window, reaching close-hauled under short canvas into the bay on a dark, threatening afternoon. She came to an anchor, correctly by the chart, off the Brenzett Coastguard station. I remember before the night fell looking out again at the outlines of her sparsem and rigging that stood out dark and pointed on a background of ragged, slaty clouds like another and a slighter spire to the left of the Brenzett church-tower. In the evening the wind rose. At midnight I could hear in my bed the terrific gusts and the sounds of a driving deluge.

“About that time the Coastguardmen thought they saw the lights of a steamer over the anchoring-ground. In a moment they vanished; but it is clear that another vessel of some sort had tried for shelter in the bay on that awful, blind night, had rammed the German ship amidshipsen (a breach—as one of the divers told me afterwards—‘that you could sail a Thames barge through’), and then had gone out either scatheless or damaged, who shall say; but had gone out, unknown, unseen, and fatal, to perish mysteriously at sea. Of her nothing ever came to light, and yet the hue and cry that was raised all over the world would have found her out if she had been in existence anywhere on the face of the waters.

“A completeness without a clue, and a stealthy silence as of a neatly executed crime, characterize this murderous disaster, which, as you may remember, had its gruesome celebrity. The wind would have prevented the loudest outcries from reaching the shore; there had been evidently no time for signals of distress. It was death without any sort of fuss. The Hamburg ship, filling all at once, capsized as she sank, and at daylight there was not even the end of a spar to be seen above water. She was missed, of course, and at first the Coastguardmen surmised that she had either dragged her anchor or parted her cable some time during the night, and had been blown out to sea. Then after the tide turned, the wreck must have shifted a little and released some of the bodies, because a child—a little fair-haired child in a red frock—came ashore abreast of the Martello Tower. By the afternoon you could see along three miles of beach dark figures with bare legs dashing in and out of the tumbling foam, and rough-looking men, women with hard faces, children, mostly fair-haired, were being carried, stiff and dripping, on stretchers, on wattles, eo on ladders, in a long procession past the door of the “Ship Inn,” to be laid out in a row under the north wall of the Brenzett Church.

“Officially, the body of the little girl in the red frock is the first thing that came ashore from that ship. But I have patients amongst the seafaring population of West Colebrook, and, unofficially, I am informed that very early that morning two brothers, who went down to look after their cobbleep hauled up on the beach, found a good way from Brenzett, an ordinary ship’s hencoop, lying high and dry on the shore, with eleven drowned ducks inside. Their families ate the birds, and the hencoop was split into firewood with a hatchet. It is possible that a man (supposing he happened to be on deck at the time of the accident) might have floated ashore on that hencoop. He might. I admit it is improbable, but there was the man—and for days, nay, for weeks—it didn’t enter our heads that we had amongst us the only living soul that had escaped from that disaster. The man himself, even when he learned to speak intelligibly, could tell us very little. He remembered he had felt better (after the ship had anchored, I suppose), and that the darkness, the wind, and the rain took his breath away. This looks as if he had been on deck some time during that night. But we mustn’t forget he had been taken out of his knowledge, that he had been sea-sick and battened down below for four days, that he had no general notion of a ship or of the sea, and therefore could have no definite idea of what was happening to him. The rain, the wind, the darkness he knew; he understood the bleating of the sheep, and he remembered the pain of his wretchedness and misery, his heart-broken astonishment that it was neither seen nor understood, his dismay at finding all the men angry and all the women fierce. He had approached them as a beggar, it is true, he said; but in his country, even if they gave nothing, they spoke gently to beggars. The children in his country were not taught to throw stones at those who asked for compassion. Smith’s strategy overcame him completely. The wood-lodge presented the horrible aspect of a dungeon. What would be done to him next? ... No wonder that Amy Foster appeared to his eyes with the aureole of an angel of light. The girl had not been able to sleep for thinking of the poor man, and in the morning, before the Smiths were up, she slipped out across the back yard. Holding the door of the wood-lodge ajar, she looked in and extended to him half a loaf of white bread—‘such bread as the rich eat in my country,’ he used to say.

“At this he got up slowly from amongst all sorts of rubbish, stiff, hungry, trembling, miserable, and doubtful. ‘Can you eat this?’ she asked in her soft and timid voice. He must have taken her for a ‘gracious lady.’ He devoured ferociously, and tears were falling on the crust. Suddenly he dropped the bread, seized her wrist, and imprinted a kiss on her hand. She was not frightened. Through his forlorn condition she had observed that he was good-looking. She shut the door and walked back slowly to the kitchen. Much later on, she told Mrs. Smith, who shuddered at the bare idea of being touched by that creature.

“Through this act of impulsive pity he was brought back again within the pale of human relations with his new surroundings. He never forgot it—never.

“That very same morning old Mr. Swaffer (Smith’s nearest neighbour) came over to give his advice, and ended by carrying him off. He stood, unsteady on his legs, meek, and caked over in half-dried mud, while the two men talked around him in an incomprehensible tongue. Mrs. Smith had refused to come downstairs till the madman was off the premises; Amy Foster, far from within the dark kitchen, watched through the open back-door; and he obeyed the signs that were made to him to the best of his ability. But Smith was full of mistrust. ‘Mind, sir! It may be all his cunning,’ he cried repeatedly in a tone of warning. When Mr. Swaffer started the mare, the deplorable being sitting humbly by his side, through weakness, nearly fell out over the back of the high two-wheeled cart. Swaffer took him straight home. And it is then that I come upon the scene.

“I was called in by the simple process of the old man beckoning to me with his forefinger over the gate of his house as I happened to be driving past. I got down, of course.

“ ‘I’ve got something here,’ he mumbled, leading the way to an outhouse at a little distance from his other farm-buildings.

“It was there that I saw him first, in a long, low room taken upon the space of that sort of coach-house. It was bare and whitewashed, with a small square aperture glazed with one cracked, dusty pane at its further end. He was lying on his back upon a straw pallet; they had given him a couple of horse-blankets, and he seemed to have spent the remainder of his strength in the exertion of cleaning himself. He was almost speechless; his quick breathing under the blankets pulled up to his chin, his glittering, restless black eyes reminded me of a wild bird caught in a snare. While I was examining him, old Swaffer stood silently by the door, passing the tips of his fingers along his shaven upper lip. I gave some directions, promised to send a bottle of medicine, and naturally made some inquiries.

“ ‘Smith caught him in the stackyardeq at New Barns,’ said the old chap in his deliberate, unmoved manner, and as if the other had been indeed a sort of wild animal. ‘That’s how I came by him. Quite a curiosity, isn’t he? Now tell me, doctor—you’ve been all over the world—don’t you think that’s a bit of a Hindoo we’ve got hold of here?’

“I was greatly surprised. His long black hair scattered over the straw bolster contrasted with the olive pallor of his face. It occurred to me he might be a Basque. It didn’t necessarily follow that he should understand Spanish; but I tried him with the few words I know, and also with some French. The whispered sounds I caught by bending my ear to his lips puzzled me utterly. That afternoon the young ladies from the Rectory (one of them read Goethe with a dictionary, and the other had struggled with Dante for years), coming to see Miss Swaffer, tried their German and Italian on him from the doorway. They retreated, just the least bit scared by the flood of passionate speech which, turning on his pallet, he let out at them. They admitted that the sound was pleasant, soft, musical—but, in conjunction with his looks perhaps, it was startling—so excitable, so utterly unlike anything one had ever heard. The village boys climbed up the bank to have a peep through the little square aperture. Everybody was wondering what Mr. Swaffer would do with him.

“He simply kept him.

“Swaffer would be called eccentric were he not so much respected. They will tell you that Mr. Swaffer sits up as late as ten o‘clock at night to read books, and they will tell you also that he can write a cheque for two hundred pounds without thinking twice about it. He himself would tell you that the Swaffers had owned land between this and Darnford for these three hundred years. He must be eighty-five to-day, but he does not look a bit older than when I first came here. He is a great breeder of sheep, and deals extensively in cattle. He attends market days for miles around in every sort of weather, and drives sitting bowed low over the reins, his lank gray hair curling over the collar of his warm coat, and with a green plaid rug round his legs. The calmness of advanced age gives a solemnity to his manner. He is clean-shaved; his lips are thin and sensitive; something rigid and monarchaler in the set of his features lends a certain elevation to the character of his face. He has been known to drive miles in the rain to see a new kind of rose in somebody’s garden, or a monstrous cabbage grown by a cottager. He loves to hear tell of or to be shown something what he calls ‘outlandish.’ Perhaps it was just that outlandishness of the man which influenced old Swaffer. Perhaps it was only an inexplicable caprice. All I know is that at the end of three weeks I caught sight of Smith’s lunatic digging in Swaffer’s kitchen garden. They had found out he could use a spade. He dug barefooted.

“His black hair flowed over his shoulders. I suppose it was Swaffer who had given him the striped old cotton shirt; but he wore still the national brown cloth trousers (in which he had been washed ashore) fitting to the leg almost like tights; was belted with a broad leathern belt studded with little brass discs; and had never yet ventured into the village. The land he looked upon seemed to him kept neatly, like the grounds round a landowner’s house; the size of the cart-horses struck him with astonishment; the roads resembled garden walks, and the aspect of the people, especially on Sundays, spoke of opulence. He wondered what made them so hardhearted and their children so bold. He got his food at the back-door, carried it in both hands, carefully, to his outhouse, and, sitting alone on his pallet,es would make the sign of the cross before he began. Beside the same pallet, kneeling in the early darkness of the short days, he recited aloud the Lord’s Prayer before he slept. Whenever he saw old Swaffer he would bow with veneration from the waist, and stand erect while the old man, with his fingers over his upper lip, surveyed him silently. He bowed also to Miss Swaffer, who kept house frugally for her father—a broad-shouldered, big-boned woman of forty-five, with the pocket of her dress full of keys, and a gray, steady eye. She was Churchet—as people said (while her father was one of the trustees of the Baptist Chapel)—and wore a little steel cross at her waist. She dressed severely in black, in memory of one of the innumerable Bradleys of the neighborhood, to whom she had been engaged some twenty-five years ago—a young farmer who broke his neck out hunting the eve of the wedding-day. She had the unmoved countenance of the deaf, spoke very seldom, and her lips, thin like her father‘s, astonished one sometimes by a mysteriously ironic curl.

“These were the people to whom he owed allegiance, and an overwhelming loneliness seemed to fall from the leaden sky of that winter without sunshine. All the faces were sad. He could talk to no one, and had no hope of ever understanding anybody. It was as if these had been the faces of people from the other world—dead people—he used to tell me years afterwards. Upon my word, I wonder he did not go mad. He didn’t know where he was. Somewhere very far from his mountains—somewhere over the water. Was this America, he wondered?

“If it hadn’t been for the steel cross at Miss Swaffer’s belt he would not, he confessed, have known whether he was in a Christian country at all. He used to cast stealthy glances at it, and feel comforted. There was nothing here the same as in his country! The earth and the water were different; there were no images of the Redeemer by the roadside. The very grass was different, and the trees. All the trees but the three old Norway pines on the bit of lawn before Swaffer’s house, and these reminded him of his country. He had been detected once, after dusk, with his forehead against the trunk of one of them, sobbing, and talking to himself. They had been like brothers to him at that time, he affirmed. Everything else was strange. Conceive you the kind of an existence over-shadowed, oppressed, by the everyday material appearances, as if by the visions of a nightmare. At night, when he could not sleep, he kept on thinking of the girl who gave him the first piece of bread he had eaten in this foreign land. She had been neither fierce nor angry, nor frightened. Her face he remembered as the only comprehensible face amongst all these faces that were as closed, as mysterious, and as mute as the faces of the dead who are possessed of a knowledge beyond the comprehension of the living. I wonder whether the memory of her compassion prevented him from cutting his throat. But there! I suppose I am an old sentimentalist, and forget the instinctive love of life which it takes all the strength of an uncommon despair to overcome.

“He did the work which was given him with an intelligence which surprised old Swaffer. By-and-by it was discovered that he could help at the ploughing, could milk the cows, feed the bullocks in the cattleyard, and was of some use with the sheep. He began to pick up words, too, very fast; and suddenly, one fine morning in spring, he rescued from an untimely death a grand-child of old Swaffer.

“Swaffer’s younger daughter is married to Willcox, a solicitor and the Town Clerk of Colebrook. Regularly twice a year they come to stay with the old man for a few days. Their only child, a little girl not three years old at the time, ran out of the house alone in her little white pinafore, and, toddling across the grass of a terraced garden, pitched herself over a low wall head first into the horsepond in the yard below.

“Our man was out with the waggoner and the plough in the field nearest to the house, and as he was leading the team round to begin a fresh furrow, he saw, through the gap of a gate, what for anybody else would have been a mere flutter of something white. But he had straight-glancing, quick, far-reaching eyes, that only seemed to flinch and lose their amazing power before the immensity of the sea. He was barefooted, and looking as outlandish as the heart of Swaffer could desire. Leaving the horses on the turn, to the inexpressible disgust of the waggoner he bounded off, going over the ploughed ground in long leaps, and suddenly appeared before the mother, thrust the child into her arms, and strode away.

“The pond was not very deep; but still, if he had not had such good eyes, the child would have perished—miserably suffocated in the foot or so of sticky mud at the bottom. Old Swaffer walked out slowly into the field, waited till the plough came over to his side, had a good look at him, and without saying a word went back to the house. But from that time they laid out his meals on the kitchen table; and at first, Miss Swaffer, all in black and with an inscrutable face, would come and stand in the doorway of the living-room to see him make a big sign of the cross before he fell to. I believe that from that day, too, Swaffer began to pay him regular wages.

“I can’t follow step by step his development. He cut his hair short, was seen in the village and along the road going to and fro to his work like any other man. Children ceased to shout after him. He became aware of social differences, but remained for a long time surprised at the bare poverty of the churches among so much wealth. He couldn’t understand either why they were kept shut up on week-days. There was nothing to steal in them. Was it to keep people from praying too often? The rectory took much notice of him about that time, and I believe the young ladies attempted to prepare the ground for his conversion. They could not, however, break him of his habit of crossing himself, but he went so far as to take off the string with a couple of brass medals the size of a sixpence, a tiny metal cross, and a square sort of scapularyeu which he wore round his neck. He hung them on the wall by the side of his bed, and he was still to be heard every evening reciting the Lord’s Prayer, in incomprehensible words and in a slow, fervent tone, as he had heard his old father do at the head of all the kneeling family, big and little, on every evening of his life. And though he wore corduroys at work, and a slop-made pepper-and-salt suit on Sundays, strangers would turn round to look after him on the road. His foreignness had a peculiar and indelible stamp. At last people became used to see him. But they never became used to him. His rapid, skimming walk; his swarthy complexion; his hat cocked on the left ear; his habit, on warm evenings, of wearing his coat over one shoulder, like a hussar’s dolman;ev his manner of leaping over the stiles, not as a feat of agility, but in the ordinary course of progression—all these peculiarities were, as one may say, so many causes of scorn and offence to the inhabitants of the village. They wouldn’t in their dinner hour lie flat on their backs on the grass to stare at the sky. Neither did they go about the fields screaming dismal tunes. Many times have I heard his high-pitched voice from behind the ridge of some sloping sheep-walk, a voice light and soaring, like a lark’s but with a melancholy human note, over our fields that hear only the song of birds. And I would be startled myself. Ah! He was different; innocent of heart, and full of good will, which nobody wanted, this castaway, that, like a man transplanted into another planet, was separated by an immense space from his past and by an immense ignorance from his future. His quick, fervent utterance positively shocked everybody. ‘An excitable devil,’ they called him. One evening, in the tap-room of the Coach and Horses, (having drunk some whisky), he upset them all by singing a love-song of his country. They hooted him down, and he was pained; but Preble, the lame wheelwright, and Vincent, the fat blacksmith, and the other notables, too, wanted to drink their evening beer in peace. On another occasion he tried to show them how to dance. The dust rose in clouds from the sanded floor; he leaped straight up amongst the deal tables, struck his heels together, squatted on one heel in front of old Preble, shooting out the other leg, uttered wild and exulting cries, jumped up to whirl on one foot, snapping his fingers above his head—and a strange carter who was having a drink in there began to swear, and cleared out with his half-pint in his hand into the bar. But when suddenly he sprang upon a table and continued to dance among the glasses, the landlord interfered. He didn’t want any ‘acrobat tricks in the tap-room.’ They laid their hands on him. Having had a glass or two, Mr. Swaffer’s foreigner tried to expostulate: was ejected forcibly: got a black eye.

“I believe he felt the hostility of his human surroundings. But he was tough—tough in spirit, too, as well as in body. Only the memory of the sea frightened him, with that vague terror that is left by a bad dream. His home was far away; and he did not want now to go to America. I had often explained to him that there is no place on earth where true gold can be found lying ready and to be got for the trouble of the picking up. How, then, he asked, could he ever return home with empty hands when there had been sold a cow, two ponies, and a bit of land to pay for his going? His eyes would fill with tears, and, averting them from the immense shimmer of the sea, he would throw himself face down on the grass. But sometimes, cocking his hat with a little conquering air, he would defy my wisdom. He had found his bit of true gold. That was Amy Foster’s heart; which was ‘a golden heart, and soft to people’s misery,’ he would say in the accents of overwhelming conviction.

“He was called Yanko. He had explained that this meant Little John; but as he would also repeat very often that he was a mountaineer (some word sounding in the dialect of his country like Goorall) he got it for his surname. And this is the only trace of him that the succeeding ages may find in the marriage register of the parish. There it stands—Yanko Goorall—in the rector’s handwriting. The crooked cross made by the castaway, a cross whose tracing no doubt seemed to him the most solemn part of the whole ceremony, is all that remains now to perpetuate the memory of his name.

“His courtship had lasted some time—ever since he got his precarious footing in the community. It began by his buying for Amy Foster a green satin ribbon in Darnford. This was what you did in his country. You bought a ribbon at a Jew’s stall on a fair-day. I don’t suppose the girl knew what to do with it, but he seemed to think that his honourable intentions could not be mistaken.

“It was only when he declared his purpose to get married that I fully understood how, for a hundred futile and inappreciable reasons, how-shall I say odious?—he was to all the countryside. Every old woman in the village was up in arms. Smith, coming upon him near the farm, promised to break his head for him if he found him about again. But he twisted his little black moustache with such a bellicose air and rolled such big, black fierce eyes at Smith that this promise came to nothing. Smith, however, told the girl that she must be mad to take up with a man who was surely wrong in his head. All the same, when she heard him in the gloaming whistle from beyond the orchard a couple of bars of a weird and mournful tune, she would drop whatever she had in her hand—she would leave Mrs. Smith in the middle of a sentence—and she would run out to his call. Mrs. Smith called her a shameless hussy. She answered nothing. She said nothing at all to anybody, and went on her way as if she had been deaf. She and I alone in all the land, I fancy, could see his very real beauty. He was very good-looking, and most graceful in his bearing, with that something wild as of a woodland creature in his aspect. Her mother moaned over her dismally whenever the girl came to see her on her day out. The father was surly, but pretended not to know; and Mrs. Finn once told her plainly that ‘this man, my dear, will do you some harm some day yet.’ And so it went on. They could be seen on the roads, she tramping stolidly in her finery—gray dress, black feather, stout boots, prominent white cotton gloves that caught your eye a hundred yards away; and he, his coat slung picturesquely over one shoulder, pacing by her side, gallant of bearing and casting tender glances upon the girl with the golden heart. I wonder whether he saw how plain she was. Perhaps among types so different from what he had ever seen, he had not the power to judge; or perhaps he was seduced by the divine quality of her pity.[6]

“Yanko was in great trouble meantime. In his country you get an old man for an ambassador in marriage affairs. He did not know how to proceed. However, one day in the midst of sheep in a field (he was now Swaffer’s under-shepherd with Foster) he took off his hat to the father and declared himself humbly. ‘I daresay she’s fool enough to marry you,’ was all Foster said. ‘And then,’ he used to relate, ‘he puts his hat on his head, looks black at me as if he wanted to cut my throat, whistles the dog, and off he goes, leaving me to do the work.’ The Fosters, of course, didn’t like to lose the wages the girl earned: Amy used to give all her money to her mother. But there was in Foster a very genuine aversion to that match. He contended that the fellow was very good with sheep, but was not fit for any girl to marry. For one thing, he used to go along the hedges muttering to himself like a dam’ fool; and then, these foreigners behave very queerly to women sometimes. And perhaps he would want to carry her off somewhere—or run off himself. It was not safe. He preached it to his daughter that the fellow might ill-use her in some way. She made no answer. It was, they said in the village, as if the man had done something to her. People discussed the matter. It was quite an excitement, and the two went on ‘walking out’ together in the face of opposition. Then something unexpected happened.

“I don’t know whether old Swaffer ever understood how much he was regarded in the light of a father by his foreign retainer. Anyway the relation was curiously feudal. So when Yanko asked formally for an interview—‘and the Miss, too’ (he called the severe, deaf Miss Swaffer simply Miss)—it was to obtain their permission to marry. Swaffer heard him unmoved, dismissed him by a nod, and then shouted the intelligence into Miss Swaffer’s best ear. She showed no surprise, and only remarked grimly, in a veiled blank voice, ‘He certainly won’t get any other girl to marry him.’

“It is Miss Swaffer who has all the credit of the munificence: but in a very few days it came out that Mr. Swaffer had presented Yanko with a cottage (the cottage you’ve seen this morning) and something like an acre of ground—had made it over to him in absolute property. Willcox expedited the deed, and I remember him telling me he had a great pleasure in making it ready. It recited: ‘In consideration of saving the life of my beloved grandchild, Bertha Willcox.’

“Of course, after that no power on earth could prevent them from getting married.

“Her infatuation endured. People saw her going out to meet him in the evening. She stared with unblinking, fascinated eyes up the road where he was expected to appear, walking freely, with a swing from the hip, and humming one of the love-tunes of his country. When the boy was born, he got elevated at the ‘Coach and Horses,’ essayedew again a song and a dance, and was again ejected. People expressed their commiseration for a woman married to that Jack-in-the-box. He didn’t care. There was a man now (he told me boastfully) to whom he could sing and talk in the language of his country, and show how to dance by-and-by.

“But I don’t know. To me he appeared to have grown less springy of step, heavier in body, less keen of eye. Imagination, no doubt; but it seems to me now as if the net of fate had been drawn closer round him already.

“One day I met him on the footpath over the Talfourd Hill. He told me that ‘women were funny.’ I had heard already of domestic differences. People were saying that Amy Foster was beginning to find out what sort of man she had married. He looked upon the sea with indifferent, unseeing eyes. His wife had snatched the child out of his arms one day as he sat on the doorstep crooning to it a song such as the mothers sing to babies in his mountains. She seemed to think he was doing it some harm. Women are funny. And she had objected to him praying aloud in the evening. Why? He expected the boy to repeat the prayer aloud after him by-and-by, as he used to do after his old father when he was a child—in his own country. And I discovered he longed for their boy to grow up so that he could have a man to talk with in that language that to our ears sounded so disturbing, so passionate, and so bizarre. Why his wife should dislike the idea he couldn’t tell. But that would pass, he said. And tilting his head knowingly, he tapped his breastbone to indicate that she had a good heart: not hard, not fierce, open to compassion, charitable to the poor!

“I walked away thoughtfully; I wondered whether his difference, his strangeness, were not penetrating with repulsion that dull nature they had begun by irresistibly attracting. I wondered....”

The Doctor came to the window and looked out at the frigid splendor of the sea, immense in the haze, as if enclosing all the earth with all the hearts lost among the passions of love and fear.

“Physiologically, now,” he said, turning away abruptly, “it was possible. It was possible.”

He remained silent. Then went on—

“At all events, the next time I saw him he was ill—lung trouble. He was tough, but I daresay he was not acclimatized as well as I had supposed. It was a bad winter; and, of course, these mountaineers do get fits of home sickness; and a state of depression would make him vulnerable. He was lying half dressed on a couch downstairs.

“A table covered with a dark oilcloth took up all the middle of the little room. There was a wicker cradle on the floor, a kettle spouting steam on the hob,ex and some child’s linen lay drying on the fender. The room was warm, but the door opens right into the garden, as you noticed perhaps.

“He was very feverish, and kept on muttering to himself. She sat on a chair and looked at him fixedly across the table with her brown, blurred eyes. ‘Why don’t you have him upstairs?’ I asked. With a start and a confused stammer she said, ‘Oh! ah! I couldn’t sit with him upstairs, sir.’

“I gave her certain directions; and going outside, I said again that he ought to be in bed upstairs. She wrung her hands. ‘I couldn’t. I couldn’t. He keeps on saying something—I don’t know what.’ With the memory of all the talk against the man that had been dinned into her ears, I looked at her narrowly. I looked into her short-sighted eyes, at her dumb eyes that once in her life had been an enticing shape, but seemed, staring at me, to see nothing at all now. But I saw she was uneasy.

“ ‘What’s the matter with him?’ she asked in a sort of vacant trepidation. ‘He doesn’t look very ill. I never did see anybody look like this before ... ’

“ ‘Do you think,’ I asked indignantly, ‘he is shamming?’

“ ‘I can’t help it, sir,’ she said, stolidly. And suddenly she clapped her hands and looked right and left. ‘And there’s the baby. I am so frightened. He wanted me just now to give him the baby. I can’t understand what he says to it.’

“ ‘Can’t you ask a neighbor to come in to-night?’ I asked.

“‘Please, sir, nobody seems to care to come,’ she muttered, dully resigned all at once.

“I impressed upon her the necessity of the greatest care, and then had to go. There was a good deal of sickness that winter. ‘Oh, I hope he won’t talk!’ she exclaimed softly just as I was going away.

“I don’t know how it is I did not see—but I didn’t. And yet, turning in my trap,ey I saw her lingering before the door, very still, and as if meditating a flight up the miry road.

“Towards the night his fever increased.

“He tossed, moaned, and now and then muttered a complaint. And she sat with the table between her and the couch, watching every movement and every sound, with the terror, the unreasonable terror, of that man she could not understand creeping over her. She had drawn the wicker cradle close to her feet. There was nothing in her now but the maternal instinct and that unaccountable fear.

“Suddenly coming to himself, parched, he demanded a drink of water. She did not move. She had not understood, though he may have thought he was speaking in English. He waited, looking at her, burning with fever, amazed at her silence and immobility, and then he shouted impatiently, ‘Water! Give me water!’

“She jumped to her feet, snatched up the child, and stood still. He spoke to her, and his passionate remonstrances only increased her fear of that strange man. I believe he spoke to her for a long time, entreating, wondering, pleading, ordering, I suppose. She says she bore it as long as she could. And then a gust of rage came over him.

“He sat up and called out terribly one word—some word. Then he got up as though he hadn’t been ill at all, she says. And as in fevered dismay, indignation, and wonder he tried to get to her round the table, she simply opened the door and ran out with the child in her arms.[7] She heard him call twice after her down the road in a terrible voice—and fled.... Ah! but you should have seen stirring behind the dull, blurred glance of those eyes the spectre of the fear which had hunted her on that night three miles and a half to the door of Foster’s cottage! I did the next day.

“And it was I who found him lying face down and his body in a puddle, just outside the little wicker-gate.

“I had been called out that night to an urgent case in the village, and on my way home at daybreak passed by the cottage. The door stood open. My man helped me to carry him in. We laid him on the couch. The lamp smoked, the fire was out, the chill of the stormy night oozed from the cheerless yellow paper on the wall. ‘Amy!’ I called aloud, and my voice seemed to lose itself in the emptiness of this tiny house as if I had cried in a desert. He opened his eyes. ‘Gone!’ he said, distinctly. ‘I had only asked for water—only for a little water.... ’

“He was muddy. I covered him up and stood waiting in silence, catching a painfully gasped word now and then. They were no longer in his own language. The fever had left him, taking with it the heat of life. And with his panting breast and lustrous eyes he reminded me again of a wild creature under the net; of a bird caught in a snare. She had left him. She had left him—sick—helpless—thirsty. The spear of the hunter had entered his very soul. ‘Why?’ he cried, in the penetrating and indignant voice of a man calling to a responsible Maker. A gust of wind and a swish of rain answered.

“And as I turned away to shut the door he pronounced the word ‘Merciful!’ and expired.

“Eventually I certified heart-failure as the immediate cause of death. His heart must have indeed failed him, or else he might have stood this night of storm and exposure, too. I closed his eyes and drove away. Not very far from the cottage I met Foster walking sturdily between the dripping hedges with his collie at his heels.

“ ‘Do you know where your daughter is?’ I asked.

“‘Don’t I!’ he cried. ‘I am going to talk to him a bit. Frightening a poor woman like this.’

“ ‘He won’t frighten her any more,’ I said. ‘He is dead.’

“He struck with his stick at the mud.

“ ‘And there’s the child.’

“Then, after thinking deeply for a while—

“ ‘I don’t know that it isn’t for the best.’

“That’s what he said. And she says nothing at all now. Not a word of him. Never. Is his image as utterly gone from her mind as his lithe and striding figure, his carolling voice are gone from our fields? He is no longer before her eyes to excite her imagination into a passion of love or fear; and his memory seems to have vanished from her dull brain as a shadow passes away upon a white screen. She lives in the cottage and works for Miss Swaffer. She is Amy Foster for everybody, and the child is ‘Amy Foster’s boy.’ She calls him Johnny—which means Little John.

“It is impossible to say whether this name recalls anything to her. Does she ever think of the past? I have seen her hanging over the boy’s cot in a very passion of maternal tenderness. The little fellow was lying on his back, a little frightened at me, but very still, with his big black eyes, with his fluttered air of a bird in a snare. And looking at him I seemed to see again the other one—the father, cast out mysteriously by the sea to perish in the supreme disaster of loneliness and despair.”

THE SECRET SHARER

—I—

ON MY RIGHT HAND there were lines of fishing-stakes resembling a mysterious system of half-submerged bamboo fences, incomprehensible in its division of the domain of tropical fishes, and crazy of aspect as if abandoned for ever by some nomad tribe of fishermen now gone to the other end of the ocean; for there was no sign of human habitation as far as the eye could reach. To the left a group of barren islets, suggesting ruins of stone walls, towers, and blockhouses, had its foundations set in a blue sea that itself looked solid, so still and stable did it lie below my feet; even the track of light from the westering sun shone smoothly, without that animated glitter which tells of an imperceptible ripple. And when I turned my head to take a parting glance at the tug which had just left us anchored outside the bar, I saw the straight line of the flat shore joined to the stable sea, edge to edge, with a perfect and unmarked closeness, in one levelled floor half brown, half blue under the enormous dome of the sky. Corresponding in their insignificance to the islets of the sea, two small clumps of trees, one on each side of the only fault in the impeccable joint, marked the mouth of the river Meinamez we had just left on the first preparatory stage of our homeward journey; and, far back on the inland level, a larger and loftier mass, the grove surrounding the great Paknam pagoda,fa was the only thing on which the eye could rest from the vain task of exploring the monotonous sweep of the horizon. Here and there gleams as of a few scattered pieces of silver marked the windings of the great river; and on the nearest of them, just within the bar, the tug steaming right into the land became lost to my sight, hull and funnel and masts, as though the impassive earth had swallowed her up without an effort, without a tremor. My eye followed the light cloud of her smoke, now here, now there, above the plain, according to the devious curves of the stream, but always fainter and farther away, till I lost it at last behind the mitre-shaped hill of the great pagoda. And then I was left alone with my ship, anchored at the head of the Gulf of Siam.

She floated at the starting-point of a long journey, very still in an immense stillness, the shadows of her spars flung far to the eastward by the setting sun. At that moment I was alone on her decks. There was not a sound in her—and around us nothing moved, nothing lived, not a canoe on the water, not a bird in the air, not a cloud in the sky. In this breathless pause at the threshold of a long passage we seemed to be measuring our fitness for a long and arduous enterprise, the appointed task of both our existences to be carried out, far from all human eyes, with only sky and sea for spectators and for judges.

There must have been some glare in the air to interfere with one’s sight, because it was only just before the sun left us that my roaming eyes made out beyond the highest ridge of the principal islet of the group something which did away with the solemnity of perfect solitude. The tide of darkness flowed on swiftly; and with tropical suddenness a swarm of stars came out above the shadowy earth, while I lingered yet, my hand resting lightly on my ship’s rail as if on the shoulder of a trusted friend. But, with all that multitude of celestial bodies staring down at one, the comfort of quiet communion with her was gone for good. And there were also disturbing sounds by this time—voices, footsteps forward; the steward flitted along the maindeck, a busily ministering spirit; a hand-bell tinkled urgently under the poop-deck....

I found my two officers waiting for me near the supper table, in the lighted cuddy.fb We sat down at once, and as I helped the chief mate, I said:

“Are you aware that there is a ship anchored inside the islands? I saw her mastheads above the ridge as the sun went down.”

He raised sharply his simple face, overcharged by a terrible growth of whisker, and emitted his usual ejaculations: “Bless my soul, sir! You don’t say so!”

My second mate was a round-cheeked, silent young man, grave beyond his years, I thought; but as our eyes happened to meet I detected a slight quiver on his lips. I looked down at once. It was not my part to encourage sneering on board my ship. It must be said, too, that I knew very little of my officers. In consequence of certain events of no particular significance, except to myself, I had been appointed to the command only a fortnight before. Neither did I know much of the hands forward. All these people had been together for eighteen months or so, and my position was that of the only stranger on board. I mention this because it has some bearing on what is to follow. But what I felt most was my being a stranger to the ship; and if all the truth must be told, I was somewhat of a stranger to myself. The youngest man on board (barring the second mate), and untried as yet by a position of the fullest responsibility, I was willing to take the adequacy of the others for granted. They had simply to be equal to their tasks; but I wondered how far I should turn out faithful to that ideal conception of one’s own personality every man sets up for himself secretly.

Meantime the chief mate, with an almost visible effect of collaboration on the part of his round eyes and frightful whiskers, was trying to evolve a theory of the anchored ship. His dominant trait was to take all things into earnest consideration. He was of a painstaking turn of mind. As he used to say, he “liked to account to himself” for practically everything that came in his way, down to a miserable scorpion he had found in his cabin a week before. The why and the wherefore of that scorpion—how it got on board and came to select his room rather than the pantry (which was a dark place and more what a scorpion would be partial to), and how on earth it managed to drown itself in the inkwell of his writing-desk—had exercised him infinitely. The ship within the islands was much more easily accounted for; and just as we were about to rise from table he made his pronouncement. She was, he doubted not, a ship from home lately arrived. Probably she drew too much water to cross the bar except at the top of spring tides. Therefore she went into that natural harbour to wait for a few days in preference to remaining in an open roadstead.

“That’s so,” confirmed the second mate, suddenly, in his slightly hoarse voice. “She draws over twenty feet. She’s the Liverpool ship Sephora with a cargo of coal. Hundred and twenty-three days from Cardiff.”

We looked at him in surprise.

“The tugboat skipper told me when he came on board for your letters, sir,” explained the young man. “He expects to take her up the river the day after tomorrow.”

After thus overwhelming us with the extent of his information he slipped out of the cabin. The mate observed regretfully that he “could not account for that young fellow’s whims.” What prevented him telling us all about it at once, he wanted to know.

I detained him as he was making a move. For the last two days the crew had had plenty of hard work, and the night before they had very little sleep. I felt painfully that I—a stranger—was doing something unusual when I directed him to let all hands turn in without setting an anchor-watch. I proposed to keep on deck myself till one o‘clock or thereabouts. I would get the second mate to relieve me at that hour.

“He will turn out the cook and the steward at four,” I concluded, “and then give you a call. Of course at the slightest sign of any sort of wind we’ll have the hands up and make a start at once.”

He concealed his astonishment. “Very well, sir.” Outside the cuddy he put his head in the second mate’s door to inform him of my unheard-of caprice to take a five hours’ anchor-watch on myself. I heard the other raise his voice incredulously—“What? The Captain himself?” Then a few more murmurs, a door closed, then another. A few moments later I went on deck.

My strangeness,fc which had made me sleepless, had prompted that unconventional arrangement, as if I had expected in those solitary hours of the night to get on terms with the ship of which I knew nothing, manned by men of whom I knew very little more. Fast alongside a wharf, littered like any ship in port with a tangle of unrelated things, invaded by unrelated shore people, I had hardly seen her yet properly. Now, as she lay cleared for sea, the stretch of her main-deck seemed to me very fine under the stars. Very fine, very roomy for her size, and very inviting. I descended the poop and paced the waist, my mind picturing to myself the coming passage through the Malay Archipelago, down the Indian Ocean, and up the Atlantic. All its phases were familiar enough to me, every characteristic, all the alternatives which were likely to face me on the high seas—everything! ... except the novel responsibility of command. But I took heart from the reasonable thought that the ship was like other ships, the men like other men, and that the sea was not likely to keep any special surprises expressly for my discomfiture.

Arrived at that comforting conclusion, I bethought myself of a cigar and went below to get it. All was still down there. Everybody at the after end of the ship was sleeping profoundly. I came out again on the quarter-deck, agreeably at ease in my sleeping-suit on that warm breathless night, barefooted, a glowing cigar in my teeth, and, going forward, I was met by the profound silence of the fore end of the ship. Only as I passed the door of the forecastle I heard a deep, quiet, trustful sigh of some sleeper inside. And suddenly I rejoiced in the great security of the sea as compared with the unrest of the land, in my choice of that untempted life presenting no disquieting problems, invested with an elementary moral beauty by the absolute straightforwardness of its appeal and by the singleness of its purpose.

The riding-light in the fore-rigging burned with a clear, untroubled, as if symbolic, flame, confident and bright in the mysterious shades of the night. Passing on my way aft along the other side of the ship, I observed that the rope side-ladder, put over, no doubt, for the master of the tug when he came to fetch away our letters, had not been hauled in as it should have been. I became annoyed at this, for exactitude in small matters is the very soul of discipline. Then I reflected that I had myself peremptorily dismissed my officers from duty, and by my own act had prevented the anchor-watch being formally set and things properly attended to. I asked myself whether it was wise ever to interfere with the established routine of duties even from the kindest of motives.[1] My action might have made me appear eccentric. Goodness only knew how that absurdly whiskered mate would “account” for my conduct, and what the whole ship thought of that informality of their new captain. I was vexed with myself.

Not from compunction certainly, but, as it were mechanically, I proceeded to get the ladder in myself. Now a side-ladder of that sort is a light affair and comes in easily, yet my vigorous tug, which should have brought it flying on board, merely recoiled upon my body in a totally unexpected jerk. What the devil! ... I was so astounded by the immovableness of that ladder that I remained stock-still, trying to account for it to myself like that imbecile mate of mine. In the end, of course, I put my head over the rail.

The side of the ship made an opaque belt of shadow on the darkling glassy shimmer of the sea. But I saw at once something elongated and pale floating very close to the ladder. Before I could form a guess a faint flash of phosphorescent light, which seemed to issue suddenly from the naked body of a man, flickered in the sleeping water with the elusive, silent play of summer lightning in a night sky. With a gasp I saw revealed to my stare a pair of feet, the long legs, a broad livid back immersed right up to the neck in a greenish cadaverous glow. One hand, awash, clutched the bottom rung of the ladder. He was complete but for the head. A headless corpse! The cigar dropped out of my gaping mouth with a tiny plop and a short hiss quite audible in the absolute stillness of all things under heaven. At that I suppose he raised up his face, a dimly pale oval in the shadow of the ship’s side. But even then I could only barely make out down there the shape of his black-haired head. However, it was enough for the horrid, frost-bound sensation which had gripped me about the chest to pass off. The moment of vain exclamation was past, too. I only climbed on the spare spar and leaned over the rail as far as I could, to bring my eyes nearer to that mystery floating alongside.

As he hung by the ladder, like a resting swimmer, the sea-lightning played about his limbs at every stir; and he appeared in it ghastly, silvery, fish-like. He remained as mute as a fish, too. He made no motion to get out of the water, either. It was inconceivable that he should not attempt to come on board, and strangely troubling to suspect that perhaps he did not want to. And my first words were prompted by just that troubled incertitude.

“What’s the matter?” I asked in my ordinary tone, speaking down to the face upturned exactly under mine.

“Cramp,” it answered, no louder. Then slightly anxious, “I say, no need to call any one.”

“I was not going to,” I said

“Are you alone on deck?”

“Yes.”

I had somehow the impression that he was on the point of letting go the ladder to swim away beyond my kenfd—mysterious as he came. But, for the moment, this being appearing as if he had risen from the bottom of the sea (it was certainly the nearest land to the ship) wanted only to know the time. I told him. And he, down there, tentatively:

“I suppose your captain’s turned in?”

“I am sure he isn‘t,” I said.

He seemed to struggle with himself, for I heard something like the low, bitter murmur of doubt. “What’s the good?” His next words came out with a hesitating effort.

“Look here, my man. Could you call him out quietly?”

I thought the time had come to declare myself.

“I am the captain.”

I heard a “By Jove!” whispered at the level of the water. The phosphorescence flashed in the swirl of the water all about his limbs, his other hand seized the ladder.

“My name’s Leggatt.”

The voice was calm and resolute. A good voice. The self-possession of that man had somehow induced a corresponding state in myself. It was very quietly that I remarked:

“You must be a good swimmer.”

“Yes. I’ve been in the water practically since nine o‘clock. The question for me now is whether I am to let go this ladder and go on swimming till I sink from exhaustion, or—to come on board here.”

I felt this was no mere formula of desperate speech, but a real alternative in the view of a strong soul. I should have gathered from this that he was young; indeed, it is only the young who are ever confronted by such clear issues. But at the time it was pure intuition on my part. A mysterious communication was established already between us two—in the face of that silent, darkened tropical sea. I was young, too; young enough to make no comment. The man in the water began suddenly to climb up the ladder, and I hastened away from the rail to fetch some clothes.

Before entering the cabin I stood still, listening in the lobby at the foot of the stairs. A faint snore came through the closed door of the chief mate’s room. The second mate’s door was on the hook, but the darkness in there was absolutely soundless. He, too, was young and could sleep like a stone. Remained the steward, but he was not likely to wake up before he was called. I got a sleeping-suit out of my room and, coming back on deck, saw the naked man from the sea sitting on the main-hatch, glimmering white in the darkness, his elbows on his knees and his head in his hands. In a moment he had concealed his damp body in a sleeping-suit of the same grey-stripe pattern as the one I was wearing and followed me like my double[2] on the poop. Together we moved right aft, barefooted, silent.

“What is it?” I asked in a deadened voice, taking the lighted lamp out of the binnacle,fe and raising it to his face.

“An ugly business.”

He had rather regular features; a good mouth; light eyes under somewhat heavy, dark eyebrows; a smooth, square forehead; no growth on his cheeks; a small, brown moustache, and a well-shaped, round chin. His expression was concentrated, meditative, under the inspecting light of the lamp I held up to his face; such as a man thinking hard in solitude might wear. My sleeping-suit was just right for his size. A well-knit young fellow of twenty-five at most. He caught his lower lip with the edge of white, even teeth.

“Yes,” I said, replacing the lamp in the binnacle. The warm, heavy tropical night closed upon his head again.

“There’s a ship over there,” he murmured.

“Yes, I know. The Sephora. Did you know of us?”

“Hadn’t the slightest idea. I am the mate of her ” He paused and corrected himself. “I should say I was.”

“Aha! Something wrong?”

“Yes. Very wrong indeed. I’ve killed a man.”

“What do you mean? Just now?”

“No, on the passage. Weeks ago. Thirty-nine south. When I say a man—”

“Fit of temper,” I suggested, confidently.

The shadowy, dark head, like mine, seemed to nod imperceptibly above the ghostly grey of my sleeping-suit. It was, in the night, as though I had been faced by my own reflection in the depths of a sombre and immense mirror.

“A pretty thing to have to own up to for a Conway boy,” murmured my double, distinctly.

“You’re a Conway boy?”

“I am,” he said, as if startled. Then, slowly ... “Perhaps you too—”

It was so; but being a couple of years older I had left before he joined. After a quick interchange of dates a silence fell; and I thought suddenly of my absurd mate with his terrific whiskers and the “Bless my soul—you don’t say so” type of intellect. My double gave me an inkling of his thoughts by saying: “My father’s a parson in Norfolk.[3] Do you see me before a judge and jury on that charge? For myself I can’t see the necessity. There are fellows that an angel from heaven—And I am not that. He was one of those creatures that are just simmering all the time with a silly sort of wickedness. Miserable devils that have no business to live at all. He wouldn’t do his duty and wouldn’t let anybody else do theirs. But what’s the good of talking! You know well enough the sort of ill-conditioned snarling cur—”

He appealed to me as if our experiences had been as identical as our clothes. And I knew well enough the pestiferous danger of such a character where there are no means of legal repression. And I knew well enough also that my double there was no homicidal ruffian. I did not think of asking him for details, and he told me the story roughly in brusque, disconnected sentences. I needed no more. I saw it all going on as though I were myself inside that other sleeping-suit.

“It happened while we were setting a reefed foresail, at dusk. Reefed foresail! You understand the sort of weather. The only sail we had left to keep the ship running; so you may guess what it had been like for days. Anxious sort of job, that. He gave me some of his cursed insolence at the sheet. I tell you I was overdone with this terrific weather that seemed to have no end to it. Terrific, I tell you—and a deep ship. I believe the fellow himself was half crazed with funk. It was no time for gentlemanly reproof, so I turned round and felled him like an ox. He up and at me. We closed just as an awful sea made for the ship. All hands saw it coming and took to the rigging, but I had him by the throat, and went on shaking him like a rat, the men above us yelling, ‘Look out! look out!’ Then a crash as if the sky had fallen on my head. They say that for over ten minutes hardly anything was to be seen of the ship—just the three masts and a bit of the forecastle head and of the poop all awash driving along in a smother of foam. It was a miracle that they found us, jammed together behind the forebits.ff It’s clear that I meant business, because I was holding him by the throat still when they picked us up. He was black in the face. It was too much for them. It seems they rushed us aft together, gripped as we were, screaming ‘Murder!’ like a lot of lunatics, and broke into the cuddy. And the ship running for her life, touch and go all the time, any minute her last in a sea fit to turn your hair grey only a-looking at it. I understand that the skipper, too, started raving like the rest of them. The man had been deprived of sleep for more than a week, and to have this sprung on him at the height of a furious gale nearly drove him out of his mind. I wonder they didn’t fling me overboard after getting the carcass of their precious ship-mate out of my fingers. They had rather a job to separate us, I’ve been told. A sufficiently fierce story to make an old judge and a respectable jury sit up a bit. The first thing I heard when I came to myself was the maddening howling of that endless gale, and on that the voice of the old man. He was hanging on to my bunk, staring into my face out of his sou‘wester.

“ ‘Mr. Leggatt, you have killed a man. You can act no longer as chief mate of this ship.’ ”

His care to subdue his voice made it sound monotonous. He rested a hand on the end of the skylight to steady himself with, and all that time did not stir a limb, so far as I could see. “Nice little tale for a quiet tea-party,” he concluded in the same tone.

One of my hands, too, rested on the end of the skylight; neither did I stir a limb, so far as I knew. We stood less than a foot from each other. It occurred to me that if old “Bless my soul—you don’t say so” were to put his head up the companionfg and catch sight of us, he would think he was seeing double, or imagine himself come upon a scene of weird witchcraft; the strange captain having a quiet confabulation by the wheel with his own grey ghost. I became very much concerned to prevent anything of the sort. I heard the other’s soothing undertone.

“My father’s a parson in Norfolk,” it said. Evidently he had forgotten he had told me this important fact before. Truly a nice little tale.

“You had better slip down into my stateroomfh now,” I said, moving off stealthily. My double followed my movements; our bare feet made no sound; I let him in, closed the door with care, and, after giving a call to the second mate, returned on deck for my relief.

“Not much sign of any wind yet,” I remarked when he approached.

“No, sir. Not much,” he assented, sleepily, in his hoarse voice, with just enough deference, no more, and barely suppressing a yawn.

“Well, that’s all you have to look out for. You have got your orders.”

“Yes, sir.”

I placed a turn or two on the poop and saw him take up his position face forward with his elbow in the ratlines of the mizzen-riggingfi before I went below. The mate’s faint snoring was still going on peacefully. The cuddy lamp was burning over the table on which stood a vase with flowers, a polite attention from the ship’s provision merchant—the last flowers we should see for the next three months at the very least. Two bunches of bananas hung from the beam symmetrically, one on each side of the rudder-casing. Everything was as before in the ship—except that two of her captain’s sleeping-suits were simultaneously in use, one motionless in the cuddy, the other keeping very still in the captain’s stateroom.

It must be explained here that my cabin had the form of the capital letter L, the door being within the angle and opening into the short part of the letter. A couch was to the left, the bed-place to the right; my writing-desk and the chronometers’ table faced the door. But any one opening it, unless he stepped right inside, had no view of what I call the long (or vertical) part of the letter. It contained some lockers surmounted by a bookcase; and a few clothes, a thick jacket or two, caps, oilskin coat, and such like, hung on hooks. There was at the bottom of that part a door opening into my bath-room, which could be entered also directly from the saloon. But that way was never used.

The mysterious arrival had discovered the advantage of this particular shape. Entering my room, lighted strongly by a big bulkhead lamp swung on gimbalsfj above my writing-desk, I did not see him anywhere till he stepped out quietly from behind the coats hung in the recessed part.

“I heard somebody moving about, and went in there at once,” he whispered.

I, too, spoke under my breath.

“Nobody is likely to come in here without knocking and getting permission.”

He nodded. His face was thin and the sunburn faded, as though he had been ill. And no wonder. He had been, I heard presently, kept under arrest in his cabin for nearly seven weeks. But there was nothing sickly in his eyes or in his expression. He was not a bit like me, really; yet, as we stood leaning over my bed-place, whispering side by side, with our dark heads together and our backs to the door, anybody bold enough to open it stealthily would have been treated to the uncanny sight of a double captain busy talking in whispers with his other self.

“But all this doesn’t tell me how you came to hang on to our side-ladder,” I inquired, in the hardly audible murmurs we used, after he had told me something more of the proceedings on board the Sephora once the bad weather was over.

“When we sighted Java Head I had had time to think all those matters out several times over. I had six weeks of doing nothing else, and with only an hour or so every evening for a tramp on the quarter-deck.”

He whispered, his arms folded on the side of my bedplace, staring through the open port. And I could imagine perfectly the manner of this thinking out—a stubborn if not a steadfast operation; something of which I should have been perfectly incapable.

“I reckoned it would be dark before we closed with the land,” he continued, so low that I had to strain my hearing, near as we were to each other, shoulder touching shoulder almost. “So I asked to speak to the old man. He always seemed very sick when he came to see me—as if he could not look me in the face. You know, that foresail saved the ship. She was too deep to have run long under bare poles. And it was I that managed to set it for him. Anyway, he came. When I had him in my cabin—he stood by the door looking at me as if I had the halterfk round my neck already—I asked him right away to leave my cabin door unlocked at night while the ship was going through Sunda Straits. There would be the Java coast within two or three miles, off Angier Point. I wanted nothing more. I’ve had a prize for swimming my second year in the Conway.”

“I can believe it,” I breathed out.

“God only knows why they locked me in every night. To see some of their faces you’d have thought they were afraid I’d go about at night strangling people. Am I a murdering brute? Do I look it? By Jove! if I had been he wouldn’t have trusted himself like that into my room. You’ll say I might have chucked him aside and bolted out, there and then—it was dark already. Well, no. And for the same reason I wouldn’t think of trying to smash the door. There would have been a rush to stop me at the noise, and I did not mean to get into a confounded scrimmage. Somebody else might have got killed—for I would not have broken out only to get chucked back, and I did not want any more of that work. He refused, looking more sick than ever. He was afraid of the men, and also of that old second mate of his who had been sailing with him for years—a grey-headed old humbug; and his steward, too, had been with him devil knows how long—seventeen years or more—a dogmatic sort of loafer who hated me like poison, just because I was the chief mate. No chief mate ever made more than one voyage in the Sephora, you know. Those two old chaps ran the ship. Devil only knows what the skipper wasn’t afraid of (all his nerve went to pieces altogether in that hellish spell of bad weather we had)—of what the law would do to him—of his wife, perhaps. Oh, yes! she’s on board. Though I don’t think she would have meddled. She would have been only too glad to have me put out of the ship in any way. The ‘brand of Cain’[4] business, don’t you see. That’s all right. I was ready enough to go off wandering on the face of the earth—and that was price enough to pay for an Abel of that sort. Anyhow, he wouldn’t listen to me. ‘This thing must take its course. I represent the law here.’ He was shaking like a leaf. ‘So you won’t?’ ‘No!’ ‘Then I hope you will be able to sleep on that,’ I said, and turned my back on him. ‘I wonder that you can,’ cries he, and locks the door.

“Well, after that, I couldn’t. Not very well. That was three weeks ago. We have had a slow passage through the Java Sea; drifted about Cari matafl for ten days. When we anchored here they thought, I suppose, it was all right. The nearest land (and that’s five miles) is the ship’s destination; the consul would soon set about catching me; and there would have been no object in bolting to these islets there. I don’t suppose there’s a drop of water on them. I don’t know how it was, but to-night that steward, after bringing me my supper, went out to let me eat it, and left the door unlocked. And I ate it—all there was, too. After I had finished I strolled out on the quarter-deck. I don’t know that I meant to do anything. A breath of fresh air was all I wanted, I believe. Then a sudden temptation came over me. I kicked off my slippers and was in the water before I had made up my mind fairly. Somebody heard the splash and they raised an awful hullabaloo. ‘He’s gone! Lower the boats! He’s committed suicide! No, he’s swimming.’ Certainly I was swimming. It’s not so easy for a swimmer like me to commit suicide by drowning. I landed on the nearest islet before the boat left the ship’s side. I heard them pulling about in the dark, hailing, and so on, but after a bit they gave up. Everything quieted down and the anchorage became as still as death. I sat down on a stone and began to think. I felt certain they would start searching for me at daylight. There was no place to hide on those stony things—and if there had been, what would have been the good? But now I was clear of that ship, I was not going back. So after a while I took off all my clothes, tied them up in a bundle with a stone inside, and dropped them in the deep water on the outer side of that islet. That was suicide enough for me. Let them think what they liked, but I didn’t mean to drown myself. I meant to swim till I sank—but that’s not the same thing. I struck out for another of these little islands, and it was from that one that I first saw your riding-light. Something to swim for. I went on easily, and on the way I came upon a flat rock a foot or two above water. In the daytime, I dare say, you might make it out with a glass from your poop. I scrambled up on it and rested myself for a bit. Then I made another start. That last spell must have been over a mile.”

His whisper was getting fainter and fainter, and all the time he stared straight out through the port-hole, in which there was not even a star to be seen. I had not interrupted him. There was something that made comment impossible in his narrative, or perhaps in himself; a sort of feeling, a quality, which I can’t find a name for. And when he ceased, all I found was a futile whisper: “So you swam for our light?”

“Yes—straight for it. It was something to swim for. I couldn’t see any stars low down because the coast was in the way, and I couldn’t see the land, either. The water was like glass. One might have been swimming in a confounded thousand-feet deep cistern with no place for scrambling out anywhere; but what I didn’t like was the notion of swimming round and round like a crazed bullock before I gave out; and as I didn’t mean to go back ... No. Do you see me being hauled back, stark naked, off one of these little islands by the scruff of the neck and fighting like a wild beast? Somebody would have got killed for certain, and I did not want any of that. So I went on. Then your ladder—”

“Why didn’t you hail the ship?” I asked, a little louder.

He touched my shoulder lightly. Lazy footsteps came right over our heads and stopped. The second mate had crossed from the other side of the poop and might have been hanging over the rail, for all we knew.

“He couldn’t hear us talking—could he?” my double breathed into my very ear, anxiously.

. His anxiety was an answer, a sufficient answer, to the question I had put to him. An answer containing all the difficulty of that situation. I closed the port-hole quickly, to make sure. A louder word might have been overheard.

“Who’s that?” he whispered then.

“My second mate. But I don’t know much more of the fellow than you do.”

And I told him a little about myself. I had been appointed to take charge while I least expected anything of the sort, not quite a fortnight ago. I didn’t know either the ship or the people. Hadn’t had the time in port to look about me or size anybody up. And as to the crew, all they knew was that I was appointed to take the ship home. For the rest, I was almost as much of a stranger on board as himself, I said. And at the moment I felt it most acutely. I felt that it would take very little to make me a suspect person in the eyes of the ship’s company.

He had turned about meantime; and we, the two strangers in the ship, faced each other in identical attitudes.

“Your ladder—” he murmured, after a silence. “Who’d have thought of finding a ladder hanging over at night in a ship anchored out here! I felt just then a very unpleasant faintness. After the life I’ve been leading for nine weeks, anybody would have got out of condition. I wasn’t capable of swimming round as far as your rudder-chains. And, lo and behold! there was a ladder to get hold of. After I gripped it I said to myself, ‘What’s the good?’ When I saw a man’s head looking over I thought I would swim away presently and leave him shouting—in whatever language it was. I didn’t mind being looked at. I—I liked it. And then you speaking to me so quietly—as if you had expected me—made me hold on a little longer. It had been a confounded lonely time—I don’t mean while swimming. I was glad to talk a little to somebody that didn’t belong to the Sephora. As to asking for the captain, that was a mere impulse. It could have been no use, with all the ship knowing about me and the other people pretty certain to be round here in the morning. I don’t know—I wanted to be seen, to talk with somebody, before I went on. I don’t know what I would have said.... ‘Fine night, isn’t it?’ or something of the sort.”

“Do you think they will be round here presently?” I asked with some incredulity.

“Quite likely,” he said, faintly.

He looked extremely haggard all of a sudden. His head rolled on his shoulders.

“H’m. We shall see then. Meantime get into that bed,” I whispered. “Want help? There.”

It was a rather high bed-place with a set of drawers underneath. This amazing swimmer really needed the lift I gave him by seizing his leg. He tumbled in, rolled over on his back, and flung one arm across his eyes. And then, with his face nearly hidden, he must have looked exactly as I used to look in that bed. I gazed upon my other self for a while before drawing across carefully the two green serge curtains which ran on a brass rod. I thought for a moment of pinning them together for greater safety, but I sat down on the couch, and once there I felt unwilling to rise and hunt for a pin. I would do it in a moment. I was extremely tired, in a peculiarly intimate way, by the strain of stealthiness, by the effort of whispering and the general secrecy of this excitement. It was three o‘clock by now and I had been on my feet since nine, but I was not sleepy; I could not have gone to sleep. I sat there, fagged out,fm looking at the curtains, trying to clear my mind of the confused sensation of being in two places at once, and greatly bothered by an exasperating knocking in my head. It was a relief to discover suddenly that it was not in my head at all, but on the outside of the door. Before I could collect myself the words “Come in” were out of my mouth, and the steward entered with a tray, bringing in my morning coffee. I had slept, after all, and I was so frightened that I shouted, “This way! I am here, steward,” as though he had been miles away. He put down the tray on the table next the couch and only then said, very quietly, “I can see you are here, sir.” I felt him give me a keen look, but I dared not meet his eyes just then. He must have wondered why I had drawn the curtains of my bed before going to sleep on the couch. He went out, hooking the door open as usual.

I heard the crew washing decks above me. I knew I would have been told at once if there had been any wind. Calm, I thought, and I was doubly vexed. Indeed, I felt dual more than ever. The steward reappeared suddenly in the doorway. I jumped up from the couch so quickly that he gave a start.

“What do you want here?”

“Close your port, sir—they are washing decks.”

“It is closed,” I said, reddening.

“Very well, sir.” But he did not move from the doorway and returned my stare in an extraordinary, equivocal manner for a time. Then his eyes wavered, all his expression changed, and in a voice unusually gentle, almost coaxingly:

“May I come in to take the empty cup away, sir?”

“Of course!” I turned my back on him while he popped in and out. Then I unhooked and closed the door and even pushed the bolt. This sort of thing could not go on very long. The cabin was as hot as an oven, too. I took a peep at my double, and discovered that he had not moved, his arm was still over his eyes; but his chest heaved; his hair was wet; his chin glistened with perspiration. I reached over him and opened the port.

“I must show myself on deck,” I reflected.

Of course, theoretically, I could do what I liked, with no one to say nay to me within the whole circle of the horizon; but to lock my cabin door and take the key away I did not dare. Directly I put my head out of the companion I saw the group of my two officers, the second mate barefooted, the chief mate in long india-rubber boots, near the break of the poop, and the steward half-way down the poop-ladder talking to them eagerly. He happened to catch sight of me and dived, the second ran down on the main-deck shouting some order or other, and the chief mate came to meet me, touching his cap.

There was a sort of curiosity in his eye that I did not like. I don’t know whether the steward had told them that I was “queer”fn only, or downright drunk, but I know the man meant to have a good look at me. I watched him coming with a smile which, as he got into point-blank range, took effect and froze his very whiskers. I did not give him time to open his lips.

“Square the yards by lifts and braces before the hands go to breakfast.”

It was the first particular order I had given on board that ship; and I stayed on deck to see it executed, too. I had felt the need of asserting myself without loss of time. That sneering young cub got taken down a peg or two on that occasion, and I also seized the opportunity of having a good look at the face of every foremast man as they filed past me to go to the after braces.fo At breakfast time, eating nothing myself, I presided with such frigid dignity that the two mates were only too glad to escape from the cabin as soon as decency permitted; and all the time the dual working of my mind distracted me almost to the point of insanity. I was constantly watching myself, my secret self, as dependent on my actions as my own personality, sleeping in that bed, behind that door which faced me as I sat at the head of the table. It was very much like being mad, only it was worse because one was aware of it.

I had to shake him for a solid minute, but when at last he opened his eyes it was in the full possession of his senses, with an inquiring look.

“All’s well so far,” I whispered. “Now you must vanish into the bath room.”

He did so, as noiseless as a ghost, and then I rang for the steward, and facing him boldly, directed him to tidy up my stateroom while I was having my bath—“and be quick about it.” As my tone admitted of no excuses, he said, “Yes, sir,” and ran off to fetch his dust-pan and brushes. I took a bath and did most of my dressing, splashing, and whistling softly for the steward’s edification, while the secret sharer of my life stood drawn up bolt upright in that little space, his face looking very sunken in daylight, his eyelids lowered under the stern, dark line of his eyebrows drawn together by a slight frown.

When I left him there to go back to my room the steward was finishing dusting. I sent for the mate and engaged him in some insignificant conversation. It was, as it were, trifling with the terrific character of his whiskers; but my object was to give him an opportunity for a good look at my cabin. And then I could at last shut, with a clear conscience, the door of my stateroom and get my double back into the recessed part. There was nothing else for it. He had to sit still on a small folding stool, half smothered by the heavy coats hanging there. We listened to the steward going into the bath-room out of the saloon, filling the water-bottles there, scrubbing the bath, setting things to rights, whisk, bang, clatter—out again into the saloon—turn the key—click. Such was my scheme for keeping my second self invisible. Nothing better could be contrived under the circumstances. And there we sat; I at my writing-desk ready to appear busy with some papers, he behind me out of sight of the door. It would not have been prudent to talk in day-time; and I could not have stood the excitement of that queer sense of whispering to myself. Now and then, glancing over my shoulder, I saw him far back there, sitting rigidly on the low stool, his bare feet close together, his arms folded, his head hanging on his breast—and perfectly still. Anybody would have taken him for me.

I was fascinated by it myself. Every moment I had to glance over my shoulder. I was looking at him when a voice outside the door said:

“Beg pardon, sir.”

“Well!” ... I kept my eyes on him, and so when the voice outside the door announced, “There’s a ship’s boat coming our way, sir,” I saw him give a start—the first movement he had made for hours. But he did not raise his bowed head.

“All right. Get the ladder over.”

I hesitated. Should I whisper something to him? But what? His immobility seemed to have been never disturbed. What could I tell him he did not know already? ... Finally I went on deck.

—II—

THE SKIPPER OF THE Sephora had a thin red whisker all round his face, and the sort of complexion that goes with hair of that colour; also the particular, rather smeary shade of blue in the eyes. He was not exactly a showyfp figure; his shoulders were high, his stature but middling—one leg slightly more bandy than the other. He shook hands, looking vaguely around. A spiritless tenacity was his main characteristic, I judged. I behaved with a politeness which seemed to disconcert him. Perhaps he was shy. He mumbled to me as if he were ashamed of what he was saying; gave his name (it was something like Archbold—but at this distance of years I hardly am sure), his ship’s name, and a few other particulars of that sort, in the manner of a criminal making a reluctant and doleful confession. He had had terrible weather on the passage out—terrible—terrible—wife aboard, too.

By this time we were seated in the cabin and the steward brought in a tray with a bottle and glasses. “Thanks! No.” Never took liquor. Would have some water, though. He drank two tumblerfuls. Terrible thirsty work. Ever since daylight had been exploring the islands round his ship.

“What was that for—fun?” I asked, with an appearance of polite interest.

“No!” He sighed. “Painful duty.”

As he persisted in his mumbling and I wanted my double to hear every word, I hit upon the notion of informing him that I regretted to say I was hard of hearing.

“Such a young man, too!” he nodded, keeping his smeary blue, unintelligent eyes fastened upon me. “What was the cause of it—some disease?” he inquired, without the least sympathy and as if he thought that, if so, I’d got no more than I deserved.

“Yes; disease,” I admitted in a cheerful tone which seemed to shock him. But my point was gained, because he had to raise his voice to give me his tale. It is not worth while to record that version. It was just over two months since all this had happened, and he had thought so much about it that he seemed completely muddled as to its bearings, but still immensely impressed.

“What would you think of such a thing happening on board your own ship? I’ve had the Sephora for these fifteen years. I am a well-known shipmaster.”

He was densely distressed—and perhaps I should have sympathised with him if I had been able to detach my mental vision from the unsuspected sharer of my cabin as though he were my second self. There he was on the other side of the bulkhead, four or five feet from us, no more, as we sat in the saloon. I looked politely at Captain Archbold (if that was his name), but it was the other I saw, in a grey sleeping-suit, seated on a low stool, his bare feet close together, his arms folded, and every word said between us falling into the ears of his dark head bowed on his chest.

“I have been at sea now, man and boy, for seven-and-thirty years, and I’ve never heard of such a thing happening in an English ship. And that it should be my ship. Wife on board, too.”

I was hardly listening to him.

“Don’t you think,” I said, “that the heavy sea which, you told me, came aboard just then might have killed the man? I have seen the sheer weight of a sea kill a man very neatly, by simply breaking his neck.”

“Good God!” he uttered, impressively, fixing his smeary blue eyes on me. “The sea! No man killed by the sea ever looked like that.” He seemed positively scandalised at my suggestion. And as I gazed at him, certainly not prepared for anything original on his part, he advanced his head close to mine and thrust his tongue out at me so suddenly that I couldn’t help starting back.

After scoring overfq my calmness in this graphic way he nodded wisely. If I had seen the sight, he assured me, I would never forget it as long as I lived. The weather was too bad to give the corpse a proper sea burial. So next day at dawn they took it up on the poop, covering its face with a bit of bunting; he read a short prayer, and then, just as it was, in its oilskins and long boots, they launched it amongst those mountainous seas that seemed ready every moment to swallow up the ship herself and the terrified lives on board of her.

“That reefed foresail saved you,” I threw in.

“Under God—it did,” he exclaimed fervently. “It was by a special mercy, I firmly believe, that it stood some of those hurricane squalls.”

“It was the setting of that sail which—” I began.

“God’s own hand in it,” he interrupted me. “Nothing less could have done it. I don’t mind telling you that I hardly dared give the order. It seemed impossible that we could touch anything without losing it, and then our last hope would have been gone.”

The terror of that gale was on him yet. I let him go on for a bit, then said, casually—as if returning to a minor subject:

“You were very anxious to give up your mate to the shore people, I believe?”

He was. To the law. His obscure tenacity on that point had in it something incomprehensible and a little awful; something, as it were, mystical, quite apart from his anxiety that he should not be suspected of “countenancing any doings of that sort.” Seven-and-thirty virtuous years at sea, of which over twenty of immaculate command, and the last fifteen in the Sephora, seemed to have laid him under some pitiless obligation.

“And you know,” he went on, groping shamefacedly amongst his feelings, “I did not engage that young fellow. His people had some interest with my owners. I was in a way forced to take him on. He looked very smart, very gentlemanly, and all that. But do you know—I never liked him, somehow. I am a plain man. You see, he wasn’t exactly the sort for the chief mate of a ship like the Sephora.”

I had become so connected in thoughts and impressions with the secret sharer of my cabin that I felt as if I, personally, were being given to understand that I, too, was not the sort that would have done for the chief mate of a ship like the Sephora. I had no doubt of it in my mind.

“Not at all the style of man. You understand,” he insisted, superfluously, looking hard at me.

I smiled urbanely. He seemed at a loss for a while.

“I suppose I must report a suicide.”

“Beg pardon?”

“Sui-cide! That’s what I’ll have to write to my owners directly I get in.”

“Unless you manage to recover him before to-morrow,” I assented, dispassionately.... “I mean, alive.”

He mumbled something which I really did not catch, and I turned my ear to him in a puzzled manner. He fairly bawled:

“The land—I say, the mainland is at least seven miles off my anchor age.”

“About that.”

My lack of excitement, of curiosity, of surprise, of any sort of pronounced interest, began to arouse his distrust. But except for the felicitous pretence of deafness I had not tried to pretend anything. I had felt utterly incapable of playing the part of ignorance properly, and therefore was afraid to try. It is also certain that he had brought some ready-made suspicions with him, and that he viewed my politeness as a strange and unnatural phenomenon. And yet how else could I have received him? Not heartily! That was impossible for psychological reasons, which I need not state here. My only object was to keep off his inquiries. Surlily? Yes, but surliness might have provoked a point-blank question. From its novelty to him and from its nature, punctilious courtesy was the manner best calculated to restrain the man. But there was the danger of his breaking through my defence bluntly. I could not, I think, have met him by a direct lie, also for psychological (not moral) reasons. If he had only known how afraid I was of his putting my feeling of identity with the other to the test! But, strangely enough—(I thought of it only afterwards) —I believe that he was not a little disconcerted by the reverse side of that weird situation, by something in me that reminded him of the man he was seeking—suggested a mysterious similitude to the young fellow he had distrusted and disliked from the first.

However that might have been, the silence was not very prolonged. He took another oblique step.

“I reckon I had no more than a two-mile pull to your ship. Not a bit more.”

“And quite enough, too, in this awful heat,” I said.

Another pause full of mistrust followed. Necessity, they say, is mother of invention, but fear, too, is not barren of ingenious suggestions. And I was afraid he would ask me point-blank for news of my other self.

“Nice little saloon, isn’t it?” I remarked, as if noticing for the first time the way his eyes roamed from one closed door to the other. “And very well fitted out, too. Here, for instance,” I continued, reaching over the back of my seat negligently and flinging the door open, “is my bath room.”

He made an eager movement, but hardly gave it a glance. I got up, shut the door of the bath-room, and invited him to have a look round, as if I were very proud of my accommodation. He had to rise and be shown round, but he went through the business without any raptures whatever.

“And now we’ll have a look at my stateroom,” I declared, in a voice as loud as I dared to make it, crossing the cabin to the starboard side with purposely heavy steps.

He followed me in and gazed around. My intelligent double had vanished. I played my part.

“Very convenient—isn’t it?”

“Very nice. Very comf ...” He didn’t finish and went out brusquely as if to escape from some unrighteous wiles of mine. But it was not to be. I had been too frightened not to feel vengeful; I felt I had him on the run, and I meant to keep him on the run. My polite insistence must have had something menacing in it, because he gave in suddenly. And I did not let him off a single item; mate’s room, pantry, storerooms, the very sail-locker which was also under the poop—he had to look into them all. When at last I showed him out on the quarter-deck he drew a long, spiritless sigh, and mumbled dismally that he must really be going back to his ship now. I desired my mate, who had joined us, to see to the captain’s boat.

The man of whiskers gave a blast on the whistle which he used to wear hanging round his neck, and yelled, “Sephora’s away!” My double down there in my cabin must have heard, and certainly could not feel more relieved than I. Four fellows came running out from somewhere forward and went over the side, while my own men, appearing on deck too, lined the rail. I escorted my visitor to the gangway ceremoniously, and nearly overdid it. He was a tenacious beast. On the very ladder he lingered, and in that unique, guiltily conscientious manner of sticking to the point:

“I say ... you ... you don’t think that—”

I covered his voice loudly:

“Certainly not.... I am delighted. Good-bye.”

I had an idea of what he meant to say, and just saved myself by the privilege of defective hearing. He was too shaken generally to insist, but my mate, close witness of that parting, looked mystified and his face took on a thoughtful cast. As I did not want to appear as if I wished to avoid all communication with my officers, he had the opportunity to address me.

“Seems a very nice man. His boat’s crew told our chaps a very extraordinary story, if what I am told by the steward is true. I suppose you had it from the captain, sir?”

“Yes. I had a story from the captain.”

“A very horrible affair—isn’t it, sir?”

“It is.”

“Beats all these tales we hear about murders in Yankee ships.”[5]

“I don’t think it beats them. I don’t think it resembles them in the least.”

“Bless my soul—you don’t say so! But of course I’ve no acquaintance whatever with American ships, not I, so I couldn’t go against your knowledge. It’s horrible enough for me.... But the queerest part is that those fellows seemed to have some idea the man was hidden aboard here. They had really. Did you ever hear of such a thing?”

“Preposterous—isn’t it?”

We were walking to and fro athwart the quarter-deck. No one of the crew forward could be seen (the day was Sunday), and the mate pursued:

“There was some little dispute about it. Our chaps took offence. ‘As if we would harbour a thing like that,’ they said. ‘Wouldn’t you like to look for him in our coal-hole?’ Quite a tiff. But they made it up in the end. I suppose he did drown himself. Don’t you, sir?”

“I don’t suppose anything.”

“You have no doubt in the matter, sir?”

“None whatever.”

I left him suddenly. I felt I was producing a bad impression, but with my double down there it was most trying to be on deck. And it was almost as trying to be below. Altogether a nerve-trying situation. But on the whole I felt less torn in two when I was with him. There was no one in the whole ship whom I dared take into my confidence. Since the hands had got to know his story, it would have been impossible to pass him off for any one else, and an accidental discovery was to be dreaded now more than ever....

The steward being engaged in laying the table for dinner, we could talk only with our eyes when I first went down. Later in the afternoon we had a cautious try at whispering. The Sunday quietness of the ship was against us; the stillness of air and water around her was against us; the elements, the men were against us—everything was against us in our secret partnership; time itself—for this could not go on forever. The very trust in Providence was, I suppose, denied to his guilt. Shall I confess that this thought cast me down very much? And as to the chapter of accidents which counts for so much in the book of success, I could only hope that it was closed. For what favourable accident could be expected?

“Did you hear everything?” were my first words as soon as we took up our position side by side, leaning over my bed-place.

He had. And the proof of it was his earnest whisper, “The man told you he hardly dared to give the order.”

I understood the reference to be to that saving foresail.

“Yes. He was afraid of it being lost in the setting.”

“I assure you he never gave the order. He may think he did, but he never gave it. He stood there with me on the break of the poop after the maintopsail blew away, and whimpered about our last hope—positively whimpered about it and nothing else—and the night coming on! To hear one’s skipper go on like that in such weather was enough to drive any fellow out of his mind. It worked me up into a sort of desperation. I just took it into my own hands and went away from him, boiling, and—But what’s the use telling you? You know! ... Do you think that if I had not been pretty fierce with them I should have got the men to do anything? Not it! The bo‘s’n perhaps? Perhaps! It wasn’t a heavy sea—it was a sea gone mad! I suppose the end of the world will be something like that; and a man may have the heart to see it coming once and be done with it—but to have to face it day after day—I don’t blame anybody. I was precious little better than the rest. Only-I was an officer of that old coal-wagon, anyhow—”

“I quite understand,” I conveyed that sincere assurance into his ear. He was out of breath with whispering; I could hear him pant slightly. It was all very simple. The same strung-up force which had given twenty-four men a chance, at least, for their lives, had, in a sort of recoil, crushed an unworthy mutinous existence.

But I had no leisure to weigh the merits of the matter—footsteps in the saloon, a heavy knock. “There’s enough wind to get under way with, sir.” Here was the call of a new claim upon my thoughts and even upon my feelings.

“Turn the hands up,” I cried through the door. “I’ll be on deck directly.”

I was going out to make the acquaintance of my ship. Before I left the cabin our eyes met—the eyes of the only two strangers on board. I pointed to the recessed part where the little camp-stool awaited him and laid my finger on my lips. He made a gesture—somewhat vague—a little mysterious, accompanied by a faint smile, as if of regret.

This is not the place to enlarge upon the sensations of a man who feels for the first time a ship move under his feet to his own independent word. In my case they were not unalloyed. I was not wholly alone with my command; for there was that stranger in my cabin. Or rather, I was not completely and wholly with her. Part of me was absent. That mental feeling of being in two places at once affected me physically as if the mood of secrecy had penetrated my very soul. Before an hour had elapsed since the ship had begun to move, having occasion to ask the mate (he stood by my side) to take a compass bearing of the Pagoda, I caught myself reaching up to his ear in whispers. I say I caught myself, but enough had escaped to startle the man. I can’t describe it otherwise than by saying that he shied. A grave, preoccupied manner, as though he were in possession of some perplexing intelligence, did not leave him henceforth. A little later I moved away from the rail to look at the compass with such a stealthy gait that the helmsman noticed it—and I could not help noticing the unusual roundness of his eyes. These are trifling instances, though it’s to no commander’s advantage to be suspected of ludicrous eccentricities. But I was also more seriously affected. There are to a seaman certain words, gestures, that should in given conditions come as naturally, as instinctively as the winking of a menaced eye. A certain order should spring on to his lips without thinking; a certain sign should get itself made, so to speak, without reflection. But all unconscious alertness had abandoned me. I had to make an effort of will to recall myself back (from the cabin) to the conditions of the moment. I felt that I was appearing an irresolute commander to those people who were watching me more or less critically.

And, besides, there were the scares. On the second day out, for instance, coming off the deck in the afternoon (I had straw slippers on my bare feet) I stopped at the open pantry door and spoke to the steward. He was doing something there with his back to me. At the sound of my voice he nearly jumped out of his skin, as the saying is, and incidentally broke a cup.

“What on earth’s the matter with you?” I asked, astonished.

He was extremely confused. “Beg your pardon, sir. I made sure you were in your cabin.”

“You see I wasn’t.”

“No, sir. I could have sworn I had heard you moving in there not a moment ago. It’s most extraordinary... very sorry, sir.”

I passed on with an inward shudder. I was so identified with my secret double that I did not even mention the fact in those scanty, fearful whispers we exchanged. I suppose he had made some slight noise of some kind or other. It would have been miraculous if he hadn’t at one time or another. And yet, haggard as he appeared, he looked always perfectly self-controlled, more than calm—almost invulnerable. On my suggestion he remained almost entirely in the bathroom, which, upon the whole, was the safest place. There could be really no shadow of an excuse for any one ever wanting to go in there, once the steward had done with it. It was a very tiny place. Sometimes he reclined on the floor, his legs bent, his head sustained on one elbow. At others I would find him on the campstool, sitting in his grey sleeping-suit and with his cropped dark hair like a patient, unmoved convict. At night I would smuggle him into my bed-place, and we would whisper together, with the regular footfalls of the officer of the watch passing and repassing over our heads. It was an infinitely miserable time. It was lucky that some tins of fine preserves were stowed in a locker in my stateroom; hard bread I could always get hold of; and so he lived on stewed chicken, pate de foie gras, asparagus, cooked oysters, sardines—on all sorts of abominable sham delicacies out of tins. My early morning coffee he always drank; and it was all I dared do for him in that respect.

Every day there was the horrible manoeuvring to go through so that my room and then the bath-room should be done in the usual way. I came to hate the sight of the steward, to abhor the voice of that harmless man. I felt that it was he who would bring on the disaster of discovery. It hung like a sword over our heads.[6]

The fourth day out, I think (we were then working down the east side of the Gulf of Siam, tack for tack,fr in light winds and smooth water)—the fourth day, I say, of this miserable juggling with the unavoidable, as we sat at our evening meal, that man, whose slightest movement I dreaded, after putting down the dishes ran up on deck busily. This could not be dangerous. Presently he came down again; and then it appeared that he had remembered a coat of mine which I had thrown over a rail to dry after having been wetted in a shower which had passed over the ship in the afternoon. Sitting stolidly at the head of the table I became terrified at the sight of the garment on his arm. Of course he made for my door. There was no time to lose.

“Steward,” I thundered. My nerves were so shaken that I could not govern my voice and conceal my agitation. This was the sort of thing that made my terrifically whiskered mate tap his forehead with his forefinger. I had detected him using that gesture while talking on deck with a confidential air to the carpenter. It was too far to hear a word, but I had no doubt that this pantomime could only refer to the strange new captain.

“Yes, sir,” the pale-faced steward turned resignedly to me. It was this maddening course of being shouted at, checked without rhyme or reason, arbitrarily chased out of my cabin, suddenly called into it, sent flying out of his pantry on incomprehensible errands, that accounted for the growing wretchedness of his expression.

“Where are you going with that coat?”

“To your room, sir.”

“Is there another shower coming?”

“I’m sure I don’t know, sir. Shall I go up again and see, sir?”

“No! never mind.”

My object was attained, as of course my other self in there would have heard everything that passed. During this interlude my two officers never raised their eyes off their respective plates; but the lip of that confounded cub, the second mate, quivered visibly.

I expected the steward to hook my coat on and come out at once. He was very slow about it; but I dominated my nervousness sufficiently not to shout after him. Suddenly I became aware (it could be heard plainly enough) that the fellow for some reason or other was opening the door of the bath-room. It was the end. The place was literally not big enough to swing a cat in. My voice died in my throat and I went stony all over. I expected to hear a yell of surprise and terror, and made a movement, but had not the strength to get on my legs. Everything remained still. Had my second self taken the poor wretch by the throat? I don’t know what I could have done next moment if I had not seen the steward come out of my room, close the door, and then stand quietly by the sideboard.

“Saved,” I thought. “But, no! Lost! Gone! He was gone!”

I laid my knife and fork down and leaned back in my chair. My head swam. After a while, when sufficiently recovered to speak in a steady voice, I instructed my mate to put the ship round at eight o‘clock himself.

“I won’t come on deck,” I went on. “I think I’ll turn in, and unless the wind shifts I don’t want to be disturbed before midnight. I feel a bit seedy.”

“You did look middlingfs bad a little while ago,” the chief mate remarked without showing any great concern.

They both went out, and I stared at the steward clearing the table. There was nothing to be read on that wretched man’s face. But why did he avoid my eyes I asked myself. Then I thought I should like to hear the sound of his voice.

“Steward!”

“Sir!” Startled as usual.

“Where did you hang up that coat?”

“In the bath-room, sir.” The usual anxious tone. “It’s not quite dry yet, sir.”

For some time longer I sat in the cuddy. Had my double vanished as he had come? But of his coming there was an explanation, whereas his disappearance would be inexplicable.... I went slowly into my dark room, shut the door, lighted the lamp, and for a time dared not turn round. When at last I did I saw him standing bolt-upright in the narrow recessed part. It would not be true to say I had a shock, but an irresistible doubt of his bodily existence flitted through my mind. Can it be, I asked myself, that he is not visible to other eyes than mine? It was like being haunted. Motionless, with a grave face, he raised his hands slightly at me in a gesture which meant clearly, “Heavens! what a narrow escape!” Narrow indeed. I think I had come creeping quietly as near insanity as any man who has not actually gone over the border. That gesture restrained me, so to speak.

The mate with the terrific whiskers was now putting the ship on the other tack. In the moment of profound silence which follows upon the hands going to their stations I heard on the poop his raised voice: “Hard alee!”ft and the distant shout of the order repeated on the maindeck. The sails, in that light breeze, made but a faint fluttering noise. It ceased. The ship was coming round slowly; I held my breath in the renewed stillness of expectation; one wouldn’t have thought that there was a single living soul on her decks. A sudden brisk shout, “Mainsail haul!” broke the spell, and in the noisy cries and rush overhead of the men running away with the main-brace we two, down in my cabin, came together in our usual position by the bedplace.

He did not wait for my question. “I heard him fumbling here and just managed to squat myself down in the bath,” he whispered to me. “The fellow only opened the door and put his arm in to hang the coat up. All the same—”

“I never thought of that,” I whispered back, even more appalled than before at the closeness of the shave, and marvelling at that something unyielding in his character which was carrying him through so finely. There was no agitation in his whisper. Whoever was being driven distracted, it was not he. He was sane. And the proof of his sanity was continued when he took up the whispering again.

“It would never do for me to come to life again.”

It was something that a ghost might have said. But what he was alluding to was his old captain’s reluctant admission of the theory of suicide. It would obviously serve his turn—if I had understood at all the view which seemed to govern the unalterable purpose of his action.

“You must maroon me as soon as ever you can get amongst these islands off the Cambodgefu shore,” he went on.

“Maroon you! We are not living in a boy’s adventure tale,” I protested. His scornful whispering took me up.

“We aren’t indeed! There’s nothing of a boy’s tale in this. But there’s nothing else for it. I want no more. You don’t suppose I am afraid of what can be done to me? Prison or gallows or whatever they may please. But you don’t see me coming back to explain such things to an old fellow in a wig and twelve respectable tradesmen, do you? What can they know whether I am guilty or not—or of what I am guilty, either? That’s my affair. What does the Bible say? ‘Driven off the face of the earth.’ Very well. I am off the face of the earth now. As I came at night so I shall go.”

“Impossible!” I murmured. “You can’t.”

“Can’t? ... Not naked like a soul on the Day of Judgment. I shall freeze on to this sleeping-suit. The Last Day is not yet—and ... you have understood thoroughly. Didn’t you?”

I felt suddenly ashamed of myself. I may say truly that I understood—and my hesitation in letting that man swim away from my ship’s side had been a mere sham sentiment, a sort of cowardice.

“It can’t be done now till next night,” I breathed out. “The ship is on the off-shore tack and the wind may fail us.”

“As long as I know that you understand,” he whispered. “But of course you do. It’s a great satisfaction to have got somebody to understand. You seem to have been there on purpose.” And in the same whisper, as if we two whenever we talked had to say things to each other which were not fit for the world to hear, he added, “It’s very wonderful.”

We remained side by side talking in our secret way—but sometimes silent or just exchanging a whispered word or two at long intervals. And as usual he stared through the port. A breath of wind came now and again into our faces. The ship might have been moored in dock, so gently and on an even keel she slipped through the water, that did not murmur even at our passage, shadowy and silent like a phantom sea.

At midnight I went on deck, and to my mate’s great surprise put the ship round on the other tack. His terrible whiskers flitted round me in silent criticism. I certainly should not have done it if it had been only a question of getting out of that sleepy gulf as quickly as possible. I believe he told the second mate, who relieved him, that it was a great want of judgment. The other only yawned. That intolerable cub shuffled about so sleepily and lolled against the rails in such a slack, improper fashion that I came down on him sharply.

“Aren’t you properly awake yet?”

“Yes, sir! I am awake.”

“Well, then, be good enough to hold yourself as if you were. And keep a look-out. If there’s any current we’ll be closing with some islands before daylight.”

The east side of the gulf is fringed with islands, some solitary, others in groups. On the blue background of the high coast they seem to float on silvery patches of calm water, arid and grey, or dark green and rounded like clumps of evergreen bushes, with the larger ones, a mile or two long, showing the outlines of ridges, ribs of grey rock under the dank mantle of matted leafage. Unknown to trade, to travel, almost to geography, the manner of life they harbour is an unsolved secret. There must be villages—settlements of fishermen at least—on the largest of them, and some communication with the world is probably kept up by native craft. But all that forenoon, as we headed for them, fanned along by the faintest of breezes, I saw no sign of man or canoe in the field of the telescope I kept on pointing at the scattered group.

At noon I gave no orders for a change of course, and the mate’s whiskers became much concerned and seemed to be offering themselves unduly to my notice. At last I said:

“I am going to stand right in. Quite in—as far as I can take her.”

The stare of extreme surprise imparted an air of ferocity also to his eyes, and he looked truly terrific for a moment.

“We’re not doing well in the middle of the gulf,” I continued, casually. “I am going to look for the land breezes to-night.”

“Bless my soul! Do you mean, sir, in the dark amongst the lot of all them islands and reefs and shoals?”

“Well—if there are any regular land breezes at all on this coast one must get close inshore to find them, mustn’t one?”

“Bless my soul!” he exclaimed again under his breath. All that afternoon he wore a dreamy, contemplative appearance which in him was a mark of perplexity. After dinner I went into my stateroom as if I meant to take some rest. There we two bent our dark heads over a half-unrolled chart lying on my bed.

“There,” I said. “It’s got to be Koh-ring. I’ve been looking at it ever since sunrise. It has got two hills and a low point. It must be inhabited. And on the coast opposite there is what looks like the mouth of a biggish river—with some town, no doubt, not far up. It’s the best chance for you that I can see.”

“Anything. Koh-ring let it be.”

He looked thoughtfully at the chart as if surveying chances and distances from a lofty height—and following with his eyes his own figure wandering on the blank land of Cochin-China, and then passing off that piece of paper clean out of sight into uncharted regions. And it was as if the ship had two captains to plan her course for her. I had been so worried and restless running up and down that I had not had the patience to dress that day. I had remained in my sleeping-suit, with straw slippers and a soft floppy hat. The closeness of the heat in the gulf had been most oppressive, and the crew were used to see me wandering in that airy attire.

“She will clear the south point as she heads now,” I whispered into his ear. “Goodness only knows when, though, but certainly after dark. I’ll edge her in to half a mile, as far as I may be able to judge in the dark—”

“Be careful,” he murmured, warningly—and I realised suddenly that all my future, the only future for which I was fit, would perhaps go irretrievably to pieces in any mishap to my first command.

I could not stop a moment longer in the room. I motioned him to get out of sight and made my way on the poop. That unplayful cub had the watch. I walked up and down for a while thinking things out, then beckoned him over.

“Send a couple of hands to open the two quarter-deck ports,” I said, mildly.

He actually had the impudence, or else so forgot himself in his wonder at such an incomprehensible order, as to repeat:

“Open the quarter-deck ports! What for, sir?”

“The only reason you need concern yourself about is because I tell you to do so. Have them opened wide and fastened properly.”

He reddened and went off, but I believe made some jeering remark to the carpenter as to the sensible practice of ventilating a ship’s quarter-deck. I know he popped into the mate’s cabin to impart the fact to him because the whiskers came on deck, as it were by chance, and stole glances at me from below—for signs of lunacy or drunkenness, I suppose.

A little before supper, feeling more restless than ever, I rejoined, for a moment, my second self. And to find him sitting so quietly was surprising, like something against nature, inhuman.

I developed my plan in a hurried whisper.

“I shall stand in as close as I dare and then put her round. I will presently find means to smuggle you out of here into the sail-locker, which communicatesfv with the lobby. But there is an opening, a sort of square for hauling the sails out, which gives straight on the quarter-deck and which is never closed in fine weather, so as to give air to the sails. When the ship’s way is deadened in staysfw and all the hands are aft at the main-braces you will have a clear road to slip out and get overboard through the open quarter-deck port. I’ve had them both fastened up. Use a rope’s end to lower yourself into the water so as to avoid a splash—you know. It could be heard and cause some beastly complication.”

He kept silent for a while, then whispered, “I understand.”

“I won’t be there to see you go,” I began with an effort. “The rest... I only hope I have understood, too.”

“You have. From first to last”—and for the first time there seemed to be a faltering, something strained in his whisper. He caught hold of my arm, but the ringing of the supper bell made me start. He didn‘t, though; he only released his grip.

After supper I didn’t come below again till well past eight o‘clock. The faint, steady breeze was loaded with dew; and the wet, darkened sails held all there was of propelling power in it. The night, clear and starry, sparkled darkly, and the opaque, lightless patches shifting slowly against the low stars were the drifting islets. On the port bow there was a big one more distant and shadowily imposing by the great space of sky it eclipsed.

On opening the door I had a back view of my very own self looking at a chart. He had come out of the recess and was standing near the table.

“Quite dark enough,” I whispered.

He stepped back and leaned against my bed with a level, quiet glance. I sat on the couch. We had nothing to say to each other. Over our heads the officer of the watch moved here and there. Then I heard him move quickly. I knew what that meant. He was making for the companion; and presently his voice was outside my door.

“We are drawing in pretty fast, sir. Land looks rather close.”

“Very well,” I answered. “I am coming on deck directly.”

I waited till he was gone out of the cuddy, then rose. My double moved too. The time had come to exchange our last whispers, for neither of us was ever to hear each other’s natural voice.

“Look here!” I opened a drawer and took out three sovereigns.fx “Take this anyhow. I’ve got six and I’d give you the lot, only I must keep a little money to buy some fruit and vegetables for the crew from native boats as we go through Sunda Straits.”

He shook his head.

“Take it,” I urged him, whispering desperately. “No one can tell what—”

He smiled and slapped meaningly the only pocket of the sleeping-jacket. It was not safe, certainly. But I produced a large old silk handkerchief of mine, and tying the three pieces of gold in a corner, pressed it on him. He was touched, I suppose, because he took it at last and tied it quickly round his waist under the jacket, on his bare skin.

Our eyes met; several seconds elapsed, till, our glances still mingled, I extended my hand and turned the lamp out. Then I passed through the cuddy, leaving the door of my room wide open.... “Steward!”

He was still lingering in the pantry in the greatness of his zeal, giving a rub-up to a plated cruet standfy the last thing before going to bed. Being careful not to wake up the mate, whose room was opposite, I spoke in an undertone.

He looked round anxiously. “Sir!”

“Can you get me a little hot water from the galley?”

“I am afraid, sir, the galley fire’s been out for some time now.”

“Go and see.”

He flew up the stairs.

“Now,” I whispered, loudly, into the saloon—too loudly, perhaps, but I was afraid I couldn’t make a sound. He was by my side in an instant—the double captain slipped past the stairs—through a tiny dark passage ... a sliding door. We were in the sail-locker, scrambling on our knees over the sails. A sudden thought struck me. I saw myself wandering barefooted, bareheaded, the sun beating on my dark poll.fz I snatched off my floppy hat and tried hurriedly in the dark to ram it on my other self. He dodged and fended off silently. I wonder what he thought had come to me before he understood and suddenly desisted. Our hands met gropingly, lingered united in a steady, motionless clasp for a second.... No word was breathed by either of us when they separated.

I was standing quietly by the pantry door when the steward returned.

“Sorry, sir. Kettle barely warm. Shall I light the spirit-lamp?”

“Never mind.”

I came out on deck slowly. It was now a matter of conscience to shave the land as close as possible—for now he must go overboard whenever the ship was put in stays. Must! There could be no going back for him. After a moment I walked over to leeward and my heart flew into my mouth at the nearness of the land on the bow. Under any other circumstances I would not have held on a minute longer. The second mate had followed me anxiously.

I looked on till I felt I could command my voice.

“She will weather,” I said then in a quiet tone.

“Are you going to try that, sir?” he stammered out incredulously.

I took no notice of him and raised my tone just enough to be heard by the helmsman.

“Keep her good full.”

“Good full, sir.”

The wind fanned my cheek, the sails slept, the world was silent. The strain of watching the dark loom of the land grow bigger and denser was too much for me. I had shut my eyes—because the ship must go closer. She must! The stillness was intolerable. Were we standing still?

When I opened my eyes the second view started my heart with a thump. The black southern hill of Koh-ring seemed to hang right over the ship like a towering fragment of the everlasting night. On that enormous mass of blackness there was not a gleam to be seen, not a sound to be heard. It was gliding irresistibly towards us and yet seemed already within reach of the hand. I saw the vague figures of the watch grouped in the waist, gazing in awed silence.

“Are you going on, sir?” inquired an unsteady voice at my elbow.

I ignored it. I had to go on.

“Keep her full. Don’t check her way. That won’t do now,” I said, warningly.

“I can’t see the sails very well,” the helmsman answered me, in strange, quavering tones.

Was she close enough? Already she was, I won’t say in the shadow of the land, but in the very blackness of it, already swallowed up as it were, gone too close to be recalled, gone from me altogether.

“Give the mate a call,” I said to the young man who stood at my elbow as still as death. “And turn all hands up.”

My tone had a borrowed loudness reverberated from the height of the land. Several voices cried out together: “We are all on deck, sir.”

Then stillness again, with the great shadow gliding closer, towering higher, without a light, without a sound. Such a hush had fallen on the ship that she might have been a bark of the dead floating in slowly under the very gate of Erebus. ga

“My God! Where are we?”

It was the mate moaning at my elbow. He was thunderstruck, and as it were deprived of the moral support of his whiskers. He clapped his hands and absolutely cried out, “Lost!”

“Be quiet,” I said, sternly.

He lowered his tone, but I saw the shadowy gesture of his despair. “What are we doing here?”

“Looking for the land wind.”

He made as if to tear his hair, and addressed me recklessly.

“She will never get out. You have done it, sir. I knew it’d end in something like this. She will never weather, and you are too close now to stay. She’ll drift ashore before she’s round. O my God!”

I caught his arm as he was raising it to batter his poor devoted head, and shook it violently.

“She’s ashore already,” he wailed, trying to tear himself away.

“Is she? ... Keep good full there!”

“Good full, sir,” cried the helmsman in a frightened, thin, child-like voice.

I hadn’t let go the mate’s arm and went on shaking it. “Ready about, do you hear? You go forward”—shake—“and stop there”—shake—“and hold your noise”—shake—“and see these head-sheets properly overhauled” —shake, shake—shake.

And all the time I dared not look towards the land lest my heart should fail me. I released my grip at last and he ran forward as if fleeing for dear life.

I wondered what my double there in the sail-locker thought of this commotion. He was able to hear everything—and perhaps he was able to understand why, on my conscience, it had to be thus close—no less. My first order “Hard alee!” re-echoed ominously under the towering shadow of Koh-ring as if I had shouted in a mountain gorge. And then I watched the land intently. In that smooth water and light wind it was impossible to feel the ship coming-to. No! I could not feel her. And my second self was making now ready to slip out and lower himself overboard. Perhaps he was gone already... ?

The great black mass brooding over our very mastheads began to pivot away from the ship’s side silently. And now I forgot the secret stranger ready to depart, and remembered only that I was a total stranger to the ship. I did not know her. Would she do it? How was she to be handled?

I swung the mainyard and waited helplessly. She was perhaps stopped, and her very fate hung in the balance, with the black mass of Koh-ring like the gate of the everlasting night towering over her taffrail. What would she do now? Had she way on her yet? I stepped to the side swiftly, and on the shadowy water I could see nothing except a faint phosphorescent flash revealing the glassy smoothness of the sleeping surface. It was impossible to tell—and I had not learned yet the feel of my ship. Was she moving? What I needed was something easily seen, a piece of paper, which I could throw overboard and watch. I had nothing on me. To run down for it I didn’t dare. There was no time. All at once my strained, yearning stare distinguished a white object floating within a yard of the ship’s side. White on the black water. A phosphorescent flash passed under it. What was that thing? ... I recognized my own floppy hat. It must have fallen off his head... and he didn’t bother. Now I had what I wanted—the saving mark for my eyes. But I hardly thought of my other self, now gone from the ship, to be hidden for ever from all friendly faces, to be a fugitive and a vagabond on the earth, with no brand of the curse on his sane forehead to stay a slaying hand... too proud to explain.

And I watched the hat—the expression of my sudden pity for his mere flesh. It had been meant to save his homeless head from the dangers of the sun. And now—behold—it was saving the ship, by serving me for a mark to help out the ignorance of my strangeness. Ha! It was drifting forward, warning me just in time that the ship had gathered sternway.gb

“Shift the helm,” I said in a low voice to the seaman standing still like a statue.

The man’s eyes glistened wildly in the binnacle light as he jumped round to the other side and spun round the wheel.

I walked to the breakgc of the poop. On the overshadowed deck all hands stood by the forebraces waiting for my order. The stars ahead seemed to be gliding from right to left. And all was so still in the world that I heard the quiet remark, “She’s round,” passed in a tone of intense relief between two seamen.

“Let go and haul.”

The foreyards ran round with a great noise, amidst cheery cries. And now the frightful whiskers made themselves heard giving various orders. Already the ship was drawing ahead. And I was alone with her. Nothing! no one in the world should stand now between us, throwing a shadow on the way of silent knowledge and mute affection, the perfect communion of a seaman with his first command.

Walking to the taffrail, I was in time to make out, on the very edge of a darkness thrown by a towering black mass like the very gateway of Erebus—yes, I was in time to catch an evanescent glimpse of my white hat left behind to mark the spot where the secret sharer of my cabin and of my thoughts, as though he were my second self, had lowered himself into the water to take his punishment: a free man, a proud swimmer striking out for a new destiny.

ENDNOTES

Author’s Note

1 (p.3) three stories in this volume: The volume is Youth: A Narrative; and Two Other Stories (1902). The two other stories are Heart of Darkness and The End of the Tether.

2 (p.4) vanity in the Solomonian sense: This is an allusion to the Bible’s book of Ecclesiastes, which takes up the subject of vanity at length—for example, “I have seen all the works that are done under the sun; and, behold, all is vanity and vexation of spirit” (1:14; King James Version [KJV]).

3 (p. 5) The final paragraph of the author’s note has been omitted, as its subject is The End of the Tether, a story not included in this volume.

“Youth”

1 (p.7) a Conway boy: The Conway was a well-known Liverpool-based training ship for naval cadets. Conrad would again refer to the legacy of this ship in “The Secret Sharer,” in which one of the many circumstances binding the narrator to Leggatt is the fact that both have been trained on the Conway.

2 (p. 7) square-rigged ... stun‘-sails ... alow and aloft: A square-rigged ship is one with rectangular sails placed at right angles to the length of the ship; stun’-sails are small auxiliary sails; and alow and aloft refer to the lower and higher portions of a ship, respectively.

3 (p. 8) coasters ... the Capes: Coasters are small vessels used to sail along a coast; the Capes is a reference to the Cape of Good Hope, at the southwestern tip of Africa.

4 (p. 8) the Judea: The ship Conrad served on as second mate from 1881 to 1883 and that he used as the model for the Judea was actually named the Palestine. Although the events of “Youth” are loosely based on Conrad’s experiences, the story is not (Conrad’s own claims notwithstanding) a work of autobiography. See the introductory essay to this volume for a discussion of the significance of some of Conrad’s alterations of the facts in writing the story.

5 (p.9) “Do or Die”: The Judea’s motto is based on a well-known phrase that had been in circulation at least since the 1621 play The Island Princess, by John Fletcher (1579-1625): “Let’s meet, and either doe or dye” (act 2, scene 2). The phrase had been used famously, in slightly altered form, in the 1854 poem “The Charge of the Light Brigade,” by the British poet laureate Alfred, Lord Tennyson (1809-1892): “Their’s not to reason why, / Their’s but to do and die.” The poem sings the praises of a group of English soldiers dutifully engaged in a hopeless battle against the Russians during the Crimean War (1853—1856). The fact that this war heightened the regard for Britain of Polish nationalists—particularly those who lived in Russian-occupied Poland, such as Conrad’s family—adds additional resonance to this allusion.

6 (p. 9) Yarmouth Roads... Dogger Bank: The first reference is to a seaway outside the port of Great Yarmouth in Norfolk; the second is to a sandbank in the North Sea.

7 (p.10) Sartor Resartus and Burnaby’s Ride to Khiva: Sartor Resartus (1834) was by Thomas Carlyle (1795-1881). A Ride to Khiva: Travels and Adventures in Central Asia (1876) was by Captain Frederick Burnaby (1842-1885). It is consistent with Marlow’s fond recounting of his own youthful recklessness that he expresses a preference for the writings of the man of action over those of the cultural critic. It is also significant that the subject of Burnaby’s immensely popular work—it was reprinted eleven times in the first year alone—is the alleged Russian threat to British India, suggesting a dovetailing of security concerns between Poland and Britain. (See endnote 5, above, for another suggestion as to how Conrad obliquely injects a Polish-based Russophobia into this story that extols English virtue.)

8 (p. 16) the ghost of a Geordie skipper: A Geordie is a coal-shipping vessel; this usage is derived from the term Geordie to denote a native of Tyneside, a coal-mining and shipping area in northeastern England. The facetious depiction of Captain Beard emphasizes the anxiety and humiliation he experiences, in his inaugural command, over being in charge of a Geordie that has been delayed for so long that it has become a laughingstock.

9 (p.16) Mesopotamia: The reference is to a region of southwest Asia between the Tigris and Euphrates Rivers that was the site of the ancient civilizations of Assyria and Babylon.

10 (p.17) Regent Street ... Byron’s works ... railway rug: Regent Street refers to a popular locale in the London shopping district. Lord Byron (1788-1824) was an English Romantic poet. A railway rug is a small rug used as a blanket during railway journeys.

11 (p. 17) all the rats left the ship: Conrad here foreshadows the destruction of the judea via the superstition that if rats leave a ship before it embarks, it is fated to sink. The former seaman Conrad was fond of using this superstition in both nautical and nonnautical contexts. For example, in the 1907 novel The Secret Agent he would foreshadow the catastrophic demise of the family of the protagonist, Adolf Verloc, by likening the departure of Verloc’s mother-in-law from “his menaced home” to “rats leaving a doomed ship” (Cambridge: Cambridge University Press, 1990, p. 137).

12 (p. 18) from Land’s End to the Forelands: Land’s End is the southwestern tip of Britain (in County Cornwall), and the North and South Forelands are on the southeast coast (in County Kent).

13 (p.18) brown nations... Solomon the Jew: This is a typically exotic account of non-European peoples, who are represented as surpassing, on the one hand, the cruelty and capriciousness of the Roman emperor Nero (A.D. 37-68) and, on the other hand, the wisdom of the biblical King Solomon.

14 (p. 19) though the coal.... spontaneous combustion: Zdzislaw Najder points out that Conrad’s representation of the perils of shipping coal are not exaggerated, as it was, aside from grain, viewed as the most dangerous of all cargoes. He also notes that 1883 (the year in which Conrad served on the burning, sinking Palestine) was “a record year for accidents at sea: 2,019 seamen’s lives were lost—or about 1 percent of those in active service” (Joseph Conrad: A Chronicle, p.78). The fact that no one dies on board Conrad’s fictional Judea and that the dangers are described in the language of comedy by the unflappable Marlow should not keep us from recognizing that the circumstances are extraordinarily perilous.

15 (p. 22) “The carpenter’s bench.... fire in it’ ”: This episode is an example of what Ian Watt has termed Conrad’s technique of “delayed decoding,” which he characterizes as “the verbal equivalent of the impressionist painter’s attempt to render visual sensation directly.” Specifically, the method involves “present[ing] a sense impression and... withhold[ing] naming it or explaining its meaning until later” (Conrad in the Nineteenth Century, pp.175-176).

16 (p. 26) And, mind, .... fate of nations: Marlow’s contention that these English crewmen are “without the drilled-in habit of obedience” furthers his claim that it is nature (“something inborn and subtle and everlasting”) rather than nurture that makes the Englishman great. It is consistent with this polemical aspect of the story that the member of the Judea’s former crew who has conducted himself with an un-English lack of fortitude is the steward Abraham, whom Marlow characterizes as a “poor devil of a mulatto” (p.15).

17 (p. 28) the sparks flew upwards, as man is born to trouble: This language is taken from the Bible, Job 5:7 (KJV), a resonant intertext given Marlow’s description of the relentless sufferings of the crew of the Judea.

18 (p. 32) the heat of life in the handful of dust: This is another allusion to the Hebrew Scriptures; in this case Marlow refers to the account in Genesis 2:7 (KJV) of God’s creation of human life from dust.

Heart of Darkness

1 (p. 37) We four: Marlow’s unnamed listeners are based on a group of Conrad’s friends: G. F. W. Hope, W B. Keen, and C. H. Mears, who, like their fictional counterparts, were, respectively, a company director, an accountant, and a lawyer. The unnamed primary narrator does not appear to be based on an actual person. The group met for social outings on the Thames estuary on a yacht that was, in fact, named the Nellie and was owned by Hope.

2 (p. 39) all the men.... never returned: Sir Francis Drake (c.1540-1596) commanded the Golden Hind, with which he circumnavigated the globe from 1577 to 1580. Sir John Franklin (1786-1847) commanded an expedition, with the ships Erebus and Terror, in 1845 in search of the Northwest Passage (a route that would allow direct travel between the north Atlantic and the north Pacific). The ships became trapped in the Arctic ice, and all members of the expedition died. Conrad’s late essay “Geography and Some Explorers” praises Franklin’s accomplishments as an explorer.

3 (p.40) The yarns of seamen ... illumination of moonshine: The contrast between these two approaches to storytelling is central to Conrad’s literary method. See the introductory essay to this volume for a discussion of this passage.

4 (p. 40) when the Romans first came here: In 55 and 54 B.C., Julius Caesar led two Roman military expeditions into Britain, but it would not be until A.D. 43 that the actual Roman conquest of Britain would begin.

5 (p.44) whited sepulchre: In the Gospel of Matthew (23:27) Jesus says, “Woe unto you, scribes and Pharisees, hypocrites! for ye are like unto whited sepulchres, which indeed appear beautiful outward, but are within full of dead men’s bones, and of all uncleanness” (KJV). The fact that Brussels, the capital of Belgium, reminds Marlow of Jesus’ simile is intended to evoke the hypocrisy of King Leopold II’s claims that his agents in the Congo were engaged in a humanitarian mission.

6 (p.45) a large shining map.... into the yellow: Maps during this era often represented imperial territories according to this color-coded system: red for British, blue for French, green for Italian, orange for Portuguese, purple for German, and yellow for Belgian. See the introductory essay to this volume for a discussion of this passage.

7 (p.46) Ave! ... Morituri te salutant: The quotation translates as “Hail! ... Those who are about to die salute you” (Latin). Roman gladiators prefaced their matches with this salutation.

8 (p.46) measure my head: The doctor is practicing craniology, which was a pseudoscience premised on the belief that head sizes and shapes were indicative of differences between the races, particularly with regard to intelligence.

9 (p.48) “the labourer is worthy of his hire”: This phrase, piously uttered by Marlow’s naive aunt, is a quotation from a section of the Gospel of Luke (10:7, KJV) in which Jesus instructs his followers to engage in selfless missionary work. Marlow views her pronouncement with irony, given his knowledge of the material motives that actually drive imperialism.

10 (p.51) one of the reclaimed: Marlow uses this phrase to denote the rifle-bearing African overseeing the chain gang for the same reason he refers to the white imperialists as “pilgrims”—to underscore the fraudulence of the benevolent rhetoric that legitimizes their ruthless activities. African collaborators such as the one depicted here were commonplace in Leopold’s Congo. As Adam Hochschild points out, “a class of foremen [was created] from among the conquered, like the kapos in the Nazi concentration camps and the predurki, or trusties, in the Soviet gulag. Just as terrorizing people is part of conquest, so is forcing someone else to administer the terror” (King Leopold’s Ghost, pp.122-123).

11 (p. 52) Inferno: The reference is to the account of Hell in the Inferno, the first volume of the Divine Comedy trilogy by the Italian poet Dante Alighieri (1265-1321).

12 (p. 55) Mr. Kurtz: In the manuscript, the name here (and in the next three instances) is given as “Klein.” Georges Antoine Klein was a company agent whom Conrad picked up at Stanley Falls and who died of dysentery during the voyage downstream on the Roi des Belges. Aside from these facts, however, the historical Klein bears no significant resemblance to Conrad’s Kurtz.

13 (p.57) I did not see.... not at all: Marlow here alludes cryptically to an apparent conspiracy. The implication is that the manager, first by arranging to have the ship damaged and then by delaying its repairs, postpones Kurtz’s treatment, thereby ensuring that Kurtz will no longer be able to threaten his own professional position. As the manager subsequently projects—accurately, Marlow recognizes, with the wisdom of hindsight—the three months it will take to secure rivets and fix the ship “ought to do the affair” (p. 59). Marlow returns to this subject later, while describing the manager’s reaction to the evidently dying Kurtz: “he had no vital anxieties now, he took us both in with a comprehensive and satisfied glance: the ‘affair’ had come off as well as could be wished” (p. 114). In short, as Norman Sherry puts it, “the death of Kurtz is laid at the manager’s door” (Conrad’s Western World, p.47).

14 (p.59) “Once when various ... ‘have no entrails”’: The account here of large numbers of agents succumbing to disease is based on the historical facts. Hochschild observes that “before 1895 fully a third of white Congo state agents died there; some of the others died of the effects of disease after returning to Europe” (King Leopold’s Ghost, p. 138).

15 (p. 61 ) allowing one man... a halter: This phrase is a play on the adage “One man may steal a horse, while another may not look over a hedge,” which conveys the idea that whereas some people are above the law, others are unjustly held to account for trivial infractions.

16 (p.64) inhabitants in the planet Mars: In 1877 the Italian astronomer Gio vanni Schiaparelli reported the existence of caneli (“channels”) on the Martian surface; the term, however, was translated into English as “canals,” spuriously lending credence to the notion that there was intelligent life on Mars. In January 1898 Conrad’s friend H. G. Wells published The War of the Worlds, depicting an invasion of Earth by Martians. Conrad began writing Heart of Darkness in December of that year, and it is likely that this reference to “inhabitants in the planet Mars” was inspired by Wells’ popular novella.

17 (p. 71) “Ivory.... from him”: As we have already seen (in endnote 13, above), the manager schemes against Kurtz because he believes him to be after his job, and he worries that Kurtz’s prowess as an acquirer of ivory may enable him eventually to do just that. Further, he finds galling Kurtz’s ostensibly humanitarian notions as to how the business should be run. Disdainfully citing the latter’s contention that “[e]ach station should be like a beacon on the road towards better things, a centre for trade of course, but also for humanizing, improving, instructing” (p. 72), he makes clear his own view that such an idealistic approach would hamper the company’s ability to accrue profits.

18 (p. 82) brass wire... lumps of some stuff ... lavender colour: Sherry points out that brass wire was the staple currency of the Congo during this period, and he identifies the scanty food the African crewmen eat as a tapioca-based dough (Conrad’s Western World, p.60). Their grossly inadequate means of subsistence underscores the company’s inhumane treatment of them, and it also enhances Marlow’s admiration for what he terms their “restraint,” a quality that, as he pointedly observes later, Kurtz lacks.

19 (p.86) I was looking.... We were being shot at!: This episode is another instance of what Ian Watt has termed Conrad’s method of “delayed decoding.” For an account of this technique, see “Youth” endnote 15, above.

20 (p.90) the hair goes on growing: That is, on corpses. Three sentences earlier, Marlow has referred to “the disinterred body of Mr. Kurtz.”

21 (p.92) International Society... Savage Customs: Conrad appears to have drawn the title of this organization from L’Association Internationale pour l‘Exploration et la Civilisation en Afrique (the International Association for Exploration and Civilization in Africa), which was headed by King Leopold II.

22 (p.96) Dutch trading-house: That the Russian has begun his entrepreneurial career with a Dutch company alludes to the fact that the Congo region was a heavily contested commercial territory during this era. Sherry points out that one of the greatest competitors of the Société Anonyme Belge pour le Commerce du Haut-Congo (the Belgian company that employed Conrad) was actually a Dutch trading house, the Nieuwe Afrikaansche Handels-Vennootschap (Conrad’s Western World, p. 69).

23 (p. 101) “He declared he would shoot me.... was true, too”: The Russian’s account of Kurtz’s arbitrary ruthlessness is not only an indication of his idol’s individual madness. The Machiavellian manager similarly contemplates having the Russian hanged for ivory poaching, and he is encouraged in this plan by his buccaneer uncle, who says “Why not? Anything—anything can be done in this country” (p. 72). Such pronouncements accurately reflect the attitudes and practices of the time. As Hochschild observes,

For a white man, the Congo was... a place to get rich and to wield power. As a district commissioner, you might be running a district as big as all of Holland or Belgium. As a station chief, you might be a hundred miles away from the next white official; you could levy whatever taxes you chose in labor, ivory, or anything else, collect them however you wanted, and impose whatever punishments you liked. If you got carried away, the penalty, if any, was a slap on the wrist. A station chief at Manyanga, on the big rapids, who beat two of his personal servants to death in 1890 was only fined five hundred francs. What mattered was keeping the ivory flowing back to Belgium (King Leopold’s Ghost, pp. 136-137).

24 (p.102) those heads on the stakes: Hochschild has compiled impressive circumstantial evidence to support the claim that Kurtz was likely modeled on several particularly sadistic white officers in the Force Publique (the private army created by Leopold II to police the Congo) who, like Kurtz, collected the heads of their African victims. One such officer, Léon Rom, is an especially strong candidate. He was the station chief at Leopoldville (the Central Station) when Conrad passed through there in 1890, and he subsequently became a commander at Stanley Falls (the Inner Station, site of Kurtz’s compound), where he decorated the outside of his home with the heads of twenty-one slain Africans. Hochschild points out that Conrad almost certainly would have known of Rom’s head collecting from multiple reports in the British press, including one in The Saturday Review (which he read faithfully) on December 17, 1898, several days before he began writing Heart of Darkness (King Leopold’s Ghost, p.145).

25 (p.104) Kurtz-that means short in German: Marlow’s observation serves both as an ironic commentary on Kurtz’s fraudulent career (“the name was as true as everything else in his life,” he quips of the man whose emaciated body appears to be “at least seven feet long”) and as an evocation of the name of the actual company agent upon whom Kurtz is loosely based: Georges Antoine Klein’s surname means “small” in German.

26 (p.106) She walked with measured steps.... passionate soul: Marlow’s account of the African woman is highly exoticized as well as eroticized. Conrad toned down the latter aspect by deleting from the end of the serialized version’s paragraph a sentence that explicitly renders her an object of Marlow’s desires: “And we men looked at her—at any rate I looked at her.” Marlow’s attraction to a woman who is apparently Kurtz’s lover contributes to the parallels between himself and Kurtz that are developed in the ensuing pages. Conrad’s claim that the novella’s last scene—Marlow’s meeting with Kurtz’s fiancée—contains a “mere shadow of love interest” (Collected Letters, vol. 2, p.145) furthers these parallels as well.

27 (p. 115) “The horror! The horror!”: Especially compelling among the broad range of interpretations that this famous passage has received is the suggestion that it sums up Kurtz’s insight into the basic depravity of human nature. T. S. Eliot had planned to use the passage that concludes with these words as the epigraph for The Waste Land (1922) but was dissuaded from doing so by Ezra Pound, who heavily edited the poem. Apparently having in mind Marlow’s characterization of Kurtz as “hollow at the core” (p.103), Eliot subsequently used as an epigraph for “The Hollow Men” (1925) the terse announcement “Mistah Kurtz—he dead” (p. 116).

28 (p.124) It seemed to me.... was his due?: Conrad here alludes to a Latin maxim: Fiat justitia, ruat caelum (Let justice be done, though the heavens fall).

“Amy Foster”

1 (p.125) Martello Tower: More than a hundred of these small but massively fortified and heavily armed structures had been constructed on the southeastern English coast between 1805 and 1812. Given that Yanko’s landing in England is viewed by the rural people as an assault of sorts and that this period was characterized by heightened fears of the military ambitions of European powers toward Britain, this Martello Tower (which is mentioned twice in the story) provides Conrad with an important symbol of insular British xenophobia during an era in which that tendency was particularly pronounced.

2 (p.125) Brenzett ... Colebrook ... Darnford: Although Brenzett is an actual town in County Kent, unlike Conrad’s imaginary counterpart it is several miles inland. The actual Colebrook is not in County Kent, and Darnford is wholly fictional.

3 (p. 128) as some German ... is no thought: Dr. Kennedy is wrong to impute this phrase to a German. The reference, in fact, is to the Dutch philosopher and physiologist Jacob Moleschott (1822-1893), who is widely regarded as the founder of nineteenth-century philosophical materialism. Moleschott famously asserted “without phosphorous, there is no thought” as a way of succinctly conveying his claim that consciousness is a proper subject for investigation by scientists rather than theologians.

4 (p.132) iron track: The reference is to a train track. Later in the paragraph the “steam-machine” denotes a train, and then still later the “steam-machine that went on the water” is a steamship. Many parts of Kennedy’s narrative faithfully reproduce the limited outlook of the peasant Yanko’s account.

5 (p. 133) no military service to do: The fact that one of Yanko’s reasons for attempting to emigrate to America is to avoid conscription in his home country enhances the autobiographical dimension of the story. One of Conrad’s chief reasons for emigrating from Russian-occupied Poland was that, as a Russian subject and the son of a convict, he would have been liable for up to twenty-five years of compulsory duty in the Russian Army had he remained.

6 (p. 147) I wonder whether... of her pity: Conrad had characterized Jessie George, shortly before they married, as a “not at all striking-looking person (to tell the truth alas—rather plain!) who nevertheless is very dear to me” (Collected Letters, vol. 1, p. 265). Because of her evident intellectual inferiority to Conrad, the latter’s friend Edward Garnett went so far as to attempt to dissuade him from marrying her. Such sentiments were reciprocated by Jessie’s provincial family, who were skeptical of the strange foreigner Conrad. Jessie recalls that her mother in particular had qualms about giving her consent to the marriage, as “she had a strong prejudice against a foreigner”: “Oh dear; one could never take him for an Englishman, and he doesn’t look French, either,” her mother whispered to her upon first being introduced to her future son-in-law (Joseph Conrad and His Circle, pp. 16, 14). The next paragraph’s assertion that Yanko and Amy “went on ‘walking out’ together in the face of opposition” appears to allude to this situation. It is also noteworthy that Jessie herself shared this sense of Conrad’s peculiar foreignness. She recalls that her initial impression upon meeting him was that “[h]is strangeness was very noticeable, almost oriental in its extravagance, both in gesture and speech,” and she goes on to make the astonishing admission that “[h]e was the first foreigner I had met” (Joseph Conrad and His Circle, p. 9).

7 (p. 151) Suddenly coming to himself... the child in her arms: This scene, in which Amy feels “the unreasonable terror... of that man she could not understand creeping over her,” bears striking resemblances to what Jessie Conrad recalls about her husband’s episode of fever during their honeymoon in Brittany in 1896:

For a whole long week the fever ran high, and for most of the time Conrad was delirious. To see him lying in the white canopied bed, dark-faced, with gleaming teeth and shining eyes, was sufficiently alarming, but to hear him muttering to himself in a strange tongue (he must have been speaking Polish), to be unable to penetrate the clouded mind or catch one intelligible word, was for a young, inexperienced girl truly awful (Joseph Conrad as I Knew Him, p. 35).

“The Secret Sharer”

1 (p. 157) I asked myself... the kindest of motives: The narrator’s ensuing encounter with Leggatt will provide a practical test of precisely this question and will lead him to the conclusion that such departures from routine in favor of kind motives are, in fact, justifiable. Notably, it is his initial departure from “the established routine of duties” (his unorthodox decision to take the watch, which has created an impression among the crew that he is eccentric) that precipitates these reflections as well as sets the plot in motion, for it leads directly to his discovery of Leggatt.

2 (p.159) like my double: This is the first of many such passages that draw parallels between the narrator and Leggatt. The fact that both have trained as cadets on the Liverpool-based ship the Conway (as has the director of companies in “Youth”) further solidifies the sense of identity and solidarity between them.

3 (p.161) “My father’s a parson in Norfolk”: Among the various correspondences between Leggatt and the eponymous protagonist of Lord Jim (1900) is that both exiled transgressors have fathers back in England who are parsons (representatives of upright conduct and traditional morality), and in each story the narrator is entrusted to provide both moral and material support for the transgressor.

4 (p.165) brand of Cain: This is the first of several allusions to the biblical story of Cain and Abel (Genesis 4:1-16; KJV), in which Adam and Eve’s son Cain, having killed his brother, Abel, is branded by God and exiled. Casting himself as the exiled fratricide Cain, Leggatt continues the reference later by remarking, “What does the Bible say? ‘Driven off the face of the earth’ ” (p. 185). The narrator will extend this allusion as well in the story’s conclusion by reflecting on the fact that, unlike his biblical counterpart, Leggatt will have “no brand of the curse on his sane forehead to stay a slaying hand” (p.192).

5 (p. 178) “Beats all these tales ... Yankee ships”: The first mate’s implication here is that honor, discipline, and standards of conduct generally on English ships are greater than on ships of other nations, such as those of the Americans, and that a killing of this sort is therefore absolutely scandalous. The captain of the Sephora makes this point as well when he exclaims, “I’ve never heard of such a thing happening in an English ship” (p. 174). Clearly, however, he is less concerned with the stain to the honor of the British merchant marine than to his own reputation: having his first officer kill a crewman is bad enough, but having the killer escape is doubly disgraceful and potentially ruinous to his career.

6 (p. 181) a sword over our heads: In classical mythology, the tyrant Dionysius demonstrates the precariousness of worldly power by having a sword suspended by a single hair above his courtier Damocles’ head. The phrase “the sword of Damocles” is used figuratively to mean an ever-present peril.

INSPIRED BY HEART OF DARKNESS

Everyone gets everything he wants. I wanted a mission, and for my sins they gave me one.

—MARTIN SHEEN AS CAPTAIN WILLARD IN APOCALYPSE NOW

Numerous legacies have washed up in the wake of Marlow’s steamship. The epigraph for T. S. Eliot’s poem “The Hollow Men” (1925) is the concise announcement “Mistah Kurtz—he dead.” Eliot had planned to use the passage from Heart of Darkness that ends with Kurtz’s “The horror! The horror!” as the epigraph for his long poem The Waste Land (1922) until Ezra Pound persuaded him against doing so. Barbara King solver’s novel The Poisonwood Bible (1998), modeled on Heart of Darkness, is set in the years shortly before and after the Congo won its independence from Belgium in 1960. Narrated by the wife and four daughters of a Kurtz-like American Baptist missionary, the tale reflects the continued exploitation of the Congo region by Western powers generations after Conrad was there.

The adaptation of Heart of Darkness that makes Conrad’s novella particularly relevant to the modern era is Francis Ford Coppola’s film Apocalypse Now (1979). When the film—a brilliant retelling set against the background of the war in Vietnam—finally opened in theaters after three years of highly publicized delays, it sent shock waves throughout the United States and beyond. Many view Coppola’s treatment of this literary classic as the greatest war film ever made.

Operating on a shooting schedule that was initially slated for seventeen weeks but instead sprawled over sixteen months, the film crew, on location in the Philippines, was subjected to a steady stream of dire events. A monstrous typhoon ripped through the islands and washed away film sets; star Martin Sheen suffered a near-fatal heart attack; some actors were fired while others frittered away their days in a drug haze; and helicopters lent by the Philippine government of Ferdinand Marcos were routinely called away by the military to combat Communist insurgents nearby. Far exceeding its original budget, the disorganized production began to drive its crew literally insane, and eventually came to mirror the convoluted Vietnam conflict itself. As Coppola described Apocalypse Now at a press conference: “My film is not a movie; it’s not about Vietnam. It is Vietnam.” The drama and agony of bringing the film to the screen was later showcased in the 1991 documentary Hearts of Darkness: A Filmmaker’s Apocalypse, by Fax Bahr and George Hick enlooper, inspired in part by documentary footage, notes, and tape recordings made by Coppola’s wife, Eleanor, during production.

Apocalypse Now strips away surface and grapples with humanity’s primordial nature, aptly capturing the spirit of Conrad. The film opens with the jungle tree line ablaze with napalm fire and the hypnotic drone of helicopter blades dissolving into a whirring ceiling fan in a hotel room. Captain Benjamin Willard (Sheen) is assigned to track down Colonel Walter Kurtz, a decorated war hero gone missing whom the military has accused of murder. Willard is ordered to terminate Kurtz “with extreme prejudice.”

In the climactic confrontation between Willard and Kurtz (played by Marlon Brando), Kurtz describes the superior fortitude of the Vietcong. He relates a tale in which his Special Forces unit was sent to inoculate the children of a North Vietnamese village for polio. The soldiers later return to the village, only to find the inoculated limbs in a pile, hacked off by the Vietcong. As a result of this experience, Kurtz realizes that America’s military will never defeat those who possess the will to amputate children’s arms, and he disciplines himself to embrace the inner darkness of humanity to the point of insanity. This insanity threatens Willard, who struggles with the absurdity of America’s police action as well as his own mission, and with the terrifying madness and brutality of Colonel Kurtz.

A reedited version of the film, Apocalypse Now Redux, was released in theaters in 2001. Clocking in at over three hours, Redux adds and expands scenes, working to underscore the thematic thrust of the original without significantly altering it.

COMMENTS & QUESTIONS

In this section we aim to provide the reader with an array of perspectives on the text, as well as questions that challenge those perspectives. The commentary has been culled from sources as diverse as reviews contemporaneous with the work, letters written by the author, literary criticism of later generations, and appreciations written throughout history. Following the commentary, a series of questions seeks to filter Joseph Conrad’s Heart of Darkness and Selected Short Fiction through a variety of points of view and bring about a richer understanding of this writer’s enduring work.

Comments

JOSEPH CONRAD

My task is, by the power of the written word, to make you hear, to make you feel—it is, before all, to make you see. That—and no more, and it is everything.

—from The New Review (December 1897)

EDWARD GARNETT

“Heart of Darkness,” to present its theme bluntly, is an impression, taken from life, of the conquest by the European whites of a certain portion of Africa, an impression in particular of the civilizing methods of a certain great European Trading Company face to face with the “nigger.” We say this much because the English reader likes to know where he is going before he takes his art seriously, and we add that he will find the human life, black and white, in “Heart of Darkness” an uncommonly and uncannily serious affair. If the ordinary reader, however, insists on taking the subject of a tale very seriously, the artist takes his method of presentation more seriously still, and rightly so. For the art of “Heart of Darkness”—as in every psychological masterpiece—lies in the relation of the things of the spirit to the things of the flesh, of the invisible life to the visible, of the sub-conscious life within us, our obscure motives and instincts, to our conscious actions, feelings and outlook. Just as landscape art implies the artist catching the exact relation of a tree to the earth from which it springs, of the earth to the sky, so the art of “Heart of Darkness” implies the catching of infinite shades of the white man’s uneasy, disconcerted, and fantastic relation with the exploited barbarism of Africa; it implies the acutest analysis of the deterioration of the white man’s morale, when he is let loose from European restraint, and planted down in the tropics as an “emissary of light” armed to the teeth, to make trade profits out of the “subject races.” The weirdness, the brilliance, the psychological truth of this masterly analysis of two Continents in conflict, of the abysmal gulf between the white man’s system and the black man’s comprehension of its results, is conveyed in a rapidly rushing narrative which calls for close attention on the reader’s part. But the attention once surrendered, the pages of the narrative are as enthralling as the pages of Dostoevsky’s Crime and Punishment. The stillness of the sombre African forests, the glare of sunshine, the feeling of dawn, of noon, of night on the tropical rivers, the isolation of the unnerved, degenerating whites staring all day and every day at the Heart of Darkness which is alike meaningless and threatening to their own creed and conceptions of life, the helpless bewilderment of the unhappy savages in the grasp of their flabby and rapacious conquerors—all this is a page torn from the life of the Dark Continent—a page which has been hitherto carefully blurred and kept away from European eyes. There is no “intention” in the story, no parti pris, no prejudice one way or the other; it is simply a piece of art, fascinating and remorseless, and the artist is but intent on presenting his sensations in that sequence and arrangement whereby the meaning or the meaninglessness of the white man in uncivilized Africa can be felt in its really significant aspects.

—from an unsigned review in Academy and Literature (December 6,

1902)

THE ATHENAEUM 5. UNSIGNED REVIEW

The art of Mr. Conrad is exquisite and very subtle. He uses the tools of his craft with the fine, thoughtful delicacy of a mediaeval clock-maker. With regard to his mastery of the conte opinions are divided, and many critics will probably continue to hold that his short stories are not short stories at all, but rather concentrated novels. And the contention is not unreasonable. In more ways than one Mr. Conrad is something of a law unto himself, and creates his own forms, as he certainly has created his own methods. Putting aside all considerations of mere taste, one may say at once Mr. Conrad’s methods command and deserve the highest respect, if only by reason of their scholarly thoroughness. One feels that nothing is too minute, no process too laborious for this author. He does not count the hours of labour or the weight of weariness involved in the production of a flawless page or an adequately presented conception; but he has the true worker’s eye, the true artist’s pitilessness, in the detection and elimination of the redundant word, the idle thought, the insincere idiom, or even for the mark of punctuation misplaced. The busy, boastful times we live in are not rich in such sterling literary merits as these; and for that reason we may be the more thankful to an author like Mr. Conrad for the loyalty which prevents his sending a scamped page to press.

A critical writer has said that all fiction may roughly be divided into two classes; that dealing with movement and adventure, and the other dealing with characterization, the analysis of the human mind. In the present, as in every one of his previous books, Mr. Conrad has stepped outside these boundaries, and made his own class of work as he has made his own methods. All his stories have movement and incident, most of them have adventure, and the motive in all has apparently been the careful analysis, the philosophic presentation, of phases of human character. His studious and minute drawing of the action of men’s minds, passions, and principles forms fascinating reading. But he has another gift of which he himself may be less conscious, by means of which his other more incisive and purely intellectual message is translated for the proper understanding of simpler minds and plainer men. That gift is the power of conveying atmosphere, and in the exercise of this talent Mr. Conrad has few equals among our living writers of fiction. He presents the atmosphere in which his characters move and act with singular fidelity, by means of watchful and careful building in which the craftsman’s methods are never obtrusive, and after turning the last page of one of his books we rise saturated by the very air they breathe. This is a great power, but, more or less, it is possessed by other talented writers of fiction. The rarity of it in Mr. Conrad lies in this, that he can surround both his characters and his readers with the distinctive atmosphere of a particular story within the limits of a few pages. This is an exceptional gift, and the more to be prized in Mr. Conrad for the reason that he shows some signs of growing over-subtle in his analysis of moods, temperaments, and mental idiosyncrasies. It is an extreme into which all artists whose methods are delicate, minute, and searching are apt to be led. We have at least one other analyst of temperament and mood in fiction whose minute subtlety, scrupulous restaint, and allusive economy of words resemble Mr. Conrad’s. And, becoming and obsession, these characteristics tend to weary the most appreciative reader. With Mr. Conrad, however, these rather dangerous intellectual refinements are illumined always by a vivid wealth of atmosphere, and translated simply by action, incident, strong light and shade and distinctive colouring....

—December 20, 1902

H. L. MENCKEN

Conrad’s predilection for barbarous scenes and the more bald and shocking sort of drama has an obviously autobiographical basis. His own road ran into strange places in the days of his youth. He moved among men who were menaced by all the terrestrial cruelties, and by the almost unchecked rivalry and rapacity of their fellow men, without any appreciable barriers, whether of law, of convention or of sentimentality, to shield them. The struggle for existence, as he saw it, was well nigh as purely physical among human beings as among the carnivora of the jungle. Some of his stories, and among them his very best, are plainly little more than transcripts of his own experience. He himself is the enchanted boy of “Youth”; he is the ship-master of “Heart of Darkness”; he hovers in the background of all the island books and is visibly present in most of the tales of the sea.

—from A Book of Prefaces (1917)

CHINUA ACHEBE

Heart of Darkness projects the image of Africa as “the other world,” the antithesis of Europe and therefore of civilization, a place where man’s vaunted intelligence and refinement are finally mocked by triumphant bestiality.

—from The Massachusetts Review (Winter 1977)

Questions

1. What (or where) is the heart of darkness?

2. We are told that “all Europe went into the making of Kurtz,” that he is a writer, a journalist, a painter, and a musician, as well as an explorer and colonialist. What does Conrad want to convey by making Kurtz a universal genius on the cutting edge of European civilization?

3. There are numerous doubles in Heart of Darkness: Marlow and Kurtz, the Congo and the Thames are obvious ones. Can you name others? What do these doubles—what does the very process of all this doubling—do? How does the doubling affect the reader and create meaning?

4. The cannibals, the “savages,” we are told, have incomprehensible “restraint” in the face of inconceivable temptation, whereas it is precisely “restraint” that the “civilized” Europeans lack. Can you explain this paradox?

FOR FURTHER READING

Other Selected Works of Fiction by Joseph Conrad

Almayer’s Folly (1895)

An Outcast of the Islands (1896)

The Nigger of the “Narcissus” (1897)

Tales of Unrest (1898)

Lord Jim (1900)

The Inheritors, with Ford Madox Ford (1901)

Youth: A Narrative; and Two Other Stories (1902)

Romance, with Ford Madox Ford (1903)

Typhoon and Other Stories (1903)

Nostromo (1904)

The Secret Agent (1907)

Under Westem Eyes (1911)

‘Twixt Land and Sea (1912)

Chance (1914)

Victory (1915)

The Shadow-Line (1917)

The Rescue (1920)

Biographies

Baines, Jocelyn. Joseph Conrad: A Critical Biography. New York: McGraw-Hill, 1960. Although largely superseded by Karl’s and Najder’s biographies, this was the standard account of Conrad’s life for many years and is still useful.

Conrad, Joseph. The Mirror of the Sea (New York and London: Harper and Brothers, 1906) and A Personal Record (New York and London: Harper and Brothers, 1912). Memoirs of Conrad’s that are unreliable yet full of fascinating material, the latter volume especially.

Karl, Frederick R. Joseph Conrad: The Three Lives-A Biography. New York: Farrar, Straus, and Giroux, 1979. An extraordinarily (and sometimes overwhelmingly) detailed account of Conrad’s life.

Najder, Zdzislaw. Joseph Conrad: A Chronicle. Translated from the Polish by Halina Carroll-Najder. New Brunswick, NJ: Rutgers University Press, 1983. The best of the Conrad biographies, especially on his Polish background.

Sherry, Norman. Conrad and His World. London: Thames and Hudson, 1972. A good introduction to the life and literary career of Conrad for the general reader.

Critical Studies

Achebe, Chinua. Hopes and Impediments: Selected Essays. New York: Anchor Books, 1990. Contains “An Image of Africa: Racism in Conrad’s Heart of Darkness,” the most influential essay ever published on Conrad’s novella.

Berthoud, Jacques. Joseph Conrad: The Major Phase. Cambridge and New York: Cambridge University Press, 1978. An account of Conrad’s fiction from The Nigger of the “Narcissus” to Under Western Eyes.

Brantlinger, Patrick. Rule of Darkness: British Literature and Imperialism, 1830-1914. Ithaca, NY: Cornell University Press, 1988. The chapter on Heart of Darkness intelligently contextualizes Conrad’s novella in the history of imperialism.

Fleishman, Avrom. Conrad’s Politics: Community and Anarchy in the Fiction of Joseph Conrad. Baltimore: Johns Hopkins University Press, 1967. Analyzes Conrad’s political ideas and their expression in his fiction.

GoGwilt, Christopher. The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire. Stanford, CA: Stanford University Press, 1995. Heavily informed by critical and postcolonial theory, this is a fine study although a difficult go for the general reader.

Guerard, Albert J. Conrad the Novelist. Cambridge, MA: Harvard University Press, 1958. An important study of Conrad’s fiction; the orientation is primarily psychoanalytic.

Hay, Eloise Knapp. The Political Novels of Joseph Conrad: A Critical Study. Chicago: University of Chicago Press, 1963; revised ed., 1981. An astute assessment of the political aspects of Conrad’s fiction.

Hochschild, Adam. King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa. Boston: Houghton Mifflin, 1998. A highly readable account of King Leopold II’s Congo and a fine rendering of the historical background of Heart of Darkness.

Kimbrough, Robert, ed. Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Criticism. Third edition. New York: W.W. Norton, 1988. Contains a wide assortment of background materials and critical works on the novella.

Knowles, Owen, and Gene M. Moore. Oxford Reader’s Companion to Conrad. Oxford: Oxford University Press, 2000. A very useful encyclopedia.

Leavis, F. R. The Great Tradition: George Eliot, Henry James, Joseph Conrad. London: Chatto and Windus, 1948. An influential work of criticism that helped to solidify Conrad’s place in the history of British literature.

Moser, Thomas C. Joseph Conrad: Achievement and Decline. Cambridge, MA: Harvard University Press, 1957. An account of the arc of Conrad’s career as a whole.

Said, Edward. Culture and Imperialism. New York: Alfred A. Knopf, 1993. Of Said’s several books that discuss Conrad and imperialism, this one deals most extensively with Heart of Darkness.

Sherry, Norman. Conrad’s Eastern World. Cambridge: Cambridge University Press, 1966. This and the next title are painstakingly documented accounts of the sources of Conrad’s fiction.

—. Conrad’s Westem World. Cambridge: Cambridge University Press, 1971.

—, ed. Conrad: The Critical Heritage. London and Boston: Routledge and Kegan Paul, 1973. Contains a generous selection of contemporary reviews of Conrad’s fiction.

Stape, J. H., ed. The Cambridge Companion to Joseph Conrad. Cambridge: Cambridge University Press, 1996. A useful collection of essays on various aspects of Conrad’s career and writings.

Watt, Ian. Conrad in the Nineteenth Century. Berkeley: University of California Press, 1979. The single most important study of Conrad’s early fiction, including Heart of Darkness. Although it was planned as the first of two volumes on Conrad, Watt never completed the second volume. His posthumously published Essays on Conrad (Cambridge: Cambridge University Press, 2000), however, contains some material that would have been included in it.

Watts, Cedric. A Preface to Conrad. Second edition. London and New York: Longman, 1993. A smart introduction to Conrad for the general reader.

Letters

Karl, Frederick R., Laurence Davies, and Owen Knowles, eds. The Collected Letters of Joseph Conrad. Cambridge and New York: Cambridge University Press, 1983-. Of the projected eight volumes, six have been published to date: vol. 1,1983; vol. 2,1986; vol. 3,1988; vol. 4, 1990; vol. 5, 1996; vol. 6, 2002.

Memoirs and Reminiscences

Conrad, Jessie. Joseph Conrad as I Knew Him. London: Heinemann, 1926. This and the following title are two fanciful and sometimes mutually contradictory accounts of Conrad by his widow.

—. Joseph Conrad and His Circle. New York: E.P. Dutton, 1935.

Ford, Ford Madox. Joseph Conrad: A Personal Remembrance. London: Duck-worth, 1924. Memories of Conrad by his friend and collaborator.

Ray, Martin, ed. Joseph Conrad: Interviews and Recollections. London: Macmil lan, 1990. A compendium of memories of Conrad by his family, friends, and acquaintances.

Other Works Cited in the Introduction

Conrad, Joseph. “The Congo Diary” and “Geography and Some Explorers.” In Tales of Hearsay and Last Essays. London: J. M. Dent, 1955.

—. The Nigger of the “Narcissus”: An Authoritative Text, Backgrounds and Sources, Reviews and Criticism. Edited by Robert Kimbrough. New York: W.W.Norton, 1979.

—. The Works of Joseph Conrad: Tales of Unrest; A Personal Record; Notes on Life and Letters (“Autocracy and War,” “The Censor of Plays,” “The Crime of Partition,” “A Note on the Polish Problem”). New York: Doubleday, 1920-1921.

Jean-Aubry, G. Joseph Conrad: Life and Letters. Vol. 2. New York: Doubleday, 1927.

Rushdie, Salman. Imaginary Homelands: Essays and Criticism 1981-1991. New York: Penguin, 1991.

Russell, Bertrand. The Autobiography of Bertrand Russell, 1872-1914. Boston: Little, Brown, 1967.

Woolf, Virginia. Collected Essays. Vol. 1. London: The Hogarth Press, 1966.

a

Nickname for Blackwood’s Edinburgh Magazine.

b

The short story “Karain: A Memory,” published in November 1897.

c

“An Outpost of Progress,” first published in Cosmopolis (June-July 1897).

d

Politically conservative member of the Church of England.

e

Peninsular and Oriental Steam Navigation Company.

f

Bowlegged; having curved legs that are wide apart at the knees.

g

Fast sailing vessel.

h

Position or accommodations.

i

A dock on the Thames.

j

Revolving cylinder used for raising and lowering the anchor.

k

Having a heavy substance (in this case, sand) placed in the bottom of the hull to ensure stability.

l

The parts of a ship’s sides above the level of the deck.

m

Candles made by dipping string in melted tallow.

n

River in northern England.

o

Sailors engaged for a single short voyage.

p

Abbreviation for poop deck, an elevated deck at the stern.

q

Boatman who works for hire.

r

Drizzly.

s

Plank that extends crosswise in an open boat and serves as a seat.

t

Rope attached to a boat’s bow, used for securing or towing it.

u

Southern tip of Cornwall, site of numerous shipwrecks.

v

Vertical posts along the sides of a vessel’s upper deck to which the guardrail is affixed.

w

Curved part of a vessel’s stern.

x

What remains after the best of something has been used up.

y

Seaport in Cornwall.

z

Meals.

aa

Facial redness attributed to the drinking of rum (grog).

ab

Tarred rope fibers used for caulking seams.

ac

Western tip of the island of Java.

ad

Hatch of a compartment in a vessel’s bow.

ae

Coal broken into small pieces so it will burn quickly.

af

Forward part of a ship, below the deck, housing sailors’ quarters.

ag

Yard (horizontal pole that supports a sail) on the mainmast.

ah

Small cranes used to raise or lower a ship’s boats.

ai

Behind, or toward the stern.

aj

Adjust the horizontal poles that support the sails.

ak

Part of a ship’s hold used for storage.

al

Connecting platform.

am

Seamen from the Far East.

an

Respectively, Anyer and Jakarta, cities in Java.

ao

Length of a person’s outstretched arms, standardized to 6 feet.

ap

Disreputable people.

aq

Filled to the brim.

ar

Small anchor used for maneuvering a ship.

as

Beams supporting the anchor chain.

at

Mast above the topmast.

au

Upholstered seat for two or more people.

av

In Greek mythology, the personification of darkness; sometimes an alternate name for Hades.

aw

Rail at a vessel’s stern.

ax

Temporary rigging for a sail.

ay

Greek goddess of vengeance.

az

Town on the south shore of the Thames, 26 miles east of London.

ba

In the second paragraph of “Youth.”

bb

Familiar term for dominoes, which were often made of ivory.

bc

Mast to the rear of the mainmast.

bd

County in southeast England bordering on the North Sea and the north shore of the Thames.

be

Ports on the Thames.

bf

Merchants.

bg

Ships illegally engaging in trade.

bh

Ship with three banks of oars, usually rowed by slaves or convicts.

bi

Renowned wine from Campania (in southern Italy) praised by many classical Roman poets.

bj

Primary Roman naval base in northern Italy.

bk

Marlow’s first reference to Kurtz.

bl

The Congo.

bm

Street in London renowned as a center of business and journalism.

bn

Brussels, Belgium.

bo

This remark appears to be made in jest.

bp

Long, loose outer garment.

bq

Splendid.

br

Proto-psychiatrist.

bs

“ [Stay] calm, calm. Good-bye” (French).

bt

Boma.

bu

Loops.

bv

Explosive charge.

bw

Trundle bed; a low bed on casters.

bx

Port on the English Channel, in County Kent.

by

Mercenaries from the island of Zanzibar, near the coast of Tanzania.

bz

224 pounds; a stone is a British unit of weight equivalent to 14 pounds.

ca

Leopoldville, now Kinshasa.

cb

Sailor.

cc

Hardwood spears, usually iron-tipped.

cd

Bunglers.

ce

Evil spirit to whom the legendary Faust sells his soul; used here to mean a fiendish person.

cf

Table napkin.

cg

Large prehistoric reptile.

ch

Name of a mythical country of fabulous riches believed by sixteenth-century explorers to be located in South America.

ci

Abbreviation for confabulation; discussion.

cj

The manager’s uncle and his gang.

ck

Sound made by the blades of the paddle wheel (at the ship’s rear) making contact with the water.

cl

Members of the crew who cut wood as fuel for the steamship.

cm

Crewman responsible for stoking and monitoring the fire in the ship’s boiler.

cn

Stanley Falls, now Kisangani; the furthest navigable point upriver on the Congo.

co

For the steamship’s boiler.

cp

Elliptical or abbreviated language, as in a telegram.

cq

Devices for applying or increasing power, such as ropes and pulleys.

cr

Secret code.

cs

Gradually released.

ct

Breech-loading rifles.

cu

Sharply turned the ship.

cv

Pole used to gauge the water’s depth.

cw

Large, flat-bottomed boat used for hauling bulk materials.

cx

Another type of breech-loading rifle.

cy

Numerous shots fired simultaneously or in rapid succession.

cz

Devil.

da

Guns.

db

Both “shade” and “wraith” mean ghost, or apparition.

dc

Possibly human sacrifices, although the phrase is sufficiently ambiguous to suggest other meanings.

dd

Incompetent person.

de

Red-haired.

df

In some forms of comedy and pantomime, a buffoon who typically dresses in multicolored clothing.

dg

A cotton or linen fabric.

dh

Region and city in western Russia, southeast of Moscow.

di

Multicolored dress of a professional fool or jester.

dj

The binoculars Marlow has alluded to earlier in the paragraph.

dk

Food appropriate to be eaten by an ill person.

dl

Short rifle that can be fired several times without having to be reloaded after each shot.

dm

From Marlow’s aunt’s friends, who have represented him as an idealistic missionary.

dn

Ivory that has been buried in the ground, as Marlow has earlier observed.

do

Long, loose overcoat, originally made in Ulster, Ireland.

dp

Soil.

dq

Ancient.

dr

Steal.

ds

Stone coffin.

dt

Family.

du

Rustling.

dv

Pebbles.

dw

Two-wheeled carriage.

dx

Resisting being controlled by the reins attached to the bit in his mouth.

dy

Person who grazes cattle; more broadly, a rancher.

dz

Grove.

ea

Steps for passing over a fence or wall.

eb

Protective barrier.

ec

Corpses of the other people who had been on the ship.

ed

Bend in a coast that forms a bay.

ee

Part of the River Elbe that flows into the North Sea at Cuxhaven, Germany, northwest of Hamburg.

ef

Of or pertaining to the Roman Catholic order founded at Mount Carmel in the twelfth century.

eg

Ship masts and yards.

eh

Wood siding; horizontal boards serving as weatherproofing.

ei

Furnaces used for reducing limestone or shells to lime.

ej

Baby carriage.

ek

Long mountain range in central and eastern Europe.

el

Slavic.

em

Stout poles on a ship, such as those used to support rigging.

en

In or toward the middle of a ship.

eo

Wicker sleds.

ep

Flat-bottomed fishing boat.

eq

Farmyard or enclosure where piles of hay, corn, etc., are stored.

er

Monastic or monkish.

es

Bed of straw.

et

Member of the Church of England.

eu

Small pieces of cloth worn on the chest and back by some Roman Catholics.

ev

A hussar is a cavalry soldier, and a dolman the jacket he typically wears.

ew

Attempted.

ex

Surface at the back or side of a fireplace.

ey

Carriage.

ez

Former name of the Chao Phraya River, which flows through Bangkok into the Gulf of Siam (now Gulf of Thailand).

fa

Paknam is a Siamese port; a pagoda is a tall East Asian tower that serves as a temple or memorial.

fb

Cabin.

fc

Unfamiliarity (that is, with the ship and its crew).

fd

Range of perception.

fe

Compass stand.

ff

posts used for fastening cable at the foremast.

fg

Skylight for a lower deck or cabin.

fh

Private cabin.

fi

Rope rungs used by seamen to climb the rigging of the mizzenmast.

fj

Devices that keep objects stable in a rocking ship.

fk

Noose.

fl

Island off the southwest coast of Borneo.

fm

Exhausted.

fn

Eccentric.

fo

Braces are ropes used to control the horizontal motion of a yard; after here means aft, or toward the stern.

fp

Having a striking or impressive appearance.

fq

Scolding, denouncing.

fr

Tacking is sailing in a zigzag course in order to move opposite to the direction the wind is blowing.

fs

Moderately, fairly.

ft

Toward the lee, the side of the ship sheltered from the wind.

fu

Cambodian.

fv

Connects; provides passage to.

fw

Turning windward while tacking.

fx

British one-pound gold coins.

fy

Bottle holder.

fz

Head.

ga

In Greek mythology, a boat transporting dead souls to the underworld.

gb

Began to move backward.

gc

Forward end.